Black-and-white offset print reproduction depicting reading from the Torah in the synagogue. From Ridpath's universal history, Volume 5, by John Clark Ridpath.
Black-and-white engravings depicting the celebration of Simchat Torah by the Portuguese Jews of Amsterdam. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white wood engraving depicting Simchat Torah at the Park East Synagogue in New York. Original illustration by Irving R. Wiles. From the article "The Jews in New York" by Richard Wheatley, published in the January 1892 edition of The Century Magazine.
Black-and-white wood engraving depicting reading from the Torah at the Eldridge Street Synagogue in New York. Original illustration by Irving R. Wiles. From the article "The Jews in New York" by Richard Wheatley, published in the January 1892 edition of The Century Magazine.
Black-and-white offset print reproduction of the entrance to the Tombs of the Kings in Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Black-and-white offset print reproduction of the exterior of the Tombs of the Kings in Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Black-and-white offset print reproduction of Eugène Delacroix's painting Jewish Wedding in Morocco. Published in Payne's Universum und Buch der Kunst, Neue Folge, Dritte Band.
Black-and-white offset print reproduction of a Jewish marriage ceremony. After a drawing by R. Taylor. From Ridpath's universal history, Volume 5, by John Clark Ridpath.
Color lithographed portrait of three rabbis: the Vilna Gaon (above), Rabbi Meir Leibush (below right), and Rabbi Yitzchak Elchanan Spektor (below left). Printed in Germany.
Color lithographed portrait of three rabbis: Rabbi Yechezkel Landau (above), Rabbi Moses Sofer (below right), and Rabbi Akiva Eger (below left). Printed in Germany.
Black-and-white offset print reproduction tefillin (phylacteries). From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Engraving of a Jewish man wearing a prayer shawl and phylacteries. From Introduction à l'Ecriture sainte, où l'on traite tout ce qui concerne les Juifs… by Bernard Lamy.
Black-and-white wood engraving of the Tomb of Absalom, Tomb of Benei Hezir, and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. Engraving after a painting by Pharamond Blanchard. From Voyage illustré dans les deux mondes by Félix Mornand and Joseph Vilbort, published Paris: Le Chevalier.
Color lithograph of the Tomb of Absalom, Tomb of Benei Hezir, and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. Lithograph by William Simpson from a sketch by Mrs. Ewald. Printed by Day & Son. From Jerusalem and the Holy Land. Being a collection of lithographic views and native costumes, from drawings taken on the spot. By Mrs. Ewald.
Black-and-white offset print reproduction of Rachel's Tomb in Bethlehem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Black-and-white offset print reproduction of the Tomb of Absalom, Tomb of Benei Hezir, and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. Published in the June 1880 edition of Frank Leslie's Sunday Magazine.
Black-and-white offset print reproduction of the preparation of a body for burial. From The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies, published London: Religious Tract Society.
Black-and-white offset print reproduction of a Jewish burial. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Black-and-white offset print reproduction of the Yom Kippur ritual of malkot (lashes). Published in the May 1878 edition of Frank Leslie's Popular Monthly.
Caricature. The text in German reads : --Bauer: "Wolf - wie kimmts doch, daß ihr Juden o' Schwain nit loide könnt?" --Jude: "Is doch nich immer der Fall - wir Zwa sein doch die besten Freunde." In English, the text reads : --Peasant: "Wolf - how is it, that you Jews can't stand pigs?" --Jew: "That isn't always the case - we two are the best of friends."
Print reproduction of a portion of John Singer Sargent's mural Triumph of Religion. Includes Biblical prophets Moses, Zephaniah, Joel, Obadiah, Hosea, Amos, Nahum, Ezekiel, Daniel, Elijah, Joshua, Jeremiah, Jonah, Isaiah, Habakkuk, Micah, Haggai, Malacchi, and Zechariah. The original mural is at the Boston Public Library.
Black-and-white engravings depicting Sukkot at the Portuguese Synagogue in Amsterdam, above, and Portuguese Jews in a sukkah during Sukkot, below. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Photographic reproduction of a painting by Hermann Junker depicting a Yom Kippur service held by Rabbi Isaak Blumenstein of Mannheim for Jewish soldiers during the Franco-Prussian War. Photographic reproduction by Hermann Emden. Published Frankfurt am Main: Verlag v. Heinrich Keller.
Photographic reproduction of a painting by Hermann Junker depicting a Yom Kippur service for Jewish soldiers during the Franco-Prussian War. Photographic reproduction by Hermann Emden. Published Frankfurt am Main: Verlag v. Heinrich Keller.
Black-and-white engraving depicting sacrifices at the Temple for Sukkot. Engraving by Coenraad de Putter. From Histoire universelle, depuis le commencement du monde, jusqu’à présent, Volume 7, published Amsterdam: Arkstée et Merkus, 1742-1782.
Print reproduction of Leopold Pilichowski's painting The Opening of the Hebrew University in Jerusalem, depicting the ceremonies held on April 1, 1925. Notables, including Herbert Samuel, Chaim Weizmann, Nahum Sokolow, Hayim Nahman Bialik, and Chief Rabbi Abraham Isaac Kook, are grouped about Arthur Balfour, who is seen delivering the inaugural address.
Black-and-white wood engraving of the Tomb of Absalom in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. From Palästina in bild und wort : Nebst der Sinaihalbinsel und dem lande Gosen by Georg Ebers, published Stuttgart: Deutsche Verlags-Anstalt.
Hand-colored engraving of the Tombs of the Sanhedrin in Jerusalem. Engraving by Giuseppe Bramati. From Descrizione della Palestina, o, storia del vangelo by Giulio Ferrario, published Milan: Milano, Società tipog. de' classici italiani.
Black-and-white wood engraving of the Tombs of the Sanhedrin and the Tombs of the Kings in Jerusalem. From Palästina in bild und wort : Nebst der Sinaihalbinsel und dem lande Gosen by Georg Ebers, published Stuttgart: Deutsche Verlags-Anstalt.
Color lithograph depicting the market square in Tarnów. Lithograph by Luigi Kasimir. From Galizien 1915 : ein Künstlertagebuch by Luigi Kasimir, published Vienna: Kunstverlag Hugo Heller & Cie.
Black-and-white offset print reproduction depicting a Passover seder. Original illustration by Irving R. Wiles. From the article "The Jews in New York" by Richard Wheatley, published in the January 1892 edition of The Century Magazine.
Black-and-white engraving depicting Passover, as described in Exodus 12. Engraving by Frederick Hendrick van Hove, after an illustration by G. Freman. From The history of the Old Testament : extracted out of sacred Scripture and writings of the fathers for the government of our actions in all conditions by Nicholas Fontaine, published London: Printed by Samuel Roycroft for Richard Blome, 1688-1690.
Black-and-white offset print reproduction of Moritz Oppenheim's painting Seder (The Passover Meal) (Der Oster-Abend). Published in The Aldine, Volume 5.
Black-and-white offset print reproduction depicting a Passover seder. From The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies, published London: Religious Tract Society.
Black-and-white offset print reproduction depicting searching for leaven on the eve of Passover. From The pictorial Sunday book by John Kitto, published London: London Printing and Publishing Company.
Black-and-white offset print reproduction depicting a Passover seder. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Black-and-white offset print reproduction depicting searching for leaven on the eve of Passover. From the article "Passover observances" published in the September 1, 1870, edition of The Sunday Magazine.
Caricature by Joseph Ferdinand Keppler published in the April 1877 edition of Puck. The caricature depicts a conversation between the Jewish peddler Heimann Levi and a personification of New York. In German, the text reads : --Dame New-York: "Um Gotteswillen, Heimann Levi, geh' schnell hinein in die Assembly." --Heimann Levi: "Ich in die Assembly? Was soll ich da drinnen thun?" --Dame New-York: Damit zu den Herren, die viel sprechen, endlich einmal Einer kommt, der blos handelt." In English, the text reads : --Dame New-York: "For God's sake, Heimann Levi, go quickly into the Assembly." --Herimann Levi: "Me in the Assembly? What should I do inside?" --Dame New-York: "So that to the gentlemen, who speak a lot, finally comes one for once, who merely acts." In German, the verb handeln can mean "trade" or "deal," as a peddler does, as well as "act."
Caricature by Emil Flohri published in Judge. The associated text reads : "The convention and fair which the federation of Jewish farmers held recently in New York, at the Educational Alliance, demonstrated that the Jew's entrance into the agricultural field has been marked by signal success. Ten years ago there were, perhaps, less than a hundred Jewish farmers scattered across the country. They produced no more than the bare rations of subsistence, living each day from hand to mouth, and trusting to the good graces of fortune for their continued support rather than to their own knowledge of the rules of farming. Today there are more than five thousand of them in the United States alone. The European figures run into tens of thousands. Each year this number increases. Men and women from the Ghettos of the big cities are beginning to appreciate the advantages of the independence of the farmer's life. They see that they can make a better living at agriculture than at their present occupations. They are combining with an increased knowledge of scientific farming a desire to succeed at this, their first productive venture."
Black-and-white illustration of two men outside the Amsterdam Stock Exchange, with the text of their humorous conversation printed beneath. One man is updating the other man on his life since they last saw each other. He has married a coquettish woman, who brought a lot of money to the marriage. The person to whom he entrusted the funds ran off with the money--which is for the best, because his wife ran off with the man. Published in Asmodée: geillustreerde almanak.
Black-and-white engraving depicting a Passover seder. Engraving by William Kneass. From A dictionary of the Holy Bible : containing an historical account of the persons, a geographical and historical account of the places, a literal, critical, and systematical description of other objects, whether natural, artificial, civil, religious, or military... by John Brown, published Pittsburgh: Zadok Cramer.
Black-and-white etched satirical portrait of Levi Whitehead, head waiter of the Bacchus (Backhouse Wines) Inn, Tadcaster, Yorkshire. Etching by traveller and amateur etcher Frederick Atkinson, a silk-mercer and draper in York. Published June 1, 1797, by W. Richardson, 31 Strand.
Black-and-white etched satirical portrait of Ismael Aga, a noted peddler and beggar in the area of the Royal Exchange in London. London: Published 4 July, 1812, by Robert Wilkinson.
Black-and-white engraved portrait of financier and philanthropist Abraham Goldsmid. Engraving by William Ridley after Samuel Medley. Published in the European Magazine.
Black-and-white engraved portrait of historian Josephus (born Joseph ben Matityahu). Frontispiece to The works of Flavius Josephus, the learned and authentic Jewish historian, and celebrated warrior... translated by William Whiston, published Halifax: Milner and Sowerby.
Black-and-white engraved portrait of historian Josephus (born Joseph ben Matityahu). Frontispiece to The works of Flavius Josephus, the learned and authentic Jewish historian and celebrated warrior… translated by William Whiston, published Baltimore: Armstrong & Berry.
Black-and-white engraved portrait of Hebraist and author David Levi. Engraving by William Bromley after Samuel Drummond. Published in the European Magazine.
Hand-colored lithograph of a Jewish high priest, with text of the priestly blessing found in Numbers 6:23-27 printed below. Lithograph by W. Watkins after J. Brown.
Black-and-white engraving depicting the vestments of the Jewish high priest. Engraving by Johann Carl Joseph Störcklin. From Biblia, das ist: die gantze Heilige Schrifft Alten und Neuen Testaments, translated by Martin Luther, published Basel: Thurneysen.
Color lithograph showing two representations of the garments of the Jewish high priest. Lithography by Mayer Merkel & Ottmann, New York; copyrighted by Hubbard Bro's (1874).
Engraving of two images of the Jewish high priest in his vestments, including one on the Day of Expiation (Yom Kippur). Images from Calmet. Published for the Society for Promoting Christian Knowledge by F. C. & J. Rivington, St. Paul's Church Yard, London.
Black-and-white engraving of a Jewish high priest in his vestments. From Calmet's great dictionary of the Holy Bible : historical, critical, geographical, and etymological… by Augustin Calmet, published London: Printed for Charles Taylor.
Black-and-white steel engraving depicting the Roman Ghetto. Engraving by Samuel Valentine Hunt after a painting by Louis Haghe. From Picturesque Europe, published London: Cassell, Petter, Galpin & Co.
Black-and-white wood engraving of a Jewish priest and high priest in their vestments, flanking the text of a stanza from Richard Wilton's poem "Benedicite." Wood engraving by Charles Butterworth. Published inThe Sunday at home: a family magazine for Sabbath reading.
Black-and-white engraving of the breastplate of the Jewish high priest. From Calmet's great dictionary of the Holy Bible : historical, critical, geographical, and etymological… by Augustin Calmet, published London: Printed for Charles Taylor.
Caricature by Joseph Ferdinand Keppler published in Puck. In English, the titles reads : "The persecuted Jews." With illustrations of Jewish persecution in the past in contrast to a caricature of a wealthy Jewish "Baron von Rosenstengel" in the present.
Black-and-white lithograph depicting the old city hall in Jarosław. Lithograph by Luigi Kasimir. From Galizien 1915 : ein Künstlertagebuch by Luigi Kasimir, published Vienna: Kunstverlag Hugo Heller & Cie.
Color lithograph depicting the bazaar in Jarosław. Lithograph by Luigi Kasimir. From Galizien 1915 : ein Künstlertagebuch by Luigi Kasimir, published Vienna: Kunstverlag Hugo Heller & Cie.
Black-and-white wood engraving depicting a Passover seder. Original illustration by Irving R. Wiles from the article "The Jews in New York" by Richard Wheatley, published in the January 1892 edition of The Century Magazine.
Color lithograph depicting a Passover seder. Lithograph by Franz Kellerhoven. From Manners, customs, and dress during the middle ages, and during the renaissance period by Paul Lacroix (P. L. Jacob), published London: Chapman and Hall.
Black-and-white engravings depicting the Passover custom of the mother placing bits of unleavened bread for the father and children to discover and dispose of, above, and a Passover seder of Portuguese Jews in Amsterdam, below. Engraving after Bernard Picart.
Caricature by Franklin Morris Howarth published in Puck. The text reads : 1 --Mr. Hockheimer: "Ach! Mein Gott, Shakop, vy you vaste your dime ofer dot foolish pook--over dot crazy fool pusiness about dot palmistry. Dot vill nefer do you no goot votefer." --Hockheimer, Jr.: "Oh! Don't vorry, Fader--it maype gomes in handy some day." 2 --Mr. Hockheimer (after trying in vain for over an hour to fit customer with hat): "Vait, don't go, mein frendt; I see vot I gan do." 3 --Mr. Hockheimer (in anguish): "Oh! Shakop, mein sohn! Dish vas awful. I loose me a gustomer. Efery hat in der store ish too pig for his head. Vot vill I do me?" --Hockheimer, Jr.: "Calm yourself, Fader. I tries vot I gan do." 4 --"Goot morning, Mister. Oh! yes; dot hat vas entirely too pig. Say! Mister, did you effer hear apout dot science of palmistry, vot dells your fortune py der lines on your handt? Gif me your handt, I tells you." 5 --"You vas porn under a lucky planet. Your line of life vas goodt undt long, you vill live to old age." 6 --"Your power for knowledge is enormously developed. You vill become a prilliant man--a scholar, a statesman, perhaps der President. You vas a porn leader of men--like Napoleon." 7 --"You have great powers of concentration and determination--you vill succeed in votefer you underdakes." 8 --"Fader, you must have made some mistakes. Any of dese hats vill fit der great schentlemans. Give me a larger size. Goot." 9 --Mr. Hockheimer (falling on his son's neck): "Oh! mein sohn, der pride of mein life. I dakes you in bartnership tomorrow."
Caricature by Joseph Ferdinand Keppler published in the February 22, 1882, edition of Puck. The caption reads : "Puck's proposition to make the nations happy all around." Under Quotations: "England - Jews in demand." The caricature depicts Queen Victoria taking two Jews under her arms.
Color engraving depicting the Binding of Isaac, as described in Genesis 22:12. Engraving by Albert Henry Payne after a painting by François-Nicolas-Augustin Feyen-Perrin. From The Holy Bible : containing the Old and New Testaments; with notes by the Rev. J. Brown; and extracts from the best biblical authors; revised and edited by the Rev. H. Philip; with a family register and fifty-seven coloured engravings, published London: James Hagger; Leipzig and Dresden: A. H. Payne.
Print reproduction of William Blake Richmond's painting The Song of Miriam. From The life and work of Sir William B. Richmond, R.A.K.C.B. by Helen Lascelles, published London: The Art Journal Office.
Black-and-white engraving depicting the drunkenness of Noah. Engraving by Carolo Lasinio after Giuseppe Calendi. From L'Etruria pittrice; ovvero, storia della pittura toscana, dedotta dai suoi monumenti che si esibiscono in stampa dal secolo X. fino al presente by Marco Lastri.
Black-and-white steel engraving depicting Rebekah's arrival to Isaac, as described in Genesis 24:64. From The devotional family Bible : containing the Old and New Testaments, with explanatory notes, practical observations, copious marginal references, &c. by Alexander Fletcher, published New York: R. Martin & Co.
Painting of Rahab and the spies, with text from Joshua 2:15 : "Then she let them down by a cord through the window; for her house was upon the side of the wall, and she dwelt upon the wall."
Black-and-white engraving depicting scenes from the six days of creation. From The whole genuine and complete works of Flavius Josephus : the celebrated warlike, learned and authentic Jewish historian… by by George Henry Maynard, with illustrated with marginal references... by Edward Kimpton, published London: Printed for J. Cooke.
Hand-colored aquatint illustrating Lord Byron's poem "The Destruction of Sennacherib," first published in his Hebrew Melodies. Aquatint published London: Pyall & Stroud.
Black-and-white engraving depicting imagery associated with the Book of Psalms, including David playing the harp. From Biblische Geschichten des Alten und Neuen Testaments / Historiae Biblicae Veteris et Novi Testamenti by Joseph Sebastian Klauber and Johann Baptist Klauber.
Color lithograph of Queen Esther. Chromolithograph printed by Jehenne after a painting by Gustave Clarence Rodolphe Boulanger. From Woman in sacred history : a series of sketches drawn from scriptural, historical, and legendary sources by Harriet Beecher Stowe.
Black-and-white engraving depicting the flood, with inset scenes of Noah entering and leaving the ark. Engraving by John Chester Buttre after a painting by Nicolas Poussin.
Color lithograph depicting the Binding of Isaac, as described in Genesis 22:1-19. Lithograph by James Richard Barfoot. Published London: Darton & Co., Holborn Hill.
Black-and-white engraving depicting scenes from the Book of Samuel. Engraving by Johann Jacob von Sandrart. From Biblia, das ist : die gantze Schrifft, Altes und Neues Testaments, translated by Martin Luther; printed and published Nuremberg: Johann Andreas Endter.
Black-and-white engraving depicting Deuteronomy 5:1. From The Holy Bible : containing the Old and New Testaments, according to the authorized translation ; with all the parallel texts and marginal readings ; to which are added notes and practical observations, designed as a help to a correct understanding of the sacred writings by Adam Clarke, published Liverpool: Printed by Nuttall, Fisher, Dixon, and Gibson.
Black-and-white engraving depicting Bezalel building the Ark of the Covenant, as described in Exodus 37. From The Holy Bible : containing the Old and New Testaments, according to the authorized translation ; with all the parallel texts and marginal readings ; to which are added notes and practical observations, designed as a help to a correct understanding of the sacred writings by Adam Clarke, published Liverpool: Printed by Nuttall, Fisher, Dixon, and Gibson.
Black-and-white engraving depicting scenes from the Books of Samuel and Chronicles. From Biblische Geschichten des Alten und Neuen Testaments / Historiae Biblicae Veteris et Novi Testamenti by Joseph Sebastian Klauber and Johann Baptist Klauber.
Black-and-white wood engraving depicting the prophecy of Isaiah: "And He shall judge between the nations, and shall decide for many peoples; and they shall beat their swords into plowshares, and their spears into pruninghooks; nation shall not lift up sword against nation, neither shall they learn war any more." Wood engraving signed by the artist Howard Simon.
Black-and-white engraving depicting scenes from the Book of Esther. From Biblische Geschichten des Alten und Neuen Testaments / Historiae Biblicae Veteris et Novi Testamenti by Joseph Sebastian Klauber and Johann Baptist Klauber.
Sheet music cover for "Israel in Egypt," composed by George Frideric Handel; arranged by John Clarke-Whitfield. With an engraving depicting text excerpted from Exodus 15 : "The horse and its rider He has thrown into the sea." Engraving by Isaac Taylor after Thomas Uwins. Published London: Clementi, Collard & Collard.
Black-and-white lithograph depicting Moses presented to Pharaoh. Lithograph by Louis Stanislas Faivre-Duffer after a painting by Victor Orsel. The original painting is held by the Musée des beaux-arts de Lyon. Printed Paris: Imprimerie Lemercier.
Black-and-white engravings depicting Jacob wrestling with the angel, as described in Genesis 32; and Jacob meeting Esau, as described in Genesis 33. From a Latin Bible.
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![[The Opening of the Hebrew University in Jerusalem]](https://iiif.library.cofc.edu/iiif/2/35689/full/200,/0/default.jpg)
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![[Passover]](https://iiif.library.cofc.edu/iiif/2/35551/full/200,/0/default.jpg)
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