In 1967, Historic Charleston Foundation was deeply concerned about the conditions of the downtown area, particularly the commercial blocks of King Street. Because the Foundation believed that the survival of King Street as a thriving retail shopping district was vital, it launched a feasibility study to determine the potential of the area. The study examined traffic patterns, land use, and historical significance. It is assumed that this photographic survey of King Street buildings was done in conjunction with the feasibility study. The survey contains 74 photographs of King Street buildings between Broad and Calhoun Streets, both B&W and color, mounted on the pages of a photograph album. The survey also includes four drawings showing the footprints of King Street buildings between Broad and Columbus Streets, color-coded to indicate the historical significance, area conditions, and proposed reuses.
Historic Charleston Foundation
Clarence E. Chapman, a New York financier and stockbroker, and his wife Adelaide, purchased Mulberry Plantation (a/k/a Mulberry Castle) in 1916 at which time they undertook the restoration of the main house and rehabilitation of the grounds and outbuildings over the next several years. Mulberry Plantation was thus transformed into a site of leisure and recreation for the Chapmans and their guests.
This compilation of “home movies” shows Mr. and Mrs. Chapman during their vacations at Mulberry over a five-year period (ca. 1927-1932). The footage contains scenes of the Chapmans entertaining their guests as well as Mulberry Plantation laborers performing various service functions.
The silent B&W film footage is comprised of several reels of 8mm film that had originally been transferred to videotape sometime in the 1990s and later digitized. The time frame of the footage spans ca. 1927-1932; however, it was assembled in no particular order. Highlights of the footage include:
- Panoramic views of the main house and grounds of Mulberry Plantation, including the landscape and gardens (both before and after the installation of Loutrel Briggs designs). Also features views of various secondary buildings and other locations on the grounds, e.g., the boat house, kitchen building, caretaker’s house, slave cabins, entrance gate, rice fields, kitchen garden shed, farm buildings, and river views.
- Scenes of deer and duck hunting, picnicking, camping, horseback riding, and other leisure activities.
- Visits to neighboring Berkeley County landmarks such as St. James Church, Strawberry Chapel, Pompion Hill, Rice Hope Plantation
- Departures from and arrivals at the train station (Moncks Corner?) and the aftermath of a train wreck
See also the related Historic Charleston Foundation collection of photographs, “Rice Harvest at Mulberry Plantation.”
For more information about the acquisition of Lowcountry plantations by the Chapmans and other wealthy northerners in the early 20th century, see Leisure, Plantations, and the Making of a New South: The Sporting Plantations of the South Carolina Lowcountry and Red Hills Region, 1900-1940, edited by Julia Brock and Daniel Vivian (Lanham, MD: Lexington Books, ), and Northern Money, Southern Land: The Lowcountry Sketches of Chlotilde R. Martin, edited by Robert B. Cuthbert and Stephen G. Hoffius (Columbia, S.C.: University of South Carolina, c2009).
In the 1950s many houses in Ansonborough were threatened with ”demolition by neglect,” having stood vacant or fallen into severe disrepair. In order to encourage homebuyers to move into the neighborhood to save these formerly unwanted treasures, Historic Charleston Foundation (HCF) was the first organization in the country to develop the Revolving Fund as a preservation strategy. The initiation of this fund in 1958 enabled HCF to begin the Ansonborough Rehabilitation Project, an extraordinary effort to save a six-block neighborhood bordered by Market, Calhoun, East Bay, and Meeting Streets. Through the Revolving Fund, HCF sought to purchase, stabilize and resell historic properties with protective covenants in Ansonborough where more than 60 structures were rehabilitated over a 12-year period. The accomplishment was hailed nationwide, and other preservation programs across the United States modeled local initiatives on the Charleston program. HCF’s Ansonborough Rehabilitation Project is considered one of the first successful attempts in the country to preserve an entire neighborhood.
For ease of access, this collection can also be browsed by folder:
- Folder 01: General Histories of Ansonborough
- Folder 02: Lord Anson
- Folder 03: House Interpretations/Histories
- Folder 04: Revolving Fund - Origins
- Folder 05: ARP Planning Notes and Progress Reports
- Folder 06: Covenants
- Folder 07: Property Sales
- Folder 08: Publicity
- Folder 10: Ansonborough Neighborhood Association
- Folder 12: Open-space Study/Beautification
- Folder 13: Trees
- Folder 14: Signs
- Folder 15: Zoning
- Folder 16: Plats
- Folder 17: Maps of District
- Oversized Materials
Related collections also include: Ansonborough Rehabilitation Project Photograph Survey
“The proposal to build a hotel and convention center complex in the heart of Charleston ignited a fierce debate in Charleston in the late 1970s and early 1980s that divided public opinion locally and attracted considerable attention nationally.” While Historic Charleston Foundation expressed neither support nor opposition for the development of the block, it played a significant role in advocating for appropriate height, scale, and mass, and in voicing concern for the anticipated dramatic increase in tourists. After years of controversy, legal wrangling, negotiations, and design reviews and revisions, the ground-breaking for the hotel occurred in early 1985. Charleston Place opened in the fall of 1986.1
As it did with several other rehabilitation and revitalization projects over the years, Historic Charleston Foundation photographed the site of the proposed development and its environs, comprising the entire block bounded by Meeting, Market, King, and Hasell Streets. This photographic survey consists of 110 black-and-white photographs of buildings, streets, and sites that would be impacted by the construction project that was initially called the Charleston Center, now known as Charleston Place.
1Historic Preservation for a Living City by Robert Weyeneth (Columbia, S.C.: University of South Carolina Press, 2000).
Thirty-five late-19th century photographs of scenes in Charleston, South Carolina; Georgetown, South Carolina; and (likely) Flat Rock, North Carolina, affixed to pages removed from a photograph album, five to six photos on each side. Many depict leisure activities and rice cultivation at what is likely a Georgetown County plantation. The collection also includes river and beach scenes.
Note: It is possible that these photographs document some of the travels of designer, artist, Newcomb potter, and Charleston native Sabina Elliott Wells, as there are two photographs in which she may be featured. Her travels to Georgetown and western North Carolina in the late 1890s are documented in journals at the South Carolina Historical Society. This likelihood is the basis for the location descriptions and date of the collection.
Sixteen ca. 1920s photographs of scenes in Charleston, South Carolina, affixed to pages removed from a photograph album, four photos on each side. Includes views of the Charleston waterfront, the Ashley River Bridge, Hampton Park, and aerial views across the Charleston peninsula.
Note: Zoom in on the photographs to see the landscapes! The landmark buildings seen in both the waterfront and aerial views were identified this way and are provided in the descriptions to better convey the location of the views. Boundaries, where noted, are approximate.
Since its founding, Historic Charleston Foundation had been nursing its interest in the rehabilitation of an entire neighborhood. However, a formal plan had not been devised until the late 1950s, a time when the historic Ansonborough neighborhood was in a state of decline, with many formerly grand houses in a state of severe disrepair and vacant. By 1958, HCF initiated a plan to rehabilitate several blocks in Ansonborough by developing the nation’s first revolving fund as a preservation strategy. Thus began the Ansonborough Rehabilitation Project, an extraordinary effort to save the neighborhood within an area bordered by Calhoun, East Bay, Market, and Meeting Streets. Through the Revolving Fund, HCF purchased, stabilized, and then resold historic properties to preservation-minded buyers with protective covenants attached to the deeds. Almost sixty structures were rehabilitated over a twelve-year period. The accomplishments of the Ansonborough Rehabilitation Project were hailed nationwide, and other preservation programs across the United States modeled local initiatives on the Charleston program.
This collection is photographic survey of Ansonborough properties, consisting of 228 black-and-white photographs of houses and buildings on Anson, East Bay, George, Hasell, Laurens, Meeting, Society, and Wentworth Streets. The survey documents the neighborhood prior to the Ansonborough Rehabilitation Project, and shows the condition of each structure before rehabilitation, before demolition, and, in some cases, before relocation.
Related collections also include: Ansonborough Rehabilitation Project
Mulberry Plantation is believed to have received its name because of an early interest in raising silk, as worms that spin silk generally feed on Mulberry leaves. However, the plantation was more successful as a rice plantation. Rice was cultivated at Mulberry Plantation from colonial days until 1918. Rice cultivation was difficult and dangerous work completed by slave labor. Slaves would clear the land, chopping down all trees and stumps. They would then excavate canals to bring tidal waters into the field. Trunks, or dams, were constructed to drain the water from the field for sowing and flood it for cultivation. Rice seeds would be coated with clay before they were planted so they would not float away when the fields were flooded. After the rice was harvested, the grain was beaten from the stalk with flailing sticks. The rice was then milled and winnowed to separate the grain from the chaff.
This collection consists of thirty-four photographs of Mulberry Plantation field workers performing various rice cultivation activities including preparing the field, planting, and winnowing. They are dated 1916-1918, and document the final rice harvest done at Mulberry.
Thirty-nine ca. 1960 black-and-white photographs of houses and buildings on Alexander, Charlotte, Elizabeth, and Meeting Streets within Mazyckborough-Wraggborough.
The White Pine Series of Architectural Monographs was created under the auspices of the White Pine Bureau to encourage the use of white pine as a building material. The by-monthly series was edited by Russell F. Whitehead, former editor of The Architectural Record and The Brickbuilder, with advertising support from Weyerhaeuser Forest Products, a Minnesota-based company. Even though intended to be promotional, each issue provided visual documentation of classical and unique applications of White Pine, illustrated with photography of the time and drawings (including measured drawings), along with detailed essays by well-respected American architects and builders. The Monographs became an industry favorite, gaining loyal readership across the country and becoming popular as a resource for architecture researchers of architecture. (Sources: Russell F. Whitehead Finding Aid, Minnesota Historical Society; “The White Pine Monographs,” Northeastern Lumber Manufacturing Association website)
The Margaretta Childs Archives collection consists of the five issues of the White Pine Series of Architectural Monographs that highlighted Charleston architecture, each published in 1928: “The Charm of Charleston: A New World City of Old World Memories”; “A Town House of Charleston, South Carolina: The William Gibbes Residence “; “Some Charleston Mansions”; “Charleston Doorways: Entrance Motives from a South Carolina City”; and “The Edwards-Smyth House.” Each issue contains an introductory essay; photographs by Kenneth Clark of buildings, street scenes, views, and architectural details; and measured drawings (measured and drawn by Kenneth Clark) from the George F. Lindsay Collection of Early American Documents. The issues also contain wood construction details (by Weyerhaeuser) pertaining to a featured house and company information about Weyerhaeuser Forest Products.
The collection also includes thirty-three original gelatin silver photographs by Kenneth Clark, most of which were reproduced in three of the five issues Charleston-related issues.
- George W. Williams Photograph Collection
- Charles Fraser Sketchbook, 1793-1796
- Civil War and Reconstruction Era Stereoscope Photographs of the Port Royal Region
- L.A. Hall Collection of Mid-19th Century Stereoscopic Images
- William ("Bill") Saunders Papers, circa 1950 - 2004
- Edisto Island Historic Preservation Society Oral Histories
- Millicent E. Brown Papers, 1949 - 2003
- Anna D. Kelly Papers, 1930s - 1999
- Book Lovers' Club, 1927 - 1969
- YWCA of Greater Charleston, Inc., Records, 1906 - 2007
News & Events
- Announcing the Completion of our NHPRC Grant!
- The "Eugene C. Hunt Papers, 1834 - 1994" Are Now Available for Research Use on the LCDL!
- The "Charleston Branch of the NAACP Papers" are Live on the LCDL!
- New! LDHI Publishes Online Exhibition about Civil Rights Leader Septima P. Clark
- Survey! Help Us Improve LCDL
- Accepting Applications for Temporary Staff Position at LCDL!
- Announcing a New Collection: "J. Arthur Brown Papers, 1937-1988"
- Additions to the “Cleveland L. Sellers, Jr. Papers, 1934-2003" Collection Now Available on the LCDL!