This album consists of photographs taken at Pinehurst Tea Plantation located in Summerville, SC and owned by Professor Charles Upham Shepard Senior. The photographs depict the property, multiple tea gardens, tea processing, schools and other buildings located on the property, and tea plantation workers (including the African-American students who attended Pinehurst School).
This album consists of photographs on the subject of tea cultivation and life in Japan. The photographs in this album are hand-tinted color, albumen prints mounted on paper. All captions are from the album.
Anti-war comic entitled, "Vietnam," providing arguments against the Vietnam War with an emphasis on the injustices with regard to African American enlisted soldiers.
This is a photo album documenting a trip taken by a few members of the Agricultural Society of South Carolina on September 13-14, 1950 to North Carolina to consider whether coastal South Carolina could capitalize on the grape and wine industry as NC had so successfully done. The group visits an experiment station, inspects different vineyards, observes a harvest, and learns about varieties of muscadine grapes.
This photograph album documents a trip taken by members of the Agricultural Society of South Carolina from February 13, 1950 to February 18, 1950. The group visits ranches, reservations and an experiment station to observe Florida's growing beef-cattle industry.
This collection consists of select photographs from the 'Charleston County Pasture Tour, 1951' photograph album. The photographs depict walks through pastures, cattle, demonstrations, group photos and a shared meal.
Based on the inscription and date, it is likely that this sketchbook was the joint work of two brothers, Alexander Fraser (1750-1798) and Charles Fraser (1782-1860). Highlights of this sketchbook include some of Charles Fraser's earliest Lowcountry landscape scenes, and several theatrical views, some of which may be the work of his brother, Alexander.
Photograph album of Laura M. Bragg, 1881-1978. Bragg was the founder and first librarian of the Charleston Free Library in 1931 and was the director of the Berkshire Museum in Pittsfield, Massachusetts from 1932-1939. Includes Citadel and Virginia Military Institute commencement invitations, postcards and photographs of Miss Bragg with Chinese cadets.
Scrapbook pages made of pink construction paper with a decorative vine theme, leaves made of green construction paper. Media types include photographs, newspaper clippings, typescript pages, correspondence, and invitations. All dated material generated in the 1970s.
This memorial photograph album documents the funeral of Moshe Yidel Gelbart. Gelbart died of appendicitis on February 25, 1935, in Mogielnica, Poland. The album, made of fabric and paper, contains black and white photographs that chronicle Gelbart's funeral procession, his casket, mourners, and gravesite, including an image of Gelbart with his wife and son eight days before his death. The cover of this book pictures a broken candle and a broken tree, symbolic of a life cut short. Each page includes decorative labels in Hebrew. This album was given to one of his two brothers, George Goldberg or Israel Geldbart, in South Carolina.
This 1941 false identification was used by Anna Philine Nathans-Paerl, mother of Vera Nathans. Anna used this identification during the war until it was discovered that she was Jewish and then she was sent to Bergen-Belsen.
"Mementoes of Days in Service" details Lawrence Layden's service in World War II from his induction in June 1941, six months before Pearl Harbor, until his formal discharge in December, 1945. Part of the 67th Tactical Reconnaissance Group, Layden's squadron provided aerial reconnaissance for Operation Overlord and the assault on Nazi Germany. Through photos and text, Layden's scrapbook follows him from his initial assignment in Louisville, Kentucky to bases in England and continental Europe. The album contains reconnaissance photos used in the assault on Europe, photographs of Layden at various bases throughout the war and several photographs of Buchenwald concentration camp, visited by Layden six days after its liberation.
See Samuel Lord Hyde Photographs,This pamphlet, consisting entirely of illustrations, depicts the buildings, exhibits and statuary of the South Carolina Inter-State and West Indian Exposition. In addition to the Exposition snapshots, several images of contemporary Charleston are also included. The publisher is unknown. 1902. 43p.
An album of carte de visites from the 1860s. Photos picture relatives of the Hyams, Cohen, and Pearlstine families along with several unidentified portraits.
This scrapbook is comprised of newspaper clippings, photographs, postcards, and other documents related to the Walterboro Chapter of Future Farmers of America.
A booklet published by the Southern Railway System advertising winter vacations in Summerville, S.C., Charleston, S.C., and Savannah, Ga, including illustrations and descriptions of resorts and tourist sights. The pamphlet also contains maps and schedules for the Southern Railway System.
1909 booklet advertising the Pine Forest Inn, a Summerville, S.C. resort which opened in 1891. The description emphasizes the Inn's luxury accomodations, and the beneficial climate and health benefits of wintering in Summerville
1893 booklet advertising the Pine Forest Inn, a Summerville, S.C. resort which opened in 1891. Includes several images of the Inn and its grounds, and describes the Inn's accomodations and the health benefits of Summerville
Photograph of Mary Elliott Barnwell (1850-1927) and Charles Mathews Barnwell (1852-1923), children of William H. W. and Catherine Osborn Barnwell. Cased daguerreotype, tinted. 9.5 x 8 cm. 1855.
Photograph of a woodcut of "The Castle", the Barnwell family home in Beaufort. Caption on back: "The Old Castle. A double tabby house built by two brothers Robert Gibbes Barnwell (1761-1814), Edward Barnwell (1757-1808). It stood on the Bluff in Beaufort where the Court House now stands." 8 x 8 cm.
Black-and-white engravings depicting blowing the shofar on Rosh Hashanah at the Portuguese Synagogue in Amsterdam, above, and Yom Kippur at the Ashkenazi Obbene Shul in Amsterdam, below. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white engraving depicting Yom Kippur at the Ashkenazi Obbene Shul in Amsterdam. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Black-and-white engraving depicting blowing the shofar on Rosh Hashanah at the Portuguese Synagogue in Amsterdam. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Black-and-white engraving depicting blowing the shofar on Rosh Hashanah at the Portuguese Synagogue in Amsterdam. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
Black-and-white engraving depicting Yom Kippur at the Ashkenazi Obbene Shul in Amsterdam. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
Black-and-white woodcut depicting the ceremony of tashlikh. From Libellus de Judaica confessione by Johannes Pfefferkorn, published Cologne: Johannes Landen.
Black-and-white steel engraving of the Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. Engraving after a drawing by Louis François Cassas. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white wood engraving of the Tomb of Benei Hezir and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. From Palästina in bild und wort : Nebst der Sinaihalbinsel und dem lande Gosen by Georg Ebers, published Stuttgart: Deutsche Verlags-Anstalt.
Black-and-white offset print reproduction of the Tomb of Zechariah in Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Black-and-white steel engraving of the Tomb of Absalom, Tomb of Benei Hezir, and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white steel engraving of a sepulchral monument carved into the rock, near Jerusalem. Engraving after a drawing by Léon Gaucherel. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white offset print reproduction of the Tomb of Absalom in Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Black-and-white steel engraving of the Tomb of Absalom, Tomb of Benei Hezir, and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. Engraving by Thomas Heawood after a drawing by Alexius Geyer. Printed and published Leipzig: A. H. Payne.
Black-and-white steel engraving of the Tomb of Absalom and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. Engraving after a drawing by Louis François Cassas. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes) in the Great Synagogue of Amsterdam. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes). From Het algemeen groot historisch, oordeelkundig, chronologisch, geografisch, en letterlyk naam- en woord-boek, van den gantschen H. Bybel by Augustin Calmet.
Black-and-white etching of a Jewish divorce. Etching by Jan Luyken. From Kerk-zeeden ende gewoonten die huiden in gebruik zijn onder de jooden by Leon Modena, published Amsterdam: Timotheus ten Hoorn.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes). From An historical, critical, geographical, chronological, and etymological dictionary of the Holy Bible, Volume 1, by Augustin Calmet, published London: Printed for J. J. and P. Knapton, etc.
Black-and-white engravings depicting a Jewish funeral, above, and a Jewish burial, below. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
![[Tashlikh]](https://iiif.library.cofc.edu/iiif/2/48931/full/200,/0/default.jpg)
![[Joodsche Echtscheiding]](https://iiif.library.cofc.edu/iiif/2/48913/full/200,/0/default.jpg)
