Fotografía en color de Juana Torres y sus hijos con una quinceañera en la iglesia Blessed Sacrament. / Color photograph of Juana Torres and her sons with a quinceañera at Blessed Sacrament Catholic Church.
Fotografía a color de una adolescente, Thalia Orozco, rodeada de dos mujeres y dos hombres. A la derecha, Saul Ramos "El Alacrán" y a la izquierda Samuel Olivera "Cachorro" eran locutores en la estación de radio El Sol 980 AM. En este día, la radio organizaba un concurso de canto del que Thalia fue ganadora. / Color photograph of a teenager, Thalia Orozco, surrounded by two women and two men. The two men were radio hosts at the Spanish Radio Station El Sol 980 AM. On the right, Saul Ramos "El Alacran" and on the left Samuel Olivera "Cachorro." On this day, the radio station organized a singing contest. Thalia Orozco was the winner.
Fotografía en color del chef Rubén García comiendo en su restaurante "Sabatino" junto a su esposa Ana García, sus padres y una amiga. El establecimiento estaba ubicado en Savannah Highway. / Color photograph of chef Ruben Garcia, his wife Ana Garcia, her parents and a female friend eating at Garcia's restaurant "Sabatino" which was located on Savannah Highway.
Fotografía en color de María Bordallo y su hija Cindy en el día de su graduación. La fotografía fue tomada frente a la iglesia Blessed Sacrament. / Color photograph of Maria Bordallo with her daughter Cindy on her graduation day. The photograph was taken in front of the Blessed Sacrament Church.
This 1996 photograph was taken at Dientje's parents' 60th wedding anniversary, in Charleston, South Carolina. Pictured, back row, from left: Karol Kalisky (Dientje's son); Phillis Kalisky (Dientje's daughter); Roscoe Adkins (Dientje's second husband); Tanya Elzas (Dientje's niece); Jacob Elzas (Dientje's brother-in-law); Norman Delson (Dientje's son-in-law); Evaline Delson (née Kalisky, Dientje's daughter). Front row, from left: Betty Cohen (Dientje's mother's first maternal cousin); Dientje Kalisky; Evaline Krant (Dientje's mother); Phillip Krant (Dientje's father); Jacob Krant (Dientje's brother).
Fotografía en color de un trío de música folclórica boliviana actuando en el Festival Hispano en Palmetto Island park. / Color photograph of a Bolivian folk music trio performing at the Hispanic Festival at the Palmetto Island Park.
Black-and-white pen and ink architectural rendering of the exterior of Kahal Kadosh Beth Elohim in Charleston. Illustration signed by Richard L. Moutz.
Color photograph of infant Akil Latey Lipscomb with his godparents–Henrie Monteith Turner, Margaret Mills, Eugene Hunt, and Gregory Brown–at his Christening at St. Mark's Church in Charleston, South Carolina.
Color photograph of Akil LaTeef Lipscomb Christening at St. Mark's Episcopal Church. Pictured are Henrie Monteith Turner, Margaret M. Mills, and Eugene Hunt.
Three black and white photographs of No. 20 Colonial Street: Top (front facade/east elevation); Middle (front facade/east elevation); Bottom (front yard and sidewalk in front of structure). The photographs are stapled to a beige sheet of paper with two holes punched through the top. The paper is labeled "20 Colonial Street." There is a handwritten note on the paper explaining the purpose of the photographs. Their goal was to repair the porches at No. 20 Colonial Street. The note is signed by a "Smith." There is a white border surrounding all three photographs. The structure at No. 20 Colonial Street has a covered porch spanning the entirety of the exterior of the first story front facade/east elevation. There is a pediment held above the entryway of the porch by two Doric free standing columns. The first story is elevated with stairs leading up to the porch. There is a front yard covered in grass and an urban garden bordering the structure. There is a paved walkway to the entry stairs and a sidewalk running parallel to the street in front of the structure.
Colored photograph of No. 2 Tradd Street and No. 4 Tradd Street. There is a white border surrounding the photograph. There are eleven small holes on the right side of the photograph's border. The photograph shows two elevations of the structure. The elevations are each two stories in height with porches on exterior of the second story. There are missing balustrades in sections of the railing. The first story has window and door openings. There are piles of wood and construction supplies near the walls of the structure. There is a post in the bottom right corner of the photograph with a sign advertising "Julian V. Brandt" printed on it in blue ink. There is another identical post on the left side of the photograph. The structure's exterior and the posts are painted a light blue. There is a yard covered in sand and grass in front of the structure.
Colored photograph of No. 2 Tradd Street and No. 4 Tradd Street. There is a white border surrounding the photograph. There are four small holes on the right side of the photograph's border. The photograph shows two elevations of the structure. The elevations are two stories in height. There is a porch on the exterior of both elevations. The railing on the porch is missing in places. In front of the elevations is a thick and tall retaining wall obstructing the view of the first story. The wall has two doors within it and it is attached to the building on one side. The wall ends to allow space for cars to park in the courtyard formed by the two building elevations and the wall. The building and the wall are painted light blue. There is an electric pole in front of the wall and a yellow car parked on the opposite side of the road in the bottom right corner of the photograph.
Three colored photographs of No. 34 George Street: Left (side elevation); Middle (side elevation); Right (side elevation). There is a white border surrounding each of the photographs. The photographs are stapled to a document that is proposing more meters to be added to the structure and current meters to be removed. The photographs show the side elevations where the new and current meters are to be added and/or removed. This is indicated by the handmade black markings and writing on the photographs. The document attached to the photographs note that these are the only changes proposed in this specific application.
Four photographs of No. 2 Tradd Street and No. 4 Tradd Street: Top left (door in retaining wall and courtyard/driveway); Top right (north elevation); Bottom left (north elevation); Bottom right (retaining wall and north elevation). The photographs are stapled to a beige sheet of paper with two holes punched through the top. The paper is labeled "2 + 4 Tradd Street" and includes the date "August 24, 1983." There are also the labels "BAR" and "Steve Russell." The marks are handwritten in red ink. There are white borders surrounding each photograph. The photographs show the north elevation of the two story structure. There is an exterior porch on the second story. There is a thick and tall retaining wall in front of the north elevation. The wall includes doors and a large opening that leads into the courtyard and driveway.
Two colored photographs of No. 2 Tradd Street and No. 4 Tradd Street: Top (corner of two elevations); Bottom (driveway/courtyard). The photographs are stapled to a beige sheet of paper. The paper is labeled "2 + 4 Tradd Street" and includes the date "August 24, 1983." There is also the label "BAR." The marks are handwritten in red ink. There are white borders surrounding each photograph. The top photograph shows the intersection of two elevations at No. 2 Tradd Street and No. 4 Tradd Street. The top story contains exterior porches connecting with each other at the corner. The exterior walls of the structure are painted a light blue. The bottom photograph shows a courtyard and driveway. It is not paved. It is covered with sand and grass. There is a large tree obstructing the view of the structure.
Two colored photographs of No. 8 George Street: Top (corner of front facade/north elevation and east elevation); Bottom (corner of front facade/north elevation and west elevation). There is a white border surrounding each of the photographs. The photographs are taped to a beige sheet of paper that has been hand cut. There are two holes punched through the top of the paper. The paper is labeled "8 George Street Storm Window Application" and lists the date, "March 15, 1982." The structure at No. 8 George Street is a two-and-a-half story Federal style structure. The pitched roof has three dormer windows projecting from the front facade that are symmetrical with the front of the structure. The first and second stories have five symmetrical openings. The front door on the first story is in the very center of the structure. There is a pediment above the front entryway. There are brick stairs leading to the platform that accesses the front door. The side elevation shows a symmetrical structure under the pitched roof. There is more to the structure that projects behind the structure that breaks that symmetry from a side angle.
Two colored photographs of No. 20 Charlotte Street: Left (west elevation); Right (porch). The top of the photographs are taped to a beige sheet of paper titled "City of Charleston, S.C. Memorandum." The bottom of the photographs are hanging from the paper. The paper the photographs are taped to state the purpose of the photographs as showing where the existing meter on the structure is and where they were proposing to move it. The photograph on the left shows a distant perspective of the west elevation of the structure. The photograph on the right shows a close up perspective of the porch on the structure with an appliance, which appears to be a washing machine, sitting outside the structure on the porch.
Colored photograph of the signage at No. 39 George Street. There is a white border surrounding the photograph. There are four small holes on the left side of the photograph where a staple once was. The back of the photograph labels this photograph as "39 George St." The photograph was taken by "B. Ditmore." The stated purpose of the photograph, as written on the back, was a violation for displaying signage without city approval. The photograph shows the sign for "Rainbows End" in the shape and color of a rainbow hanging over the sidewalk. The structure of No. 39 George Street appears to be a multi-story commercial structure. There are multiple openings on the first floor of the structure. Other business' signage can be seen behind No. 39 George Street, as well as trees, electrical lines, and neighboring structures.
Colored photograph of the signage at No. 39 George Street. There is a white border surrounding the photograph. There is a staple in the top left corner of the photograph. The back of the photograph labels this photograph as "39 George St." The photograph was taken by "B. Ditmore." The stated purpose of the photograph, as written on the back, was a violation for displaying signage without city approval. The photograph shows the sign for "Rainbows End" in the shape and color of a rainbow hanging over the sidewalk. The structure at No. 39 George Street appears to be a multi-story commercial structure. There are multiple openings on the first floor of the structure. Other business' signage can be seen behind No. 39 George Street, as well as trees and electrical lines.
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