Snake-shaped wrought iron art object. The eyes are painted red and there are gold painted markings on the body. Forged by Carlton Simmons, Charleston, South Carolina.
Untitled oil painting depicting a sailing vessel led by a tugboat. A buoy appears in the forefront and a city is visible in the background. Back of framed image reads "To our Friends The Sanfords; Xmas 1927; Elise and Teddy Harleston."
Framed oil painting, "Shrimp Vendor," depicting an African American man with a tray of shrimp walking by a house with iron fence and balcony, typical of Charleston homes. On long term loan to the Avery Research Center from St. Mark’s Episcopal Church.
Framed oil portrait of Thomas Miller, African American lawyer, politician, and educator who was a South Carolina legislator, member of the U.S. House of Representatives, and first President of South Carolina State College (formerly the Colored Normal Industrial Agricultural and Mechanical College of South Carolina).
Black cane with gold head containing the inscription "To WDC from WHJ & JMT 1910." The cane was presented to Dr. William Crum, physician, Collector of Customs in Charleston, South Carolina, and United States minister and consul general to Liberia, at a farewell banquet prior to his ambassadorial journey to Liberia. The initials signify the presenters of the cane: WHJ is William H. Johnson and JMT is J. M. Thompson, both Charleston physicians.
A ripped page of an early 20th century hymnal uncovered during 2020 investigations of the Nathaniel Russell House Kitchen House. Page discovered under floorboards in the front of the fireplace in the 2nd floor west quarter.
Five dollar Confederate greenback issued on February 17, 1864 and redeemable two years after the ratification of a treaty of peace between the Confederate States of America and the United States of America. Printed by Evans & Cogswell in Charleston, South Carolina and engraved by Keatinge & Ball of Columbia, South Carolina.
Ten dollar Confederate greenback issued on February 17, 1864 and redeemable two years after the ratification of a treaty of peace between the Confederate States of America and the United States of America. Printed by Evans & Cogswell in Charleston, South Carolina and engraved by Keatinge & Ball of Columbia, South Carolina.
Five dollar bill issued by the Farmers & Exchange Bank of Charleston and dated September 28, 1853. Bill depicts an African American tending to a wagon pulled by oxen. Engraved by Toppan, Carpenter, Kasilear & Company, Philadelphia and New York.
1850-1859, 1840-1849, 1830-1839, 1810-1819, and 1820-1829
Description:
A fragmented crystal discovered during 2019 investigations of the Russell House Kitchen House. The crystal was wedged tightly between the end of an original floorboard and the first period masonry wall in the east enslaved quarter of the Russell House Kitchen House. One end identifies it as a chandelier or girandole crystal. The other end, however, shows evidence of a percussive strike, evidence it was intentionally struck one or more times to shape it into a crude point.
1850-1859, 1840-1849, 1830-1839, 1810-1819, and 1820-1829
Description:
A small pillow, hand sewn with faded mattress ticking and stuffed with lambswool, uncovered during 2020 investigations of the Nathaniel Russell Kitchen House. Pillow was discovered under the floorboards in the front of the fireplace in the west enslaved quarter. Pillow measures 4"x5".
1850-1859, 1840-1849, 1830-1839, 1810-1819, and 1820-1829
Description:
A small wooden brush with fine hairs uncovered during 2020 investigations of Nathaniel Russell House Kitchen House. Brush discovered under the floorboards in the front of the fireplace in the east enslaved quarter. Dates to period of enslavement.
Handwritten invitation on folded, embossed paper dated August 16, 1849. Discovered under floorboards in front of the fireplace in the east enslaved quarter during 2020 investigations of the Nathaniel Russell House kitchen house. The letter transcription reads, "Miss Mary Lopez respectfully/soliceits the honor of Mr. & Mrs./Allescader Compaony on/Wednesday Evening next/inst. at her residence/Prices Alley at 1/2 past 7/O'Clock August 16th, '49
Slave auctioneer's token, 1846. These tokens were distributed as one-cent pieces and served as advertisements for the businesses and services depicted on the coins. Face view of token reads "W.W. Wilbur Auction & Commission Merchant; Charleston, So. Ca.; Going at Only A Penny" encircling the image of an auctioneer. Obverse view of token reads "Merchants & Manufactors Agents; Collection Broker Notary Public" encircling the image of a tree.
Coral bead discovered during 2018 investigations of an enslaved quarter in the Nathaniel Russell House kitchen house. Coral is most often associated with children's necklaces and teething rattles in the 18th and 19th century as it was thought to have protective/medicinal properties.
A fragment of a 1930's waistcoat that was discovered during 2017-2018 investigations of the Russell House kitchen house. Made of black worsted wool with a black silk lining and brass buttons, this waistcoat was likely the uniform of an enslaved butler or body-servant. The absence of any gold on the buttons may imply a waistcoat that belonged to an enslaved footmen or butler.
Rounded cardboard box with lid containing remnants of antimony, a substance used for medicinal purposes. Discovered during 2017-2018 investigations of an enslaved quarter in the Nathaniel Russell House kitchen house
A walnut charity box topped with a silver plate on which 'Ladies Benevolent Society' is engraved. Used to store important papers and funds for the Ladies Benevolent Society.
Full-length portrait painted by portraitist Edward Savage depicting Alicia Russell Middleton (1789-1840), daughter of Nathaniel Russell, at six years old, depicted picking roses in the garden at the Russell's house on East Bay Street.
Composed of cowhorn and pine, this sourvenir powderhorn was originally owned by Captain Charles Fornin Richardes of the 95th Regiment of the British Army. The engravings of the Powderhorn depict the pertinent places of the British and Cherokee encounter during the French and Indian War. A view of the city of Charleston and major rivers are illustrated at the bottom of the horn. Illustrated along the top of the horn are a string of Cherokee towns along the Little Tennessee River.
