Black-and-white etching depicting a Jewish man wearing a tallis (prayer shawl) and tefillin (phylacteries). He stands in front of the Portuguese Synagogue in Amsterdam. Text excerpted from Deuteronomy 6:8-9: "And thou shalt bind them for a sign upon thy hand, and they shall be for frontlets between thine eyes. And thou shalt write them upon the door-posts of thy house, and upon thy gates." Etching by Jan Luyken. From Mosaize historie der Hebreeuwse kerke, Volume 3, by Willem Goeree, published Amsterdam: Willem and David Goeree.
Black-and-white engraving depicting a Passover seder of Portuguese Jews in Amsterdam. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
Black-and-white engraving depicting the vestments of a Pharisee. Engraving by Johann Carl Joseph Störcklin. From Biblia, das ist: die gantze Heilige Schrifft Alten und Neuen Testaments, translated by Martin Luther, published Basel: Thurneysen.
Black-and-white etching of the Old Jewish Cemetery in Frankfurt am Main. Etching by Bertha Bagge. From Aus dem alten Frankfurt by Bertha Bagge, published Frankfurt am Main: Reitz & Köhler, 1891-1896.
Black-and-white wood engraving depicting the vestments of a Jewish high priest. From Aunt Charlotte's stories of Bible history for young disciples : designed for the 52 Sundays in the year containing, over 100 stories from the Holy Book, embracing instructive historical events from the Old and New Testaments by Charlotte M. Yonge.
Black-and-white engravings depicting the Passover custom of the mother placing bits of unleavened bread for the father and children to discover and dispose of, above, and a Passover seder of Portuguese Jews in Amsterdam, below. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white engraving depicting the Passover custom of the mother placing bits of unleavened bread for the father and children to discover and dispose of. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
Black-and-white engraving depicting a masked ball on the occasion of Purim. Engraving by Caspar Jacobsz Philips after a drawing by Pieter Wagenaar, Jr. From Oude en tegenwoordige staat en geschiedenis van alle godsdiensten, Volume 1, by William Hurd, published Amsterdam: M. de Bruyn, 1781-1791.
Facsimile reproduction of a black-and-white etched portrait of physician Ephraim Bonus (also called Ephraim Bueno). Original etching by Rembrandt. Reproduction printed by the Reichsdruckerei Berlin.
Black-and-white engraving depicting financier Joseph Süß Oppenheimer after his execution by hanging. He holds a torch that lights his journey to the netherworld; the gallows can be seen in the background. In the right corner lays his wig, a symbol of his former status.
Black-and-white engraved portrait of Rabbi Jonathan Eybeschütz. Engraving by Jan Balzer after Johann Kleinhard. From Abbildungen böhmischer und mährischer Gelehrten und Künstler : nebst kurzen Nachrichten von ihren Leben und Werken, Volume 1, by František Martin Pelcl, published Prague: Wolffgang Gerle.
Sheet music for "Oh fatherland dearest! : the song of a Jewish maiden," words by Charles Jefferys; music by Stephen Glover, published London: C. Jefferys.
Black-and-white offset print reproduction depicting the priestly blessing. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Sheet music cover for "Levi Lion, or thats the best link in an Isralites chain; a new comic song," written by an amateur; adapted by I. Lawson, published London: J. Fentum.
Print reproduction of a color lithograph depicting the exterior of a planned Jewish hospital to be built in Jersualem with funds bequeathed by Judah Touro, as well as a lithograp of plans for the hospital. Original lithographs by Vincent Brooks. Plans to build the proposed hospital were abandoned when the Rothschild family established a hospital in the city. Reproduction printed on the occasion of the 28th year of Israeli Independence and on the 200th year of American Independence, published Philadelphia: The Winchell Co.
Black-and-white engraving depicting a woman fulfilling the three mitzvot (commandments) for Jewish women: niddah (family purity), nerot (lighting of candles), and challah (separating a portion of dough). Frontispiece to Seder ha-tefilot : mi-kol ha-shanah ʻim perush bi-leshon Ashkenaz, published Amsterdam: Moshe ben Avraham Mendes Ḳoṭinyo.
Hand-colored engraving of the exterior of the Israelitisches Krankenhaus Hamburg. Drawn and engraved by James Grey. Published Hamburg: B. S. Berendsohn.
Black-and-white wood engraving depicting the Jewish Quarter in Safed. Engraving after a drawing by Henry Fenn. From Picturesque Palestine, Sinai, and Egypt, Volume 2, edited by Charles William Wilson, published London: J. S. Virtue and Co., 1881-1884.
Black-and-white engraved portrait of historian Josephus (born Joseph ben Matityahu). Engraving by John B. Neagle. Frontispiece to The genuine works of Flavius Josephus, the Jewish historian : containing twenty books of the Jewish antiquities, seven books of the Jewish war, and the life of Josephus, written by himself... by the late William Whiston... Revised, and illustrated with notes, by the Rev. Samuel Burder..., published Boston: Printed and published by S. Walker, Newbury-Street.
Black-and-white offset print reproduction depicting the ceremony of kapparot. From The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies, published London: Religious Tract Society.
Black-and-white engraving depicting Yom Kippur in the Portuguese Synagogue in Amsterdam. Engraving by Abraham Jacobsz. Hulk after a drawing by Abraham Pietersz. Hulk. From Oude en tegenwoordige staat en geschiedenis van alle godsdiensten, Volume 1, by William Hurd, published Amsterdam: M. de Bruyn, 1781-1791.
Hand-colored engraving depicting Yom Kippur in the Portuguese Synagogue in Amsterdam. Engraving by Abraham Jacobsz. Hulk after a drawing by Abraham Pietersz. Hulk. From Oude en tegenwoordige staat en geschiedenis van alle godsdiensten, Volume 1, by William Hurd, published Amsterdam: M. de Bruyn, 1781-1791.
Black-and-white offset print reproduction depicting Yom Kippur in a synagogue in Paris. After a drawing by Auguste André Lançon. Published in the October 26, 172, edition of Le Monde illustré. Associated article published in the November2, 1872, edition of Le Monde illustré.
Black-and-white offset print reproduction depicting Jews from Poland in the synagogue on Yom Kippur. After a drawing by Wilhelm August Stryowski. Published in the October 15, 1864, edition of L'Univers illustré.
Black-and-white wood engraving depicting the ceremony of Havdalah. Original illustration from the article "The Jews in New York--II" by Richard Wheatley, published in the February 1892 edition of The Century Magazine.
Black-and-white offset print reproduction depicting the interior of a sukkah during the celebration of Sukkot. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Black-and-white offset print reproduction depicting the ceremony of tashlikh. After a painting by Wilhelm August Stryowski. Published in Über Land und Meer, Jahrgang 20, Band 40, Heft 44.
Black-and-white engraving depicting Jewish holiday rituals, including eating in a sukkah during Sukkot, a haircut during Lag BaOmer, providing treats to children for Simchat Torah, and kiddush levana on Rosh Chodesh. From Philologus hebræo-mixtus by Johannes Leusden, published Basileæ, apud E. & J.R. Thurnisios, fratres.
Black-and-white engraving depicting the Jewish rituals of a Sotah (woman suspected of adultery) undergoing the ordeal of bitter water, a burial, and a circumsision. From Philologus hebræo-mixtus by Johannes Leusden, published Basileæ, apud E. & J.R. Thurnisios, fratres.
Black-and-white engraving depicting Jewish holiday rituals, including lighting a menorah on Hanukkah, Purim festivities, mourning on Tisha B'Av, and the Yom Kippur ritual of malkot. From Philologus hebræo-mixtus by Johannes Leusden, published Basileæ, apud E. & J.R. Thurnisios, fratres.
Black-and-white offset print reproduction depicting the interior of a sukkah during the celebration of Sukkot. Original illustration by Irving R. Wiles. From the article "The Jews in New York" by Richard Wheatley, published in the January 1892 edition of The Century Magazine.
Black-and-white engraving of the Western Wall in Jerusalem. Engraving by Goupil & Cie after a painting by Jean Léon Gérôme. From The masterpieces of French art illustrated : being a biographical history of art in France, from the earliest period to and including the Salon of 1882, Volume 1, by Louis Viardot, published Philadelphia: Gebbie & Co.
Black-and-white photograph of a Jewish peddler doing business in Vilnius. The back of the photograph has a note reading "Lithuania - Vilna. Typical old Jewish huckster in the streets of Vilna."
Caricature by Franklin Morris Howarth published in Puck. The text reads : 1 --Mr. Isaacs: "Ikey, look, look! See vat your fader learns out mit dis pook! I can do it! I'm a hypnotister!" 2 "Now watch! Here gomes a jay gustomer. Go out mit der store. Leaf me alone. I will hypnotister him. I vill get me double brices! 3 --"Vat, you only vant a pair of pants? Look me in der eye!" --Mr. Hardacre (aside): "That feller is tryin' ter hypnertize me. I used ter be purty good at that game, myself. I'll try my hand at it." 4 --Mr. Isaacs (aside): "Oh! If I had only known dese dricks pefore. (To Hardacre.) Look in der glass. Isn't dot fine, undt only feefty tollars." --Mr. Hardacre: "I'll let him think he has me!" 5 --Mr. Isaacs: "And you vant a fine silk hat. Ah! you look schoost like dot Brince of Vales (Aside.) Oh! dis vas too easy!" --Mr. Hardacre (aside): "Now I'm ready to begin on him." 6 (Making the hypnotic passes : immediately transfixing Isaacs and handing him a piece of paper). "Now you want your money, I suppose? Here is a hundred-dollar-bill. Give me the change." 7 --"Yes, that is right! Ten, twenty, thirty, forty. Now, you sit down on that chair and don't move until that clock strikes five. Good-by!" 8 --Young Isaacs: "Fader, vat's der matter? You see nodding mit your eyes open. Vhere's der gustomer you hypnertisted? Vake up! Vake up!" 9 --Mr. Isaacs (as he awakes): "Vhat! Dere vas no hundret-tollar-bill in der drawer? Four ten-tollar-bills missin'? Oh, mein sufferin' peoble! Dot feller was a hypnotister himself! Ikey, Ikey! purn dot pook!"
Caricatures by Eugene Zimmerman published in Judge. The caption for "She knew him by his nose" reads : "Mr. Geldfish (who has been forced to cut his mask to make room for his nose): "I vonder eef mein wife vill know me in dis disguise? Der gostumer sedt I choost look like Heiney de Eight." The text for "Where he erred" reads : --Mrs. Cohen: "Vy are you licking leedle Shakey?" --Mr. Cohen: "He vas lighting matches out in der back yard." --Mrs. Cohen: But dere vas nodding out dere dot he could set on fire." --Mr. Cohen: "No, of course nod--dot's der reason of id. Vat's der use of dot foolish poy wasting matches?"
Caricature by James Montgomery Flagg published in Judge. The caption reads : --Customer: "Are the colors in this mackintosh fast colors?" --Clerk: "Very fast; in fact, when it rains, I guarantee that they will run."
Caricature by Eugene Zimmerman published in Judge. The text reads : --Ikey Rosenbeak: "Oh, Papa, do buy me some ohf dose peaudiful Roman candles--de man says dere is tree golden balls in every one ohf dem!"
Caricature by Eugene Zimmerman published in the December 1895 edition of Judge's Library, published by the Judge Publishing Company. The caption reads : --Waits (singing lustily): "Christians, awake!"
Black-and-white lithograph of Jews from Algiers. Lithograph after a drawing by R. Jungmann. From Costumes, moeurs et usages des Algériens by R. Jungmann, published Strasbourg: J. Bernard.
Black-and-white engraving depicting Moses and Aaron in front of the Tabernacle. Engraving by William Skelton after a drawing by Thomas Stothard. From the Macklin Bible, published London: Printed for Thomas Macklin by Thomas Bensley, 1800.
Black-and-white engraving depicting scenes from the Book of Leviticus. From Biblische Geschichten des Alten und Neuen Testaments / Historiae Biblicae Veteris et Novi Testamenti by Joseph Sebastian Klauber and Johann Baptist Klauber.
Black-and-white engraving of a Jewish man from Cairo. From Atlas historique, ou, Nouvelle introduction à l'histoire, à la chronologie & à la géographie ancienne & moderne,Volume 6, by Henri Abraham Chatelain, published Amsterdam: Chez François L'Honoré & Compagnie, 1705-1720.
Metal engraving of Moses and Aaron flanking the Chumash, with Torah crown above it. The image above depicts Moses receiving the Ten Commandments on Mount Saini, surrrounded by crowds of ancient Israelites. The image below depicts the Temple in Jerusalem.
Photograph taken in DP camp Zeilsheim, 1946. Left to right: Joe Engel,David Zryb (brother-in-law, married sister Irene after the war),Unidentified friend,Ben Engel (brother)
Black-and-white offset print reproduction of a Jewish man and woman from Algeria. From an illustration by Ange-Louis Janet. Published in the March 27, 1858, edition of L'Illustration, journal universel.
Black-and-white offset print reproduction depicting the marriage ceremony of Leopold de Rothschild and Marie Perugia, held in the Central Synagogue on Great Portland Street in London. Published in the January 29, 1881, edition of The Illustrated London News.
Black-and-white offset print reproduction depicting the marriage ceremony of Leopold de Rothschild and Marie Perugia, held in the Central Synagogue on Great Portland Street in London. Published in the February 19, 1881, edition of Frank Leslie's Illustrated Newspaper.
Black-and-white engraving depicting a Jewish marriage ceremony. From Jüdisches Ceremoniel, first published by Paul Christian Kirchner in 1717, edited and reissued by the Christian Hebraist Sebastian Jugendres in 1724, published Nuremberg: Peter Conrad Monath.
Black-and-white offset print reproduction depicting a shochet in a Jewish slaughterhouse. From the article "The Jews in New York--II" by Richard Wheatley, published in the February 1892 edition of The Century Magazine.
Black-and-white offset print reproduction of a Jewish marriage ceremony in Tangier. From The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies, published London: Religious Tract Society.
Hand-colored lithograph with two scenes dated 1848 and 1898. 1848: "Emancipation of the Jews" depicts a Jewish man on his knees before an officer, offering a bag of money; in his other hand is a document labeled "Jewish emancipation." 1898: "The Christians as slaves of the Jews" depicts three Christians kneeling before a Jewish man in an officer's coat, as a Jewish man drives a Christian man with a whip in the background.
Caricature published in the Düsseldorfer Monathefte, Band 5, No. 1. In German, the text reads : --"Nü Itzig, wohin raitst de?" --"Au wai, waiss ich's?" In English, the text reads: --"Nu Itzig, to where are you riding?" --"Oh, do I know that?"
Caricature published in the Düsseldorfer Monathefte. In German, the text reads : --"Herrrr! Nehmen Sie die schlechten Lederstühl, dies sind Kajütenstühl!" --"Was, dies seind kan Jüdestühl? Hob ich doch ezahlet so gut als an Christ!" In English, the text reads : --"Sir! Take the bad leather chair, these are cabin chairs!" --"What, these aren't Jews' chairs? I paid for it just as well as a Christian!"
Caricature by Louis M. Glackens published in Puck. The text reads : 1 --Mr. Isaacs: "Dere, now, I vill not vaste time mit dose things no more. Health or no health, time ish moneysh, and moneysh is vot I vos after." 2. --Mrs. Isaacs: "Oh, vot shall I do! Der doctor says as he vill die of der fatness if he don't take der dump-pell exercise." 3. --Mrs. Isaacs: "I haf it! I vill draw some plans und dake dem to dot iron foundries. He shall dake dot exercises." 4. --Mrs. Isaacs: " Come up in dot exercise room, Morris." --Mr. Isaacs: "I vill go, but no exercise for me on your life not." 5 --Mr. Isaacs: "Oh, Repecca! You vos one of dose ingeniuses. I could keep dis up all tay."
Black-and-white illustration of two men described as "Twee Vrienden van den Prins" ("two friends of the prince"). The accompanying story entitled "Modern Zeden" ("modern mores") describes two moneylenders, pictured here, and a prince who gives into their demands in order to receive money from them. Published in Asmodée: geillustreerde almanak.
Black-and-white wood engraving depicting a peddler mistaking an artist with a pack and portfolio for another peddler. Wood engraving by J. Augustus Bogert after an illustration by William de la Montagne Cary. Published in The Aldine, Volume 6.
Caricature published in the Düsseldorfer Monathefte, Band 9, No. 1. In German, the text reads : --"Sarchen, wie hat dir gefallen de Ariadne auf Naxos?" --"Nu? Ariadne könnt mer schon gefalle, aber das Naxos nicht." In English, the text reads : "Dear Sarah, how did you like Ariadne on Naxos?" --"Nu? I could like Ariadne, but not Naxos." Ariadne auf Naxos is an opera by Richard Strauss.
Caricature published in the Düsseldorfer Monathefte, Band 9, No. 8. In German, the text reads : --"Wai, verfluchter Hund - willst Du meinen Figaro loslassen." --"Mauschel lass ihn doch die Paar Knöchelchen abnagen." In English, the text reads : --"Get, you damned dog - will you let go of my Figaro." --"Mauschel, just let him chew on those couple of little bones."
Black-and-white steel engraving depicting priestly a Jewish priest in his vestments. Engraving after a drawing by Vernier. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Caricature published in the Düsseldorfer Monathefte, Band 7, No. 31. In German, the text reads : --Gerichtsvollzieher: "Herr Hirsch treten Sie ein, nehmen Sie das Ihnen zuerkannte Pferd in Empfang - Sie stehen sich von allen Gläubigern am Besten." --Hirsch: "Wai - was seh ich - der Gaul is capot, is das mei Deckung für 800 Thalersch?" --Stalljung: ""Das hab' ich mir glaich gedacht, dass das arme Thier krepiert wird sai - seit 4 Wochen konnt ich ihm kai Futter bringe - weil der Stall von Gerichtswegen versiegelt war." In English, the text reads : --Bailiff: "Enter, Mr. Hirsch, take in the horse you were awarded. You are the top of the list of creditors." --Hirsch: "Oh - what am I seeing - the horse is ruined, is this my cover for 800 thalers?" --Stable boy: "That's the same thought I had, that the poor animal will die - for four weeks I could bring him no food - because the stable was sealed by the court."
Caricature published in the Düsseldorfer Monathefte, Band 9, No. 7. In German, the text reads : --"Gott Mosis - was bringst Du denn da für ne Alte Schachtel mit?" --"Herr Baraun, s'ist meine Frau - ihre Aussenseite verspricht nicht viel aber für ihr Inneres kann ich garantieren, - s'ist ausgeseichnet?" --"Gott Mosis - lass sie doch wenden." In English, the text reads : --"Oh, God, Mosis - what sort of ugly hag did you bring with?" --"Herr Baraun, she is my wife - her outer appearance doesn't promise much, but I can guarantee that her heart is exquisite." --"Oh, God, Mosis - just let her turn around."
Caricature published in the Düsseldorfer Monathefte, Band 8, No. 28. In German, the text reads : --Jude: "Nu - Herr Baron - wann krieg' ich denn mein Geld für den Braunen, den ich Ihnen verkauft habe?" --Baron: "Wie alt bist Du Levi?" --Jude: "60 Jahre." --Baron: "Ei sechzig Jahre und noch so neugierig!" In English, the text reads : --Jew: "Nu - Mr. Baron - when will I get my money for the brown horse that I sold you?" --Baron: "How old are you, Levi?" --Jew: "60 years old." --Baron: "60 years old and yet so inquisitive!"
Engraving and text from Darstellungen menschlicher Narrheiten (Representations of human follies). In German, the text reads : "Der Juden ihr Betrug und List. / Beӱ weiten nicht zulänglich ist, / Partiten so ich mit Manier. / Kan spielen hurtig dort und hier. / Ja, ja, die Mauschel lassen dir, / Das Præ du sehr verschmiktes Thier." In English the text reads : "The Jews' betrayals and tricks. / Far and wide it is inadequate, / To make false coins in such a manner. / I can play daily here and there. / Yes, yes, the Mauschel let you. / That's the priority you bejeweled animal." This engraving is part of a series satirizing the foolish schemes people believed during the economic crisis in the early 17th century.
Black-and-white engraving depicting a rabbi with tallit (prayer shawl) and tefillin (phylacteries). Engraving by R. Young. From The faiths of the world : an account of all religions and religious sects, their doctrines, rites, ceremonies, and customs. Compiled from the latest and best authorities... by James Gardner, published London: A. Fullarton & Co.
Hand-colored engraved caricature of a Jewish peddler. Engraving by Franz Barth. In German, the text reads : "Gar veile nennen Juden mich / Und machen drüber lustig sich - / Ich bitt Euch, mit dem Witze spart / Es giebt auch Juden ohne Bart, / Und veile, die sich Christen nennen / Und doch betrügen, wo sie können." In English, the text reads : "Many call me a Jew / And mock me for it - / I beg you, spare me the mockery / There are also Jews without a beard, / And many who call themselves Christians / And yet deceive, wherever they can."
Black-and-white offset print reproduction of a Torah scroll with Torah mantle. From The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies, published London: Religious Tract Society.
Black-and-white engraving of a Torah scroll and its ornaments. From The Ceremonies and Religious Customs of the Various Nations of the Known World : together with historical annotations and several curious discourses... Written originally in French, and illustrated with a large number of folio copper plates designed by Mr. Bernard Picart, and curiously engraved by most of the best hands in Europe..., Volume 1, published London: William Jackson and Claude Dubosc, 1733-1739.
Black-and-white engraving depicting Jewish ritual objects. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white engraving depicting implements used in the ritual of circumcision. Below, a Torah scroll and its ornaments. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Hand-colored engraving depicting the standards of the Twelve Tribes of Israel, along with the Tabernacle, above right. Illustration of Numbers 2:2 : "The children of Israel shall pitch by their fathers' houses; every man with his own standard, according to the ensigns; a good way off shall they pitch round about the tent of meeting." Below, a Torah scroll and its ornaments. Engraving by Castelli. From Le Costume ancien et moderne, ou, Histoire du gouvernement, de la milice, de la religion, des arts, sciences et usages de tous les peuples anciens et modernes, Asia, Volume 3, by Giulio Ferrario, published Milan: De l'imprimerie de l'editeur, 1815-1829.
Black-and-white engraving depicting the principal religions of the world. Judaism is depicted by a rabbi holding a Torah scroll. Engraving by Bernard Picart. Frontispiece for Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Hand-colored engraving of a Jewish man and woman from Algiers. From Histoires de la Chine, du Japon, de la Perse, de l'Inde, de l'Arabie, de la Turquie, de l'Égypte, de l'Algérie, etc. depuis les temps les plus reculés jusqu'en 1840 by de Saurigny, published Paris: Duménil.
Black-and-white engraving of a Jewish woman from Cairo. From Atlas historique, ou, Nouvelle introduction à l'histoire, à la chronologie & à la géographie ancienne & moderne,Volume 6, by Henri Abraham Chatelain, published Amsterdam: Chez François L'Honoré & Compagnie, 1705-1720.
Black-and-white offset print reproduction of Jewish women from Tunis. From an illustration by W. J. Morgan. Published in the April 29, 1876, edition of The Graphic.
Hand-colored engraving of Jews from Tunis. Engraving by Edouard Willmann after Emile Rouargue. From La Méditerranée, ses îles et ses bords by Louis Enault, published Paris: Morizot.
Hand-colored wood engraving of a married Jewish woman from Algeria. Wood engraving by Léopold Deghouy after Théodore Frère. From L'Afrique française by Christian Pitois, published Paris: A. Barbier.
Hand-colored etching of a scene from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Etching after Johann Michael Voltz. In German, the text reads : "Harr Kerperol, Harr Affezier, Harr Generol! Hebbe Se de Gnod, hebbe Se dä grausse Gnod und lasse Se mich nit schiessen. Ich halt es nit aus, ich künns nit vertragen, ich künn nit riechen dä Pulver, ich fall in dä Ohnmacht!" In English, the text reads : "Sir Corporal, Sir Officer, Sir General! Have mercy, have great mercy and don't leave me under fire. I can't stand it any more, I can't endure it, I can't smell the gun powder any longer, I am going to faint!"
Black-and-white etching depicting a Jewish jeweler in Tangier. Etching by Adolphe-Alphonse Géry-Bichard after a painting by Alfred Dehodencq. Printed Paris: Imp. A. Salmon & Ardail. Published in the Gazette des Beaux-Arts.
Black-and-white offset print reproduction of a Jewish woman from Tétouan. After a painting by Jean-François Portaels. Published in The Aldine, Volume 9.
![[Ephraim Bonus]](https://rspace.library.cofc.edu/iiif/image/39793/full/200,/0/default.jpg)
![[Kapparot]](https://rspace.library.cofc.edu/iiif/image/39730/full/200,/0/default.jpg)
![[Soukkoth]](https://rspace.library.cofc.edu/iiif/image/39686/full/200,/0/default.jpg)
![[Tuguriola, Tonsio Judaica, Festum lætitiæ Legis, Viri exeuutes ad radios lunares]](https://rspace.library.cofc.edu/iiif/image/39679/full/200,/0/default.jpg)
![[Poculum Zelotijpiæ, Sepultura Judæoum, Circumcisio]](https://rspace.library.cofc.edu/iiif/image/39678/full/200,/0/default.jpg)
![[Candelabrum Encoeniorum, Festum Purim, Dies nonus July, Flagellatio Judaica]](https://rspace.library.cofc.edu/iiif/image/39680/full/200,/0/default.jpg)
![[Simchat Torah]](https://rspace.library.cofc.edu/iiif/image/39682/full/200,/0/default.jpg)
![[Interior, the Old Synagogue in the Kazimierz, Kraków]](https://rspace.library.cofc.edu/iiif/image/39656/full/200,/0/default.jpg)
![[Nach Berlin]](https://rspace.library.cofc.edu/iiif/image/39642/full/200,/0/default.jpg)
![[Emancipation der Juden / Die Christen als Sclaven der Juden]](https://rspace.library.cofc.edu/iiif/image/39639/full/200,/0/default.jpg)
![[Nü Itzig, wohin raitst de?...]](https://rspace.library.cofc.edu/iiif/image/39641/full/200,/0/default.jpg)
![[Herrrr! Nehmen Sie die schlechten Lederstühl…]](https://rspace.library.cofc.edu/iiif/image/39640/full/200,/0/default.jpg)
![[Sketch of a pogrom]](https://rspace.library.cofc.edu/iiif/image/39615/full/200,/0/default.jpg)
![[Sarchen, wie hat dir gefallen de Ariadne auf Naxos?...]](https://rspace.library.cofc.edu/iiif/image/36533/full/200,/0/default.jpg)
![[Wai, verfluchter Hund…]](https://rspace.library.cofc.edu/iiif/image/36532/full/200,/0/default.jpg)
![[Herr Hirsch treten Sie ein…]](https://rspace.library.cofc.edu/iiif/image/36528/full/200,/0/default.jpg)
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