Pencil sketches and occasional watercolors by Charleston-born architect William Martin Aiken. Primarily landscapes and sketches of architectural elements in Boston, Mass.; Newport, R.I.; Brookline, Mass.; White Mountains, N.Y.; Chateaugay, N.Y.; and Quebec, Canada.
Hand-colored wood engraving of a Jewish woman from Morocco. Wood engraving by Richard Henkel after Wilhelm Gentz. From Blätter für Kostümkunde, published Berlin: Franz Lipperheide.
Stereoscopic image of five visible horse drawn carriages, some transporting cotton from the gin. Handwritten caption on the verso reads, "Some scene 1879-Cotten ginned and booked for shipping. Gin property of Mr. JJ Dale, J.R. Macdonald, George Wilkins."
A stereoscopic image of African American women holding baskets with wares on top of their heads and children carrying wares atop their head. The text at the bottom of the image identifies them as "street vendors."
Stereoscopic image of African American cotton pickers in a cotton field on St. Helena Island, South Carolina. Handwritten caption on verso reads, "Cotton picking at the yard-St. Helena Island Fall of 1879."
Black-and-white etching of the Hauptsynagoge (Main Synagogue) on Hans-Sachs-Platz in Nuremberg. Etching by Lorenz Ritter. From Malerische Ansichten aus Nürnberg.
[Color image.] Caption: 'The Avery Institute, Charleston, South Carolina.--[see page 867.]' Also identified in image: Rev. Charles Avery and Teachers' Home.
Black-and-white offset print reproduction of a Jewish woman from Tétouan. After a painting by Jean-François Portaels. Published in The Aldine, Volume 9.