Black-and-white offset print reproduction depicting Yom Kippur at the Park East Synagogue in New York. Original illustration by Irving R. Wiles. From the article "The Jews in New York" by Richard Wheatley, published in the January 1892 edition of The Century Magazine.
Black-and-white photogravure of the Western Wall in Jerusalem. Photogravure by Goupil & Cie after a painting by Jean Léon Gérôme. From Gérôme, a collection of the works of J. L. Gérôme in one hundred photogravures, Volume 2, edited by Edward Strahan, published New York: Samuel L. Hall.
Black-and-white engraving depicting lighting the Sabbath lamp. From Dictionnaire historique, critique, chronologique, geographique et litteral de la Bible, Volume 3, by Augustin Calmet, published Paris: Emery, Saugrain, & Pierre Martin.
Black-and-white steel engraved portrait of historian Josephus (born Joseph ben Matityahu). Engraving by Robert Lunn. Frontispiece to The works of Flavius Josephus, the learned and authentic Jewish historian, and celebrated warrior… translated by William Whiston, published Edinburgh: Printed at the University Press for Thomas Nelson and Peter Brown.
Black-and-white steel engraved portrait of historian Josephus (born Joseph ben Matityahu). From Curiosities of Great Britain : England & Wales delineated, historical, entertaining & commercial, Volume 11, by Thomas Dugdale, published London: L. Tallis.
Black-and-white engraved portrait of historian Josephus (born Joseph ben Matityahu). Frontispiece to The complete works of the learned and authentic Jewish historian, Flavius Josephus : comprising comprising the Antiquities of the Jews, a History of the Jewish wars, three dissertations concerning Jesus Christ, John the Baptist, &c. &c. and the life of Josephus, written by himself translated by William Whiston, published London & Glasgow: J. F. Tallis.
Map of the city of New York as it was in the years 1742-1744, including the first Mill Street Synagogue of Congregation Shearith Israel. Lithograph by George Hayward after an original drawing by David Grim. Published in D. T. Valentine's Manual of the corporation of the city of New York for 1854.
Black-and-white engraved portrait of historian Josephus (born Joseph ben Matityahu). Engraving by J. Rogers. Frontispiece to The works of Flavius Josephus, the learned and authentic Jewish historian and celebrated warrior… translated by William Whiston, published London: Henry Fisher, Son, and Co.
Black-and-white lithographed portrait of Isaac Edrehi, son of rabbi and scholar Moses Edrehi. Lithograph printed Boston: J. H. Bufford. From History of the capital of Asia and the Turks : together with an account of the domestic manners of the Turks in Turkey, published Boston: Boston, Reprinted for I. Edrehi, 5618 (1858).
Black-and-white offset print reproduction of a watercolor by Princesse Mathilde Bonaparte of a Jewish woman from Algiers. Published in the June 2, 1866, edition of L'Illustration, journal universel.
Black-and-white offset print reproduction of a watercolor by Princesse Mathilde Bonaparte of a Jewish woman from Algiers. Published in the June 30, 1866, edition of L'Univers illustré.
Hand-colored engraving depicting a Jewish woman and a Jewish merchant from Algiers. Engraving by Andreas Geiger. From the series Costume Bild zur Theaterzeitung. Published Vienna: Burea der allgem. Theaterz.
Color lithograph including depictions of Jewish men, women, and children from Algiers. Lithograph by Friedrich Hottenroth. Printed Stuttgart: M. Seeger. From Trachten, Haus-, Feld- und Kriegsgeräthschaften der Völker alter und neuer Zeit, Volume 1, by Friedrich Hottenroth, published Stuttgart: Gustav Weise.
Black-and-white wood engraving depicting Jewish musicians in Tlemcen. Engraving by Henri Théophile Hildibrand. From The Mediterranean illustrated by William Henry Davenport Adams, published London: T. Nelson and Sons.
Black-and-white scale engraving of the Mole Antonelliana in Turin. The structure was originally conceived as a synagogue. From Atti e rassegna tecnica della Società degli ingegneri e degli architetti in Torino, 1875.
Color lithograph of the exterior of the Great Synagogue in Wilna (Vilnius). Lithograph by Alfred Holler. From Wilna : 12 farbige Bilder by Alfred Holler, published Wilna: Zeitung der 10. Armee.
Hand-colored lithograph depicting a service at the Tempio Italiano in the Cinque Scole of Rome. Lithograph by after Hieronymus Hess. Published Karlsruhe: J. Velten.
Black-and-white steel engraving depicting a bazaar in Cairo, including a Jewish money changer. From The Nile boat : or, Glimpses of the land of Egypt by William Henry Bartlett.
Color lithograph depicting Moses and the Ten Commandments. Lithograph after a painting by Philippe de Champaigne. Published Philadelphia: A. J. Holman & Co.
Engraving of Moses holding the Ten Commandments, surrounded by aborder of vines and scrolls. Published Leipzig: Verlag der Englischen Kunstanstalt von A. H. Payne.
Black-and-white stipple engraving depicting Moses and the Ten Commandments. Engraving by John Rogers after a painting by Samuel William Reynolds. Published London: J. & F. Tallis.
Black-and-white steel engraving depicting Rachel's Tomb in Bethlehem. From The devotional family Bible : containing the Old and New Testaments, with explanatory notes, practical observations, copious marginal references, &c. by Alexander Fletcher, published New York: R. Martin & Co.
Black-and-white lithograph depicting Jewish graves in Bab el Oued. Lithograph by Adolphe Jean Baptiste Bayot. From Algérie historique, pittoresque et monumentale by Adrien Berbrugger, published Paris: Chez J. Delahaye.
Hand-colored lithograph depicting Jewish graves in Bab el Oued. Lithograph by Adolphe Jean Baptiste Bayot. From Algérie historique, pittoresque et monumentale by Adrien Berbrugger, published Paris: Chez J. Delahaye.
Black-and-white offset print reproduction of Jews from Tangier. From a drawing by Émile Bayard. From Ridpath's universal history, Volume 5, by John Clark Ridpath.
Page of 50 shekel banknotes with portraits of David Ben-Gurion, first Prime Minister of Israel, in front of the Ben-Gurion Heritage Institute in Sde Boker.
Black-and-white offset print reproduction of the Tomb of Absalom, Tomb of Benei Hezir, and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Sheet music for "La juive : romance dramatique," words by H. T. Poisson (pseud. Charles de Warwille); music by Auguste-Mathieu Panseron, published Paris: Maurice Schlesinger.
Sheet music cover for "Le juif errant : mélodie pour voix de basse," words by Ch. Durand du Fossat; music by H. de St. Paul, published Paris: S. Richault.
Black-and-white engraved portrait of historian Josephus (born Joseph ben Matityahu). Frontispiece to The works of Flavius Josephus : which are extant, translated by John Court, published London: Printed by R. Penny and J. Janeway.
Sheet music for "A brivele dem Taten" = "A letter to father," words and music by Solomon Small; arranged by Joseph Rumshinsky, published New York: Hebrew Publishing Company.
Sheet music for "A brivele von chosen" = "A letter from sweetheart," words and music by David Meyerowitz; arranged by Joseph Rumshinsky, published New York: Hebrew Publishing Company.
Black-and-white steel engraved portrait of rabbi and scholar Moses Edrehi. Engraving by Robert Whitechurch. From History of the capital of Asia and the Turks : together with an account of the domestic manners of the Turks in Turkey, published Boston: Boston, Reprinted for I. Edrehi, 5618 (1858).
Black-and-white steel engraved portrait of rabbi and scholar Moses Edrehi. Engraving by J. C. Hunter. From The book of miracles by Moses Edrehi, published London: Printed for the author.
Black-and-white offset print reproduction of a Jewish money changer from Cairo. From a drawing by C. Rudolf Huber. From Ridpath's universal history, Volume 5, by John Clark Ridpath.
Black-and-white steel engraved portrait of merchant and banker Salomon Heine. From Neues Conversations-Lexikon für alle Stände, Volume 8, by Hermann Julius Meyer.
Black-and-white offset print reproduction depicting Jewish refugees from Morocco during the Spanish-Moroccan War. Published in the January 21, 1860, edition of Frank Leslie's Illustrated Newspaper.
Black-and-white steel engraving depicting the vestments of the Jewish high priest. Engraving by Bosserodon after François Hippolyte Lalaisse. From Histoire de la Terre-Sainte depuis les temps les plus reculés jusqu'à nos jours by abbé Martin, published Paris: Duménil.
Black-and-white offset print reproduction depicting Jews from Morocco. Illustration by F. de Myrbach. From the article "Peeps into Barbary" by J. E. Budgett Meakin, published in the August 1896 edition of Harper's New Monthly Magazine.
Black-and-white wood engraving of a Jewish man from Cairo. Engraving after an illustration by Ismael Gentz. From Egypt : descriptive, historical, and picturesque, Volume 2, by Georg Ebers, published London: Cassell & Company.
Hand-colored engraving of the Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. Engraving after a drawing by Cornelis de Bruyn. From Reizen door de vermaardste deelen van Klein Asia, de eylanden Scio, Rhodus, Cyprus, Metelino, Stanchio, &c. : mitsgaders de voornaamste steden van Aegypten, Syrien en Palestina by Cornelis de Bruyn, published Delft: Hendrik van Krooneveld.
Black-and-white offset print reproduction with a portrait of financier and philanthropist Sir Moses Montefiore. Published in the October 25, 1884, edition of The Daily Graphic, on the ocassion of his 100th birthday.
Black-and-white offset print reproduction depicting Moses and the Ten Commandments. From The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies, published London: Religious Tract Society.
Engraving after Rembrandt's painting A Seated Man with a Stick. Engraving by John Burnet. Published London: For the Associated Engravers, by Mr. John Pye.
Black-and-white engraved portrait of journalist and editor Levy Emanuel Cohen. Engraving by Thomas Vernon after a painting by Edward Daniel Leahy. Published Brighton: Thomas Page.
Explanation to the frontispiece of A new and universal history of the religious rites and ceremonies of all nations of the world by William Hurd, published London: Printed for A. Hogg.
Black-and-white engraving depicting King David kneeling next to the Jewish high priest, consulting the urim and thummim. Engraving by François van Bleyswyck. From An historical, critical, geographical, chronological, and etymological dictionary of the Holy Bible, Volume 1, by Augustin Calmet, published London: Printed for J. J. and P. Knapton, etc.
Color lithograph depicting the vestments of Jewish priests and high priests. Lithograph by Albert Kretschmer. From The costumes of all nations from the earlies times to the nineteenth century : exhibiting the dresses and habits of all classes, regal, ecclesiastical, noble, military, judicial, and civil by Albert Kretschmer and Carl Rohrbach, published London: Henry Sotheran & Co.
Black-and-white offset print reproduction depicting the vestments of a Jewish priest and high priest. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Black-and-white offset print reproduction depicting the miter of a Jewish high priest. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Black-and-white steel engraving depicting Moses and the Ten Commandments. From The devotional family Bible : containing the Old and New Testaments, with explanatory notes, practical observations, copious marginal references, &c. by Alexander Fletcher, published New York: R. Martin & Co.
Black-and-white lithographed portrait of Rabbi Abraham Geiger, who served as a rabbi in Wiesbaden, Breslau, Frankfurt am Main, and Berlin. Published Berlin: F. Sala & Co.
Black-and-white engraving of the cemetery for the Jewish communites of Lengnau and Endingen. Engraving by Johann Balthasar Bullinger after Johann Rudolf Holzhalb. From Sammlung jüdischer Geschichten, welche sich mit diesem Volk in dem XIII. und folgenden Jahrhunderten bis auf MDCCLX. in der Schweiss von Zeit zugetragen by Johann Caspar Ulrich.
Color lithograph of the interior of David's Tomb on Mount Zion in Jerusalem. Lithograph by L. N. Rosenthal after a sketch by James Turner Barclay. From The city of the Great King; or, Jerusalem as it was, as it is, and as it is to be by James Turner Barclay, published Philadelphia: Challen.
Black-and-white offset print reproduction of the Tombs of the Sanhedrin in Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Hand-colored engraivng with two scenes: now and then. In German, the text reads : Von jetzt: --"Herr Minister ich wünsche eine Anstellung im Ministerium!" --"Ist mir unendlich leid, aber sie sind bereits alle vergeben."--" So überlassen Sie mir die Ihrige!" --"Ach wollen sie gefälligst bedenken, dass die selber erst eine von Gestern ist!" Und damahls: --"Eure Excelenz dürfte ich in aller Unterthänigkeit zu hoffen wagen?!" --"Mir leid--gute Conduit--wie gesagt--noch zu jung--Adieu!" --"Dürfte ich vielleicht bei der nächsten--Vorrükung?!" --"Adieu!" In English, the text reads : From now: --"Mr. Minister, I wish to have a position in the Ministry!" --"I am terribly sorry, but all of the position have already been awarded."--" So leave me your own!" --"Oh, do you really think, that even that one is one of the past!" And back then: --"Your excellency, may I, with great obedience, dare to hope?!" --"My apologies--good conduit--as I said---still too young--Goodbye!" --"May I, perhaps by the next--Displacement?!" --"Goodbye!" Engraving by Andreas Geiger.
Caricature published in the Düsseldorfer Monathefte, Band 6, No. 23. In German, the text reads : --"So schwör ich, was geschrieben hat der Medakdek, hat er gesagt ganz vor mir: Du bist mein Tagsgedanke und mein Traum: ich denke immer an Dir Sahrchen!" --"Mach mir kahn Stuss, kahn Geschnuss! Was werste denken uf der Börsch, wannste kaafst Lombarden? Denkste an mir, waass Gott da werste beschummelt! --"Sey still, mein Herzche! Uf der Börsch u. in's Comtowahr denk ich ans Geschäftche." In English, the text reads : --"I swear, what the Medakdek wrote, he said before me whole : You are my daily thought and my dream: I always think of you, dear Sarah! --"Don't give me that rubbish, no stories! What do you think of when you're at the stock exchange, when you're buying shares? Do you think of me, God knows you would have been cheated!" --"Be quiet, my darling! At the Stock Exchange and in the accounts I think of business."
Caricature published in the Düsseldorfer Monathefte, Band 5, No. 33. In German, the text reads : --"Hersch! Wenn ich dich seh, is mer als wenn ich seh ne ganze Jagd. Hersch heisst de, in der Jägerstrasse wohnste, wie'n Fuchs siehste aus u. e Hund bist de." --"Wai mer! Bin ich e Hund, bin ich doch nicht dein Hünd, sonst wär ich ja en Schweinhünd." In English, the text reads : --"Hersch! When I see you, it's as if I see an entire hunt. Your name is Hersch, you live on Jäger Street, you look like a fox, and you are a dog." --"Woe is me! Even if I am a dog, I am still not your dog, then if I were, I'd be a son of a bitch." In German, the name "Hersch" sounds like the word for deer; "Jäger" means hunter.
Caricature published in the Düsseldorfer Monathefte, Band 6, No. 32. In German, the text reads : --"Seid ich doch endlich gekimmen aufs rechte Mittel die alte Oelbilder aufzufrischen, es gaiht nichts über de schwarze Seif un de Pottasch, man krigt se damit rein bis auf de Grund." In English, the text reads : --"Ever since I finally came upon the correct agent for restoring these old oil paintings, nothing can beat the black soap and the potash. One can get them clean with it down to the base."
Caricature published in the Düsseldorfer Monathefte, Band 5, No. 40. In German, the text reads : --"Ihr verdammten Hersche habt den Herrn gekreuzigt. --"Das seint mir io nich gewese, das haben Simons gethan." In English, the text reads : --"Damned Hersch, you have crucified the Lord." --"That wasn't me, Simon did that!" The scene takes place outside of the store of Moses Hersch; Hersch points toward the store belonging to Simon. Simon is also the name of the man who helped Jesus bear his cross.
Black-and-white woodcut depicting blowing the shofar on Rosh Hashanah. From Libellus de Judaica confessione by Johannes Pfefferkorn, published Cologne: Johannes Landen.
Black-and-white engraving depicting Sukkot in the synagogue. With Hebrew text of Leviticus 23:40 : "And ye shall take you on the first day the fruit of goodly trees, branches of palm-trees, and boughs of thick trees, and willows of the brook, and ye shall rejoice before the Lord your God seven days." Frontispiece to Maḥazor le-ḥag ha-Sukot ule-shabat she-betokho : ke-minhag Ashkenaz : meduyaḳ heṭev u-mevoʼar yafeh u-meturgam Ashkenazit, published Sulzbach: Buchdruckerey von S. Arnstein & Sohne.
Black-and-white offset print reproduction depicting one of several tableaux presented by the Young Men's Hebrew Association at the Academy of Music in New York on the occasion of Hanukkah. Published in the January 1882 edition of Frank Leslie's Sunday Magazine.
Black-and-white offset print reproduction of Sukkot in the synagogue. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Black-and-white engraving depicting lighting a menorah on Hanukkah. From Philologus hebræo-mixtus by Johannes Leusden, published Ultrajecti : ex officinâ Francisci Halma.