Photograph of the Albert Simons Center for the Arts, 50 St. Philip St. Built in 1977, the center was named for Charleston architect and fine arts instructor Albert Simons, whose firm designed the building.
Fotografía en color de dos miembros de Tri-County Hispanic American Association llevando su bandera en un desfile. A la derecha, Angel Cordero uno de los fundadores de la organización. En el reverso de la foto una nota escrita a mano por Cordero dice "Esta bandera la hicimos Carmen y yo" / Color photograph of two members of the Tri-County Hispanic American Association carrying their association banner in a parade. Angel Cordero, one of the association founders is in the right. A note written on the back of the photo by Angel Cordero says "Esta bandera la hicimos Carmen y yo" (Carmen and I made this banner). Fotografía en color de dos miembros de Tri-County Hispanic American Association llevando su bandera en un desfile. A la derecha, Angel Cordero uno de los fundadores de la organización. En el reverso de la foto una nota escrita a mano por Cordero dice "Esta bandera la hicimos Carmen y yo" / Color photograph of two members of the Tri-County Hispanic American Association carrying their association banner in a parade. Angel Cordero, one of the association founders is on the right. Angel Cordero's handwritten note on the verso reads, "Esta bandera la hicimos Carmen y yo" (Carmen and I made this banner).
Fotografía en color del juramento de la primera junta directiva de Tri-County Hispanic American Association. Tres hombres y dos mujeres de pie forman un semicírculo. Todos apoyan una de sus manos sobre la Biblia y levantan la otra en señal de juramento. / Color photograph of the Tri-County Hispanic American Association First Board of Directors Oath. The three men and two women are standing together in a room making an oath while placing their hands over a bible.
Fotografía en color de una venta de garage organizada por Tri-County Hispanic American Association. Una nota en el reverso de la fotografía dice "Garage Sale Marzo & April de 1987. Actividad para recaudar fondos. Tri County Hispanic American Asso". / Color photograph of a Tri-County Hispanic American Association garage sale. A note on the back says "Garage Sale Marzo & April de 1987. Actividad para recaudar fondos. Tri County Hispanic American Asso".
Color photograph of Willie McLeod holding small child. Writing on back of image reads, "Cousin Willie & Sarah Steele (Daughter of Pete & Kathy. Granddaughter of Jack & Jane) November 1985."
Color photograph of Willie McLeod seated with birthday cake on table. Four other people standing around him. Writing on back of image reads, "Mr. Pope. Al Foy. Vivian Foy. John Haizlop. Mr William McLeod 100 years! Febr 4, 1985."
Color photograph with the following inscription on the back of the photograph: J. Arthur Brown House – School Grand Reunion, June 6, 1985 James Island, SC, "Photo by Peter Simmons, Chattanooga, Tenn During School Grand Reunion, July 6, 1985 in Charleston, SC on James Island, SC."
Color photograph of infant Akil Latey Lipscomb with his godparents–Henrie Monteith Turner, Margaret Mills, Eugene Hunt, and Gregory Brown–at his Christening at St. Mark's Church in Charleston, South Carolina.
This 1985 photograph shows Adam Semel's bar mitzvah. Pictured, from left: Hemmy Nathans, Adam's grandfather; Sanford “Sandy” Semel, Adam's father; David Semel, Adam's brother; Adam Semel.
This 1985 photograph was taken in Saint-Fraimbault, Sarthe, France. The Hertaux family, shown here in their kitchen, hid Francine, Germaine, and Suzanne Ajzensztark from late 1943 (September or October) until July 1944. From left to right: Mr. Hertaux; Germaine Ajzensztark (Francine's mother); Mrs. Hertaux.
Garden reception for the Spanish sailing vessel the Juan Sebastian de Elcano at the William Blacklock House, 18 Bull St. One of the College's most prized buildings, the Blacklock House was built in 1800 for one of Charleston's wealthier merchants. It was acquired by the College in 1974. Listed as a National Historic Landmark.
Fotografía en color de María Bordallo y su hijo más pequeño, Jesús, regresando a la casa después de misa en West Palm Beach, Florida. Se los ve en el estacionamiento de un pequeño complejo de departamentos cerca de un auto negro. / Color photograph of María Bordallo and her young son Jesus arriving home after church in West Palm Beach, Florida. They are in a small apartment complex parking lot next to a black car.
Color photograph of Akil LaTeef Lipscomb Christening at St. Mark's Episcopal Church. Pictured are Henrie Monteith Turner, Margaret M. Mills, and Eugene Hunt.
Photograph of the Erckmann House, 9 College Way, built circa 1835. Abiel Bolles opened a female academy on property at 5 College Way and later built 7 and 9 College Way as the school expanded. The College acquired the residences in 1971.
Side view of front of Randolph Hall through the Pi Kappa Phi Memorial gate. Construction of Randolph Hall, the most recognizable building at the College, began in 1828 under the direction of architect William Strickland. Flanking wings and portico for the main building were designed by Edward Brickell White and erected circa 1850. In 1886 the wings were destroyed by the Charleston earthquake and rebuilt between 1888 to 1894 under the direction of Gabriel Manigault.
Side view of front of Randolph Hall through the Pi Kappa Phi Memorial gate. Construction of Randolph Hall, the most recognizable building at the College, began in 1828 under the direction of architect William Strickland. Flanking wings and portico for the main building were designed by Edward Brickell White and erected circa 1850. In 1886 the wings were destroyed by the Charleston earthquake and rebuilt between 1888 to 1894 under the direction of Gabriel Manigault.
Bolles House, 7 College Way, built circa 1835. Abiel Bolles opened a female academy on property at 5 College Way and later built 7 and 9 College Way as the school expanded. The College acquired the residences in 1971.
Colored photograph of No. 2 Tradd Street and No. 4 Tradd Street. There is a white border surrounding the photograph. There are eleven small holes on the right side of the photograph's border. The photograph shows two elevations of the structure. The elevations are each two stories in height with porches on exterior of the second story. There are missing balustrades in sections of the railing. The first story has window and door openings. There are piles of wood and construction supplies near the walls of the structure. There is a post in the bottom right corner of the photograph with a sign advertising "Julian V. Brandt" printed on it in blue ink. There is another identical post on the left side of the photograph. The structure's exterior and the posts are painted a light blue. There is a yard covered in sand and grass in front of the structure.
Colored photograph of No. 2 Tradd Street and No. 4 Tradd Street. There is a white border surrounding the photograph. There are four small holes on the right side of the photograph's border. The photograph shows two elevations of the structure. The elevations are two stories in height. There is a porch on the exterior of both elevations. The railing on the porch is missing in places. In front of the elevations is a thick and tall retaining wall obstructing the view of the first story. The wall has two doors within it and it is attached to the building on one side. The wall ends to allow space for cars to park in the courtyard formed by the two building elevations and the wall. The building and the wall are painted light blue. There is an electric pole in front of the wall and a yellow car parked on the opposite side of the road in the bottom right corner of the photograph.
Four photographs of No. 2 Tradd Street and No. 4 Tradd Street: Top left (door in retaining wall and courtyard/driveway); Top right (north elevation); Bottom left (north elevation); Bottom right (retaining wall and north elevation). The photographs are stapled to a beige sheet of paper with two holes punched through the top. The paper is labeled "2 + 4 Tradd Street" and includes the date "August 24, 1983." There are also the labels "BAR" and "Steve Russell." The marks are handwritten in red ink. There are white borders surrounding each photograph. The photographs show the north elevation of the two story structure. There is an exterior porch on the second story. There is a thick and tall retaining wall in front of the north elevation. The wall includes doors and a large opening that leads into the courtyard and driveway.
Two colored photographs of No. 2 Tradd Street and No. 4 Tradd Street: Top (corner of two elevations); Bottom (driveway/courtyard). The photographs are stapled to a beige sheet of paper. The paper is labeled "2 + 4 Tradd Street" and includes the date "August 24, 1983." There is also the label "BAR." The marks are handwritten in red ink. There are white borders surrounding each photograph. The top photograph shows the intersection of two elevations at No. 2 Tradd Street and No. 4 Tradd Street. The top story contains exterior porches connecting with each other at the corner. The exterior walls of the structure are painted a light blue. The bottom photograph shows a courtyard and driveway. It is not paved. It is covered with sand and grass. There is a large tree obstructing the view of the structure.
Three black and white photographs of No. 20 Colonial Street: Top (front facade/east elevation); Middle (front facade/east elevation); Bottom (front yard and sidewalk in front of structure). The photographs are stapled to a beige sheet of paper with two holes punched through the top. The paper is labeled "20 Colonial Street." There is a handwritten note on the paper explaining the purpose of the photographs. Their goal was to repair the porches at No. 20 Colonial Street. The note is signed by a "Smith." There is a white border surrounding all three photographs. The structure at No. 20 Colonial Street has a covered porch spanning the entirety of the exterior of the first story front facade/east elevation. There is a pediment held above the entryway of the porch by two Doric free standing columns. The first story is elevated with stairs leading up to the porch. There is a front yard covered in grass and an urban garden bordering the structure. There is a paved walkway to the entry stairs and a sidewalk running parallel to the street in front of the structure.
Three colored photographs of No. 34 George Street: Left (side elevation); Middle (side elevation); Right (side elevation). There is a white border surrounding each of the photographs. The photographs are stapled to a document that is proposing more meters to be added to the structure and current meters to be removed. The photographs show the side elevations where the new and current meters are to be added and/or removed. This is indicated by the handmade black markings and writing on the photographs. The document attached to the photographs note that these are the only changes proposed in this specific application.
