Periodical entitled, "Afrika Must Unite," Vol. 1, No. 4 from March/April 1972 including articles on Garveyism, Pan-Afrikans, musical traditions in Ghana, and other issues in Africa and the United States.
Periodical entitled, "Black News," Volume 3, Number 1, the "Pan-Afrikan Issue," discussing a variety of topics regarding African and African-American life.
This album is comprised of photographs of Gertrude Sanford Legendre and other members of her family, including her grandfather, Stephen Sanford, her mother, Ethel Sanford, her siblings, Stephen and Sarah Jane Sanford, her husband, Sidney Legendre, and her brother-in-law, Morris Legendre.
This album is comprised of photographs of Gertrude and Stephen Sanford hunting wild game in East Africa, including elephants, zebras, and water buffalo.
This album consists of photographs, newspaper clippings, and other documents related to the Legendre South West Africa Expedition for the Academy of Natural Sciences of Philadelphia.
This album is comprised of photographs, letters, newspaper clippings, and other documents from an expedition to French Equatorial Africa, in which Getrude Legendre participated. The expedition was sponsored by the American Museum of Natural History and the National Geographic Society, and collected plant and animal specimens, photographs of wildlife and people, and recordings of native dialects and music.
Document entitled, "Mashariki (EAST) Structure," including writings entitled, "East Protocol," "Waziri Elimu - Education Ministry," "Mtoto Care Center," "The Evening School," "The East Bookstore," "Waziri Jamii," "Uchumi (Economics) Projection," "Past Observations and Projections for the East," "Waziri Uchumi, East Cultural Center," "Waziri Usalamu," "Program for 'Super Simbas,'" "Mashariki Waziri Habari One-Year Plan, " "JAMAA - Social Organization," The Moral Progression of a People can Scarcely Begin Until They Are Independent," and "Waziri Siasa."
Periodical entitled, "Black News," Volume 2, Number 25, predominantly discussing incarceration and the prison system with regard to African and African-American life.
Framed acrylic painting depicting a scene of modern and primitive dwellings being attacked by airplanes and tanks; villagers have guns, bows and arrows, and spears, and are wearing native garments; signed "DzibA C" lower right; origin unknown.
Framed acrylic painting depicting birds flying over a river with mountains and streams in the background; signed "Pp" lower right; origin unknown; unframed dimensions.
Framed acrylic painting depicting five people in a village setting of four structures within a lush forest; signed "NeTUAHO" lower right; origin unknown.
Part I of the Curriculum Outline for African American History, "Africa: Origin of a People," for Freedom Schools sponsored by the NAACP, submitted by Marie G. Floyd to Rev. H. H. Singleton, President of the Conway Branch of the NAACP.
Photocopy of writing entitled, "The All-African Peoples Revolutionary Party and the Masses of African People Are Marching For: Pan Africanism," discussing a "movement toward unity of all people of African origin who have collectively been exploited as workers and as a race."
One page poster that reads "SOLIDARITY WITH AFRICAN WOMEN IN STRUGGLE." Illustration includes African female soldier teaching African village woman to read, with images of armed female soldiers on the right margin
One page poster that reads "IF THE FREE TRADERS CANNOT UNDERSTAND HOW ONE NATION CAN GROW RICH AT THE EXPENSE OF ANOTHER, WE NEED NOT WONDER, SINCE THESE SAME GENTLMEN ALSO REFUSE TO UNDERSTAND HOW IN ONE COUNTRY ONE CLASS CAN ENRICH ITSELF AT THE EXPENSE OF ANOTHER. Marx" Illustration includes inage of a lavish royal dinner with numerous guests in attendance on top, an image of working class people engaged in protest in the middle, an image depicting settler occupation in Zimbabwe on the bottom left next to an image of the Colonial Partition of Africa in 1914 next to an image of a group of white men in suits on the bottom right
One page poster that reads THE LIBERATION OF WOMEN IS A BASIC REQUIREMENT FOR THE REVOLUTION, THE GUARANTEE OF ITS CONTINUITY AND A PRECAUTION OF ITS VICTORY Machel." Illustration includes images of women engaged in varying activities including protest
One page poster that reads "NO WEAPON CAN DEFEAT A PEOPLE DECIDED TO BE FREE." Illustration includes the continent of Africa in the center with an image of soldiers posing for a picture superimposed on top of the map and images of various pepole throughout the Global South across the top and middle of the poster, with an image of a hand holding a rifle at the bottom of the poster
Pottery pot with a narrow neck, shallow grooves decorate front and back, sides decorated with scalloped-type pieces that were added on, reddish-brown in color; unknown origin.
One page poster printed by Southern Africa Program of the American Friends Service Committee that reads "Map Is Reprinted from Destructive Engagment with Permission of David Martin and Phyllis Johnson." Illustration includes map of Namibia.
Wood carving of a pregnant woman with bulging eyes, hand in mouth, and feet directed sideways, on a stand; shoulders have two lines incised as some type of decoration.
All African People's Revolutionary Party writing entitled, "Towards Ideological Unity Within the Party" discussing a "need for systematic, widespread, thorough ideological education within our Party, the Convention People's Party."
Kaolin pipe with a landscape scene molded into the bowl. The scene contains a multi-storied building with an arched entryway and flag flying. Pipe stem is broken. Origin Africa.
Wooden mask with carved mouth and nose and holes for eyes; holes carved on cheeks, nose, forehead, and perimeter of face and inserted into holes are orange and red beads; beard of beads also attached; handles carved into back to hold the mask; origin is Africa, specific region unknown.
Framed oil painting depicting a village scene with three grass-covered dwellings, three seated women, and one woman with a child on her back, several trees; signed "Kioswa" bottom right; origin unknown.
Framed oil painting depicting three men in a conoe, two people swimming, two people bathing, and two men in the foreground, one with a walking stick and one seated; origin unknown; signed "Kioswa" lower right.
