A photograph album created by William Muckenfuss for Mrs. Frances A. Robb, in the 1940s. Album contains photographs of various Charleston buildings, houses, landmarks, sites, events, battleships, and people as well as other Lowcountry places. Mrs. Robb lived on Wentworth Street and several photographs are of her home and neighborhood.
Black-and-white image depicting north view of McLeod Plantation. Writing on back of image reads, "McLeod house, James Island. North view. Built 1854. About 1940-'45."
Black-and-white image depicting view of the north west side of McLeod Plantation residence. Writing on back of image reads, "McLeod House. North west view. About 1940."
Studio portrait of Avery alumnus and former teacher, Professor J. Andrew Simmons. Simmons was also the principal at Simonton Public School. Simmons wears a suit and tie in the photograph.
Photograph of thirteen members of Avery's Hi-Y club posed on the main staircase of the Avery Institute. Includes faculty advisor, Mr. Alphonso Hoursey (2nd row left).
Black-and-white photograph of two men and three women outside. Writing on back of image reads, "McLeod house James Island - near north entrance. Left to right: Mr. Cunnings, W.E.McLeod, Mrs. S.L. Lebby, Miss McLeod and Miss Cunnings. About 1940. The Cunnings of Carring, N.Y. a friend of the Lebbys."
Looking north on Church Street from Chalmers Street. Features buildings on the west side of the street: 127 Church, 129 Church, 131 Church, and the Dock Street Theater). Also in view are buildings on the east side of the street: 18 Chalmers Street, 132 Church Street, and St. Philip's Church). Cars are parked on the street.
Black and white negative of the exterior of slave quarters located on the property of the Berners Barnwell Sams House, number 2; Postcard series #23; Negative has turned green, 1940; 17 x 12 cm.
Looking north on East Battery Street from near the bend at White Point Gardens. Pedestrian is walking by White Point Gardens. Louis Desaussure House (1 East Battery) at center; Missroon House (40 East Bay Street) in the distance.
Looking west on Murray Boulevard from the bend at East Battery. Edge of White Point Gardens in view at right; Fort Sumter Hotel (now known as the Fort Sumter House at 1 King Street) in background. Cars on the road.
Black and white negative of the exterior of a rural house with two occupants sitting on porch steps; Kosiner wrote "Negro Shack" on the envelope containing this negative; Postcard series #24; Negative has turned green, 1940; 17 x 12.5 cm.
Looking west on Broad Street at 110 Broad Street (Bishop Northrop residence a/k/a William Harvey House a/k/a Ralph Izard House) and 114 Broad Street (Col. Thomas Pinckney House). Cars parked along the street.
Scene on Meeting Street just south of the "Four Corners of Law" on Broad Street. Features the Federal Courthouse and Post Office and St. Michael's Church in foreground, and the County Courthouse and City Hall in background. Numerous cars are parked in front of the Federal Courthouse, with pedestrians on the sidewalk.
Looking north on Church Street from the northeast corner of Chalmers Street. Features buildings on the west side of the street: 129 Church, 131 Church, and the Dock Street Theater). Also in view are buildings on the east side of the street: 18 Chalmers Street, 132 Church Street, and St. Philip's Church). Cars are parked on the street.
View of the intersection of Broad and Meeting Streets, featuring the Federal Courthouse and Post Office and St. Michael's Church. A car, motorcycle, and bus are on the street the street. Also shows pedestrian activity.
View of Market Hall, southwest elevation, including market sheds, and the corner of Market and Meeting Streets. Cars on street and pedestrian crossing the street. Cravens Delco Radio [store] on North Market Street at left.
Looking north on Legare Street at 22 Legare Street (Charles Elliott House), a portion of which can be seen in the foreground (right). Man gathering leaves on the sidewalk. Car parked in background.
Looking west on Tradd Street at the outbuildings of 32 Legare Street (Sword Gate House). West End Dairy truck parked on street. Pedestrian on sidewalk and person riding a bike on street.
Door and ceiling detail inside of the William Blacklock House, 18 Bull St. One of the College's most prized buildings, the Blacklock House was built in 1800 for one of Charleston's wealthier merchants. It was acquired by the College in 1974. Listed as a National Historic Landmark.
View of stairway inside the William Blacklock House, 18 Bull St. One of the College's most prized buildings, the Blacklock House was built in 1800 for one of Charleston's wealthier merchants. It was acquired by the College in 1974. Listed as a National Historic Landmark.
After immigrating to the Dominican Republic, Felix Bauer continued to try to secure visas for his parents. This telegram to Felix (from Vienna?) is apparently from his parents (eltern) urgently inquiring about their entry?
Under tab "New Construction". Printing on the bottom states, "276-40 US Navy Yard, Charleston, SC. 1 April 1940. Labor Board and Post Office Building. Allotment 7x222-22-1. Yard Labor. View looking Northwest. File #8910."
Printing on bottom states, "131-40 US Navy Yard, Charleston, SC 31 January 1940. USS ROE (DD418). Sample bunk. Note that mattress cpver and bunk straps have same number as bunk. Pillows forward, blankets aft. File 8646."
Under tab, "Original 1940 Labor Board" Printing on bottom states, "276-40 US Navy Yard Charleston, SC 1 April 1940. Labor Board and Post Office Building, Allotment 7X222-22-1, Yard Labor. View looking northwest. File 8910."
Mantel detail inside the William Blacklock House, 18 Bull St. One of the College's most prized buildings, the Blacklock House was built in 1800 for one of Charleston's wealthier merchants. It was acquired by the College in 1974. Listed as a National Historic Landmark.
Printing on bottom states, "582-40 US Navy Yard, Charleston, SC 16 August 1940. USS Roe (DD418) Stern Quarter, Showing Deguassing Equipment Installation. Completed 16 August 1940. File 8679."
Printing on bottom states, "135-40 US Navy Yard, Charleston, SC 31 January 1940. USS Roe (DD418). Sample square locker. Shoes SHINED, toes to front. File 8472."
View of stairway inside the William Blacklock House, 18 Bull St. One of the College's most prized buildings, the Blacklock House was built in 1800 for one of Charleston's wealthier merchants. It was acquired by the College in 1974. Listed as a National Historic Landmark.
Under tab, "Building Ways" Printing on bottom states, "202-40 US Navy Yard Charleston, SC 1 March 1940. Field Offices for Shipways. Contract NOy-3813. View looking northeast. File 8058."
Rear view of the William Blacklock House, 18 Bull St. One of the College's most prized buildings, the Blacklock House was built in 1800 for one of Charleston's wealthier merchants. It was acquired by the College in 1974. Listed as a National Historic Landmark.
Writing on bottom states, "708-40 US Navy Yard, Charleston, SC. 27 September 1940. USS Foote (DD 169). showing repairs to damaged propeller. File 8373."
Under tab "Building Ways". Printing on the bottom states, "200-40 US Navy Yard, Charleston, SC. 1 March 1940. 15-ton Cranes for New Shipways No. 343. Allotments 7x222-24-1 and 7-08/0679.1-87-4 Contract NOy-3447. View looking north. File 8056."
Mantel detail inside the William Blacklock House, 18 Bull St. One of the College's most prized buildings, the Blacklock House was built in 1800 for one of Charleston's wealthier merchants. It was acquired by the College in 1974. Listed as a National Historic Landmark.
Mantel detail inside the William Blacklock House, 18 Bull St. One of the College's most prized buildings, the Blacklock House was built in 1800 for one of Charleston's wealthier merchants. It was acquired by the College in 1974. Listed as a National Historic Landmark.
Mantel detail inside the William Blacklock House, 18 Bull St. One of the College's most prized buildings, the Blacklock House was built in 1800 for one of Charleston's wealthier merchants. It was acquired by the College in 1974. Listed as a National Historic Landmark.
Black-and-white wood engraving depicting the prophecy of Isaiah: "And He shall judge between the nations, and shall decide for many peoples; and they shall beat their swords into plowshares, and their spears into pruninghooks; nation shall not lift up sword against nation, neither shall they learn war any more." Wood engraving signed by the artist Howard Simon.