Black-and-white offset print reproduction of Jewish men from Poland. From the article "Poland over-ground and under-ground" by John Ross Browne, published in the November 1862 edition of Harper's New Monthly Magazine.
Hand-colored engraved map of Palestine, with an inset map of Jerusalem. From Johnson's new illustrated (steel plate) family atlas : with descriptions, geographical, statistical and historical published / compiled, drawn and engraved under the supervision of J. H. Colton and A. J. Johnson, published New York: Johnson and Browning.
Satirical scene etched in red depicting the patriots, who had emigrated in 1787 after their defeat by the Anglo-Prussian alliance, approaching the committee, apparently two French Représentants en Mission, with requests for money and clothes. Four men stand on the right, two with papers inscribed "Request." From the pocket of one (right), dressed as a soldier, projects a carriage-lamp, which he is alleged to have stolen. One Frenchman, wearing a scarf inscribed "Representant," and holding a pair of breeches, puts money into an outstretched palm. On the left, an old Jew measures a patriot wearing sabots (clogs) for a suit of clothes. Behind him is a wall from which projects a sign: "Nathan Levi Uitdraager en Kleermaaker" ("broker and tailor"). Etching by William Humphrey after a caricature by David Hess. From Hollandia regenerata by David Hess.
Black-and-white offset print reproduction depicting a fantasy inspired by violinist Henri Wieniawski's performance of Paganini's Carnival of Venice. Published in the April 17, 1858, edition of L'Illustration, journal universel.
Black-and-white engraving of a Jewish man from Poland. Engraving by Teodor Viero. From Raccolta di ... stampe che rappresentano figure ed abiti die varie nazioni, secondo gli originali, e le descrizioni dei più celebri recenti viaggiatori, e degli scopritori di paesi nuovi, published Venice: Teodoro Viero, 1783-1791.
Black-and-white engraved map of Sicily. From Samuelis Bocharti Geographia sacra, : cujus pars prior Phaleg de dispersione gentium & terrarum divisione facta in ædificatione turris Babel; pars posterior Chanaan de coloniis & sermone Phœnicum agit... by Samuel Bochart, published: Francofvrti ad Moenvm, impensis Johannis Davidis Zunneri; typis Balthasaris Christophori Wustii.
Black-and-white etching of a Jewish woman from Poland in 1766. Etching by Jean-Baptiste Le Prince. From A collection of the dresses of different nations, antient and modern, published London: Thomas Jefferys, 1757-1772.
Black-and-white offset print reproduction with a portrait of actress Rachel Félix, known as Mademoiselle Rachel, as well as a compilation of scenes from her performances in Andromaque, Horace, and Adrienne Lecouvreur. The print accompanies an obituary published after her death on January 3, 1858. Published in the January 16, 1858, edition of L'Illustration, journal universel.
Sheet music for "Valse chantée au 2me acte du drame : le juif polonais," words by Emile Erckmann and Alexandre Chatrian; music by Etienne Singla, published Paris: E. Gérard.
Color map of Franzensbad (Františkovy Lázně), with a key to important public buildings, including the synagogue. Published Zurich: Orell Füssli & Co.
Caricature published in the Düsseldorfer Monathefte, Band 9, No. 15. In German, the text reads : --Ascher: "Gott verhüt's Isaac - treff ich dich - in solcher Gesellschaft - so ist's wahr - bist geworden ein Goy - wenn dies dei Äti wüßt - würd er sich umdrehen im Grab." --Isaac: "Gott - Nu Ascher - was soll's - in 3 Wochen wird mein Bruder ach Christ - da dreht sich der Äti noch enmal um - so kummt er wieder in seine vorige Lage." In English, the text reads: --Ascher: "God forbid Isaac - I come upon you - in such company - so it's true - you have beomce a goy - if Äti knew that - he would roll over in his grave." --Isaac: "God - Nu Ascher - so what - in three weeks my brother will be a Christian as well - then Äti will roll over one more time - this way he will return to his original position."
Caricature published in the Düsseldorfer Monathefte, Band 8, No. 12. In German, the text reads : --Levi: "Wai - ich sterbe - ich hab jedem von Euch vermacht, 8000 Thaler, mein Sohn soll sie Euch auszahlen nach Jahresfrist." --Erben: "Warum erst nach Jahresfrist, Herr Levi?" --Levi: "Nu - bezahlt mir den Diskonto, so will ich's so ins Testament setzen, dass Ihr sie gleich kriegen könnt." In English, the text reads: --Levi: "Oh - I'm dying - I have bequeathed each of you 8000 Thaler, my son will disburse them to you after a year." --Heirs: "Why only after a year?" --Levi: "Nu - Pay off my discount for me, then I will put it in the will, that you all can receive it right away." Discounting is a financial mechanism in which a debtor obtains the right to delay payments to a creditor in exchange for a charge or fee.
Caricature published in the Düsseldorfer Monathefte, Band 8, No. 25. In German, the text reads : --"Ach so Männecken! Gut dass ick Ihnen treffe! Sie sind ja der famose Kleider-händler aus die Bolkerstrasse! Ick wollte grade zu Ihnen mir uff den Sommer ee-nen neuen Pariser Paletôt koofen! Da ick Ihnen nu treffe können Sie mich gleich den Ihrigten überlassen!!" In English, the text reads : --"Oh, mate! Good that I'm running into you! You're the famous clothing merchant from Bolker Street! I was just on my way to you, to buy myself a new Parisian overcoat for the summer! Now that I've run into, you can give me your own!!"
Black-and-white lithograph depicting five Jewish men and women driving a gaggle of geese. At the bottom, excerpts from three verses. Proverbs 12:10 : A righteous man regardeth the life of his beast. Isaiah 9:12: The Arameans on the east, and the Philistines on the west; and they devour Israel with open mouth. Sirach 5:2-3 : Don’t follow your inclination nor your strength, in order to walk in the desires of your heart. And don’t think, “Who’ll have power over me?” Then the Lord, the highest punisher, will punish. Lithograph printed Strasbourg: Oberthür et emrich.
Caricature published in the Düsseldorfer Monathefte, Band 6, No. 42. In German, the text reads : --"Härsch, wo iss dein Bruder?" --"Gott soll hüte, er iß uff'm Rathhaus, dort wird er abgewandelt mit Fünfe-zwanzig, weil er hat getriebe en Hausierhandel im Ruckfall." --"No siehst de." Handel bringt Wandel. In English, the text reads : "Härsch, where is your brother?" --"May God protect us, he is at city hall, that's where he's going to be in the reformatory for 25 years, because of a subsequent offense for peddling." --"You see?" "Trade brings change!"
Black-and-white engraved portrait of Rabbi Jacob Judah Aryeh Leon Templo. Engraving by Conrad Buno. From De Templo Hierosolymitano, tàm priori, quod aedificavit Salomo rex, quàm posteriori, quod devastavit Vespasianus… by Jacob Judah Aryeh Leon Templo, published Helmstedt: Jacob Muller.
Print reproduction of a painting by Donald Moss of the Touro Synagogue in Newport. The painting was used as a model for the commemorative stamp featuring the Touro Synagogue, issued August 22, 1982.
Black-and-white engraving depicting a masked ball on the occasion of Purim. Engraving by Caspar Jacobsz Philips after a drawing by Pieter Wagenaar, Jr. From Oude en tegenwoordige staat en geschiedenis van alle godsdiensten, Volume 1, by William Hurd, published Amsterdam: M. de Bruyn, 1781-1791.
Black-and-white engraving depicting financier Joseph Süß Oppenheimer after his execution by hanging. He holds a torch that lights his journey to the netherworld; the gallows can be seen in the background. In the right corner lays his wig, a symbol of his former status.
Black-and-white engraved portrait of Rabbi Jonathan Eybeschütz. Engraving by Jan Balzer after Johann Kleinhard. From Abbildungen böhmischer und mährischer Gelehrten und Künstler : nebst kurzen Nachrichten von ihren Leben und Werken, Volume 1, by František Martin Pelcl, published Prague: Wolffgang Gerle.
Black-and-white offset print reproduction depicting the priestly blessing. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Sheet music for "Oh fatherland dearest! : the song of a Jewish maiden," words by Charles Jefferys; music by Stephen Glover, published London: C. Jefferys.
Facsimile reproduction of a black-and-white etched portrait of physician Ephraim Bonus (also called Ephraim Bueno). Original etching by Rembrandt. Reproduction printed by the Reichsdruckerei Berlin.
Black-and-white offset print reproduction depicting the marriage ceremony of Leopold de Rothschild and Marie Perugia, held in the Central Synagogue on Great Portland Street in London. Published in the January 29, 1881, edition of The Illustrated London News.
Black-and-white engraving depicting Moses and Aaron in front of the Tabernacle. Engraving by William Skelton after a drawing by Thomas Stothard. From the Macklin Bible, published London: Printed for Thomas Macklin by Thomas Bensley, 1800.
Photograph taken in DP camp Zeilsheim, 1946. Left to right: Joe Engel,David Zryb (brother-in-law, married sister Irene after the war),Unidentified friend,Ben Engel (brother)
Black-and-white engraving depicting scenes from the Book of Leviticus. From Biblische Geschichten des Alten und Neuen Testaments / Historiae Biblicae Veteris et Novi Testamenti by Joseph Sebastian Klauber and Johann Baptist Klauber.
Black-and-white engraving of a Jewish man from Cairo. From Atlas historique, ou, Nouvelle introduction à l'histoire, à la chronologie & à la géographie ancienne & moderne,Volume 6, by Henri Abraham Chatelain, published Amsterdam: Chez François L'Honoré & Compagnie, 1705-1720.
Black-and-white offset print reproduction of a Jewish man and woman from Algeria. From an illustration by Ange-Louis Janet. Published in the March 27, 1858, edition of L'Illustration, journal universel.
Metal engraving of Moses and Aaron flanking the Chumash, with Torah crown above it. The image above depicts Moses receiving the Ten Commandments on Mount Saini, surrrounded by crowds of ancient Israelites. The image below depicts the Temple in Jerusalem.
Black-and-white lithograph depicting a Jewish peddler and Gabriel Riesser, member of the Frankfurt Parliament, discussing the "imperial wig." In German, the text reads: --Jude: "Dau sehe Se ä Mohl! Herr Docter, ebbes Rores a blonde Perück die ganz allan steht." --Dr: "Nun was nützt die alte Scharteke?" --Jude: "Verzeihe Se Herr Dr. Sie is noch kan 40 Johr alt und hot uns sehr genützt." In English, the text reads : --Jew: "Now, look at Mohl! Doctor, it's a rare thing to see a blond wig standing on its own." --Dr.: "Now, of what use is old thing?"-- Jew: "Forgive me, Doctor. It's not even 40 years old and has been very useful for us." The text references Moriz Mohl who, at the Frankfurt Parliament, argued against legal equality for Jews. Printed Frankfurt am Main: Lith. Anst. V. Ed. Gust. May.
Black-and-white engraving of a Jewish high priest in his vestments. Engraving by François van Bleyswyck. From An historical, critical, geographical, chronological, and etymological dictionary of the Holy Bible, Volume 1, by Augustin Calmet, published London: Printed for J. J. and P. Knapton, etc.
Color lithograph of the exterior of the Neue Synagoge (New Synagogue) in Hannover. Drawn and lithographed by Castell. Lithograph printed and published Hannover: Artist. Anstalt von Bühring, Pinther & Curtze.
Color lithograph of the exterior of the exterior of the Alte Synagoge (Old Synagogue) in Stuttgart. Lithograph by F. Schlotterbeck after Hermann Herdtle. Printed and published Stuttgart: Lith. Anstalt v. B. Levi.
Black-and-white of the character Joad, the Jewish high priest, from Jean Racine's tragedy Athalie. Joad is shown wearing the vestments of the Jewish high priest. Engraving by Alexandre Chaponnier. From the series Galerie théâtrale.
Hand-colored engraving of the character Joad, the Jewish high priest, from Jean Racine's tragedy Athalie. Joad is shown wearing the vestments of the Jewish high priest. Engraving by Ludwig Wolff after Edmond Geffroy.
Black-and-white engravings depicting the priestly blessing, above, and lifting the Torah, below, at the Portuguese Synagogue in the Hague. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white offset print reproduction depicting the Ninth of Av at the Nineteenth Street Synagogue, former location of Congregation Shearith Israel at the corner of 19th Street and 5th Avenue in New York. From the article "The Jews in New York" by Richard Wheatley, published in the January 1892 edition of The Century Magazine.
Black-and-white offset print reproduction depicting the priestly blessing. Original illustration by Irving R. Wiles. From the article "The Jews in New York" by Richard Wheatley, published in the January 1892 edition of The Century Magazine.
Black-and-white engraving depicting building sukkahs for the celebration of Sukkot. From Dictionnaire historique, critique, chronologique, geographique et litteral de la Bible, Volume 3, by Augustin Calmet, published Paris: Emery, Saugrain, & Pierre Martin.
Black-and-white engravings depicting Sukkot at the Portuguese Synagogue in Amsterdam, above, and Portuguese Jews in a sukkah during Sukkot, below. Engraving after Bernard Picart.
Black-and-white lithograph depicting two men hving a conversation on the street. In German, the text reads : "Alle Wetter!! 200 prct und jetzt wo der Moment gekommen ist, dass ich nothwendig Geld brauche, bekäm ich statt dessen - eine Million Zündhölzl!" In English, the text reads : "All weather! 200 prct and now that the moment is finally here, now that I actually need money, I received a million matches instead!"
Black-and-white lithograph depicting two men outside of a notary. In German, the text reads : --J: "No ne Dublone, oder s'wird Se reie." --N: "Es thut's nit--!" In English, the text reads : --J: Another coin, or else it's going to be free. --N: It's not working--!"
Black-and-white offset print reproduction of a Jewish marriage ceremony. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Black-and-white engraved portrait of merchant Henry Simons, who came to prominence as the result of a legal action for assault and robbery brought against him in 1753. From Portraits, memoirs, and characters of remarkable persons, from the Revolution in 1688 to the end of the reign of George II, Volume 3, by James Caulfield, published London: T. H. Whitely.
Black-and-white steel engraving depicting priestly a Jewish high priest in his vestments. Engraving after a drawing by Vernier. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white engraved portrait of Chief Rabbi Solomon Hirschel. Engraving by William Ridley after a painting by Samuel Drummond. Published in the European Magazine.
Black-and-white engraved portrait of financier and philanthropist Israel Jacobson, pioneer of Reform Judaism. Engraving by Christian Schule after Franz Karl Tielker.
Black-and-white stipple engraved portrait of rabbi and scholar Manasseh ben Israel. Engraving by Laurens after a drawing by Lowe. From an original portrait by Rembrandt.
Black-and-white lithographed portrait of financier and philanthropist Israel Jacobson, pioneer of Reform Judaism. Lithograph by Gottfried Küstner after a painting by Georg Friedrich Adolph Schöner.
Black-and-white engravings depicting the celebration of Simchat Torah by the Portuguese Jews of Amsterdam. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white wood engraving depicting Simchat Torah at the Park East Synagogue in New York. Original illustration by Irving R. Wiles. From the article "The Jews in New York" by Richard Wheatley, published in the January 1892 edition of The Century Magazine.
Black-and-white wood engraving depicting reading from the Torah at the Eldridge Street Synagogue in New York. Original illustration by Irving R. Wiles. From the article "The Jews in New York" by Richard Wheatley, published in the January 1892 edition of The Century Magazine.
Black-and-white offset print reproduction of the entrance to the Tombs of the Kings in Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Black-and-white etching depicting the Jewish quarter of Chelm. Etching signed by the artist Lionel S. Reiss. This work is alternately entitled "Palisades of the Poor - Chelm."
Black-and-white offset print reproduction of lighting the Sabbath lamp. From The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies, published London: Religious Tract Society.
Black-and-white offset print reproduction depicting reading from the Torah in the synagogue. From Ridpath's universal history, Volume 5, by John Clark Ridpath.
Black-and-white offset print reproduction of lighting the Sabbath lamp. From The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies, published London: Religious Tract Society.
Caricature by Joseph Ferdinand Keppler published in the April 1877 edition of Puck. The caricature depicts a conversation between the Jewish peddler Heimann Levi and a personification of New York. In German, the text reads : --Dame New-York: "Um Gotteswillen, Heimann Levi, geh' schnell hinein in die Assembly." --Heimann Levi: "Ich in die Assembly? Was soll ich da drinnen thun?" --Dame New-York: Damit zu den Herren, die viel sprechen, endlich einmal Einer kommt, der blos handelt." In English, the text reads : --Dame New-York: "For God's sake, Heimann Levi, go quickly into the Assembly." --Herimann Levi: "Me in the Assembly? What should I do inside?" --Dame New-York: "So that to the gentlemen, who speak a lot, finally comes one for once, who merely acts." In German, the verb handeln can mean "trade" or "deal," as a peddler does, as well as "act."
Caricature by Emil Flohri published in Judge. The associated text reads : "The convention and fair which the federation of Jewish farmers held recently in New York, at the Educational Alliance, demonstrated that the Jew's entrance into the agricultural field has been marked by signal success. Ten years ago there were, perhaps, less than a hundred Jewish farmers scattered across the country. They produced no more than the bare rations of subsistence, living each day from hand to mouth, and trusting to the good graces of fortune for their continued support rather than to their own knowledge of the rules of farming. Today there are more than five thousand of them in the United States alone. The European figures run into tens of thousands. Each year this number increases. Men and women from the Ghettos of the big cities are beginning to appreciate the advantages of the independence of the farmer's life. They see that they can make a better living at agriculture than at their present occupations. They are combining with an increased knowledge of scientific farming a desire to succeed at this, their first productive venture."
Black-and-white illustration of two men outside the Amsterdam Stock Exchange, with the text of their humorous conversation printed beneath. One man is updating the other man on his life since they last saw each other. He has married a coquettish woman, who brought a lot of money to the marriage. The person to whom he entrusted the funds ran off with the money--which is for the best, because his wife ran off with the man. Published in Asmodée: geillustreerde almanak.
Black-and-white engraving depicting a Passover seder. Engraving by William Kneass. From A dictionary of the Holy Bible : containing an historical account of the persons, a geographical and historical account of the places, a literal, critical, and systematical description of other objects, whether natural, artificial, civil, religious, or military... by John Brown, published Pittsburgh: Zadok Cramer.
Black-and-white etched satirical portrait of Levi Whitehead, head waiter of the Bacchus (Backhouse Wines) Inn, Tadcaster, Yorkshire. Etching by traveller and amateur etcher Frederick Atkinson, a silk-mercer and draper in York. Published June 1, 1797, by W. Richardson, 31 Strand.
Black-and-white etched satirical portrait of Ismael Aga, a noted peddler and beggar in the area of the Royal Exchange in London. London: Published 4 July, 1812, by Robert Wilkinson.
Black-and-white offset print reproduction of the exterior of the original building of Congregation Rodeph Shalom at Broad and Mount Vernon Streets in Philadelphia. Published in The Art Journal, Volume 3.
Black-and-white offset print reproduction of the interior of the Old Synagogue in Kraków. From Der Schwur des in Krakau am 9-13. August 1903, abgehalten Rabbiner-Kongresses.
Black-and-white offset print reproduction of the interior of the Great Synagogue in London at Duke's Place. Published in the December 14, 1889, edition of L'Univers illustré.
Black-and-white offset print reproduction of the exterior of the Dohány Street Synagogue in Budapest. From History of the modern styles of architecture by James Fergusson.
Black-and-white offset print reproduction of the interior of the West London Synagogue on Upper Berkeley Street. Published in the January 27, 1872, edition of The Illustrated London News.
Black-and-white offset print reproduction of the interior of the Borough New Synagogue at Walworth Road in London. Published in the May 4, 1867, edition of the Illustrated London News.
Black-and-white offset print reproduction of the exterior of the Dohány Street Synagogue in Budapest. Published in the November 26, 1864, edition of L'Univers illustré.
Black-and-white offset print reproduction of the interior of the New Synagogue at Great St. Helen's in London. From The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies.
Black-and-white offset print reproduction of the exterior of the former location of Temple Emanu-El at 5th Avenue and 43rd Street in New York. Published in the November 4, 1868, edition of Ilustración americana de Frank Leslie.
Black-and-white offset print reproduction of the exterior of the former location of Temple Beth-El in New York. Original illustration by Harry Fenn. From the article "The Jews in New York--II" by Richard Wheatley, published in the February 1892 edition of The Century Magazine.
Black-and-white offset print reproduction of the exterior of the former location of Temple Emanu-El at 5th Avenue and 43rd Street in New York. From New York and its institutions, 1609-1871, by John Francis Richmond.
Black-and-white offset print reproduction of the entrance to the former location of Temple Beth-El in New York. Published in the October 10, 1891, edition of Harper's Weekly.
Black-and-white offset print reproduction of the exterior of the former location of Temple Emanu-El at 5th Avenue and 43rd Street in New York. From Manual of the corporation of the City of New York.
Black-and-white engraving of the interior of the Old New Synagogue in Prague. Engraving by Josef Rybička after an original by Vincenc Morstadt. Published Prague: Karl André.