Black-and-white engraving entitled depicting "express travel" to the Sabbath. One man whips a horse, urging it to go faster, while another holds up a timepiece.
Black-and-white engraving depicting a Jewish circumcision. Engraving by Gérard Jean-Baptiste Scotin after Hubert-François Gravelot. From The Ceremonies and Religious Customs of the Various Nations of the Known World : together with historical annotations and several curious discourses... Written originally in French, and illustrated with a large number of folio copper plates designed by Mr. Bernard Picart, and curiously engraved by most of the best hands in Europe..., Volume 1, published London: William Jackson and Claude Dubosc, 1733-1739.
Donnerstag (Thursday). In German, the text reads : "Der Tag an den mann wird gemahnt / Die Schulden zu bezahlen, / Kommt oft so schnell herbeigerant / Das mann erschrickt zumalen; / Wenn mann Just nicht bei Gelde ist, / Ach! da macht einem Jud und Christ. Wahrhaftig Donnerstäge." In English, the text reads : "The day on which one is reminded / To pay the debts, / It often sneaks up on one so quickly, / That one becomes the picture of shock. / When one doesn't have access to the money, / Oh! As does a Jew and a Christian."
Color map of Franzensbad (Františkovy Lázně), with a key to important public buildings, including the synagogue. Published Zurich: Orell Füssli & Co.
Lithograph for the sheet music cover for "Le juif errant : quadrille brillant," by Victor Lazard, published Paris: L. d'Arnaud. Lithograph by Frédéric Bouchot.
Metal engraving of Moses and Aaron flanking the Chumash, with Torah crown above it. The image above depicts Moses receiving the Ten Commandments on Mount Saini, surrrounded by crowds of ancient Israelites. The image below depicts the Temple in Jerusalem.
Engraving of a Jew holding a mezuzah, along with symbols of Hindu and pagan religions. From Cérémonies et coutumes religieuses de tous les peuples du monde, Volume 6, by Bernard Picart.
Caricature by Gustave Frison depicting a Jewish stockbroker haggling over the terms of a trade outside the Paris Stock Exchange. He is portrayed as speaking French with a Yiddish accent.
Hand-colored lithographed caricature depicting a Jewish peddler with his wares. The caption, which translates to "All is not gold that glitters," implies that his wares might not be as valuable as they seem. Lithograph by Pierre Langlumé. Published Paris: Noël et Dauty.
Black-and-white wood engraving depicting Moses descending from Mount Sinai with the Ten Commandments. Wood engraving by Héliodore Pisan after an illustration by Gustave Doré.
Black-and-white wood engraving depicting the ceremony of Havdalah. Original illustration from the article "The Jews in New York--II" by Richard Wheatley, published in the February 1892 edition of The Century Magazine.
Engraving and text from Darstellungen menschlicher Narrheiten (Representations of human follies). In German, the text reads : "Der Juden ihr Betrug und List. / Beӱ weiten nicht zulänglich ist, / Partiten so ich mit Manier. / Kan spielen hurtig dort und hier. / Ja, ja, die Mauschel lassen dir, / Das Præ du sehr verschmiktes Thier." In English the text reads : "The Jews' betrayals and tricks. / Far and wide it is inadequate, / To make false coins in such a manner. / I can play daily here and there. / Yes, yes, the Mauschel let you. / That's the priority you bejeweled animal." This engraving is part of a series satirizing the foolish schemes people believed during the economic crisis in the early 17th century.
Hand-colored engraved caricature of a Jewish peddler. Engraving by Franz Barth. In German, the text reads : "Gar veile nennen Juden mich / Und machen drüber lustig sich - / Ich bitt Euch, mit dem Witze spart / Es giebt auch Juden ohne Bart, / Und veile, die sich Christen nennen / Und doch betrügen, wo sie können." In English, the text reads : "Many call me a Jew / And mock me for it - / I beg you, spare me the mockery / There are also Jews without a beard, / And many who call themselves Christians / And yet deceive, wherever they can."
Caricature on the subject of Jewish emanicipation. In German, the text reads : "Du machst mit deinen Geld hienieden. / Ganz nach Gefallen Krieg und Frieden. / Zum Dank sind diese grosse Orden. / Dir allgemach zutheil geworden. / Zwar darf ich das Kreuz nicht leiden. / Doch golden nehm' ich's an mit Freuden. / Wie Meyer, Hirsch und Löwe schon. / Gold bringt zum Ruhm und hohe Ehre. / Hoch stehe ich auf goldne Heere. / Und hoff' Emancipation." In English, the text reads : "You put your money beneath you. / All of it after the beneficial war and peace. / Thank God these are the largest orders. / The majority became a part of it. / Even though I am not allowed to suffer the cross. / Still, golden I'll take it on with friends. / Like Meyer, Hirsch, and Löwe already. / Gold brings glory and high honors. / I stand up high on golden armies. / And hope for emancipation." Published Leipzig: Luis Rocca.
In the town square, one man holds up the Ten Commandments; another ducks under a prayer shawl. In German, the text reads : "Dieses hat euch Gott gegeben. / Wollt Ihr's rein verehren lieben, / Wird Euch Heilin diesem Leben. / Und Gottseligkeit einst drüben! / Laßt das Alte uns verfechten! / Nichts von Ehren nichts von Lieben, / Nichts von Freiheit nichts von Rechten; / Leichter fischt es sich im Trüben." In English, the text reads : "This was given to you all by God. / Do you all want to love and honor its purity, / It will heal you all in this life. / And God's blessing is over there! / Allow the old to advocate for us! / Nothing from honor, nothing from love, / Nothing from freedom, nothing from rights; / It is easier to fish in the fog."
Black-and-white engraving of a Torah scroll and its ornaments. From The Ceremonies and Religious Customs of the Various Nations of the Known World : together with historical annotations and several curious discourses... Written originally in French, and illustrated with a large number of folio copper plates designed by Mr. Bernard Picart, and curiously engraved by most of the best hands in Europe..., Volume 1, published London: William Jackson and Claude Dubosc, 1733-1739.
Caricature. The text in German reads : --Bauer: "Wolf - wie kimmts doch, daß ihr Juden o' Schwain nit loide könnt?" --Jude: "Is doch nich immer der Fall - wir Zwa sein doch die besten Freunde." In English, the text reads : --Peasant: "Wolf - how is it, that you Jews can't stand pigs?" --Jew: "That isn't always the case - we two are the best of friends."
Print reproduction of a portion of John Singer Sargent's mural Triumph of Religion. Includes Biblical prophets Moses, Zephaniah, Joel, Obadiah, Hosea, Amos, Nahum, Ezekiel, Daniel, Elijah, Joshua, Jeremiah, Jonah, Isaiah, Habakkuk, Micah, Haggai, Malacchi, and Zechariah. The original mural is at the Boston Public Library.
Black-and-white engravings depicting the Passover custom of the mother placing bits of unleavened bread for the father and children to discover and dispose of, above, and a Passover seder of Portuguese Jews in Amsterdam, below. Engraving after Bernard Picart.
Painting of Rahab and the spies, with text from Joshua 2:15 : "Then she let them down by a cord through the window; for her house was upon the side of the wall, and she dwelt upon the wall."
Black-and-white engraving of the original location of Congregation B'nai Jeshurun on Elm Street in New York. After a drawing by Alexander Jackson Davis.
Black-and-white engraving of the exterior of the Great Synagogue in Amsterdam. From Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse der Heeren van Aemstel en Aemstellant by Casparus Commelin.
Black-and-white steel engraving of the exterior of the Hauptsynagogue (Main Synagogue) in the Börnestrasse in Frankfurt am Main. Engraving by Tanner after an original by Hoff. Published Verlag von H. Keller.
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