Black-and-white engraving depicting Jewish holiday rituals, including eating in a sukkah during Sukkot, a haircut during Lag BaOmer, providing treats to children for Simchat Torah, and kiddush levana on Rosh Chodesh. From Philologus hebræo-mixtus by Johannes Leusden, published Basileæ, apud E. & J.R. Thurnisios, fratres.
Black-and-white engraving depicting the interior of a sukkah during the celebration of Sukkot. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
Black-and-white engraving of the Portuguese Synagogue, New Synagogue, and Great Synagogue in Amsterdam during the celebration of the Feast of Tabernacles (Sukkot). Engraving by Caspar Jacobsz Philips after a drawing by Pieter Wagenaar, Jr. From Oude en tegenwoordige staat en geschiedenis van alle godsdiensten by William Hurd, published Amsterdam: M. de Bruyn, 1781-1791.
Postcard depicting the blessing of the lulav and etrog during the celebration of Sukkot. The postcard includes text excerpted from Leviticus 23:40 : "And ye shall take the fruit of goodly trees."
Black-and-white offset print reproduction depicting the interior of a sukkah during the celebration of Sukkot. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Black-and-white engraving depicting sacrifices at the Temple for Sukkot. Engraving by Coenraad de Putter. From Histoire universelle, depuis le commencement du monde, jusqu’à présent, Volume 7, published Amsterdam: Arkstée et Merkus, 1742-1782.
Hand-colored steel engraving of the interior of the New Synagogue at Great St. Helen's in London during Sukkot. Engraved by Henry Melville (1792-1870) from an original study by Thomas Hosmer Shepherd. Originally produced for the part-work "London Interiors: A Grand National Exhibition" (London : 1841-1844).
Black-and-white steel engraving of the interior of the New Synagogue at Great St. Helen's in London during Sukkot. Engraving by Henry Melville (1792-1870) from an original study by Thomas Hosmer Shepherd. Originally produced for the part-work "London Interiors: A Grand National Exhibition" (London : 1841-1844).
Hand-colored steel engraving of the interior of the New Synagogue at Great St. Helen's in London during Sukkot. Engraved by Henry Melville (1792-1870) from an original study by Thomas Hosmer Shepherd. Originally produced for the part-work "London Interiors: A Grand National Exhibition" (London : 1841-1844).
Black-and-white steel engraving of the interior of the New Synagogue at Great St. Helen's in London during Sukkot. Engraving by Henry Melville (1792-1870) from an original study by Thomas Hosmer Shepherd. Originally produced for the part-work "London Interiors: A Grand National Exhibition" (London : 1841-1844).
Black-and-white engravings depicting Sukkot at the Portuguese Synagogue in Amsterdam, above, and Portuguese Jews in a sukkah during Sukkot, below. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white engravings depicting Sukkot at the Portuguese Synagogue in Amsterdam, above, and Portuguese Jews in a sukkah during Sukkot, below. Engraving by Claude Du Bosc after Bernard Picart. From The Ceremonies and Religious Customs of the Various Nations of the Known World : together with historical annotations and several curious discourses... Written originally in French, and illustrated with a large number of folio copper plates designed by Mr. Bernard Picart, and curiously engraved by most of the best hands in Europe..., Volume 1, published London: William Jackson and Claude Dubosc, 1733-1739.
Black-and-white engravings depicting Sukkot at the Portuguese Synagogue in Amsterdam, above, and Portuguese Jews in a sukkah during Sukkot, below. Engraving by James Mynde after Bernard Picart.
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