Wooden stool supported by four nearly identical carved figures with red mouths; three figures hold the seat of the stool with extended arms; geometric design at base and top; origin Ituri rainforest.
Ivory flower vase with human face on one side and lion on the other, made for hotel use; origin eastern Democratic Republic of the Congo (formerly Zaire).
Circular winnowing basket; tightly woven, wrapped loop attached to rim and below rim is one solid piece of bamboo for stability; origin Mbo people of the Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Brown with darker brown geometric designs; orign Ituri forest, Democratic Republic of the Congo (formerly Zaire).
A piece of bark cloth, a non-woven textile made by beating the inner bark of certain trees and bushes until it is fine and soft. Brown with geometric squares; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
Wooden figure with both animal and human features, bowl-shaped headpiece; wood is soft, appears to be a fetish figure; origin Ndaka people, Ituri forest, Democratic Republic of the Congo (formerly Zaire).
Wooden male fetish figure, hands joined together under chin, helmet-like head covering, rectangular box cut into center; origin Epulu, Democratic Republic of the Congo (formerly Zaire).
Wooden figure that has both animal and human features, standing on two legs with elongated snout, 6 large teeth, head cover with pieces resembling horns and a protruding piece in the middle; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
Wooden stick with one end carved in a circular design; part of a fire stick, very smooth; origin Ituri rainforest of the Democratic Republic of the Congo (formerly Zaire).
Front and profile views of a male wooden figure carrying a vessel in left hand and a dagger in right. Origin Bena Lulua people of the Democratic Republic of the Congo (formerly Zaire).
Wooden stool with a base and top joined by four carved vertical supports. Seat contains a circular band of cowrie shells and inlaid ivory. Origin West Africa.
Yellow, violet, and natural coiled raffia basket with two handles; tray-shaped, repetitive geometric decorations in natural raffia within violet bands, edge is three rows of tightly woven material with handles on either side, plain underside; origin Uganda.
Yellow, violet, and natural coiled raffia basket; repetitive geometric decorations in natural raffia within violet bands, edge is three rows of tightly woven material, plain underside; origin Uganda.
Coiled grass basket with conical lid; lid tightly woven with raffia, top twelve rows dyed black; bottom has black geometric pattern, rest of basket is natural; possible origin is Central Africa.
N'domo mask used in the second of seven initiation rituals for boys of the Bambara people of Mali. The decorated vertical wooden posts represent the wisdom of the cosmos and the long nose symbolizes vitality.
A funerary statuette common among the Hongwe (Mahongwe), Kota (Bakota), and Fang people of Gabon. The statue is placed upon a box containing the remains of an ancestor and acts as the guardian of the reliquaries.
Tall wooden mask with a rectangular box for the head. The top portion depicts a female figure below a perched bird with a downward thrusting arrow. Origin is either Dogon or Mossi people of Burkina Faso.
Wooden stool used in nkumbi initiation; bottom has three incised marks on each side, handle carved on one side near the center column, and incised area in the middle of the top; origin Bira people of the Epulu region of the Ituri rainforest.
Wooden stool used in nkumbi initiation graduation; top is scalloped, base is square, four decorated block shapes between base and top; etched into one side is "H_ _ _ _ _"; origin Epulu region of the Ituri rainforest.
Wooden initation doctor's mask with beard; ears, eyes, nose, and mouth all have holes; eyebrows carved down to the mouth in a series of reverse S's creating cheek bones; touched the nose is a carved vertical band; ears protude inward to eyes; faded white dots over entire face.
Bundle of wooden arrows wrapped with a piece of raffia, seven with metal tips, fourteen in all; end of one is notched with traces of poison; origin Democratic Republic of the Congo (formerly Zaire), Mbuti people.