Black-and-white etched satire on attitudes toward vaccination. Edward Jenner, pioneer of the smallpox vaccine, is portrayed as a Jew. He holds a syringe labelled "Kuhpocken" (cowpox) and "Humanität" (humanity). Next to him sits a Jewish elder who has one foot on a money bag. Another Jew reads from a document labeled "Für Die Juden" (for the Jews), handed to him on a cushion embroidered with a Star of David by a non-Jewish man astride a sow. He is followed by a rabbi praying and another Jew. At left, a non-Jewish woman holds the sow's rope in one hand and, in the other, a paper labeled "Freiden Mädchen - Berliner Blätter" (prostitute - Berlin Gazette). The etching indicates that the publication of Jenner's work is a Jewish conspiracy.
Hand-colored etched satirical portrait of financier and philanthropist Abraham Goldsmid. Etching by Richard Dighton. Published by Dighton, 21 New Bond Street, August 1806.
Caricature of Jewish participation in the National Guard during the Revolutions of 1848. In German, the text reads : "Hascheln! Habts Acht! Mer sein jetzt gekümmen vor unsern Kümmandanten sein Haus. Regimentstrommler! Schlog ein Werbel, trrrrrrrr - soll ach Hoch leben." (On the banner) : "Profit. Gleiche Rechte mit den Christen!" In English, the text reads : "Attention! Pull yourselves together, troops! We are marching to our commander's house. Regiments, beat your drums!" (On the banner): "Profit. Equal rights with Christians!" Lithograph printed and published Vienna: F. Werner, Mariahilf.
Caricature of Jewish participation in the National Guard during the Revolutions of 1848. In German, the text reads : "Hascheln! Habts Acht! Mer sein jetzt gekümmen vor unsern Kümmandanten sein Haus. Regimentstrommler! Schlog ein Werbel, trrrrrrrr - soll ach Hoch leben." (On the banner) : "Profit. Gleiche Rechte mit den Christen!" In English, the text reads : "Attention! Pull yourselves together, troops! We are marching to our commander's house. Regiments, beat your drums!" (On the banner): "Profit. Equal rights with Christians!" Lithograph printed Leipzig: J. G. Fritzsche.
Black-and-white etched satirical portrait of Ismael Aga, a noted peddler and beggar in the area of the Royal Exchange in London. London: Published 4 July, 1812, by Robert Wilkinson.
Sheet with hand-colored etchings of Jewish characters from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Engraving by Johann Michael Voltz.
Black-and-white etched satirical portrait of Levi Whitehead, head waiter of the Bacchus (Backhouse Wines) Inn, Tadcaster, Yorkshire. Etching by traveller and amateur etcher Frederick Atkinson, a silk-mercer and draper in York. Published June 1, 1797, by W. Richardson, 31 Strand.
Hand-colored etched caricature of merchant Jacob Franco (1762-1817), member of a prominent Sephardic family in England. Described as "Mr. Franco, a gentleman then well known on the turf, of Jewish descent, which is indicated by the pigs." Caricature by James Gillray. Published May 25, 1800, by Hannah Humphrey, 27 St. James's Street.
Black-and-white etched caricature of merchant Jacob Franco (1762-1817), member of a prominent Sephardic family in England. Described as "Mr. Franco, a gentleman then well known on the turf, of Jewish descent, which is indicated by the pigs." Caricature by James Gillray. Published May 25, 1800, by Hannah Humphrey, 27 St. James's Street.
Hand-colored etched satirical portrait of tenor John Braham in costume as Prince Orlando in Thomas Dibdin's opera The Cabinet. Drawn, etched, and published by Dighton, Charing Cross, March 22, 1802.