Delia Chariker was born in born in Kingsville, Texas and when she was two moved to Clover, South Carolina where she grew up. Her earliest musical memories relate to her mother's big playful and musical family. She learned to play guitar when she was in High school. She attended college in North Carolina and after that she moved around the country playing in Nashville and California. However, making a living as a musician proved to be a struggle and she returned to school to obtain a Masters in Music therapy. She reflects about being a working musician and states this is one of the most rewarding times of her career: She is able to make a living creating music with her veteran clients and plays around town with her musician friends. Animas, her solo album reflects Chariker's deep connection with her Native American spirituality roots. At the time of the interview, Chariker was employed at the Ralph H. Johnson Veterans Affair Medical Center and was the Music Director at Unitarian Church in Mount Pleasant.
Guitarist and entrepreneur Clelia Hand Reardon was born in Huntsville, Alabama. She recalls her beginnings: taking piano lessons when she was in first grade and knowing when she was only thirteen that she wanted to be a classical guitarist. Reardon talks about her mentor and friend, Mr. Fred Sabback, and states he was the biggest influence in her career. In the interview, Reardon reflects about her prolific career as a performer and as a teacher. She remembers her experiences playing in many shows in Charleston; included Man of the Mancha, Porgy and Bess, and Jesus Christ Superstar; touring Europe twice with a jazz band, and participating in the organization of the Guitar Foundation of America international conventions and competitions. Finally, she reflects about the rewards of her teaching career.
Born in Charleston, SC on September 11, 1976 and raised in nearby Pinopolis, Lindsay Holler is a singer, composer, and guitar player who has additionally been a strong advocate for local musicians and a fixture of the music scene. In this interview she recalls her musical influences, including her parents’ mainstream pop records and her brother’s enthusiasm for the Black Crows. In addition to playing flute in the middle school band and taking piano lessons, Holler also studied voice with opera singer June Bonner. That association led to a visit to Broadway at age 13, where she saw Gregory Hines and Phylicia Rashad in Jelly’s Last Jam. “I kind of fell in love with New York a little bit, and I was like, oh, man, that’s where I want to go,” Holler recalls. Following her high school graduation, Holler studied jazz at the Berklee College of Music before returning to Charleston to complete her musical education at the College of Charleston. She has recorded and performed with several locally-based groups, including the Dirty Kids, the Western Polaroids, and Matadero. Though often in the spotlight as the lead singer, Holler is ambivalent about the attention that it brings her and worries that that ambivalence may undermine her success: “Everybody is me, me, me, show me, let me show you, you know, it’s such a prevalent posture nowadays, where it’s in your face, and who’s going to be the loudest, and who is going to be the most out there, and that’s never been my thing. But I worry do you have to be like that in order to be successful?”
Musician and art entrepreneur Leah Suárez was born on August 12, 1981, in Greenwood South Carolina. She grew up in Charleston with her parents and three brothers and her childhood activities revolved around soccer and music. As early musical experiences, she remembers singing with her mother the mixed tapes her brother created for her. Suárez formal musical training started in middle school when she joined the school band and learned to play the euphonium. She received a scholarship to study the instrument at George Mason University College but she dropped out due to health problems. She returned to South Carolina and enrolled at the College of Charleston where she focused on vocals. At the age of twenty-four, she participated in the Copenhagen Jazz Festival and lived in Europe for six months. Back in Charleston, with the support of her mentor and friend, Jack McCray co-founded Jazz Artists of Charleston (JAC) becoming the organization Executive Director and the co-producer the Charleston Jazz Orchestra. In the interview, Suárez explains that her life experiences and the issues affecting her community shaped her voice and art. She reflects about the challenges and rewards of being a musician entrepreneur in Charleston, her work with other Charleston musicians, and the importance of re-connecting with her Latino roots.
