Black-and-white stipple engraved portrait of Chief Rabbi Solomon Hirschel. Engraving by William Holl after a painting by Slater. Published July 18, 1808, by Messrs. Joseph, Burnett, & Justins, Dukes Place.
Black-and-white engravings depicting the Passover custom of the mother placing bits of unleavened bread for the father and children to discover and dispose of, above, and a Passover seder of Portuguese Jews in Amsterdam, below. Engraving by Claude Du Bosc after Bernard Picart. From The Ceremonies and Religious Customs of the Various Nations of the Known World : together with historical annotations and several curious discourses... Written originally in French, and illustrated with a large number of folio copper plates designed by Mr. Bernard Picart, and curiously engraved by most of the best hands in Europe..., Volume 1, published London: William Jackson and Claude Dubosc, 1733-1739.
Hand-colored aquatint of Rachel's Tomb in Bethlehem. After a drawing by Luigi Mayer. From Views in Palestine, from the original drawings of Luigi Mayer / Vues en Palestine, d'après les dessins originaux de Luigi Mayer, published London: R. Bowyer, 1804.
Hand-colored aquatint of the Tombs of the Sanhedrin in Jerusalem. After a drawing by Luigi Mayer. From Views in Palestine, from the original drawings of Luigi Mayer / Vues en Palestine, d'après les dessins originaux de Luigi Mayer, published London: R. Bowyer, 1804.
Hand-colored aquatint of the Tombs of the Kings in Jerusalem. After a drawing by Luigi Mayer. From Views in Palestine, from the original drawings of Luigi Mayer / Vues en Palestine, d'après les dessins originaux de Luigi Mayer, published London: R. Bowyer, 1804.
Black-and-white engraving of the Tomb of Absalom in Jerusalem. Engraving by Edward Radclyffe after a drawing by Thomas Allom. From Syria, the Holy Land, & Asia Minor, Volume 3, by John Carne, published London: Fischer, Son & Co.
Black-and-white engravings depicting Sukkot at the Portuguese Synagogue in Amsterdam, above, and Portuguese Jews in a sukkah during Sukkot, below. Engraving by Claude Du Bosc after Bernard Picart. From The Ceremonies and Religious Customs of the Various Nations of the Known World : together with historical annotations and several curious discourses... Written originally in French, and illustrated with a large number of folio copper plates designed by Mr. Bernard Picart, and curiously engraved by most of the best hands in Europe..., Volume 1, published London: William Jackson and Claude Dubosc, 1733-1739.
Black-and-white engravings depicting Sukkot at the Portuguese Synagogue in Amsterdam, above, and Portuguese Jews in a sukkah during Sukkot, below. Engraving by James Mynde after Bernard Picart.
Black-and-white steel engraving of the interior of the Istanbuli Synagogue in Jerusalem. Engraving by James C. Redaway after a drawing by J. Salmon. From Syria, the Holy Land, Asia Minor, &c. Illustrated, Volume 3, by John Carne. Published London & Paris : Fisher, Son & Co.
Black-and-white map of the United States, with the names of states, capitals, rivers, lakes, oceans, and mountains labeled in English and Yiddish. From Guide to the United States for the Jewish immigrant : a nearly literal translation of the second Yiddish edition by John Foster Carr, published New York: J. F. Carr.
Black-and-white engravings depicting blowing the shofar on Rosh Hashanah at the Portuguese Synagogue in Amsterdam, above, and Yom Kippur at the Ashkenazi Obbene Shul in Amsterdam, below. Engraving by Claude Du Bosc after Bernard Picart. From The Ceremonies and Religious Customs of the Various Nations of the Known World : together with historical annotations and several curious discourses... Written originally in French, and illustrated with a large number of folio copper plates designed by Mr. Bernard Picart, and curiously engraved by most of the best hands in Europe..., Volume 1, published London: William Jackson and Claude Dubosc, 1733-1739.
Linocut depicting a courtyard in the Jewish quarter of Vilnius. Linocut by Samuelis Rozinas. From Vilnius : S. Rozino linoleumo raižiniai = Vil'n︠i︡us : grav︠i︡ury na linoleume S. Rozinasa = Vilnius : engravings by S. Rozinas, published Moscow: Moskva : Moskovckoe Otdelenie Khudozhestvennogo Fonda SSSR.
Color lithograph including depictions of Jewish women from Algiers. Lithograph by Daniel Urrabieta Vierge. Printed Paris: Imp. Firmin Didot et Cie. From Le costume historique, Volume 3, by Auguste Racinet, published Paris: Firmin-Didot et Cie.
Black-and-white engravings depicting a Jewish funeral, above, and a Jewish burial, below. Engraving by Claude Du Bosc after Bernard Picart. From The Ceremonies and Religious Customs of the Various Nations of the Known World : together with historical annotations and several curious discourses... Written originally in French, and illustrated with a large number of folio copper plates designed by Mr. Bernard Picart, and curiously engraved by most of the best hands in Europe..., Volume 1, published London: William Jackson and Claude Dubosc, 1733-1739.
Black-and-white engravings depicting a circumcision performed by a Portuguese Jewish family in Amsterdam, above, and pidyon haben (redemption of the first-born son), below. Engraving by Claude Du Bosc after Bernard Picart. From The Ceremonies and Religious Customs of the Various Nations of the Known World : together with historical annotations and several curious discourses... Written originally in French, and illustrated with a large number of folio copper plates designed by Mr. Bernard Picart, and curiously engraved by most of the best hands in Europe..., Volume 1, published London: William Jackson and Claude Dubosc, 1733-1739.
Black-and-white engravings depicting a marriage ceremony of Portuguese Jews, above, and Ashkenazi Jews, below, in Amsterdam. Engraving by Claude Du Bosc after Bernard Picart. From The Ceremonies and Religious Customs of the Various Nations of the Known World : together with historical annotations and several curious discourses... Written originally in French, and illustrated with a large number of folio copper plates designed by Mr. Bernard Picart, and curiously engraved by most of the best hands in Europe..., Volume 1, published London: William Jackson and Claude Dubosc, 1733-1739.
Black-and-white line engraving of a Jewish man and woman from Tangier. Engraving by William Finden after Pharamond Blanchard. From Voyage pittoresque en Espagne, en Portugal et sur la côte d'Afrique de Tanger a Tétouan by Isidore Justin Séverin Taylor, published Paris: A. F. Lemaitre.
Black-and-white mezzotint depicting Joshua commanding the sun to stand still. Mezzotint by James G. Seymour Lucas after a painting by John Martin. Published Paris: Rittner & Goupil.
Black-and-white mezzotint depicting the crossing of the Red Sea. Mezzotint by James G. Seymour Lucas after a painting by John Martin. Published Paris: Rittner & Goupil.
Black-and-white mezzotint depicting the plague of darkness, the ninth of the ten plagues of Egypt. Mezzotint by James G. Seymour Lucas. Published Paris: Rittner & Goupil.
Black-and-white mezzotint depicting the Israelites leaving Egypt. Mezzotint by James G. Seymour Lucas after a painting by David Roberts. Published Paris: Leclere, Boulevard Poissonnière, 29.
Black-and-white engraving depicting a Hussar with Jewish horse dealers. Engraving by Johann Lorenaz Rugendas after Georg Philipp Rugendas. In German, the text reads : "Die Pferde, Jud, sind schön, doch aber schier zu theuer: / Allein, was liegt daran, man brauchet sie doch heuer!" In English, the text reads : "The horses, Jew, are very nice, but far too expensive: / What does it matter, one needs them this year!"
Hand-colored etching of a scene from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). In German, the text reads : "Gaih! Gaih! - Los dich treten von de Leut, los dich werfen aus de Stuben, los dich verklagen bei de Gerichte, los dich hetzen ins Hundeloch, los dich binden mit Stricke und Ketten, los dich martern halb taudt! Aber du must doch werden reich!" In English, the text reads : "Go! Go! Let yourself be stepped on by people, let yourself be thrown out of rooms, let yourself be denounced to the courts, let yourself be pushed into kennels, let yourself be bound with cords and chains, let yourself be martyred half to death! But you must become rich!"
Hand-colored engraving depicting the Judengasse in Augsburg. Engraving by Karl Remshard. Published Augsburg: Kaiserlich Franciscische Akademie der Freien Künste und Wissenschaften. From the series Collection des Prospects : Vue de la Ville Imperiale d'Augsbourg.
Hand-colored etching of a scene from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). In German, the text reads : "Gaih! Gaih! - Los dich treten von de Leut, los dich werfen aus de Stuben, los dich verklagen bei de Gericht, los dich hetzen ins Hundeloch, los dich binden mit Stricke und Ketten, los dich martern halb taudt! Aber du must doch werden reich!" In English, the text reads : "Go! Go! Let yourself be stepped on by people, let yourself be thrown out of rooms, let yourself be denounced to the courts, let yourself be pushed into kennels, let yourself be bound with cords and chains, let yourself be martyred half to death! But you must become rich!"
Sheet with hand-colored etchings of Jewish characters from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Engraving by Johann Michael Voltz.
Sheet with hand-colored etchings of Jewish characters from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Engraving by Johann Michael Voltz.
Sheet with hand-colored etchings of Jewish characters from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Engraving by Johann Michael Voltz.
Hand-colored etching of a scene from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). In German, the text reads : --Polckwitzer: "Lydie - meine Tochter - mein Haupt-Capital - mein Alles! Da staiht ä Mann, ä talentvoller Mann, ä geschickter Mann, ä reicher Mann, ä theurer Freund! Er will haben deine kunstreiche Hand, deine schaine Stimme, deinen witzigen Kopf, deine angenehme Manieren, deine vortreffliche Person - er will dich heirothen, - Wirst de sogen Nein?" In English, the text reads : -- Polckwitzer: "Lydia - my daughter - my capital asset - my everything! There stands a man, a talented man, a clever man, a rich man, a loyal friend! He would like to have your artful hand, your beautiful voice, your witty mind, your pleasant manner, your excellent character - he wants to marry you, - Will you say no?"
Hand-colored etching of a scene from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Etching by Johann Michael Voltz. In German, the text reads : "Gaih! Gaih! - Loss dich tretten von de Leit, loss dich warfen aus de Stuben, loss dich verklagen bey de Gerichte, loss dich setzen ins Hundeloch, loss dich binden mit Strick und Ketten, loss dich martern halb taud! Aber du musst doch werden raich!" In English, the text reads : "Go! Go! Let yourself be stepped on by people, let yourself be thrown out of rooms, let yourself be denounced to the courts, let yourself be pushed into kennels, let yourself be bound with cords and chains, let yourself be martyred half to death! But you must become rich!"
Black-and-white etching depicting reading from the Torah. Signed by the artist Hermann Struck. The text reads : "Blessed be He, who in His holiness gave the Torah to his people Israel."
Program for the inauguration of the synagogue in Zabrze on April 2, 1873, including a lithograph of the exterior of the synagogue on the cover. Published Gleiwitz: Reinhard David.
![[Die Pferde, Jud, sind schön…]](https://rspace.library.cofc.edu/iiif/image/40731/full/200,/0/default.jpg)
![[Unser Verkehr]](https://rspace.library.cofc.edu/iiif/image/36480/full/200,/0/default.jpg)
![[Unser Verkehr]](https://rspace.library.cofc.edu/iiif/image/36477/full/200,/0/default.jpg)
