Large bolt found on top of the head of a hammer and an adjustable wrench in the bottom of the submarine interior. Images show an x-ray photograph of the bolt prior to deconcretion, the bolt with concretion, and the bolt following deconcretion and conservation treatment with subcritical fluid technology.
Iron tool handle cast in a T-shape, with a square end. Images show the tool following removal from the submarine but prior to deconcretion, x-ray photograph of the tool, and the tool following deconcretion and conservation treatment with subcritical fluid technology.
Metal file composed of wrought iron, initially found resting on top of a ballast block on the interior floor of the submarine. Images show the initial site of the iron file during excavation and the file after deconcretion and conservation treatment with subcritical fluid technology.
Salt-glazed border tiles made from kiln-fired red clay, used to line walkways and gardens. Made by slave labor on a plantation near Hickory Hill, South Carolina. Four tiles exist in the collection, two of each shown here.
Smoked ivory ornamental face mask, mouth is wide oval, eyes are a rectangle; origin Epulu (Democratic Republic of the Congo, formerly Zaire), but is a replica of masks created by the Dan people of Cote d'Ivoire.
Smoked ivory ornamental face mask, openings for eyes, mouth has slight opening, showing teeth, crown on head; origin Epulu (Democratic Republic of the Congo, formerly Zaire), but is a replica of masks created by the Pende people (also of DRC).
Ivory toothpick holder with 10 ivory toothpicks, made for hotels, carved design on toothpicks; origin eastern Democratic Republic of the Congo (formerly Zaire).
Edison Blue Amberol recording of Fred Van Eps "Darkies Dream" and "Darkies Awakening." Patent information on top of cover reads "1910. John Young, Frederick J Wheeler." Etched into the top of the cylinder is "Thomas A. Edison Patd. 183; 1544 DARKIES DREAM & DARKIES AWAKENING VAN EPS." Bottom of cylinder is imprinted "Seeley Tube and Box Co. Newark, N.J. USA."
Copper slave badge, square in shape, reading "Charleston 20 Servant 1823." Under the date, a stamp reads "LAFA," signifying the maker, John Joseph Lafar.
Wooden face mask decorated with white, blue, and red paint; mouth carved in an oval, eyes have triangular lids with blue dots, chin has blue dots, cheeks have red and white dots, forehead has blue dots and white V-lines, straw beard; string attached to two nails in back; origin Ndaka people of the Ituri rainforest.
Multiple views of a circular, flat sweetgrass basket with a handle made of pine needles wrapped in palmetto leaves; basket contains accents of pine needles throughout and artist has incorporated decorative pine knots; center of basket contains a combination of sweetgrass, pine needles, and bulrush, sewn with palmetto leaf; label on back reads "HAND MADE BY Ida Mae Bennett."
Multiple views of a hanging wall pocket made of sweetgrass and pine needles sewn with palmetto leaf; signature on bottom reads "Martha Manigault 2006."
Oval sweetgrass basket with seven sets of pine knots (called "love knots") which are visible only from the outside; basket is accented with rows of pine needle; also contains bulrush; sewn with palmetto leaf; bottom reads "Anne Scott 2006."
Wooden chief's stool decorated with four broad supports, each with two female figures, hands clasped over the stomach. The wood surface is treated with a white coloring agent. Origin Dogon people of Mali.
Wooden part of bench for supporting and holding forward and central sections of the submarine interior bench, with notch cut out to fit around the submarine interior frame. Images show the concreted bench support following excavation and removal from the submarine; reverse-side view of concreted bench support; x-ray photograph of bench support; bench support following deconcretion, conservation treatment with polyethylene glycol, and cleaning; the reverse-side view of the same post-deconcretion condition; bench support following freeze-drying; and the reverse-side view of the support post-freeze-drying. Note the holes in all images where nails or screws were once held to attach the support to the forward and central bench.
Rudder composed of wrought iron, discovered on the exterior of the submarine beneath the stern end with a large portion portside. Images show excavated rudder with concretion of coral growth and sea urchin spicules, rudder following partial deconcretion, deconcreted rudder treated in caustic solution, and fully deconcreted and cleaned rudder.
Front and interior views of a coiled basked made of sweetgrass, pine needle, and bulrush, sewn with palmetto leaf. Domed lid has a knob and is decorated with pine knots. Lid is connected by a hinge on one side and contains a protruding piece that fits into a loop on the other side, securing it when closed.
Ten-note barrel-shaped sound box, also known as board piano or thumb piano and lukembi, likembe, or kalimba; wooden with keys made from spoon handles, bicycle spikes, or metal keys hammered to the desired shape; keys plucked with thumb and fingers; open at top and closed at bottom; one hole in bottom and one on back; semi-circular red markings on sides and top, rectangles etched on sides; metal wrapped around keys; origin Bira people of the Ituri rainforest.
Twelve-note sound box, also known as thumb piano, board piano, lukembi, or kalimba; wooden with keys made from spoon handles, bicycle spikes, or metal keys hammered to the desired shape; keys plucked with thumb and fingers; one hole on base and one on back; one key has a coil wrap; crudely decorated with lines and scratch-like marks on back; origin Ngwanda people of Central Africa.
Miniature five-string harp with wooden arm and base; base covered with skin that has been nailed down, arm has leopard type decoration, base has markings, hole cut out on top of base; origin Mangbetu people of the Ituri forest.
Copper slave badge imprinted "Charleston No. 261 Fruiterer 1812." The badge is a contemporary counterfeit--"Fruiterer" is not a known occupation to be printed upon slave badges.
Large straw bag made of dark colored straw and decorated with shells. Lined with brown cloth. The straw was woven in Long Bay Cays and sold to craftswomen in Nassau. Originally purchased in the straw market of Nassau, Bahamas.
Ivory tooth or tusk carved into an ornate ring with a circle and dot motif; resembles a napkin ring; origin eastern Democratic Republic of the Congo (formerly Zaire).
Clutch purse made from light and dark colored straw. The straw was woven in Long Bay Cays and sold to craftswomen in Nassau. Originally purchased in the straw market of Nassau, Bahamas.
Straw purse with handle and turquoise linen lining. The straw was woven in Long Bay Cays and sold to craftswomen in Nassau. Originally purchased in the straw market of Nassau, Bahamas.
Wooden figure of a leopard man standing over an initiate of the nkumbi circumcision ritual; larger figure has spotted covering, slits for eyes and openings for arms, textured knee-length pants; origin Ituri forest, Democratic Republic of the Congo (formerly Zaire).
Multiple views of a sweetgrass sewing basket with handles on a pedestal base; lid has open nipple and is decorated with six pine knots; basket contains some rows of pine needles and is sewn with palmetto leaves.
Intricate brass support with a cupperhood in the shape of a cobra that holds a brass bowl. The bowl has a perforated hole that is used to drip liquid. Original description from Colin Turnbull reads "brass Vvandi bowl support Lingham in clothed Lotus."
Carved statue of a woman wearing a raffia skirt and cowrie shell earrings. Tattoos mark her shoulders and her face is painted. Made of dark wood with a natural clay stand.
Wooden shelf from forward bulkhead in the submarine interior, found laying horizontal to the original upright orientation of the submarine. Possibly made of pine, approximately 1 inch thick, with cut-outs to fit in the bulkhead of the submarine. Images show wooden shelf within the submarine interior during excavation and wooden shelf after removal, conservation treatment with polyethylene glycol, and freeze drying. Note the rust stains on both ends where bolts had been used to secure the shelf.
Nut and bolt once connected to iron bar in between interior aft pump and horizontal rod support. Images show initial connection to iron bar in the submarine interior, x-ray photograph of the bolt and nut and the adjacent bolt, corrosion of the bolt and nut after removal from concretion, and bolt and nut after conservation treatment with subcritical fluid technology.
Brass clothing buckle with two prongs, discovered with fabric still attached. Front face of buckle has stamped marks "G", "&", heraldic symbol, "C", and numbers, with prong bar face reading "SOLIDE". Reverse face of buckle has stamped mark "1860" with "PARIS" on reverse side of prong bar. Images show buckle following removal from submarine interior and initial cleaning, front face of buckle following rinsing, cleaning, and thorough drying, and reverse face of buckle following rinsing, cleaning, and thorough drying.
Metal suspender button loop and portion of chain made of silver. Images show concreted loop following removal from submarine interior and initial cleaning, loop following partial deconcretion by mechanical cleaning, and mostly deconcreted loop following mechanical cleaning with chain portion still partially concreted.
Brass buckle with two prongs, possibly from a vest. Images show buckle following removal from the submarine interior with surrounding sediment and textile, and buckle following rinsing, cleaning, and thorough drying.
Clay smoking pipe bowl and stem, discovered in 2 pieces. Images show pipe in its original location within the submarine interior, stem and bowl pieces of the pipe following initial cleaning, and reconstructed pipe following conservation treatment.
Brass thimble, 1.5 cm in diameter. Images show close-up of thimble following removal from the submarine and the thimble following mechanical cleaning and thorough drying.
Wooden ceremonial mask made for the Bwadi ya Kifwebe association, a group that polices social behavior and neutralizes disruptive elements within the Luba people of the Democratic Republic of the Congo. The masks are worn in a variety of ceremonies.
Heavy dark wooden chief's stool supported by a carving of a female figure. Origin Kuba people of the Democratic Republic of the Congo (formerly Zaire).