Contract for the purchase of a seat in the women's gallery of the Synagogue de Nazareth, located on the Rue Notre-Dame-de-Nazareth, in Paris. Seat paid for by Anselme Halphen.
This 1833 certificate designates Lion Barend Paerl, maternal great-great-great-grandfather of Vera Nathans, as the president of the Nederlandsche Israelitische Hoofd-Synagoge te Amsterdam.
Black-and-white engraving depicting Yom Kippur at the Ashkenazi Obbene Shul in Amsterdam. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Black-and-white engraving depicting blowing the shofar on Rosh Hashanah at the Portuguese Synagogue in Amsterdam. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Black-and-white steel engraving of the Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. Engraving after a drawing by Louis François Cassas. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white steel engraving of the Tomb of Absalom, Tomb of Benei Hezir, and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white steel engraving of a sepulchral monument carved into the rock, near Jerusalem. Engraving after a drawing by Léon Gaucherel. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white steel engraving of the Tomb of Absalom and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. Engraving after a drawing by Louis François Cassas. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white engraving depicting a Jewish burial. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes) in the Great Synagogue of Amsterdam. Engraving after Bernard Picart. From A new univeral history of the religious rites, ceremonies and customs of the whole world by William Hurd, published Manchester: J. Gleave.
Black-and-white engraved map of Amsterdam, with a key including the Portuguese Synagogue and Great Synagogue. From Le guide d'Amsterdam, ou Description de ce qu'il y a de plus intéressant, published Amsterdam: C. Covens.
Hand-colored engraving of Jewish clothes merchants. Engraving after a drawing by Gustave de Galard. From Recueil des divers costumes des habitans de Bordeaux et des environs by Edmond Géraud, published Bordeaux: Lavigne jeune.
Black-and-white lithographed portrait of Rabbi Marchand Ennery, Chief Rabbi of France. Lithograph by Hermann Raunheim. With Hebrew text of Psalm 119:15 : I will meditate in Thy precepts, and have respect unto Thy ways.
Black-and-white stipple-engraved portrait of financier Nathan Mayer Rothschild. Engraving after a drawing by Charles Penny. London, published February 13, 1827, by Smith, Elder & Co.
Hand-colored etching of the exteriors of the New Synagogue and Great Synagogue in Amsterdam. Engraving by Willem Hendrik Hoogamer after a drawing by Cornelis de Kruyff. From Vues choisies d'Amsterdam et ses environs dessinées d'après nature par C. de Kuyf et autres artistes, published Amsterdam: chez Franois Buffa & Fils.
Black-and-white lithograph depicting five Jewish men and women driving a gaggle of geese. At the bottom, excerpts from three verses. Proverbs 12:10 : A righteous man regardeth the life of his beast. Isaiah 9:12: The Arameans on the east, and the Philistines on the west; and they devour Israel with open mouth. Sirach 5:2-3 : Don’t follow your inclination nor your strength, in order to walk in the desires of your heart. And don’t think, “Who’ll have power over me?” Then the Lord, the highest punisher, will punish. Lithograph printed Strasbourg: Oberthür et emrich.
Black-and-white line engraved portrait of philosopher Baruch Spinoza. Engraving by Wenzel Pobuda. Frontispiece to Sämmtliche Werke : aus dem lateinischen mit dem Leben Spinoza's, Volume 1, by Berthold Auerbach, published Stuttgart: J. Scheible.
Black-and-white lithographed portrait of Lelio Cantoni, Chief Rabbi of the Jewish universities of Piedmont. Lithograph by D. Festa after a drawing by Petronilla.
Hand-colored etching depicting a sentimental contemplation of the moon. In German, the text reads : "Nicht weiss gesotten, nicht plettirt, / Und doch solch magnifiquer Schein! / Ach, mein Gemüth ist ganz gerührt / Er muss messiv von Silber seyn!" In English, the text reads : "Not blanched, not plated, / And yet such a magnifiscent gleam! Oh, my soul is deeply moved / It must be made of silver!"
Hand-colored etched caricature depicting a fantastical view of the sun. In German, the text reads : "Gotts Wunder, welcher Glanz und Schein / Das muss ep's rores von Vergilding seyn!" In English, the text reads : "God's wonders, which glimmer and shine / That must be something rare and gilt!"
Sheet music for "The sorrowing Jew : a hymn written by a friend of Israel, in London," music composed by George J. Webb, and respectfully dedicated to the Ladies Jew Society of Newburyport, by their obliged servant Matthew A. Berk. Published Boston: B. W. Thayer's Lithography.
Caricature of Jewish participation in the National Guard during the Revolutions of 1848. In German, the text reads : --"Wai! -- A Wai der Feind kümmt! -- A Wai! Se thün auch scheißsen!" In English, the text reads : --"Vey! -- Oy vey the enemy is coming! -- Oy, vey! They are shooting too!"
Hand-colored engraving depicting a Jewish man holding a mezuzah. Engraving by Bennardoni. From Il costume antico e moderno, o, storia del governo, della milizia, della religione, delle arti, scienze ed usanze di tutti i popoli antichi e moderni, Asia, Volume 5, by Giulio Ferrario, published Firenze: V. Batelli.
Hand-colored etching depicting the vestments of a Jewish high priest. From Tableau historique des costumes, des moeurs et des usages des principaux peuples de l'antiquité et du moyen age, Volume 2, by Robert von Spalart, published Metz: Collignon.
Black-and-white steel engraving depicting priestly vestments. Engraving after a drawing by Vernier. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Hand-colored engraving of the exterior of the Israelitisches Krankenhaus Hamburg. Drawn and engraved by James Grey. Published Hamburg: B. S. Berendsohn.
Black-and-white engraved portrait of historian Josephus (born Joseph ben Matityahu). Engraving by John B. Neagle. Frontispiece to The genuine works of Flavius Josephus, the Jewish historian : containing twenty books of the Jewish antiquities, seven books of the Jewish war, and the life of Josephus, written by himself... by the late William Whiston... Revised, and illustrated with notes, by the Rev. Samuel Burder..., published Boston: Printed and published by S. Walker, Newbury-Street.
Black-and-white lithograph of Jews from Algiers. Lithograph after a drawing by R. Jungmann. From Costumes, moeurs et usages des Algériens by R. Jungmann, published Strasbourg: J. Bernard.
Black-and-white steel engraving depicting priestly a Jewish priest in his vestments. Engraving after a drawing by Vernier. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Hand-colored engraving depicting the standards of the Twelve Tribes of Israel, along with the Tabernacle, above right. Illustration of Numbers 2:2 : "The children of Israel shall pitch by their fathers' houses; every man with his own standard, according to the ensigns; a good way off shall they pitch round about the tent of meeting." Below, a Torah scroll and its ornaments. Engraving by Castelli. From Le Costume ancien et moderne, ou, Histoire du gouvernement, de la milice, de la religion, des arts, sciences et usages de tous les peuples anciens et modernes, Asia, Volume 3, by Giulio Ferrario, published Milan: De l'imprimerie de l'editeur, 1815-1829.
Hand-colored engraving of a Jewish man and woman from Algiers. From Histoires de la Chine, du Japon, de la Perse, de l'Inde, de l'Arabie, de la Turquie, de l'Égypte, de l'Algérie, etc. depuis les temps les plus reculés jusqu'en 1840 by de Saurigny, published Paris: Duménil.
Hand-colored wood engraving of a married Jewish woman from Algeria. Wood engraving by Léopold Deghouy after Théodore Frère. From L'Afrique française by Christian Pitois, published Paris: A. Barbier.
Hand-colored etching of a scene from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Etching after Johann Michael Voltz. In German, the text reads : "Harr Kerperol, Harr Affezier, Harr Generol! Hebbe Se de Gnod, hebbe Se dä grausse Gnod und lasse Se mich nit schiessen. Ich halt es nit aus, ich künns nit vertragen, ich künn nit riechen dä Pulver, ich fall in dä Ohnmacht!" In English, the text reads : "Sir Corporal, Sir Officer, Sir General! Have mercy, have great mercy and don't leave me under fire. I can't stand it any more, I can't endure it, I can't smell the gun powder any longer, I am going to faint!"
Hand-colored etching depicting the Hep-Hep riots against Jews in Frankfurt. Participants in these riots rallied to the cry, "Hep! Hep!" The image contains Christians of different social classes beating and targeting Jews, as well as looting their homes. Two peasant women are assaulting a Jew with a pitchfork and a broom. A man wearing a waistcoat and cravat, of a higher social class, has a Jew by his throat and is aiming to beat him with a stick. Etching by Johann Michael Voltz.
Black-and-white lithograph depicting a group of Jewish peddlers from Poland showing their wares to two approaching Cossacks. Lithograph by Godefroy Engelmann after Louis-Albert-Ghislain Bacler d'Albe.
Black-and-white steel engraving depicting the Jewish high priest at the Golden Altar of Incense. Engraving by Jacques Louis Constant Le Cerf after Lanvin. From Histoire de la Terre-Sainte depuis les temps les plus reculés jusqu'à nos jours by abbé Martin, published Paris: Duménil.
Black-and-white lithograph depicting a Jewish peddler and Gabriel Riesser, member of the Frankfurt Parliament, discussing the "imperial wig." In German, the text reads: --Jude: "Dau sehe Se ä Mohl! Herr Docter, ebbes Rores a blonde Perück die ganz allan steht." --Dr: "Nun was nützt die alte Scharteke?" --Jude: "Verzeihe Se Herr Dr. Sie is noch kan 40 Johr alt und hot uns sehr genützt." In English, the text reads : --Jew: "Now, look at Mohl! Doctor, it's a rare thing to see a blond wig standing on its own." --Dr.: "Now, of what use is old thing?"-- Jew: "Forgive me, Doctor. It's not even 40 years old and has been very useful for us." The text references Moriz Mohl who, at the Frankfurt Parliament, argued against legal equality for Jews. Printed Frankfurt am Main: Lith. Anst. V. Ed. Gust. May.
Hand-colored engraving depicting a Jewish man holding a mezuzah. Engraving by Castelli. From Le Costume ancien et moderne, ou, Histoire du gouvernement, de la milice, de la religion, des arts, sciences et usages de tous les peuples anciens et modernes, Asia, Volume 3, by Giulio Ferrario, published Milan: De l'imprimerie de l'editeur, 1815-1829.
Black-and-white engraving depicting a Jewish marriage ceremony. Engraving by William Kneass. From A dictionary of the Holy Bible : containing an historical account of the persons, a geographical and historical account of the places, a literal, critical, and systematical description of other objects, whether natural, artificial, civil, religious, or military... by John Brown, published Pittsburgh: Zadok Cramer.
Color lithograph of "Death to the Jew" from La danse des morts à Bâle de Holbein / Basler Todtentanz von Hans Holbein by Hieronymus Hess, published Basel: Hasler & Cie. In German, the text reads : --Der Tod zum Juden: "Hujum, Jud! mach dich auf die Fahrt; / Dein's Messiä hast zu lang g'wart: / Christum, welchen ihr habt ermördt, / War der recht, ihr habt lang geirrt." --Antwort des Juden: "Ein Rabbi war ich der Geschrift, / Zog aus der Bibel nur das Gift: / Gar wenig nach Messiam tracht, / Hatt' mehr auf Schätz und Wucher Acht." In English, the text reads : --Death to the Jew: "Up, Jew, and take the common gate, / In vain you for Messiah wait; / Christ, whom, you slew, was He indeed, / You've follow'd long a hopeless creed." The Jew's reply: "As Rabbi long the law I knew, / But poison from its pages drew; / Messiah had few charms for me, / My faith was Gold and Usury."
Black-and-white engraving of Rachel's Tomb in Bethlehem. Engraving by William Finden after a drawing by J. M. W. Turner from a sketch by Archibald Edmonstone. From Landscape illustrations of the Bible, consisting of views of the most remarkable places mentioned in the Old and New Testaments, published London: John Murray.
Black-and-white steel engraving of the Tomb of Absalom in Jerusalem. From Meyer's Universum, oder Abbildung und Beschreibung des Sehenswerthesten und Merkwürdigsten der Natur und Kunst auf der ganzen Erde, published Hildburghausen: Bibliogr. Instit.
Black-and-white wood engraving of Jewish high priests in their vestments. From The works of Flavius Josephus, the learned and authentic Jewish historian and celebrated warrior, translated by William Whiston, published Baltimore: Armstrong & Berry.
Sheet music cover for "Juive et Chrétienne : duo pour 2 voix de femmes," words by Edouard Plouvier; music by Giuseppe Concone, published Paris: S. Richault.
Black-and-white offset print reproduction of Alexander the Great meeting the Jewish priests and high priest outside of Jerusalem. From A survey of the Holy Land; its geography, history, and destiny by J. T. Bannister, published Bath: Binns and Goodwin.
Black-and-white steel engraving depicting the vestments of the Jewish high priest and priest. Engraving by Bosserodon after François Hippolyte Lalaisse. From Histoire de la Terre-Sainte depuis les temps les plus reculés jusqu'à nos jours by abbé Martin, published Paris: Duménil.
Black-and-white lithograph of a Jewish celebration in Algeria. From Voyage pittoresque dans la Régence d’Alger by Émile-Aubert Lessore and William Wyld. Printed and published Paris: Charles Motte.
Black-and-white etched portrait of well-known Jewish peddler Mordechai Löb (1745-1817) of Schlüchtern, known as the "Preusje von Schlüchtern." Etching by Ludwig Emil Grimm.
Black-and-white engraving of a Jewish man and woman from Algiers. From Histoires de la Chine, du Japon, de la Perse, de l'Inde, de l'Arabie, de la Turquie, de l'Égypte, de l'Algérie, etc. depuis les temps les plus reculés jusqu'en 1840 by de Saurigny, published Paris: Duménil.
Hand-colored engraving of a Jewish man and woman from Algiers. Engraving by E. Vermocken. From Les moeurs et costumes de tous les peuples, d'après les documents les plus authentiques, les voyages les plus récents et des matériaux inédits by Casimir Henricy, published Paris: Librairie ethnographique.
Hand-colored etching of the contest between boxers Abraham Belasco and Jack Randall. The text reads : "This fight took place at Shepperton-Point near Oatlands, on Tuesday Septr. 30, 1817, in a 24 Feet ring, for 50 Guineas a side; and after a contest of 54 Minutes was decided in favor of Randall. The Morning Chronicle, Bell's Weekly Dispatch, Ducket's and other Newspapers, state this fight to have been, on both sides, the finest display of Science and bodily activity witnessed for many Years." Etching by Charles Williams. Published London: S. W. Fores.
Black-and-white engraved portrait of merchant Henry Simons, who came to prominence as the result of a legal action for assault and robbery brought against him in 1753. From Portraits, memoirs, and characters of remarkable persons, from the Revolution in 1688 to the end of the reign of George II, Volume 3, by James Caulfield, published London: T. H. Whitely.
Black-and-white steel engraving depicting priestly a Jewish high priest in his vestments. Engraving after a drawing by Vernier. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white engraved portrait of Chief Rabbi Solomon Hirschel. Engraving by William Ridley after a painting by Samuel Drummond. Published in the European Magazine.
Black-and-white engraved portrait of financier and philanthropist Israel Jacobson, pioneer of Reform Judaism. Engraving by Christian Schule after Franz Karl Tielker.
Black-and-white engraving depicting a Jewish funeral. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Black-and-white engraving of a Jewish high priest in his vestments. Engraving by Peter Maverick. From Calmet's great Dictionary of the Holy Bible : historical, critical, geographical, and etymological… by Augustin Calmet, published Charlestown, Mass.: Printed and sold by Samuel Etheridge.
Sheet music for "The sorrowing Jew : a hymn written by a friend of Israel, in London," music composed by George J. Webb, and respectfully dedicated to the Ladies Jew Society of Newburyport, by their obliged servant Matthew A. Berk. Published Boston: B. W. Thayer's Lithography.
Hand-colored engraving of the Tombs of the Sanhedrin in Jerusalem. Engraving by Giuseppe Bramati. From Descrizione della Palestina, o, storia del vangelo by Giulio Ferrario, published Milan: Milano, Società tipog. de' classici italiani.
Black-and-white offset print reproduction depicting searching for leaven on the eve of Passover. From The pictorial Sunday book by John Kitto, published London: London Printing and Publishing Company.
Black-and-white engraving depicting a Passover seder. Engraving by William Kneass. From A dictionary of the Holy Bible : containing an historical account of the persons, a geographical and historical account of the places, a literal, critical, and systematical description of other objects, whether natural, artificial, civil, religious, or military... by John Brown, published Pittsburgh: Zadok Cramer.
Black-and-white etched satirical portrait of Ismael Aga, a noted peddler and beggar in the area of the Royal Exchange in London. London: Published 4 July, 1812, by Robert Wilkinson.
Black-and-white engraved portrait of financier and philanthropist Abraham Goldsmid. Engraving by William Ridley after Samuel Medley. Published in the European Magazine.
Black-and-white engraved portrait of historian Josephus (born Joseph ben Matityahu). Frontispiece to The works of Flavius Josephus, the learned and authentic Jewish historian and celebrated warrior… translated by William Whiston, published Baltimore: Armstrong & Berry.
Engraving of two images of the Jewish high priest in his vestments, including one on the Day of Expiation (Yom Kippur). Images from Calmet. Published for the Society for Promoting Christian Knowledge by F. C. & J. Rivington, St. Paul's Church Yard, London.
Black-and-white steel engraving depicting Rebekah's arrival to Isaac, as described in Genesis 24:64. From The devotional family Bible : containing the Old and New Testaments, with explanatory notes, practical observations, copious marginal references, &c. by Alexander Fletcher, published New York: R. Martin & Co.
Hand-colored aquatint illustrating Lord Byron's poem "The Destruction of Sennacherib," first published in his Hebrew Melodies. Aquatint published London: Pyall & Stroud.
Black-and-white engraving depicting Deuteronomy 5:1. From The Holy Bible : containing the Old and New Testaments, according to the authorized translation ; with all the parallel texts and marginal readings ; to which are added notes and practical observations, designed as a help to a correct understanding of the sacred writings by Adam Clarke, published Liverpool: Printed by Nuttall, Fisher, Dixon, and Gibson.
Black-and-white engraving depicting Bezalel building the Ark of the Covenant, as described in Exodus 37. From The Holy Bible : containing the Old and New Testaments, according to the authorized translation ; with all the parallel texts and marginal readings ; to which are added notes and practical observations, designed as a help to a correct understanding of the sacred writings by Adam Clarke, published Liverpool: Printed by Nuttall, Fisher, Dixon, and Gibson.
Sheet music cover for "Israel in Egypt," composed by George Frideric Handel; arranged by John Clarke-Whitfield. With an engraving depicting text excerpted from Exodus 15 : "The horse and its rider He has thrown into the sea." Engraving by Isaac Taylor after Thomas Uwins. Published London: Clementi, Collard & Collard.
Black-and-white engraving of the interior of the Semper-Synagoge (Semper Synagogue), also known as the Dresdner Synagoge (Dresden Synagogue) or Alte Synagoge (Old Synagogue). Engraving by A. Langhans. From Erinnerungen an merkwürdige Gegenstände und Begebenheiten, Volume 23. Published Prague: C.W. Medau und Comp.
Black-and-white engraving of the exterior of the Semper-Synagoge (Semper Synagogue), also known as the Dresdner Synagoge (Dresden Synagogue) or Alte Synagoge (Old Synagogue). Engraving by P. Röhrich. From Erinnerungen an merkwürdige Gegenstände und Begebenheiten, Volume 23. Published Prague: C.W. Medau und Comp.
Color offset print reproduction of the original location of Congregation B'nai Jeshurun on Elm Street. After a drawing by Alexander Jackson Davis. Text originally published in The New-York Mirror.
Black-and-white offset print reproduction of the exterior of the New Synagogue at Great St. Helen's in London. Published in the January 12, 1839, edition of The Mirror of Literature, Amusement, and Instruction.
Black-and-white engraving of the exterior of the Portuguese Synagogue in Amsterdam. From Le guide d'Amsterdam, ou description de ce qu'il y a de plus intéressant.
Hand-colored lithograph of the interior of the 1822 building of Synagogue de Nazareth, located on the Rue Notre-Dame-de-Nazareth, in Paris. Lithograph by Jules-Robert-Pierre-Joseph Challamel after an original drawing by the Marquis de Villeneuve. Published in L'Artiste.
Hand-colored aquatint of the interior of the Great Synagogue in London at Duke's Place. Aquatint by Thomas Sunderland after drawing and engraving by Augustus Pugin and Thomas Rowlandson. Published in The Microcosm of London Vol. III by Rudolph Ackermann.
Black-and-white offset print reproduction of the interior of the 1822 building of the Synagogue de Nazareth, located on the Rue Notre-Dame-de-Nazareth, in Paris. Reproduction of a lithograph by Jules-Robert-Pierre-Joseph Challamel after an original drawing by the Marquis de Villeneuve. Published in the December 5, 1846, edition of L'Illustration.
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![[Habillement des hommes]](https://iiif.library.cofc.edu/iiif/2/36407/full/200,/0/default.jpg)
![[Tombe dei Profeti o Giudici d'Israele]](https://iiif.library.cofc.edu/iiif/2/35660/full/200,/0/default.jpg)
![[For the Angel of Death spread his wings on the blast...]](https://iiif.library.cofc.edu/iiif/2/33219/full/200,/0/default.jpg)
![[Hear, O Israel, the statutes and judgments which I speak in your ears this day]](https://iiif.library.cofc.edu/iiif/2/33085/full/200,/0/default.jpg)
![[And he overlaid it with pure gold within and without]](https://iiif.library.cofc.edu/iiif/2/33098/full/200,/0/default.jpg)
![[K. K. Beth Elohim]](https://iiif.library.cofc.edu/iiif/2/26445/full/200,/0/default.jpg)
