Hand-colored engraving of Jewish clothes merchants. Engraving after a drawing by Gustave de Galard. From Recueil des divers costumes des habitans de Bordeaux et des environs by Edmond Géraud, published Bordeaux: Lavigne jeune.
Black-and-white engraving depicting a Jewish burial. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Hand-colored etching of a scene from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Etching by Johann Michael Voltz. In German, the text reads : "Gaih! Gaih! - Loss dich tretten von de Leit, loss dich warfen aus de Stuben, loss dich verklagen bey de Gerichte, loss dich setzen ins Hundeloch, loss dich binden mit Strick und Ketten, loss dich martern halb taud! Aber du musst doch werden raich!" In English, the text reads : "Go! Go! Let yourself be stepped on by people, let yourself be thrown out of rooms, let yourself be denounced to the courts, let yourself be pushed into kennels, let yourself be bound with cords and chains, let yourself be martyred half to death! But you must become rich!"
Black-and-white engraving depicting Yom Kippur at the Ashkenazi Obbene Shul in Amsterdam. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Hand-colored etching of a scene from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Etching after Johann Michael Voltz. In German, the text reads : "Harr Kerperol, Harr Affezier, Harr Generol! Hebbe Se de Gnod, hebbe Se dä grausse Gnod und lasse Se mich nit schiessen. Ich halt es nit aus, ich künns nit vertragen, ich künn nit riechen dä Pulver, ich fall in dä Ohnmacht!" In English, the text reads : "Sir Corporal, Sir Officer, Sir General! Have mercy, have great mercy and don't leave me under fire. I can't stand it any more, I can't endure it, I can't smell the gun powder any longer, I am going to faint!"
Black-and-white engraving depicting blowing the shofar on Rosh Hashanah at the Portuguese Synagogue in Amsterdam. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Hand-colored etching depicting the Hep-Hep riots against Jews in Frankfurt. Participants in these riots rallied to the cry, "Hep! Hep!" The image contains Christians of different social classes beating and targeting Jews, as well as looting their homes. Two peasant women are assaulting a Jew with a pitchfork and a broom. A man wearing a waistcoat and cravat, of a higher social class, has a Jew by his throat and is aiming to beat him with a stick. Etching by Johann Michael Voltz.
Black-and-white engraving depicting a Jewish funeral. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Sheet with hand-colored etchings of Jewish characters from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Engraving by Johann Michael Voltz.
Sheet with hand-colored etchings of Jewish characters from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Engraving by Johann Michael Voltz.
Sheet with hand-colored etchings of Jewish characters from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Engraving by Johann Michael Voltz.
Hand-colored etched satirical portrait of merchant Samuel Samuel (1775-1873). Drawn, etched, and published by Richard Dighton, January 1818. Reissue published by Thomas McLearn, 26 Haymarket, 1824.
Black-and-white engraved map of places recorded in the Torah, with an inset map of eastern countries also mentioned. From The Holy Bible, containing the Old and New Testaments, together with the Apocrypha / translated out of the original tongues, and with the former translations diligently compared and revised..., published Philadelphia: M. Carey & Son.
Hand-colored engraving depicting a Jewish man holding a mezuzah. Engraving by Castelli. From Le Costume ancien et moderne, ou, Histoire du gouvernement, de la milice, de la religion, des arts, sciences et usages de tous les peuples anciens et modernes, Asia, Volume 3, by Giulio Ferrario, published Milan: De l'imprimerie de l'editeur, 1815-1829.
Black-and-white lithographed satirical portrait of financier Nathan Mayer Rothschild. Printed Leipzig: E. Pönicke. From an original by Richard Dighton.
Hand-colored engraving depicting Saul before the Jewish high priest. Engraving by Giovanni Bigatti. From Le Costume ancien et moderne, ou, Histoire du gouvernement, de la milice, de la religion, des arts, sciences et usages de tous les peuples anciens et modernes, Asia, Volume 3, by Giulio Ferrario, published Milan: De l'imprimerie de l'editeur, 1815-1829.
Hand-colored engraving depicting the standards of the Twelve Tribes of Israel, along with the Tabernacle, above right. Illustration of Numbers 2:2 : "The children of Israel shall pitch by their fathers' houses; every man with his own standard, according to the ensigns; a good way off shall they pitch round about the tent of meeting." Below, a Torah scroll and its ornaments. Engraving by Castelli. From Le Costume ancien et moderne, ou, Histoire du gouvernement, de la milice, de la religion, des arts, sciences et usages de tous les peuples anciens et modernes, Asia, Volume 3, by Giulio Ferrario, published Milan: De l'imprimerie de l'editeur, 1815-1829.
Hand-colored etching of the contest between boxers Abraham Belasco and Jack Randall. The text reads : "This fight took place at Shepperton-Point near Oatlands, on Tuesday Septr. 30, 1817, in a 24 Feet ring, for 50 Guineas a side; and after a contest of 54 Minutes was decided in favor of Randall. The Morning Chronicle, Bell's Weekly Dispatch, Ducket's and other Newspapers, state this fight to have been, on both sides, the finest display of Science and bodily activity witnessed for many Years." Etching by Charles Williams. Published London: S. W. Fores.
Hand-colored aquatint of a Jewish man from Poland. Engraving by Philibert-Louis Debucourt after a drawing by Jean-Pierre Norblin de La Gourdaine. From Zbiór rozmaitych stroiów polskich / Costumes polonais.
Hand-colored aquatint of Jewish children from Poland. Engraving by Philibert-Louis Debucourt after a drawing by Jean-Pierre Norblin de La Gourdaine. From Zbiór rozmaitych stroiów polskich / Costumes polonais.
Hand-colored aquatint of a Jewish woman from Poland. Engraving by Philibert-Louis Debucourt after a drawing by Jean-Pierre Norblin de La Gourdaine. From Zbiór rozmaitych stroiów polskich / Costumes polonais.
Black-and-white engraving depicting a rabbi with tallit (prayer shawl) and tefillin (phylacteries). Frontispiece to Modern Judaism : or, A brief account of the opinions, traditions, rites, and ceremonies of the Jews in modern times by John Allen, published London: Printed for T. Hamilton, and Oliphant, Waugh and Innes.
Black-and-white etched portrait of well-known Jewish peddler Mordechai Löb (1745-1817) of Schlüchtern, known as the "Preusje von Schlüchtern." Etching by Ludwig Emil Grimm.
Black-and-white stipple-engraved portrait of physician Joshua Van Oven. Engraving by Thomas Blood after a painting by Samuel Drummond. London, published by James Asperne, April 1, 1815.
Hand-colored engraving of two Jewish women from Lithuania. Engraving by Henry Edward Dawe after a drawing by Robert Johnston. From Travels through Part of the Russian Empire and the Country of Poland, along the Southern Shores of the Baltic by Robert Johnston, published London: J.J. Stockdale.
Hand-colored engraving of a Jewish man from Austria. From Picturesque representations of the dress and manners of the Austrians by William Alexander. Published London: Printed for J. Murray by W. Bulmer and co. The publication depicts the dress of people throughout areas ruled by the House of Austria (House of Habsburg). The associated plate description identifies this man as a "Jew of Montgatz, in his summer dress."
Hand-colored engraving of a Jewish woman from Austria. From Picturesque representations of the dress and manners of the Austrians by William Alexander. Published London: Printed for J. Murray by W. Bulmer and co. The publication depicts the dress of people throughout areas ruled by the House of Austria (House of Habsburg). The associated plate description identifies this woman as "A Polish Jewess."
Hand-colored engraving of a Jewish woman from Austria. From Picturesque representations of the dress and manners of the Austrians by William Alexander. Published London: Printed for J. Murray by W. Bulmer and co. The publication depicts the dress of people throughout areas ruled by the House of Austria (House of Habsburg). The associated plate description identifies this woman as "A Polish Jewess."
Hand-colored engraving of two Jewish men from Austria. From Picturesque representations of the dress and manners of the Austrians by William Alexander. Published London: Printed for J. Murray by W. Bulmer and co. The publication depicts the dress of people throughout areas ruled by the House of Austria (House of Habsburg). The associated plate description identifies these men as "A Polish Jew."
Hand-colored engraving of a Jewish man from Austria. From Picturesque representations of the dress and manners of the Austrians by William Alexander. Published London: Printed for J. Murray by W. Bulmer and co. The publication depicts the dress of people throughout areas ruled by the House of Austria (House of Habsburg). The associated plate description identifies this man as a "Jew of Montgatz, in his summer dress."
Black-and-white engraved map of Jerusalem. Engraving by John Bower. From The Holy Bible : containing the Old and New Testaments, together with the Apocrypha / translated out of the original tongues and with the former translations diligently compared and revised..., published New York: Collins and Co.
Black-and-white engraving of a Jewish high priest in his vestments. Engraving by Peter Maverick. From Calmet's great Dictionary of the Holy Bible : historical, critical, geographical, and etymological… by Augustin Calmet, published Charlestown, Mass.: Printed and sold by Samuel Etheridge.
Black-and-white engraving depicting Deuteronomy 5:1. From The Holy Bible : containing the Old and New Testaments, according to the authorized translation ; with all the parallel texts and marginal readings ; to which are added notes and practical observations, designed as a help to a correct understanding of the sacred writings by Adam Clarke, published Liverpool: Printed by Nuttall, Fisher, Dixon, and Gibson.
Black-and-white engraving depicting Bezalel building the Ark of the Covenant, as described in Exodus 37. From The Holy Bible : containing the Old and New Testaments, according to the authorized translation ; with all the parallel texts and marginal readings ; to which are added notes and practical observations, designed as a help to a correct understanding of the sacred writings by Adam Clarke, published Liverpool: Printed by Nuttall, Fisher, Dixon, and Gibson.
Black-and-white lithograph depicting a group of Jewish peddlers from Poland showing their wares to two approaching Cossacks. Lithograph by Godefroy Engelmann after Louis-Albert-Ghislain Bacler d'Albe.
Black-and-white etched satirical portrait of Ismael Aga, a noted peddler and beggar in the area of the Royal Exchange in London. London: Published 4 July, 1812, by Robert Wilkinson.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes) in the Great Synagogue of Amsterdam. Engraving after Bernard Picart. From A new univeral history of the religious rites, ceremonies and customs of the whole world by William Hurd, published Manchester: J. Gleave.
Black-and-white engraved portrait of Chief Rabbi Solomon Hirschel. Engraving by William Ridley after a painting by Samuel Drummond. Published in the European Magazine.
Black-and-white etching of the exterior of the New Synagogue at Leadenhall Street in London. Engraved for the The European Magazine, and London Review from a drawing by John Nixon. London: Published by J. Asperne, Cornhill, 1st. August, 1811.
Black-and-white engraved portrait of financier and philanthropist Abraham Goldsmid. Engraving by William Ridley after Samuel Medley. Published in the European Magazine.
Hand-colored aquatint of the interior of the Great Synagogue in London at Duke's Place. Aquatint by Thomas Sunderland after drawing and engraving by Augustus Pugin and Thomas Rowlandson. Published in The Microcosm of London Vol. III by Rudolph Ackermann.
Hand-colored engraving of a Jewish woman from Poland. From Kleidertrachten der kaiserl. königl. Staaten / Habillemens des états de S.M. l'empereur roi by Vinzenz Georg Kininger, published Vienna: Tranquillo Mollo. The publication depicts the dress of people throughout areas ruled by the House of Austria (House of Habsburg).
Hand-colored engraving of two Jewish men from Poland. From Kleidertrachten der kaiserl. königl. Staaten / Habillemens des états de S.M. l'empereur roi by Vinzenz Georg Kininger, published Vienna: Tranquillo Mollo. The publication depicts the dress of people throughout areas ruled by the House of Austria (House of Habsburg).
Black-and-white stipple engraved portrait of Chief Rabbi Solomon Hirschel. Engraving by William Holl after a painting by Slater. Published July 18, 1808, by Messrs. Joseph, Burnett, & Justins, Dukes Place.
Hand-colored engraving of a Jewish man from Mungatsch (Mukacheve). From Kleidertrachten der kaiserl. königl. Staaten / Habillemens des états de S.M. l'empereur roi by Vinzenz Georg Kininger, published Vienna: Tranquillo Mollo. The publication depicts the dress of people throughout areas ruled by the House of Austria (House of Habsburg).
Black-and-white engraved portrait of financier and philanthropist Israel Jacobson, pioneer of Reform Judaism. Engraving by Christian Schule after Franz Karl Tielker.
Black-and-white engraving depicting a Jewish marriage ceremony. Engraving by William Kneass. From A dictionary of the Holy Bible : containing an historical account of the persons, a geographical and historical account of the places, a literal, critical, and systematical description of other objects, whether natural, artificial, civil, religious, or military... by John Brown, published Pittsburgh: Zadok Cramer.
Black-and-white engraving depicting a Passover seder. Engraving by William Kneass. From A dictionary of the Holy Bible : containing an historical account of the persons, a geographical and historical account of the places, a literal, critical, and systematical description of other objects, whether natural, artificial, civil, religious, or military... by John Brown, published Pittsburgh: Zadok Cramer.
Hand-colored etched satirical portrait of financier and philanthropist Abraham Goldsmid. Etching by Richard Dighton. Published by Dighton, 21 New Bond Street, August 1806.
Hand-colored engraving of a Jewish woman from Austria. Engraving by William Ellis. From The costume of the hereditary states of the House of Austria by Antoine François Bertrand de Molleville, translated by Robert Charles Dallas, published London: William Miller. The publication depicts the dress of people throughout areas ruled by the House of Austria (House of Habsburg).
Hand-colored engraving of two Jewish men from Austria. Engraving by William Ellis. From The costume of the hereditary states of the House of Austria by Antoine François Bertrand de Molleville, translated by Robert Charles Dallas, published London: William Miller. The publication depicts the dress of people throughout areas ruled by the House of Austria (House of Habsburg).
Hand-colored engraving of a Jewish man from Austria. Engraving by William Ellis. From The costume of the hereditary states of the House of Austria by Antoine François Bertrand de Molleville, translated by Robert Charles Dallas, published London: William Miller. The publication depicts the dress of people throughout areas ruled by the House of Austria (House of Habsburg).
Hand-colored etching depicting the vestments of a Jewish high priest. From Tableau historique des costumes, des moeurs et des usages des principaux peuples de l'antiquité et du moyen age, Volume 2, by Robert von Spalart, published Metz: Collignon.
Hand-colored engraving of two Jewish men from Austria. Engraving by William Ellis. From The costume of the hereditary states of the House of Austria by Antoine François Bertrand de Molleville, translated by Robert Charles Dallas, published London: William Miller. The publication depicts the dress of people throughout areas ruled by the House of Austria (House of Habsburg).
Hand-colored aquatint of Rachel's Tomb in Bethlehem. After a drawing by Luigi Mayer. From Views in Palestine, from the original drawings of Luigi Mayer / Vues en Palestine, d'après les dessins originaux de Luigi Mayer, published London: R. Bowyer, 1804.
Hand-colored aquatint of the Tombs of the Sanhedrin in Jerusalem. After a drawing by Luigi Mayer. From Views in Palestine, from the original drawings of Luigi Mayer / Vues en Palestine, d'après les dessins originaux de Luigi Mayer, published London: R. Bowyer, 1804.
Hand-colored aquatint of the Tombs of the Kings in Jerusalem. After a drawing by Luigi Mayer. From Views in Palestine, from the original drawings of Luigi Mayer / Vues en Palestine, d'après les dessins originaux de Luigi Mayer, published London: R. Bowyer, 1804.
Hand-colored etched satirical portrait of tenor John Braham in costume as Prince Orlando in Thomas Dibdin's opera The Cabinet. Drawn, etched, and published by Dighton, Charing Cross, March 22, 1802.
Black-and-white engraving of the exterior of the Portuguese Synagogue in Amsterdam. From Le guide d'Amsterdam, ou description de ce qu'il y a de plus intéressant.
Black-and-white engraving of French military commander André Masséna, said to be of Jewish origin. Engraving by Franz Gabriel Fiesinger after a painting by Féréol Bonnemaison.
Black-and-white engraved map of Amsterdam, with a key including the Portuguese Synagogue and Great Synagogue. From Le guide d'Amsterdam, ou Description de ce qu'il y a de plus intéressant, published Amsterdam: C. Covens.
Black-and-white engraving of the exteriors of the New Synagogue and Great Synagogue in Amsterdam. From Le guide d'Amsterdam, ou description de ce qu'il y a de plus intéressant.
Hand-colored etched satirical portrait of Pellegrin Treves (1733-1817), who served as postmaster general and was a friend of the Prince Regent. Etching by Richard Dighton. Published by Dighton, Charing Cross, November 20, 1801.
Work on paper in watercolor. Winding dirt trail begins in right foreground and leads to body of water near center. Trees on right side of image and small house on left. River and tree line in background. Handwritten note identifies scene as Mepkin Plantation.
Work on paper in watercolor and ink dated 1798. Red church with white details in center and trees in background. Handwritten note identifies building as St. James' Church in Goose Creek.
Work on paper in watercolor. Large yellow house partially hidden behind two trees. Field in foreground. Handwritten note identifies scene as Mepkin Plantation.
Work on paper in watercolor. Landscape with trees on left in foreground, figures on a boat and marshy area in background. Trees line background with blue sky and pink on horizon. Handwritten note identifies site as Sheldon, SC.
Work on paper in watercolor and ink dated 1785. Shell of church in center: pink with shite interior, columns around exterior. Two men and horse stand near church. Handwritten note identifies building as ruins of the Sheldon Church, burned by British soldiers in 1781.
Work on paper in watercolor and ink. Ruins of Wolstrop Church with river, mountains, and castle in background. Handwritten note identifies site as Wolstrop Church near Belvoir Castle.
Work on paper in watercolor and ink. White horse with rider wearing a hat and yellow knee breeches, holding riding crop. Handwritten note titles painting "D'après Nature."
Work on paper in watercolor and ink. Pink church surrounded by trees in center. Large trees stand to left and right of church, line of trees in background. Lower portion of white building with brown door partially visible to right of church in background. Two wood gates in left foreground with dirt path leading to church in center foreground. Handwritten note below image identifies building as a church in St. Bartholomew's Parish, burned down by British soldiers and rebuilt after Revolutionary War.
Work on paper in watercolor and ink dated 1796. Large, white Georgian style two story house is fronted by a clear blue stream. In this frontal view, the symmetrical house has two chimneys and four windows on each floor. First floor has elaborate double door while immediately above it on second floor, there is an elaborate window. House is sided by a less ornate taupe building to its left, half hidden by a grove of trees. To the main house's right, a smaller brick support building stands behind an impressive brick and iron gate. Horse-drawn carriage is found waiting outside of the gate. Water visible in background to right of smaller building. Grass visible in foreground, between viewer, water, and house.
Work on paper in watercolor. Landscape with body of water in foreground leading to left side of image, trees and red building in center. Trees on either side of building and a forested area in background. Handwritten note identifies building as Pompion Hill Chapel.
Work on paper in watercolor and ink. Top: irregularly shaped rock with water and towering church in background. Bottom: mouth of cave with water in background. Handwritten notes identify sites depicted in paintings.
Work on paper in ink and wash. Black and sepia; bare tree in left foreground with branches growing toward right; hills to right; dark clouds and water in background.
Work on paper in watercolor. Two-story white house with red roof within large fenced area in center. Trees line background, and a woman and man stand before water in foreground.
![[Departure of the Polish Jews through the Gate]](https://iiif.library.cofc.edu/iiif/2/52664/full/200,/0/default.jpg)
![[Habillement des hommes]](https://iiif.library.cofc.edu/iiif/2/36407/full/200,/0/default.jpg)
![[Habillement des Rois]](https://iiif.library.cofc.edu/iiif/2/48984/full/200,/0/default.jpg)
![[Enseignes militaires]](https://iiif.library.cofc.edu/iiif/2/36521/full/200,/0/default.jpg)
![[Hear, O Israel, the statutes and judgments which I speak in your ears this day]](https://iiif.library.cofc.edu/iiif/2/33085/full/200,/0/default.jpg)
![[And he overlaid it with pure gold within and without]](https://iiif.library.cofc.edu/iiif/2/33098/full/200,/0/default.jpg)
![[A Polish Jewess]](https://iiif.library.cofc.edu/iiif/2/52616/full/200,/0/default.jpg)
![[A Polish Jew]](https://iiif.library.cofc.edu/iiif/2/52617/full/200,/0/default.jpg)
![[Jew of Montgatz, in his summer dress]](https://iiif.library.cofc.edu/iiif/2/52615/full/200,/0/default.jpg)
![[A Polish Jew]](https://iiif.library.cofc.edu/iiif/2/52661/full/200,/0/default.jpg)
