Contract for the purchase of a seat in the women's gallery of the Synagogue de Nazareth, located on the Rue Notre-Dame-de-Nazareth, in Paris. Seat paid for by Anselme Halphen.
Black-and-white offset print reproduction of the interior of the Synagogue de Nazareth, located on the Rue Notre-Dame-de-Nazareth, in Paris during the funeral service of Commandant Léon Franchetti, killed in the battle of Champigny. Published in the December 16, 1871 edition of L'Univers illustré.
Black-and-white engravings depicting a Jewish funeral, above, and a Jewish burial, below. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes) in the Great Synagogue of Amsterdam. Engraving by Pieter Tanjé after Louis Fabricius Dubourg. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 5, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes) in the Great Synagogue of Amsterdam. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
Black-and-white steel engraving of the Tomb of Absalom and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. Engraving after a drawing by Louis François Cassas. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white offset print reproduction of the Tomb of Absalom in Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes). From Het algemeen groot historisch, oordeelkundig, chronologisch, geografisch, en letterlyk naam- en woord-boek, van den gantschen H. Bybel by Augustin Calmet.
Black-and-white etching of a Jewish divorce. Etching by Jan Luyken. From Kerk-zeeden ende gewoonten die huiden in gebruik zijn onder de jooden by Leon Modena, published Amsterdam: Timotheus ten Hoorn.
Black-and-white steel engraving of the Tomb of Absalom, Tomb of Benei Hezir, and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. Engraving by Thomas Heawood after a drawing by Alexius Geyer. Printed and published Leipzig: A. H. Payne.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes). From An historical, critical, geographical, chronological, and etymological dictionary of the Holy Bible, Volume 1, by Augustin Calmet, published London: Printed for J. J. and P. Knapton, etc.
Caricature by Franklin Morris Howarth published in Puck. The text reads : 1 --Mr. Dawson: "Ah! I like these blustery, windy mornings." 2 --Mr. Dawson: "Phew! That was a gust." 3 --Itinerant hat collector: "Dings vas gomin' my vay. Dot vas a good ringer." 4 --Itinerant hat collector: "I vill schoost gover it mit dis odder von." --Mr. Dawson: "I don't wear cape coats after this. Where's my hat?" 5 --Mr. Dawson: "Well, I'll be hanged! My hat nowhere in sight. It must have blown over that wall. Well, I'm in a pretty fix! I'll catch my death of cold, bareheaded in this wind." 6 --Mr. Dawson: "Ah! Perhaps this Jew will sell me one of those hats. Have you a hat there to fit me, my friend? " 7 --The itinerant collector: "Dot vas too pad your hat plows over der vall. Yes, I haf a hat vat I schoost pought from Mr. Vanderbildt. Ach! So hellup me gracious! It vas schoost your size, undt I sell him for t'ree tollar." 8 --Mr. Dawson: "Mary, I had a very funny experience. My hat blew off and went over a garden wall. A hat peddler came along just in the nick of time and sold me this one for three dollars. It is just as good as new." 9 --Mrs. Dawson (in disgust): "James Dawson, there are no fools like an old fool! You had better wear a bonnet tied on with strings the next time you go out in the wind. This is your own hat, and has your name inside."
Hand-colored engraving of Jewish clothes merchants. Engraving after a drawing by Gustave de Galard. From Recueil des divers costumes des habitans de Bordeaux et des environs by Edmond Géraud, published Bordeaux: Lavigne jeune.
Sheet music for "Der Yidisher Trauer-March," by Arnold Perlmutter and Herman Wohl, published New York: Hebrew Publishing Company. On cover: Inspired by and written for the demonstration of December 5th, 1905, participated by 250,000 citizens of greater New York in tribute to the memory of the victims of Russian brutal massacres.
Caricature by Rose Cecil O'Neill published in the October 16, 1901, edition of Puck. The text reads : --Mrs. Bernstein (getting ready for the theater): "I see dere vas a real fire-engine in dis blay." --Bernstein (sulkily): "Den I von't go." --Mrs. Bernstein: "But it eggsblodes on der vay to der fire." --Bernstein (merrily): Hurry up, dear! Ve may be too late!"
Caricature by Eugene Zimmerman published in Judge. The text reads : --Mr. Cohen: "Remember, Shakey, you must be alvays ready if you aim to get rich in New York." --Jakey: "Yes, fadder. My motto in life shall be 'Ready, aim, fire!'"
Caricature by Eugene Zimmerman published in Judge. The text reads : -- Reuben (angrily): "I'll trouble you to let me by!" --Cohn brothers: "Let you buy? Certainly! Come right in! No trouble to show goots."
Satirical scene etched in red depicting four members of the committee around a treasure chest, which is empty of coins and occupied by a grinning demon. The Secretary holds upside down an empty bag inscribed "ils ont emigrè" ("they have emigrated"). One of the committee members takes from a Jew (at left) a dish on which a little demon is excreting coins. On the right, a large cupboard with packages labeled Recepissen (receipts) and Assignats (paper money issued during the French Revolution) falls forward on to the backs of two committee members, including the president of the Committee of Accounts. The Jew sells a figure which he assures the purchaser will, if nourished with the tears of the Orangists, give fifty ducats daily. This is better than the piles of assignats which threaten ruin. Territories conquered by France during the Revolution were forced to take assignats from French soldiers and to change them for receipts. Etching by William Humphrey after a caricature by David Hess. From Hollandia regenerata by David Hess.
Black-and-white offset print reproduction of the original building of the B'nai El Congregation at Sixth and Cerre Streets in St. Louis. Published in the November 1863 edition of Ballou's Dollar Monthly Magazine.
Black-and-white offset print reproduction of the exterior of the former location of Congregation Beth Israel on Crown Street in Philadelphia. From The stranger's guide in Philadelphia, published Philadelphia: Lindsay & Blakiston.
Black-and-white offset print reproduction depicting a Jewish musician in Mogadore (Essaouira). Published in the April 1863 edition of Ballou's Dollar Monthly Magazine.
Black-and-white lithographed portrait of Rabbi Marchand Ennery, Chief Rabbi of France. Lithograph by Hermann Raunheim. With Hebrew text of Psalm 119:15 : I will meditate in Thy precepts, and have respect unto Thy ways.
Black-and-white engraving depicting the tallit (prayer shawl) and tefillin (phylacteries) used during prayer. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white wood engraving depicting the tomb of Rabbi Simeon bar Yochai in Meron, site of celebrations for Lag BaOmer. Engraving after a drawing by Henry Fenn. From Picturesque Palestine, Sinai, and Egypt, Volume 1, edited by Charles William Wilson, published New York : D. Appleton and Co., 1881-1884.
Black-and-white etching of the interior of the exterior of the former location of Temple Emanu-El at 5th Avenue and 43rd Street in New York. Etching signed by the artist Curt Szekessy.
Black-and-white offset print reproduction depicting Rosh Hashanah in the synagogue. From The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies, published London: Religious Tract Society.
Black-and-white woodcut depicting the prestly blessing on Yom Kippur. From Libellus de Judaica confessione by Johannes Pfefferkorn, published Cologne: Johannes Landen.
Black-and-white offset print reproduction of Shavuot in the synagogue. From The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies, published London: Religious Tract Society.
Black-and-white engraving depicting consuming the Passover lamb, as described in Exodus 12. Engraving by Johnn Gottfried Krügner. From Biblia das ist: Die gantze Heilige Schrifft Altes und Neues Testaments, translated by Martin Luther, published Leipzig: Verlag Johann Ludwig Gleditsch.
Black-and-white engraving entitled depicting "express travel" to the Sabbath. One man whips a horse, urging it to go faster, while another holds up a timepiece.
Color lithographic maps showing the dispersal of the descendants of Noah after the flood, and the twelve tribes of Israel, with additional biblical maps. From Cram's universal atlas : geographical, astronomical and historical by George F. Cram, published Chicago: George F. Cram.
Donnerstag (Thursday). In German, the text reads : "Der Tag an den mann wird gemahnt / Die Schulden zu bezahlen, / Kommt oft so schnell herbeigerant / Das mann erschrickt zumalen; / Wenn mann Just nicht bei Gelde ist, / Ach! da macht einem Jud und Christ. Wahrhaftig Donnerstäge." In English, the text reads : "The day on which one is reminded / To pay the debts, / It often sneaks up on one so quickly, / That one becomes the picture of shock. / When one doesn't have access to the money, / Oh! As does a Jew and a Christian."
Color maps of ancient and modern Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature by William Smith, published Philadelphia: John C. Winston Company.
Color lithographic map of Jerusalem. From Cram's universal atlas : geographical, astronomical and historical by George F. Cram, published Chicago: George F. Cram.
Black-and-white lithographed portrait of Lelio Cantoni, Chief Rabbi of the Jewish universities of Piedmont. Lithograph by D. Festa after a drawing by Petronilla.
Print reproduction of a color lithograph depicting the exterior of a planned Jewish hospital to be built in Jersualem with funds bequeathed by Judah Touro, as well as a lithograp of plans for the hospital. Original lithographs by Vincent Brooks. Plans to build the proposed hospital were abandoned when the Rothschild family established a hospital in the city. Reproduction printed on the occasion of the 28th year of Israeli Independence and on the 200th year of American Independence, published Philadelphia: The Winchell Co.
Black-and-white engraving depicting a woman fulfilling the three mitzvot (commandments) for Jewish women: niddah (family purity), nerot (lighting of candles), and challah (separating a portion of dough). Frontispiece to Seder ha-tefilot : mi-kol ha-shanah ʻim perush bi-leshon Ashkenaz, published Amsterdam: Moshe ben Avraham Mendes Ḳoṭinyo.
Hand-colored engraving of the exterior of the Israelitisches Krankenhaus Hamburg. Drawn and engraved by James Grey. Published Hamburg: B. S. Berendsohn.
Black-and-white wood engraving depicting the Jewish Quarter in Safed. Engraving after a drawing by Henry Fenn. From Picturesque Palestine, Sinai, and Egypt, Volume 2, edited by Charles William Wilson, published London: J. S. Virtue and Co., 1881-1884.
Black-and-white engraved portrait of historian Josephus (born Joseph ben Matityahu). Engraving by John B. Neagle. Frontispiece to The genuine works of Flavius Josephus, the Jewish historian : containing twenty books of the Jewish antiquities, seven books of the Jewish war, and the life of Josephus, written by himself... by the late William Whiston... Revised, and illustrated with notes, by the Rev. Samuel Burder..., published Boston: Printed and published by S. Walker, Newbury-Street.
Sheet music cover for "Levi Lion, or thats the best link in an Isralites chain; a new comic song," written by an amateur; adapted by I. Lawson, published London: J. Fentum.
Caricature published in the Düsseldorfer Monathefte, Band 7, No. 31. In German, the text reads : --Gerichtsvollzieher: "Herr Hirsch treten Sie ein, nehmen Sie das Ihnen zuerkannte Pferd in Empfang - Sie stehen sich von allen Gläubigern am Besten." --Hirsch: "Wai - was seh ich - der Gaul is capot, is das mei Deckung für 800 Thalersch?" --Stalljung: ""Das hab' ich mir glaich gedacht, dass das arme Thier krepiert wird sai - seit 4 Wochen konnt ich ihm kai Futter bringe - weil der Stall von Gerichtswegen versiegelt war." In English, the text reads : --Bailiff: "Enter, Mr. Hirsch, take in the horse you were awarded. You are the top of the list of creditors." --Hirsch: "Oh - what am I seeing - the horse is ruined, is this my cover for 800 thalers?" --Stable boy: "That's the same thought I had, that the poor animal will die - for four weeks I could bring him no food - because the stable was sealed by the court."
Caricature published in the Düsseldorfer Monathefte, Band 9, No. 7. In German, the text reads : --"Gott Mosis - was bringst Du denn da für ne Alte Schachtel mit?" --"Herr Baraun, s'ist meine Frau - ihre Aussenseite verspricht nicht viel aber für ihr Inneres kann ich garantieren, - s'ist ausgeseichnet?" --"Gott Mosis - lass sie doch wenden." In English, the text reads : --"Oh, God, Mosis - what sort of ugly hag did you bring with?" --"Herr Baraun, she is my wife - her outer appearance doesn't promise much, but I can guarantee that her heart is exquisite." --"Oh, God, Mosis - just let her turn around."
Black-and-white illustration of two men described as "Twee Vrienden van den Prins" ("two friends of the prince"). The accompanying story entitled "Modern Zeden" ("modern mores") describes two moneylenders, pictured here, and a prince who gives into their demands in order to receive money from them. Published in Asmodée: geillustreerde almanak.
Black-and-white wood engraving depicting a peddler mistaking an artist with a pack and portfolio for another peddler. Wood engraving by J. Augustus Bogert after an illustration by William de la Montagne Cary. Published in The Aldine, Volume 6.
Caricature published in the Düsseldorfer Monathefte, Band 9, No. 1. In German, the text reads : --"Sarchen, wie hat dir gefallen de Ariadne auf Naxos?" --"Nu? Ariadne könnt mer schon gefalle, aber das Naxos nicht." In English, the text reads : "Dear Sarah, how did you like Ariadne on Naxos?" --"Nu? I could like Ariadne, but not Naxos." Ariadne auf Naxos is an opera by Richard Strauss.
Caricature published in the Düsseldorfer Monathefte, Band 9, No. 8. In German, the text reads : --"Wai, verfluchter Hund - willst Du meinen Figaro loslassen." --"Mauschel lass ihn doch die Paar Knöchelchen abnagen." In English, the text reads : --"Get, you damned dog - will you let go of my Figaro." --"Mauschel, just let him chew on those couple of little bones."
Black-and-white steel engraving depicting priestly a Jewish priest in his vestments. Engraving after a drawing by Vernier. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white offset print reproduction depicting the marriage ceremony of Albert Salomon von Rothschild and Bettina Caroline de Rothschild in the Grand Synagogue of Paris. From a drawing by Henri Meyer. Published in the April 2, 1876, edition of Le Journal illustré.
Black-and-white offset print reproduction depicting a Jewish marriage ceremony. Original illustration by Irving R. Wiles. From the article "The Jews in New York--II" by Richard Wheatley, published in the February 1892 edition of The Century Magazine.
Black-and-white offset print reproduction depicting the removal of the Torah scrolls from the ark at the West London Synagogue on Upper Berkeley Street. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Caricature published in the Düsseldorfer Monathefte, Band 8, No. 5. In German, the text reads : --"Jude, was ist das für eine Betrügerei?? Bei den renomistischen Anzeigen bekommt man ein Zeug, das nicht zu rauchen ist." --"Wai geschrien, Ihr Herren, es ist kein Betrug, doch bekannt ist, dass Eigenlob stinkt." In English, the text reads : --"Jew, what sort of scam is this?? In the boastful advertisements, you get some stuff that isn't even good enough to smoke." --"Oh, quit yelling, gentlemen, it is no scam, but it is well known, that self-praise stinks." The sign on the cigar store reads: "Here is the best variety of tobacco in the world."
Caricature published in the Düsseldorfer Monathefte, Band 8, No. 34. In German, the text reads : --"Soll uns Gott behüte, was thust de, reitst auf den Schacher an so hohem Fasttag?" --"Üh wie komm ich mir vor - woas für'n Fasttag?" --"Nu - Zerstörung Jerusalems - --"Was kümmerts mich - hab ich doch ka Haus in Jerusalem." In English, the text reads : --"May God protect us, what are you doing, are you riding off to haggle on such an important fast day?" --"Ugh, how do I feel about this - what sort of day of fasting?" --"Nu - the destruction of Jerusalem -" --"What do I care - I don't have a house in Jerusalem."
Caricature published in the Düsseldorfer Monathefte, Band 8, No. 9. In German, the text reads : --"Sagens mol sachverständiger Maister von de Kunst, mein Sohn wird doch später sehr fain werden, schauns schwarze Augen, schwarze Haare hat er schon und wenn er alt wird werden so kriegt er noch ä krümmer Nas." In English, the text reads : --"Say, knowledgeable master of the arts, my son will become very attractive later in life, look at his black eyes, he already has black hair and when he gets older he'll get a crooked nose as well."
Caricature published in the Düsseldorfer Monathefte, Band 8, No. 39. In German, the text reads : --"Denken Sie sich Herr Commerzienrath, da hab ich gestern und heute den ganzen Tag auf einem Wechsel gestanden, und hab nichts drauf gekriegt." --"Das macht, weil Sie nicht seind solid Baronsche, steh ich auf à Wechsel kriege Se überall was drauf." In English, the text reads : --"Do you think of yourself as a Commerzienrath, while I spent all day yesterday and today at the Exchange, and received nothing for it." --"That's due to the fact that you are not a baron, if I were to stand at the exchange, you would have received something from everywhere."
Caricature published in the Düsseldorfer Monathefte, Band 7, No. 2. In German, the text reads : --"Wo sind se gewese?" --"Bin gewese ins Theater." --"Was habe se gegebe?"-- "24 Kreizer." --"Ich meine was für ä Stück." --"Nu, ein Sechsbatzner." --"Ach das is jo nich zum Aushalte." --"Das hab ich aach gefunde, drum bin ich weggange." In English, the text reads : --"Where were you?" --"I was at the theater" --"What did they have?" --"24 Kreuzer." --"I meant, what type of piece." --"Nu, a Sechsbatzner." --"Ah, that's unberable!" --"That's what I thought too, which is why I left." Kreuzer and Batzen are silver coins; 24 Kreuzer equals 6 Batzen (Sechsbatzner).
Black-and-white engraving depicting a Jewish marriage ceremony. Engraving by William Kneass. From A dictionary of the Holy Bible : containing an historical account of the persons, a geographical and historical account of the places, a literal, critical, and systematical description of other objects, whether natural, artificial, civil, religious, or military... by John Brown, published Pittsburgh: Zadok Cramer.
Color lithograph depicting people of Algeria, including a Jewish man. Lithograph by Jean-Adolphe Bocquin after Felix Fossey. From Le monde en estampes : types et costumes des principaux peuples de l'univers by Élizabeth Müller, published Paris: Amédée Bédelet.
Black-and-white engraving of a Jewish man and woman from Algiers. From Histoires de la Chine, du Japon, de la Perse, de l'Inde, de l'Arabie, de la Turquie, de l'Égypte, de l'Algérie, etc. depuis les temps les plus reculés jusqu'en 1840 by de Saurigny, published Paris: Duménil.
Hand-colored engraving of a Jewish man and woman from Algiers. Engraving by E. Vermocken. From Les moeurs et costumes de tous les peuples, d'après les documents les plus authentiques, les voyages les plus récents et des matériaux inédits by Casimir Henricy, published Paris: Librairie ethnographique.
Caricature of Jews selling old clothes on Chatham Street in New York. From Pictures of New York life & character, published New York: G.W. Averell & Co.
Sheet music for "Nach Grosswardein : Jux-Marsch nach orientalischen Motiven für Pianoforte," words by Anton Groiss; music by Hermann Rosenzweig, published Budapest: Zipser & König.
Black-and-white etched portrait of well-known Jewish peddler Mordechai Löb (1745-1817) of Schlüchtern, known as the "Preusje von Schlüchtern." Etching by Ludwig Emil Grimm.
Black-and-white engraving depicting a Jewish circumcision. From An historical, critical, geographical, chronological, and etymological dictionary of the Holy Bible, Volume 1, by Augustin Calmet, published London: Printed for J. J. and P. Knapton, etc.
Black-and-white engraved portrait of Moses and the Ten Commandments. Engraving by Robert Nanteuil and Gérard Edelinck after a painting by Philippe de Champaigne.
Black-and-white engraving of a Jewish high priest in his vestments. Engraving by Peter Maverick. From Calmet's great Dictionary of the Holy Bible : historical, critical, geographical, and etymological… by Augustin Calmet, published Charlestown, Mass.: Printed and sold by Samuel Etheridge.
Black-and-white engraving depicting a Jewish circumcision. Engraving by George Bickham. From The Universal Penman by George Bickham, published London: Printed for the author.
Black-and-white engraving of a Jewish high priest in his vestments. From Calmet's great dictionary of the Holy Bible : historical, critical, geographical, and etymological… by Augustin Calmet, published London: Printed for Charles Taylor.
Black-and-white engraving of a Jewish priest in his vestments. From Calmet's great dictionary of the Holy Bible : historical, critical, geographical, and etymological… by Augustin Calmet, published London: Printed for Charles Taylor.
Print reproduction of James Tissot's painting Treasurers and the Keepers of the Vases. With text from I Chronicles 26:20 : "And of the Levites, Ahijah was over the treasuries of the house of God, and over the treasuries of the hallowed things."
Print reproduction of James Tissot's painting Solomon Dedicates the Temple at Jerusalem. With text excerpted from I Kings 8:23 : "And he said: 'O Lord, the God of Israel, there is no God like Thee, in heaven above, or on earth beneath."
Black-and-white engravings depicting Sukkot at the Portuguese Synagogue in Amsterdam, above, and Portuguese Jews in a sukkah during Sukkot, below. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Photographic reproduction of a painting by Hermann Junker depicting a Yom Kippur service held by Rabbi Isaak Blumenstein of Mannheim for Jewish soldiers during the Franco-Prussian War. Photographic reproduction by Hermann Emden. Published Frankfurt am Main: Verlag v. Heinrich Keller.
Photographic reproduction of a painting by Hermann Junker depicting a Yom Kippur service for Jewish soldiers during the Franco-Prussian War. Photographic reproduction by Hermann Emden. Published Frankfurt am Main: Verlag v. Heinrich Keller.
Black-and-white engraving depicting sacrifices at the Temple for Sukkot. Engraving by Coenraad de Putter. From Histoire universelle, depuis le commencement du monde, jusqu’à présent, Volume 7, published Amsterdam: Arkstée et Merkus, 1742-1782.
Print reproduction of Leopold Pilichowski's painting The Opening of the Hebrew University in Jerusalem, depicting the ceremonies held on April 1, 1925. Notables, including Herbert Samuel, Chaim Weizmann, Nahum Sokolow, Hayim Nahman Bialik, and Chief Rabbi Abraham Isaac Kook, are grouped about Arthur Balfour, who is seen delivering the inaugural address.
Black-and-white wood engraving of the Tomb of Absalom in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. From Palästina in bild und wort : Nebst der Sinaihalbinsel und dem lande Gosen by Georg Ebers, published Stuttgart: Deutsche Verlags-Anstalt.
Hand-colored engraving of the Tombs of the Sanhedrin in Jerusalem. Engraving by Giuseppe Bramati. From Descrizione della Palestina, o, storia del vangelo by Giulio Ferrario, published Milan: Milano, Società tipog. de' classici italiani.
Caricature. The text in German reads : --Bauer: "Wolf - wie kimmts doch, daß ihr Juden o' Schwain nit loide könnt?" --Jude: "Is doch nich immer der Fall - wir Zwa sein doch die besten Freunde." In English, the text reads : --Peasant: "Wolf - how is it, that you Jews can't stand pigs?" --Jew: "That isn't always the case - we two are the best of friends."
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William A. Rosenthall Judaica Collection - Prints and Photographs✖[remove]1,588
![[Joodsche Echtscheiding]](https://iiif.library.cofc.edu/iiif/2/48913/full/200,/0/default.jpg)
![[Departure of the Polish Jews through the Gate]](https://iiif.library.cofc.edu/iiif/2/52664/full/200,/0/default.jpg)
![[Le Taled ou Voile, les Zizith ou Houpes, les Teffilins ou Frontaux, & quelques autres Usages qui regardent la Prière]](https://iiif.library.cofc.edu/iiif/2/48898/full/200,/0/default.jpg)
![[Yom Kippur]](https://iiif.library.cofc.edu/iiif/2/48936/full/200,/0/default.jpg)
![[Paque]](https://iiif.library.cofc.edu/iiif/2/48937/full/200,/0/default.jpg)
![[Rus. Kossaken]](https://iiif.library.cofc.edu/iiif/2/39976/full/200,/0/default.jpg)
![[Herr Hirsch treten Sie ein…]](https://iiif.library.cofc.edu/iiif/2/36528/full/200,/0/default.jpg)
![[Gott Mosis - was bringst Du denn da für ne Alte Schachtel mit?...]](https://iiif.library.cofc.edu/iiif/2/36529/full/200,/0/default.jpg)
![[Sarchen, wie hat dir gefallen de Ariadne auf Naxos?...]](https://iiif.library.cofc.edu/iiif/2/36533/full/200,/0/default.jpg)
![[Wai, verfluchter Hund…]](https://iiif.library.cofc.edu/iiif/2/36532/full/200,/0/default.jpg)
![[Jude, was ist das für eine Betrügerei…]](https://iiif.library.cofc.edu/iiif/2/36398/full/200,/0/default.jpg)
![[Soll uns Gott behüte, was thust de…]](https://iiif.library.cofc.edu/iiif/2/36399/full/200,/0/default.jpg)
![[Sagens mol sachverständiger Maister von de Kunst…]](https://iiif.library.cofc.edu/iiif/2/36401/full/200,/0/default.jpg)
![[Wo sind se gewese?...]](https://iiif.library.cofc.edu/iiif/2/36402/full/200,/0/default.jpg)
![[André Masséna]](https://iiif.library.cofc.edu/iiif/2/36103/full/200,/0/default.jpg)
![[Circumsicion]](https://iiif.library.cofc.edu/iiif/2/35894/full/200,/0/default.jpg)
![[Circumsicion]](https://iiif.library.cofc.edu/iiif/2/35895/full/200,/0/default.jpg)
![[The Opening of the Hebrew University in Jerusalem]](https://iiif.library.cofc.edu/iiif/2/35689/full/200,/0/default.jpg)
![[Tombe dei Profeti o Giudici d'Israele]](https://iiif.library.cofc.edu/iiif/2/35660/full/200,/0/default.jpg)
![[Wolf - wie kimmts doch…]](https://iiif.library.cofc.edu/iiif/2/35704/full/200,/0/default.jpg)