Interview with William "Bill" H. Carson, June 02, 2022
Interviewer:
Greene, Harlan, 1953 -
Interviewee:
Carson, William "Bill" H, 1958 -
Description:
Oral history interview conducted by College of Charleston Libraries Special Collections and Archives as part of the ongoing efforts to preserve, elevate, and document the stories and history of the LGBTQ+ community in South Carolina. William “Bill” H. Carson (pronouns: He/Him) discusses the challenges growing up as an African American gay male in Columbia, SC, his Harvard and medical school education, professional life as an out psychiatrist, and his subsequent international work in corporate pharmacology, while also addressing his patronage of the arts. His school teacher parents did their best to shield him from the worst aspects of segregation, with little disparagement of LGBTQ people, but with few role models available. Education was of prime importance in his environment. Turning down Senator Strom Thurmond’s appointment to the US Naval Academy, Carson went to Harvard instead, participating in the Harvard Glee Club and gay life on campus while avoiding Boston, then experiencing racial tensions. Outed just as he began to attend Case Western Reserve Medical School, he embraced the opportunities of self-growth and educating others. His status (coming out professionally before doing so with his family) continued in 1988 as he became a psychiatry resident at the Medical University of South Carolina in Charleston. He mentions the local LGBTQ scene, describes board work on Lowcountry AIDS Services, and the current lack of knowledge among younger gay people of the battles of that era. Beginning a long-term relationship in Charleston, Carson left in 1998 to work for Bristol Myers Squibb, in charge of life cycle management programs of the drug Abilify. That led to his 2002 employment with the Japanese company Otsuka working with the psychopharmacological drug aripiprazole. Carson talks of the learning curve regarding Japanese culture and his subsequent work with international drug conglomerates, noting his excitement in learning new skills and points of view, necessary on national and international boards. Carson is also Board Chair Emeritus of the Sphinx Organization, helping in its mission to promote the careers of Black and Hispanics in the field of classical music. He speaks of the production of Omar by Michael Abels and Rhiannon Giddens, whose world premiere at the Spoleto Festival USA in brought him back to Charleston; he also discusses being a co-producer of Pulitzer Prize winner Michael R. Jackson’s A Strange Loop on Broadway. He sums up the possibilities of gene therapy in possibly helping cure diseases such as AIDS, and despite retiring in 2020, he still stays connected with various boards and projects.
