NAACP memorandum from Benjamin L. Hooks to All NAACP Units, Members of the National Board of Directors and Members of the SCF Board of Trustees regarding resolutions submitted for consideration by NAACP Units in 1989. Enclosed Resolutions Submitted Under Article X, Section 2 of the Constitution of the NAACP.
"A Special African-American Resource Guide" prepared for the National Conference Infusion of African and American Content in the School Curriculum, listing sources on African-American bookstores, book publishers, art administrators, galleries, and museums.
NAACP Disaster Relief Program Office Request for Assistance forms containing information on residents of Charleston, South Carolina in the aftermath of Hurricane Hugo.
Harvard University published document entitled, "Up From Harvard: A Guide for Black Graduates," prepared by Eric L. Jones for the Office for Graduate and Career Plans.
Softcover. Published by Coastal Carolina College, University of South Carolina. Atheneum yearbook is not to be confused with the "Atheneum" newsletter.
The Charleston Branch of the NAACP's Planning Committee notes for the 1989 Freedom Fund Banquet, including anticipated income and expenses, sponsorships, advertisements, and publications.
Charleston Branch of the NAACP Health and Welfare Committee report including information on seminars and workshops, career enhancement, community health, welfare and social services, homeless meal assistance, procedures, publicity, and anticipated expenses.
Photograph of Randolph Hall, Towell Library and the cistern yard showing the aftermath of Hurricane Hugo. Construction of Randolph Hall, the most recognizable building at the College, began in 1828 under the direction of architect William Strickland. Flanking wings and portico for the main building were designed by Edward Brickell White and erected circa 1850. In 1886 the wings were destroyed by the Charleston earthquake and rebuilt between 1888 to 1894 under the direction of Gabriel Manigault.
Wooden face mask decorated with white, blue, and red paint; mouth carved in an oval, eyes have triangular lids with blue dots, chin has blue dots, cheeks have red and white dots, forehead has blue dots and white V-lines, straw beard; string attached to two nails in back; origin Ndaka people of the Ituri rainforest.
Ivory replica of a European shoehorn; profile of a woman with sculptured hair, black holes for eyes; torso resembles woman wearing a dress in the shape of a shoehorn; origin Mangbetu people of the Democratic Republic of the Congo (formerly Zaire).
Framed acrylic painting depicting a scene of modern and primitive dwellings being attacked by airplanes and tanks; villagers have guns, bows and arrows, and spears, and are wearing native garments; signed "DzibA C" lower right; origin unknown.
Ivory figures depicting the Three Wise Monkeys motif ("See no evil, hear no evil, speak no evil"); origin Eastern Democratic Republic of the Congo (formerly Zaire).
Ivory tooth or tusk carved into an ornate ring with a circle and dot motif; resembles a napkin ring; origin eastern Democratic Republic of the Congo (formerly Zaire).
Ornamental face mask with open eyes, carved hair, and a string through the holes at top; origin eastern Democratic Republic of the Congo (formerly Zaire).
Ivory replica of a snail shell, seven holes indicate that it may have come unglued from another piece; origin eastern Democratic Republic of the Congo (formerly Zaire).
