López was born in Mexico City in 1978, but grew up with her grandparents in a very small town called Huaycali in the state of Guerrero. Recalling her childhood, López reminisces about the responsibilities she had as a peasant girl and describes the customs and celebrations of her land. As a teenager, she crossed the border with her family and, after a difficult and dangerous journey, arrived in Johns Island, South Carolina, where one of her aunts lived. Almost immediately, López started working in the fields to pay for the expenses of her trip. A short time later, a young friend from Mexico came looking for her. They were married soon after, and have been together ever since. They have two children and consider Johns Island their place in the world. In her interview, López explains that education is very important to her and her husband, which is why they have made an effort to learn, better themselves, and train as community leaders. In this learning process, she explains, the sisters of Our Lady of Mercy played a crucial role. López also reflects on her work with various community organizations such as PASOs, Family Corps, and Holy Spirit Parish.López nació en la Ciudad de México en 1978 pero creció junto a sus abuelitos, en un pueblo muy pequeño llamado Huaycali en el estado de Guerrero. Recordando su infancia, López cuenta acerca de las responsabilidades que tenía como niña campesina y describe las costumbres y celebraciones de su tierra. Siendo adolescente, cruzó la frontera con su familia y después de un viaje azaroso y difícil llegó a Johns Island, South Carolina donde residía una de sus tías. Apenas llegada, Alma comenzó a trabajar en la agricultura para poder pagar los gastos de su viaje. Al poco tiempo, un joven amigo de México llegó a buscarla y enseguida se casaron. Desde entonces López y su esposo han estado juntos. Tienen dos hijos y consideran a Johns Island su lugar en el mundo. López explica que la educación es muy importante para ella y su marido y que por esa razón se han esforzado en aprender y formarse como líderes comunitarios. En ese proceso de aprendizaje, su relación con las hermanas de Our Lady of Mercy tuvo un rol fundamental. López, también reflexiona acerca de su trabajo con distintas organizaciones comunitarias como PASOs, Family Corps y la Parroquia Holy Spirit.
Musician, educator, and community leader Lonnie Hamilton III was born in Charleston in 1927. He is a graduate of South Carolina State College and VanderCook College of Music in Chicago. In the interview, Hamilton reflects about growing up and developing his career in the segregated South since his beginnings at Burke High and the Jenkins Orphanage Band. He speaks about his long and gratifying career as an educator teaching music at Sims High School in Union, South Carolina and at Bonds-Wilson High School at North Charleston, South Carolina, and the many relationships he forged with his students over the years. He talks about the highlights of his performing career, playing daily on Channel 2, attaining the dream to have his own club, Lonnie's, his successful years playing at Henry's on North Market Street, and having the opportunity to compose an original song, "Ugly Way Blues" that he performed on the movie Rich in Love. Hamilton recalls the excitement he felt when he listened to jazz music for the first time in a show called Silas Green Minstrel in downtown Charleston and describes playing at Mosquito Beach as a unique and wonderful experience. Hamilton takes pride in his accomplishments, as an educator, as a musician, as a businessperson, and as a City Council member. He affirms he was able to break Charleston's racial and economic barriers thanks to his saxophone.
Paul Flaherty, a former Lieutenant in the U.S. Marine Corps, discusses his upbringing as part of an Irish-American family in Boston and in Charleston. The paternal side of his family came from Galway in the early 1900’s and settled in Boston. The lore states that his family goes back to the twelfth century in Ireland. His father, Anthony, was in the Navy, while his mother, Mary, was a homemaker. He is the oldest of five children. He shares fond memories of growing up and being immersed in Irish culture at his grandparents’ house in South Boston, surrounded by a houseful of Irish immigrants and constantly hearing stories about Ireland. Most of the immigrants he came into contact with during childhood had emigrated to the States for work. He briefly discusses the importance of identifying as Americans first, specifically in how his grandparents spoke Gaelic but didn’t pass it on to the next generations, and of the importance of ensuring that the next generation of Irish-Americans are as well-educated as they can be. He also discusses the prevalence of Irish gangs in Boston. One of his main assertions is that, from his perspective, the Irish culture and Irish heritage is severely lacking in Charleston, especially when compared to the culture he was surrounded by in childhood in Boston.
James Finnegan discusses his family history and his experiences as an Irish American in Charleston. James? great-great-great-grandfather traveled to South Carolina from County Meath around the late 1840?s. He discusses his deep family history in Charleston, as well as his involvement in the Irish community in Charleston and various events such as the Charleston St. Patrick?s Day parade.
Mary Ann Sullivan (b. 1944) was born and raised in Charleston, South Carolina. She attended the College of Charleston and then the University of Georgia where she graduated with an M.A in Classics. Sullivan worked as a teacher for a few years and in 1976 joined the Mayor’s Office of the City of Charleston as a grant writer. She became Mayor Joseph P. Riley executive assistant and continued working with him until his retirement in 2016. In the interview, Sullivan remembers growing up in Charleston and the events that contributed to her early political interests. She also talks about her experiences working with Mayor Riley through critical moments in the history of the city such as the development of the Charleston Place, Hurricane Hugo, the annexations of Daniel Island and James Island, the Sofa Super Store fire and the Mother Emanuel massacre. Sullivan reflects about Riley’s leadership style and his inclusion of minorities in government. Finally, she talks about her decision to retire and her plans for the future.
Sunshine Goodman (pronouns: She/Her/Hers) discusses life experiences, spirituality, work in the beauty industry, her philosophy and attitude to life and her assumption of the role as a “self-proclaimed ambassador of authenticity.” Growing up in Roanoke, VA, Goodman spent time as a youth with her mother’s family in Charleston, SC. Bullied in school for appearing feminine and steered away from coming out in a small conservative town, Goodman left after high school to live with an aunt in Charleston. First working in women’s fashion stores, Goodman then became an apprentice with a stylist to gain a barber’s license. While pursuing a strong sense of personal style and founding a brand called Celebritimage, Goodman also searched for the most authentic way of living and manifesting a God-given individuality. While getting both positive and negative feedback for the change she made in her appearance, Goodman refused to be defined by an image, instead feeling that “everything I do...is for the benefit of other people. Even the way I look is not just for me.” Goodman discusses her feelings about God’s watching out for all, her experiences with angels, numerology, and prophetic voices telling her truths about others and herself. It is a gift she uses to help others find confidence, their true calling, and to embrace their bodies and sexuality, also the theme of her book Three Seasons of Life: Discovery, Believe, Faith. Living briefly in Los Angeles, Goodman speaks of being gender fluid and identifying with the trans community, saying that all are capable of transformation. In response to questions, she addresses homophobia within the African American and African American religious communities, prejudice within the LGBTQ community, and she describes many Charleston bars such as Dudley’s, Pantheon, the Cure, and others, especially the once Black-friendly Déjà Vu. She notes the positive effects of increasing LGBTQ visibility yet thinks that it drives some back into hiding for fear of being identified with it. While Goodman uses social media to help influence people to embrace their true selves, she laments the abuse of dating apps. She concludes the interview with her thoughts on gentrification in Charleston, and the need of leaving a legacy, especially being Black and gay. Note: This interview was conducted when the narrator preferred male pronouns. The narrator now uses she/her pronouns and requested they be changed. The pronouns were substituted and are bracketed in the transcript, but they were not altered, or removed, from the audio file.
Pat Patterson (pronouns: He/Him/His) speaks of family life, childhood, growing up, coming out, his political activism through drag performance, interactions with the Methodist Church, and his perceptions of the LGBTQ community. Born and reared in a loving and accepting family environment in Spartanburg, SC, he attended Wofford College, the 37th family member to do so. “I’m a Palmetto tree with fairly deep roots,” he notes. He came out in graduate school at the University of SC, and speaks about the founding of its Bisexual Gay and Lesbian Association (BGLA) and how he assumed his drag persona Patti O’Furniture, “a bully pulpit to raise awareness,” on a dare. At various points in the interview, Patterson speaks of the stratification of the LGBTQ community (“part of our charm and part of our problem”), with most of the focus on Charleston, identifying the conservative “blazer gays” who practice “an odd social decorum” at private parties, the “SIN” or service industry gays who are more out, and other socially and geographically distanced groups. He speaks of racism, and racial and trans insensitivity, the difference between the Charleston Pride and the Columbia, SC-based South Carolina Pride organizations, the gay rugby team, the Charleston Blockade, and K. J. Ivery, once a student of his and now an out trans officer of the Charleston Police Department. Having first done AIDS work in Columbia, SC with his friend Bill Edens, he became involved with the SC Equality Coalition, and he mentions a variety of other LGBTQ organizations and leaders. He began commuting to Charleston to perform drag at the bar Patrick’s, eventually moving there, arranging performances at Dudley’s, and he now also performs at brunches, breweries and bingo, usually emceeing, giving his tips from the audience to charity and passing the hat at performances for different causes and organizations. Straight audiences, he notes, are often more appreciative, and in describing his own indoctrination into drag, he shares some of the vocabulary, mentions those icons who influenced him and praises Jay White for his Brooke Collins performances. He names and describes many bars throughout the state, speaks of his evolution as a performer and activist, as well as the need to be aware of how unintended insults or slurs can occur. Making distinctions between religion and faith, the latter very important to him, Patterson also describes his family’s attachment to their local Methodist congregation in Spartanburg and their dedication to liberalizing the Methodist Church in general.
Musician and educator Mervin Antonio Jenkins, also known as Spec the Spectacular for his talent at rhyming and freestyle, was born in Eutawville, South Carolina in 1972. He is the first child of Mary, a schoolteacher and Melvin Jenkins, an auto mechanic worker. It was on his father's garage that Jenkins listened to Run DMC, "Sucker MC's" for the first time. Then, he would learn more about rap music and culture with his cousin from New York. In the interview, Jenkins reflects on his career as a musician and as an educator that uses rap to engage young people. He shares the challenges and rewards of his career, stating that recording with Big Daddy Cane was one of his proudest moments. He discusses the evolution of rap music and its styles and names his favorite artists. When asked about a particular Charleston/Carolinas sound, he argues that the Carolinas never developed their own rap sound and style because it was not functional for the music industry. At the end of the interview, he performs "War of the Worlds" and freestyles responding to the audience prompts.
In this interview, Thomas A. Dixon (b. September 1952) focuses on the first years of his community and political work in Charleston, South Carolina. As an ex-felon, he encountered many barriers to find employment and assert his rights as a worker. Dixon reflects on his life experiences and how they informed his activism. He states why he joined organizations that focused on decreasing recidivism, addressing gun violence, and promoting workers' rights. He explains why he left the pulpit to take his social work activism to the streets. He talks about his church ministry and his work with South Carolina Crime Reduction, Brady United Against Gun Violence, The Coalition to Take Back Our Community, and CAFE.
Carolina Angel Mascarin was born in Bogota, Colombia in 1979. She studied journalism at Los Libertadores University. After graduation, Mascarin moved to New Hampshire to continue her studies. Six months later, she relocated to Charleston, South Carolina to work with Azteca America TV. Working in this Hispanic media outlet, she met her husband. The economic crisis of 2008 affected the TV Channel, and she lost her job. She joined the staff of Trident Urban League and started a photography and videography business with her father. In the interview, Mascarin talks about her experiences growing up in Colombia, the challenges of balancing work and motherhood, and how COVID has impacted her family and her business. She also reflects on her identity as an immigrant and her love for her motherland and the USA.
"Gianni Leonardi, Daniel ""Danny"" McCann, and Adam Tracey speak about their experiences as Irish immigrants in the United States. Gianni and Danny are the owners of two Irish pubs in the Charleston area while Adam works at a pub on Johns Island. Gianni hails from the rural, Irish-speaking parish of Gweedore, in County Donegal. He first came to the United States in 2009 as part of a sponsorship by a pub in Michigan through his university in Ireland. He wanted to come to the U.S. for the opportunity to make a living in the hospitality industry and relocated to Charleston from Ann Arbor to open an Irish pub. He speaks of the vast difference between his rural upbringing and his life in a more suburban/urban environment. He makes a point to discuss the authenticity of Irish hospitality, and how, in owning and operating a pub, he tries to further that sense of genuine Irish warmth. Danny is from Lurgan, County Armagh. He came to the U.S. in 1998, to Detroit, to work in the same pub that later sponsored Gianni. Having grown up in Northern Ireland, he has the most firsthand experience of the Irish Troubles. He speaks briefly about Irish politics and witnessing some of the violence in the North in the 1990s. Adam comes from County Offlay, outside of Tullamore. Before working in hospitality, he had worked in construction in Yonkers, New York. Though he has little firsthand experience with the Troubles, he tells the story of a grand-uncle who was killed young by a bombing in the North. All three speak to their experience within the small community of Irish immigrants in Charleston, and how the community works to bring newly-arrived Irish immigrants together with those who are already established in Charleston. They agree that without the support of the Irish community, their experience in Charleston would have been very different."
Bar owner Tommy Snee discusses his experiences as an Irish immigrant in Charleston. He is the youngest of ten children and describes his upbringing in a poor family as a happy one despite the hardships of poverty. He first came to the United States at the age of seventeen in 1980, to stay with an aunt and uncle in St. Augustine, Florida for a holiday. He returned home for a period of time before returning to the States in 1986 and gaining his green card. He gained U.S. citizenship in 2017. He attended a Christian Brothers School in Ireland, and left school at the age of fourteen to work in construction. Feeling that there was “nowhere to go in Ireland,” he came to the States, where he found the opportunity to work hard and make a life immensely appealing. The weather, the diversity, and the local culture drew him to Charleston from New York. He finds that the response to him as an immigrant has been nothing but positive. While he loves his life in the States, he states that, first and foremost, “I’ll always be an Irishman.” On Irish stereotypes, he disagrees with many of the simplistic stereotypes, but argues that the best way for Irish immigrants to dispel these kinds of false notions is through education. He also discusses the importance of honoring diverse backgrounds and experiences, and the importance of listening to and learning from those with different perspectives, which he feels is critical for America, or for any country, to becoming as great as it can be.
Richard Little (pronouns: He/Him/His) describes his youth and education, his founding and running a gay bar in Charleston, South Carolina, attending medical school, and his professional work as a senior investigator at the National Cancer Institute, part of the National Institute of Health. Born in Union, South Carolina, he attended Christ School, a private boarding school in Asheville, North Carolina, where he impacted student programming and where a research project of his prompted the state to take action on water pollution in Pisgah National Forest. After some experimentation in high school, Little came out as gay while attending Tulane University in New Orleans. After a brief stint in graduate school, Little moved to Charleston, where in 1979 he opened a gay bar, Les Jardins, more commonly called LJ’s, in the then-desolate Market area. Little describes some of the other gay bars in town and notes that his private club offered a place for both out and closeted LGBTQ patrons. State liquor laws mandated the necessity of incorporating as an eleemosynary institution, and LJ’s became a major supporter of the Spoleto Festival, gaining praise for the club and the gay community from Mayor Joseph P. Riley, Jr. and others. He describes the evolution and growth of the club, its parties, programs and members, speaks of the Alcohol Beverage Commission’s anti-gay harassment, describes a court case regarding that, and mentions speaking to the Charleston Police Department about its harassment of gay men at the Battery, a cruising spot in Charleston. In 1984, opting not to franchise, but to close, the club, Little decided to attend medical school. He faced anti-gay bias at the Medical University of South Carolina (MUSC) in Charleston but found a welcome at the University of South Carolina Medical School in Columbia. Little was elected President of the American Medical Student Association and in a public venue confronted South Carolina Attorney General Henry McMaster for his homophobic comments, instead of addressing the topic of infant mortality. He speaks of early poor care of HIV patients in Columbia, a situation he tried to remedy and how “the good old girls’ network” brought him to the National Cancer Institute where he became head of the AIDS oncology center. In his work of almost thirty years, he has had patients he knew from LJ’s and from his hometown, and he mentions how difficult it has been to deal with so many losses over the years. But changes in HIV care, and changes at MUSC in Charleston, are signs of progress and the interview ends on a hopeful note.
Jack Sewell (pronouns: He/Him) speaks mostly of his life in Charleston, the various businesses in which he was engaged, and gay life, characters, and bars in the city. Born as a twin in Oklahoma, he grew up in Texas, was raised in a conservative Southern Baptist household and joined the Navy, which brought him to Charleston in 1966. While mostly closeted, to stay in the service, Sewell nevertheless visited many gay clubs, despite their being banned by the Shore Patrol, and he mentions the Navy investigating sailors for homosexual activities. In reply to questions, he names and describes many of the bars in town including The Wagon Wheel, The Ocean Bar and Grill, Pat's Lounge, the Stardust Lounge, the Bat Room, and "the Tiltin' Hilton" on Folly Beach, among others, including a gay bar he and his partner tried to open on Market Street, but which failed due to the curfew imposed by martial law during the 1969 Hospital Worker's strike. He also describes homophobia, vice squad raids, pay offs, cruising on the Battery and makes mention of the YMCA and bus station and other bathrooms. Out of the Navy, he first had odd jobs, including working as a debt collector, which led to visiting Dawn Langley Simmons. He and his partner began working as carpenters, building cabinetry for many businesses, bringing them in contact with many Jewish merchants and building owners whom he describes. The couple first opened "head" shops named A Different World, catering to a hippy clientele, in Charleston and Orangeburg and later opened a series of restaurants called The Hungry Lion in a variety of locations in the city, with the main location being near the College of Charleston on George Street. Sewell, who eventually bought out his partner, worked long days, often as the chief cook, as well doing numerous other tasks, eventually commuting from McClellanville, SC to where he retired in 2014. In the course of the interview he mentions? the Davis building, site of the Hungry Lion and the owners, a Jewish family in London, Jules Garvin, Bobby Tucker, Clifton Harris, Jr., whose murder on the Battery in 2006 is still unsolved, Joe Trott and other colorful gay characters. He also explains the coded vocabulary he and his friends used, mentions later bars such as the Garden and Gun Club, Les Jardins, and working at the Arcade Club and the restaurant Spanky's associated with it. He ends speaking of life in McClellanville and the man who means so much to him, Dewey Williams, a partner of 39 years, whom he married at the Lincoln Memorial in 2010.?
Emily Anne Boyter (pronouns: She/Hers) discusses her life as the daughter of missionaries, her religious upbringing and experiences with religion, coming out as a lesbian, reconciling “Christianity and queerness,” and many positive new experiences opening to her. She describes being born in Greenville, South Carolina, and being raised in Mexico City where her parents worked as Evangelical Christian missionaries, spending brief periods in the states. She left Mexico and attended college at, and graduated from, Liberty University, a private evangelical Christian university in Lynchburg, Virginia. There, the strongly insular quality she experienced in the missionary world, continued, and many felt a great loyalty to the school and its President, Jerry Falwell, Jr. Identifying as straight during her time there, she nevertheless was aware of a “strong culture of homophobia at Liberty,” where close friendships could lead to questions about one’s sexuality and where being gay could lead to expulsion. In graduate school at Clemson University, Boyter began to meet, and form friendships with LGBTQ people, feeling on “friendly ground” for the first time in her life, among people who were unbothered by another’s sexual orientation or identity. Being in this open and accepting environment, Boyter began to come to terms with being “queer,” a word she embraces for its inclusiveness. Coming out in her religious community at Clemson was not a positive experience, so she eventually left her church. In the interview, she wonders if others would see her as a “Christian” at all, she having now found comfort in a feminine spirituality versus the strong paternalistic nature of many churches and religions. She recalls how many men in her religious milieu would weigh her (and other women’s) characteristics and traits, to determine if they would make good wives of ministers. After coming out to her family and on social media, finding support from some, but dismay and rejection from others, including a man who had been viewing her as a possible wife, Boyter is now in a committed relationship with another woman and they are considering marriage. Despite the difficulties faced by LGBTQ people in the upstate region where they live, Boyter, a resident of Easley, and her girlfriend feel rooted in the area, yet she expresses some misgivings at the possibility of raising children there. Her work at the Tri-County Technical College is rewarding; being “out,” she can serve as a mentor and a role model for LGBTQ students and others.
Pearl James Hill was born in 1925, in Aynor, South Carolina. One of fourteen children, she was orphaned at age thirteen, and lived with various family members until she turned sixteen and moved to Charleston. Hill worked at the munitions factory manufacturing hand grenades. Later, she became a ship welder, and worked at the Naval Shipyard until WWII ended in 1945. She then briefly worked at American Tobacco. In this interview with Rebecca Michaud, Hill reflects on her childhood, work at the munitions factory and the ship yard, and the Japanese attack on Pearl Harbor.
Megan Smith discusses her experiences as an Irish American in the South. Her paternal grandmother and grandfather immigrated to Holyoke, Massachusetts in the early 1880s. Her maternal grandparents are from Kerry, specifically the Annascaul area. Megan explains that her family in the Boston area owned a blacksmith company and provided services for much of the city. Her other grandparents lived in northern New York and owned a grocery story in Massena, New York. Her father was in the Navy and was responsible for their move to Charleston. Megan is a teacher, and is very involved in the Irish music scene in Charleston.
Roseanne Keeley Wray?s parents immigrated to America as a couple in 1926. Prior to her parents moving together to the Bronx. Roseanne shares the experience her mother had with coming to Oklahoma as a single woman. Roseanne offers a wealth of knowledge of both life in Ireland as well as the life of an Irish individual living in America. She shares memories of living in the Bronx as a child and housing young, single Irish immigrants in her family home. She shares stories that her parents would share with her siblings during childhood that told them stories of life in Ireland. To this day, Roseanne?s family still owns a family farm in Ireland, which Roseanne plans on leaving to her children and grandchildren.
Colleen Condon (b. 1970) describes her upbringing in an Irish-American family in Charleston. Her family came to the States from County Cork during the time of the Famine, first landing in a northern city before coming to Charleston, which she remarks is most likely due to the similarities between Charleston and County Cork. Her great-great-grandfather started Condon’s department store in Charleston in 1899, which was family owned until closing in 1984. She discusses what it was like growing up in a large but very close-knit family with lots of ties to the community. She feels that issues of prejudice and discrimination against Irish Catholics in particular is something that has decreased through the generations, and that the Irish Catholics have become more integrated with the wider community as the years have passed, that Irish identity has “mesh[e]d really well” with Southern identity in Charleston. As to the difference between Charleston and other southern cities, she feels that the Irish community and sense of Irish identity is more prominent in Charleston than it is in places such as Atlanta or Charlotte. Part of her interview also includes her experience as a lesbian in an Irish-Catholic family, and how she has begun to try to separate her Irish identity from Catholicism because of the difficulties she has faced. Colleen and her wife were the first couple in the state of South Carolina to be granted a marriage license as a same-sex couple, after a long legal battle.
The former Charleston mayor discusses family storytelling. He considers himself and his mother's side of the family to be introverted. His father's side are talkative, "Irish" storytellers. Riley shares family lore he received as a child. These include impressions of his father and his political associates, including Senators James F. Byrnes and Fritz Hollings. He also shares family stories and impressions of memorable relatives, including his grandfather J. Edwin Schachte's involvement with the Knights of Columbus, his uncle Lawrence G. Riley's life in the merchant marine, and pranks with his uncle John E. Riley. Riley lore also ties the family to the Civil War through his great grandfather Henry Oliver, a Confederate veteran. After the Civil War, Oliver walked home from Richmond, Virginia. The interview concludes with Rileys childhood memories of World War Two.
