Page 41 of the City Engineer's Plat Book with six plats. Plat 1 shows land between Mount Street and Congress Street, and between a private street and "CITY LANDS Potter's Field." Plat 2 shows lots near Chestnut Street and near Spring Street, Ashton Street, Always Street, Lilly Street, and Pine Street. It also shows a few bodies of water. Plat 3 shows lots near Meeting Street's intersections with Market Alley, and State House Alley. It also labels a court house, the Treasury and Guard House, and St. Michael's Church. Plat 4 shows a stretch of land near President Street, Logan Street, Pinckney Street, Fishburne Street, Mount Street, Congress Street, and shows bodies of water and highlands. Plat 5 shows lots and buildings near the intersection Church Street and Water Street.
Caricature by Joseph Ferdinand Keppler published in the December 25, 1878, edition of Puck. The associated article reads : "It is to be regretted that Mr. Hilton is as unsuccessful as a dry-goods man and a hotel keeper as he notoriously was as a jurist. But the fact remains. He took it upon himself to insult a portion of our people, whose noses had more of the curvilinear from of beauty than his own pug, and he rode his high hobby-horse of purse-proud self-sufficiency until he woke up one day to find that the dry-goods business was waning—growing small by degrees and beautifully less. Then Mr. Hilton arouses himself. He turns his great mind from thoughts of the wandering bones of Stewart; he brings the power of his gigantic brain to bear upon the great question. ‘How shall I revive trade?’ He remembers that he had insulted the Jews. Aha! we’ll conciliate them. So out of the coffers that A. T. Stewart filled he gropes among the millions, and orders the trustees of a few Hebrew charities to bend the pregnant hinges of their knees at his door, and receive a few hundred dollars. But in this country the Jew is not ostracized. He stands equal before the law and before society with all his fellow-citizens, of whatever creed or nationality. And the Jew has stood up like a Man and refused to condone the gross and uncalled-for insults of this hap-hazard millionaire, merely because he flings the offer of a thousand dollars in their faces. All honor to the Jews for their manly stand in this instance. Trampled upon, scourged, banished as they have been for centuries under the ban of religious persecution, at last they find a land in which they have rights equal with all their fellow-countrymen. They have in this instance asserted their rights, and have dared to maintain their self-respect. It is the verdict of all thinking men that in everything he has done, from the Grand Union Hotel, and the Women’s Home, down to Stewart’s grave, Hilton has been a magnificent failure—and the Jews have won a grand success."
Black-and-white engraved portrait of Clarissa Bischoffsheim, wife of financier Henri Louis Bischoffsheim. Engraving by Goupil & Cie after a painted portrait by John Everett Millais. From The Chefs-D'Oeuvre d'Art of the International Exhibition, 1878, published by Gebbie & Barrie.
Black-and-white etched portrait of Clarissa Bischoffsheim, wife of financier Henri Louis Bischoffsheim. Etching by Charles Albert Waltner after a painted portrait by John Everett Millais. Published in L'Art.
Black-and-white offset print reproduction depicting the ceremony of tashlikh. After a painting by Wilhelm August Stryowski. Published in Über Land und Meer, Jahrgang 20, Band 40, Heft 44.
Black-and-white engraving depicting Moses descending from Mount Sinai with the Ten Commandments. Engraving by John C. McRae after an illustration by Gustave Doré. From The Holy Bible : containing the Old and New Testaments…, published Philadelphia: A.J. Holman & Co.
