Over the course of two interviews delivered in August and September of 2013, Senator Arthur Ravenel discusses his memories of growing up in Charleston and his many personal and professional accomplishments.
Sophie “Skip” Payeff Sindler, born in Aiken, South Carolina, in 1930, and her husband, Allan Sindler, born in Bishopville, South Carolina, in 1925, discuss their family histories. Skip’s parents met in Chicago after emigrating from Knyszyn, Poland. Skip recalls encounters with antisemitism while growing up in Aiken. She describes her brother Kivy Payeff’s service in the military in Germany during World War II, and the traditional nature of services at the Aiken synagogue, Adath Yeshurun. Allan’s father, Frank Sindler, a tailor, emigrated from the Lithuania-Latvia region and married Pauline Schwartzman, a native of Baltimore. They followed Pauline’s aunt and uncle, Louis and Mary Schwartzman Slesinger, to Bishopville, South Carolina, where, for decades, Frank ran a men’s clothing store. Allan describes growing up in Bishopville, his Jewish education, and the Bishopville Hebrew Congregation. Allan and Skip raised their family in Camden, South Carolina, about 25 miles from Allan’s hometown. Allan, a chemical engineer and award-winning sculptor, discusses some of his artwork. Other topics discussed include: Sumter’s Temple Sinai, changes in Jewish religious observance, and possible reasons for the decline of Jewish congregations in small Southern towns like Camden. The transcript includes comments inserted by Allan Sindler during proofreading.
Longtime jazz director for Spoleto Festival U.S.A., Michael Grofsorean talks about his history at the festival since 1980. He relates anecdotes about past performers, including Dizzy Gillespie, Dave Brubeck, Sarah Vaughan and Ray Charles and describes the process that goes into selecting the artists for each festival. He discusses festival founder Gian Carlo Menotti's distaste for jazz, the rocky years of festival finances, the NAACP boycott of South Carolina that nearly derailed the 2000 jazz program and describes why the city of Charleston is the perfect venue for the festival. Audio with transcript.
Marcus Overton is an actor, director, and coach whose career has encompassed theatre, opera, radio and television, and arts administration. He also conducts an award-winning show for South Carolina Public Radio, Spoleto Today. Overton was executive director and producing director of Spoleto Festival U.S.A. during the turbulent years of 1992-1994. Overton discusses the rift between ousted executive director Nigel Redden and Gian Carlo Menotti, Menotti's own eventual departure from Spoleto U.S.A., and the personnel changes and budget deficits that threatened the survival of the festival. Audio with transcript.
Carolyn Kostopoulos, owner of Carelli Costumes, Inc. in New York, has been the wardrobe director of Spoleto Festival U.S.A. since 1982. Kostopoulos discusses her costume work for the festival over the years, the process of designing and creating, and the difference between her work on Broadway and Spoleto. She discusses her relationships with the artists who wear her designs and details the various costume headquarters she has had in Charleston including the haunted old city jail. Audio with transcript.
Charles S. Way is a noted Charleston businessman and civic leader who has been involved with Spoleto Festival U.S.A. since 1978. He served as the organization's president in 1984, chairman of the board from 1985-1991, and has held the post of chairman emeritus since 1991. Way talks about the history of Spoleto Festival U.S.A., his relationships with Gian Carlo Menotti, Nigel Redden and others, how the festival piqued his interest in art, and his hope that Spoleto U.S.A. and the Festival dei Due Mondi in Spoleto, Italy, will one day be joined together again. Audio with transcript.
Renowned flutist Tara Helen O'Connor is a member of the woodwind quintet Windscape, founding member of New Millennium Ensemble and flute soloist of the Bach Aria Group. She has appeared in countless festivals and programs worldwide and has performed at Spoleto since 1994. O'Connor discusses her history with the festival, her longtime association with chamber music director Charles Wadsworth, her performances, her relationship with festival managers and artists, and the history and future of Spoleto Festival U.S.A. in Charleston, South Carolina. Audio with transcript.
Geoff Nuttall began performing yearly at Spoleto Festival U.S.A. in 1995 as first-violinist with his renowned St. Lawrence String Quartet. In 2008 he was named associate artistic director of the chamber music series and will assume leadership from longtime director Charles Wadsworth in 2010. Nuttall discusses the legacy of Wadsworth and chamber music, the logistics of selecting the performers and the repertoire, and the advantages of having Charleston as a venue for the festival. Audio with transcript.
Leslee Newcomb has been a wig and make-up designer for Spoleto since 1978. She discusses the intimacy of wig and make-up design and her interaction with performers and details the changes she's seen in Charleston since her first Spoleto Festival U.S.A. Audio with transcript.
Rebecca Bryan discusses memories of her life in Charleston. She mentions a contest between the fire departments, the Womens Exchange on King Street, Dixie Antique Shop, transportation as a young girl, several significant earthquakes and hurricanes, the history of her house at 110 Broad Street, the Battery as a child, her childhood schooling, the Charleston Exposition of 1901, and a story about the Charleston Light Dragoons. Audio with transcript and tape log.
Harold Stone Reeves, a native Charlestonian and lifelong performer, discusses the many aspects of his life since his birth in 1892, including his longtime interest in Gullah, attending the University of South Carolina, his commission with the Charleston Light Dragoons during World War I, his involvement with the Society for the Preservation of Spirituals, and his role as the first manager of the of the Charleston Social Security Office. Audio with transcript and tape log.
John Laurens graduated from the Citadel in 1910. During World War I Laurens was stationed with the Charleston Light Dragoons in El Paso, Texas and later in France. In the interview, Laurens enumerates his siblings and discusses various occurrences in his life and in Charleston including family vacations on the Southern Railroad, a bath house that was once located at the end of Tradd Street, the Charleston Exposition of 1901, a tornado that took off the steeple of St. Philips Church and a fire at the Anderson Lumber Company once located on Broad Street. Audio with transcript.
Interview with Eugene C. Hunt by Edmund L. Drago, August 28, 1980 and November 4, 1980, AMN 500.001.005.1980, in the Avery Normal Institute Oral History Project, of the Avery Research Center at the College of Charleston
Interview with Louise Mouzon by Edmund L. Drago and Eugene C. Hunt, November 20, 1980, AMN 500.001.008, in the Avery Normal Institute Oral History Project, of the Avery Research Center at the College of Charleston
Interview with Dr. Joseph Hoffman by Lee Drago and Eugene Hunt, September 25, 1980 and October 9, 1980, AMN 500.001.003, in Avery Normal Institute Oral History Project, of the Avery Research Center at the College of Charleston.
Clark recalls what Johns Island was like when she became a teacher at the Promise Land School in 1916. Topics of discussion include transportation, the houses and living conditions on Johns Island, the importance of the Angel Oak tree to African Americans living on Johns Island, and the changes in the Angel Oak from 1916 to 1980.
Interview with Julia Craft DeCosta by Edmund Lee Drago and Eugene Hunt, September 11, 1980, AMN 500.001.004 in Avery Reseach Center Oral History Collection, of the Avery Research Center at the College of Charleston.
Charlotte Saltz Brotman was born in 1901 in Kolbuszowa, Galicia, Austria-Hungary, the youngest of seven children of Miriam Wolfe and Sholom Saltz. Sholom was an egg wholesaler, selling to customers in large cities such as Vienna and Berlin. In this interview conducted by her grandson Stephen, Charlotte talks about growing up in Kolbuszowa, a small city with a significant Jewish population. She has many fond memories of her childhood, recalling wedding and bar mitzvah celebrations. She received a solid secular education, belonged to a Zionist club as a young girl, and attended Hebrew school. Her family was "very religious" and they kept kosher. Both of her brothers and one of her sisters immigrated to the United States prior to World War I. The rest of the family had to evacuate to Czechoslovakia during World War I to avoid encroaching battles. Charlotte recounts the difficulties she faced after the war ended and they returned home. Their house had burned down and her parents died within months of each other, prompting her to join her siblings in New York City in 1921. She describes living and working in Manhattan, and notes that there were plenty of activities to enjoy in her spare time. The interviewee met her husband, Ralph Brotman in New York; they married in 1929 and, two years later, moved to Charleston, South Carolina. Ralph had lived in Charleston previously, running a men's store with his father, Jacob. Charlotte and Ralph opened an army store on King Street, which did a brisk business during World War II, with shipyard workers coming in regularly. After Ralph died in 1946, Charlotte wanted to sell the store, but couldn't get the price she sought. The right offer finally came in 1962. She sold the business and moved to Summerton, South Carolina, where her daughter, Miriam, and her husband, David Gordin, were raising their four children. Charlotte opened The Towne Shoppe, a ladies' dress shop there. The interviewee discusses her support for the State of Israel and its people, and reflects on the accomplishments of her grandchildren, Rachel, Debbie, Danny, and Stephen.
Interview with Marcellus Forrest by Lee Drago, Eugene Hunt, and Margareta Childs, February 21, 1981, AMN 500.001.002, in Avery Normal Institute Oral History Project, of the Avery Research Center at the College of Charleston.
Interview with Ruby Cornwell by Edmund L. Drago and Eugene C. Hunt, November 24, 1981, AMN 500.001.001, in the Avery Normal Institute Oral History Project, at the Avery Research Center at the College of Charleston
