Selden K. Smith, a South Carolina native who taught history for nearly four decades at Columbia College in Columbia, South Carolina, talks about his role in the development of Holocaust education courses. He describes meeting local survivors and says of interviewer Lilly Stern Filler’s mother, “The most compelling person of all—it was all compelling—was Jadzia [Stern].” What started as an experimental course featuring presentations by survivors grew into a standard offering at Columbia College. Dr. Smith notes he was not involved in or even aware of the effort to create legislation that established the South Carolina Council on the Holocaust (SCCH) in 1989. However, he was appointed to SCCH in 1990. He credits Margaret Walden, who then worked for the South Carolina Department of Education, for much of the progress made with Holocaust education in the state. Among SCCH’s projects was a joint effort with South Carolina Educational Television to interview survivors and liberators, resulting in the publication of the teaching guide South Carolina Voices. The interviewee discusses the status of Holocaust education in South Carolina and suggests that the challenge is how to make it “relevant to one’s day and time.”
Sound engineer, drummer, and songwriter Jason Mcfarland was born in New York City in 1973. He has lived in the Lowcountry since the 80s. His earliest music memories are related to Joyce Kilmer Park in South Bronx where every Saturday bands like Chic or Talking Heads used to play. Additionally, he saw legendary musicians as The Jackson 5 and James Brown at the Apollo Theater where his cousin worked as a sound engineer. These early experiences were enriched by the Gospel and Funk sounds of Awendaw. Later, he attended Wando High School and was a member of the Marching Band. In the interview, McFarland tells about the origin of his first band, Funny Looking Kids, and explains how young musicians worked to find opportunities to play before the internet era. He reflects about punk culture and states that Black Flag, Bad Brains and the Descendents were his most influential artists. He affirms that touring with Fishbone was one of the most memorable and remarkable experiences of his career. He recalls the Charleston music scene in the 80s and 90s naming the music venues, record stores, and bars that congregated musicians and students in the city. McFarland is proud of his multifaceted career as a sound engineer and as a musician, which gives him multiple opportunities to enjoy great music. At the time of the interview, McFarland was playing with two bands, Funny Looking Kids and Hybrid Mutants.
Delia Chariker was born in born in Kingsville, Texas and when she was two moved to Clover, South Carolina where she grew up. Her earliest musical memories relate to her mother's big playful and musical family. She learned to play guitar when she was in High school. She attended college in North Carolina and after that she moved around the country playing in Nashville and California. However, making a living as a musician proved to be a struggle and she returned to school to obtain a Masters in Music therapy. She reflects about being a working musician and states this is one of the most rewarding times of her career: She is able to make a living creating music with her veteran clients and plays around town with her musician friends. Animas, her solo album reflects Chariker's deep connection with her Native American spirituality roots. At the time of the interview, Chariker was employed at the Ralph H. Johnson Veterans Affair Medical Center and was the Music Director at Unitarian Church in Mount Pleasant.
Music entrepreneur and philanthropist Eddie White was born in 1960 in Charleston, South Carolina. He attended Wando High School and later Furman University where he obtained a degree in dentistry, a profession he has practiced for more than thirty years. Music acquired an important place in White's life when he met his wife and her musical family. This interest deepened raising his three children because White became involved with his children music activities and by doing that, he had the opportunity to meet and share time with interesting and creative people. In 2007, after a series of collaborations with local musicians and small concerts, he opened Awendaw Green with the purpose of offering a listening environment for new bands and local talent. In the interview, White remembers the beginning of the project, the challenges they faced and reflects about the impact of Awendaw Green on the Lowcountry music scene and beyond.
Guitarist and entrepreneur Clelia Hand Reardon was born in Huntsville, Alabama. She recalls her beginnings: taking piano lessons when she was in first grade and knowing when she was only thirteen that she wanted to be a classical guitarist. Reardon talks about her mentor and friend, Mr. Fred Sabback, and states he was the biggest influence in her career. In the interview, Reardon reflects about her prolific career as a performer and as a teacher. She remembers her experiences playing in many shows in Charleston; included Man of the Mancha, Porgy and Bess, and Jesus Christ Superstar; touring Europe twice with a jazz band, and participating in the organization of the Guitar Foundation of America international conventions and competitions. Finally, she reflects about the rewards of her teaching career.
Consuelo Campos was born in Aquila, Michoacán, Mexico. Because her family was very poor and she was the oldest of thirteen siblings, she started working at an early age in the production of bricks and selling food that her mother prepared. She attended school only for two years after the village priest convinced her father that education was necessary and important. Poverty and the news of prosperity that came from the north fueled her desire to emigrate and help her family. At the age of nineteen, she married a young man from her town who worked as an agricultural worker in the United States. Soon after, in 1989 they settled in the state of Washington. In 1992, they moved to Wadmalaw Island, South Carolina but continued to travel as a migrant working family. Finally, after almost ten years working in the fields and concerned about her children’s wellbeing, she decided to settle down and began to clean houses in Johns Island. She learned English and opened several small businesses, including a cleaning company and a restaurant. At the time of the interview, Campos was working full-time with the company Mary Kay. She reflects on the reasons for emigrating, remembers life on Johns Island and Wadmalaw Island in the 90s, and takes pride in accomplishing her goal of helping her family. / Consuelo Campos nació en Aquila, Michoacán México. Su familia era muy pobre y como era la mayor de trece hermanos tuvo que comenzar a trabajar desde muy pequeña en la producción de ladrillos y vendiendo comida que su madre preparaba. Asistió a la escuela solamente por dos años después de que el sacerdote del pueblo convenciera a su padre de la que la educación era necesaria e importante. La pobreza y las noticias de prosperidad que llegaban desde el norte alimentaron su deseo de emigrar y ayudar a su familia. A los 19 años se casó con un joven de su pueblo, que se desempeñaba como trabajador agrícola en los Estados Unidos y con él, en el año 1989 se radicó en el estado de Washington. En 1992 se mudaron a Wadmalaw Island, Carolina del Sur, pero siguieron viajando en familia como trabajadores migrantes. Finalmente, después de casi diez años trabajando en el campo y pensando en el bienestar de sus hijos, decidió establecerse y para ganar su sustento empezó a limpiar casas en Johns Island. Aprendió inglés y abrió varios pequeños negocios, entre ellos una compañía de limpieza y un restaurante. Al tiempo de la entrevista Campos estaba abocada a tiempo completo a trabajar con la compañía Mary Kay. Campos reflexiona sobre las razones para emigrar, recuerda la vida en Johns Island and Wadmanlaw Island en la década de los noventa y se enorgullece de haber logrado su objetivo de ayudar a su familia.
Enrique Martinez is the owner of La Casa Mexicana, one of the first Hispanic stores in the city of Goose Creek. He was born in Tampico Tamaulipas, Mexico and studied Agricultural Administration at the Autonomous University of Tamaulipas. At the end of the 80s, he emigrated with his then-wife Marcela Ortega to the United States and after a brief stay in Texas, they settled in Johns Island, South Carolina. Martinez started working in agriculture, but the devastation caused by hurricane Hugo in 1989 and the subsequent real estate development in the area demanded more workers and created new job opportunities. Martinez found work in the construction of the Kiawah golf courses. He and his wife opened El Mercadito, the first Hispanic store in Johns Island. After their separation, Martinez left the island and moved to North Charleston. He became familiar with the growing Hispanic community of Goose Creek and decided to establish the store he still owns. In the interview, Martínez reflects on his experiences as an immigrant and the evolution of the Hispanic community in the area. He also speaks proudly of his children and of what he has been able to achieve in his life. / Enrique Martínez es el propietario de ”La Casa Mexicana” uno de las tiendas de productos hispanos con más trayectoria en la ciudad de Goose Creek. Nació en Tampico Tamaulipas, México y estudió administración agropecuaria en la Universidad Autónoma de Tamaulipas. A fines de la década de los ochenta emigró con su entonces esposa, Marcela Ortega, a los Estados Unidos y después de una breve temporada en Texas la pareja se asentó en Johns Island, Carolina del Sur. Martínez encontró empleo en la agricultura, pero la devastación producida por el huracán Hugo en 1989 y el posterior desarrollo inmobiliario de la zona demandaron más trabajadores y originaron nuevas oportunidades por lo cual Martínez comenzó a trabajar en la construcción de los campos de golf de Kiawah. Junto a su esposa abrió la primera tienda de productos hispanos en Johns Island ”El Mercadito”. Después de su separación, Martínez dejó la isla y se mudó a North Charleston. Se familiarizó con la vibrante comunidad hispana de Goose Creek y decidió establecer allí el negocio que todavía conserva. En la entrevista, Martínez reflexiona acerca de la evolución de la comunidad hispana en el área y sus experiencias personales como inmigrante. También habla con orgullo de sus dos hijos y de lo que ha podido construir en su vida.
Gino Castillo was born in Quito, Ecuador in 1974. His maternal grandparents raised him and introduced him to classical and Cuban music. He started playing drums when he was thirteen years old. As a drummer, he toured with rock bands in his country, Latin America, and Europe. In 1998, studying in Cuba, he decided to focus completely on hand percussion. Castillo moved to New York with his family in 2010 and was there for about a year. Then, he relocated in the Lowcountry lured by the promise of a great opportunity to play music. After realizing the deal was not real, he tried different jobs to support his family. He was frustrated and depressed but determined to play music. He connected with local musicians such as Charlton Singleton and Quentin Baxter and through them with the Charleston Latin Jazz Collective. Castillo reflects about the changes in the Charleston music scene since he arrived in town in 2010. He talks about the challenges of carving a niche for Latin Jazz and funk music. He discusses his participation in the Charleston Jazz Collective, his collaboration with other musicians and the success of the Salsa Nights in Voodoo. Castillo recorded his first solo album Ya llegué in 2008 and in 2014 released SoulFunKubanized.
Singer and storyteller Ann Caldwell was born in Denmark, South Carolina in 1952. Her family moved to Charleston when she was three years old. Her early musical memories relate to the church music and the long hours she spent listening to gospel and R&B on the radio. However, her interest in pursuing a professional musical career would develop much later. She was an adult when she had her first solo concert at St. Paul AME Church in the City of North Charleston in 1982. In the interview, Caldwell recalls the challenges of being a working mother and a party band singer as well as her experiences singing with the David Archer Band. She also talks about the Magnolia Singers, a Charleston-based vocal group she founded and gained national recognition. Caldwell reflects about what means for her to perform Gullah Spirituals, the music of her ancestors to different audiences. She discusses her participation in programs and events with musicians of different styles and traditions such as the Women & Series at the Music Hall and talks about what it takes to be a working musician in Charleston. Finally, she reflects about the Charleston music community response to Mother Emanuel tragedy and affirms, "I don't believe the music has changed. It's the medicine we lean on."
Musician, educator, and community leader Lonnie Hamilton III was born in Charleston in 1927. He is a graduate of South Carolina State College and VanderCook College of Music in Chicago. In the interview, Hamilton reflects about growing up and developing his career in the segregated South since his beginnings at Burke High and the Jenkins Orphanage Band. He speaks about his long and gratifying career as an educator teaching music at Sims High School in Union, South Carolina and at Bonds-Wilson High School at North Charleston, South Carolina, and the many relationships he forged with his students over the years. He talks about the highlights of his performing career, playing daily on Channel 2, attaining the dream to have his own club, Lonnie's, his successful years playing at Henry's on North Market Street, and having the opportunity to compose an original song, "Ugly Way Blues" that he performed on the movie Rich in Love. Hamilton recalls the excitement he felt when he listened to jazz music for the first time in a show called Silas Green Minstrel in downtown Charleston and describes playing at Mosquito Beach as a unique and wonderful experience. Hamilton takes pride in his accomplishments, as an educator, as a musician, as a businessperson, and as a City Council member. He affirms he was able to break Charleston's racial and economic barriers thanks to his saxophone.
