Interview with Robin and Gil Shuler, August 18, 2020
Interviewer:
Greene, Harlan, 1953 -
Interviewee:
Shuler, Robin, 1962 -; Shuler, Gil, 1960 -
Description:
Oral history interview conducted by College of Charleston Libraries Special Collections and Archives as part of the ongoing efforts to preserve, elevate, and document the stories and history of the LGBTQ+ community in South Carolina. Gil (pronouns: He/Him) and Robin (pronouns: She/Her) Shuler, a heterosexual Caucasian couple, discuss their work in the 1999 film The Corndog Man, produced in the Charleston area, featuring African American actor Bryan Seabrook, also known, in drag, as Miss Africa. The Shulers speak of their work in local theatre with Steve Lepre and others and of Gil’s friendship with filmmakers Jim Holmes, Andrew Shea and David Steen, who, visiting in the area, asked for his help. The story, revolving around a character to be portrayed by actor Noble Willingham, who had committed to the project, needed locations, extras, and others to fill out the project, which had a minimal budget. Gil and Robin Shuler explain where many of the scenes of the film were shot, including in their yard and how they “wrangled” others to appear in the film. Of crucial importance was the casting of a drag queen, and it was Robin’s friendship with Bryan Seabrook, whom she had met at the King Street Garden and Gun Club, that brought a new racial perspective to the movie. She explains how she first visited the Garden and Gun Club years before as a Jewish high school student on a trip from Sumter to Charleston one weekend, found a diverse and accepting community there, and how that ultimately resulted in her decision to move to Charleston and attend the College of Charleston. She later went to other gay venues, but referring to “the Gun Club,” she states, “there was no place like it anywhere,” and she made friends for life there. The Shulers discuss the trouble they went through in getting extras to work long hours for no pay and how they moved Seabrook into their Mount Pleasant, SC, home to save him from homelessness during the filming and how their children loved him. With digressions on Seabrook’s death and funeral, they return to the topic of the film, which won some acclaim and became a bit of a cult classic, without making a large impression locally. The Shulers did not make any money on the film, and possibly never seeing the final cut, they did not realize the social “message” of the film and its powerful impact on viewers.
