Lindsay Holler, Interview by Kerry Taylor, 30 March 2013
Date:
2013
Interviewer:
Taylor, Kerry
Interviewee:
Holler, Lindsay
Description:
Born in Charleston, SC on September 11, 1976 and raised in nearby Pinopolis, Lindsay Holler is a singer, composer, and guitar player who has additionally been a strong advocate for local musicians and a fixture of the music scene. In this interview she recalls her musical influences, including her parents’ mainstream pop records and her brother’s enthusiasm for the Black Crows. In addition to playing flute in the middle school band and taking piano lessons, Holler also studied voice with opera singer June Bonner. That association led to a visit to Broadway at age 13, where she saw Gregory Hines and Phylicia Rashad in Jelly’s Last Jam. “I kind of fell in love with New York a little bit, and I was like, oh, man, that’s where I want to go,” Holler recalls. Following her high school graduation, Holler studied jazz at the Berklee College of Music before returning to Charleston to complete her musical education at the College of Charleston. She has recorded and performed with several locally-based groups, including the Dirty Kids, the Western Polaroids, and Matadero. Though often in the spotlight as the lead singer, Holler is ambivalent about the attention that it brings her and worries that that ambivalence may undermine her success: “Everybody is me, me, me, show me, let me show you, you know, it’s such a prevalent posture nowadays, where it’s in your face, and who’s going to be the loudest, and who is going to be the most out there, and that’s never been my thing. But I worry do you have to be like that in order to be successful?”
This interview is a part of the COHP’s “Working Charleston” series. Working Charleston documents the on and off job experiences of the longshoremen and lawyers, the bartenders and carriage drivers, hospital aides and high tech workers who make Charleston among the nation’s prime tourist destinations and vital centers of global trade. The digital recordings and transcripts are part of The Citadel Oral History Program Collection at The Citadel Archives & Museum.
