Born in Charleston, SC on September 11, 1976 and raised in nearby Pinopolis, Lindsay Holler is a singer, composer, and guitar player who has additionally been a strong advocate for local musicians and a fixture of the music scene. In this interview she recalls her musical influences, including her parents’ mainstream pop records and her brother’s enthusiasm for the Black Crows. In addition to playing flute in the middle school band and taking piano lessons, Holler also studied voice with opera singer June Bonner. That association led to a visit to Broadway at age 13, where she saw Gregory Hines and Phylicia Rashad in Jelly’s Last Jam. “I kind of fell in love with New York a little bit, and I was like, oh, man, that’s where I want to go,” Holler recalls. Following her high school graduation, Holler studied jazz at the Berklee College of Music before returning to Charleston to complete her musical education at the College of Charleston. She has recorded and performed with several locally-based groups, including the Dirty Kids, the Western Polaroids, and Matadero. Though often in the spotlight as the lead singer, Holler is ambivalent about the attention that it brings her and worries that that ambivalence may undermine her success: “Everybody is me, me, me, show me, let me show you, you know, it’s such a prevalent posture nowadays, where it’s in your face, and who’s going to be the loudest, and who is going to be the most out there, and that’s never been my thing. But I worry do you have to be like that in order to be successful?”
Bill Carson was born in Baltimore, Maryland, in October of 1976, and when he was ten years old his family relocated to James Island, South Carolina. It was around this time that Carson become interested in playing guitar. Carson talks about his formative years, the music that inspired him, and the people who supported him. He reminices how the Jump Little Children’s band members trained and nurtured him and describes them as being “like big brothers” to him and many other young local musicians. Despite participation in a band during his senior year of high school, Carson did not have plans to pursue a music career, and enrolled at the College of Charleston to study philosophy and art. After graduation, Carson began work in a glass shop, but continued playing in different bands in his free time. He remembers his first show, an opening for the band The Groovy Cools which drew a laughably small audience, and his first serious show with a band called Bud Collins. Carson recalls some of his best experiences playing in an ensemble, especially his participation in the Groundhog Concert Day at the Halsey Institute, which brought many of his favorite local musicians together. When asked whether he thought Charleston had a special sound, he stated that he considered Charleston to be special due to its sense of community. Carson recalls the instrumental trio he formed with Ron Wiltrout and Nathan Koci, known as The Opposite of Train, and his 2011 project to document indigenous music on Johns Island. Today, Carson is known for a vast career that includes writing, recording, and performing music, as well as for his collaborative projects and commissioned productions. He also finds time to be a full time elementary school teacher in his community.
