Black-and-white steel engraving of a sepulchral monument carved into the rock, near Jerusalem. Engraving after a drawing by Léon Gaucherel. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white steel engraving depicting priestly vestments. Engraving after a drawing by Vernier. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white steel engraving depicting priestly a Jewish high priest in his vestments. Engraving after a drawing by Vernier. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white steel engraving of the Tomb of Absalom in Jerusalem. Engraving after a drawing by Louis François Cassas. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white steel engraving of the old Hauptsynagoge (Main Synagogue) in Frankfurt am Main. This building was demolished in 1854 and replaced by a new Main Synagogue on the Börnestraße. Steel engraving by Wilhelm Lang after a drawing by Jakob Fürchtegott Dielmann. Published Frankfurt am Main: C. Jügel's Verlag.
Hand-colored steel engraving of the old Hauptsynagoge (Main Synagogue) in Frankfurt am Main. This building was demolished in 1854 and replaced by a new Main Synagogue on the Börnestraße. Steel engraving by Wilhelm Lang after a drawing by Jakob Fürchtegott Dielmann.
Black-and-white lithograph of a Jewish man from Russia at prayer. Lithograph printed by Imprimerie Lemercier after a drawing by Vasily Fiodorovitch (Georg Wilhelm) Timm. From Costumes russes, published by Daziaro, Moscow and St. Petersburg.
Black-and-white lithograph of the interior of the Hamburg Temple (Israelitischer Tempel) in the Poolstraße, which was inaugurated on September 5, 1844. Lithograph by Peter Suhr after a drawing by Carl Alexander Lill.
Black-and-white steel engraving depicting the vestments of the Jewish high priest. Engraving by Bosserodon after François Hippolyte Lalaisse. From Histoire de la Terre-Sainte depuis les temps les plus reculés jusqu'à nos jours by abbé Martin, published Paris: Duménil.
Sheet music cover for "Juive et Chrétienne : duo pour 2 voix de femmes," words by Edouard Plouvier; music by Giuseppe Concone, published Paris: S. Richault.
Black-and-white offset print reproduction of Alexander the Great meeting the Jewish priests and high priest outside of Jerusalem. From A survey of the Holy Land; its geography, history, and destiny by J. T. Bannister, published Bath: Binns and Goodwin.
Black-and-white steel engraving depicting the vestments of the Jewish high priest and priest. Engraving by Bosserodon after François Hippolyte Lalaisse. From Histoire de la Terre-Sainte depuis les temps les plus reculés jusqu'à nos jours by abbé Martin, published Paris: Duménil.
Black-and-white offset print reproduction of the interior of the New Synagogue at Great St. Helen's in London during the election of Rabbi Nathan Marcus Adler as Chief Rabbi. Published in the December 21, 1844, edition of The Illustrated London News.
Black-and-white lithograph of the Portuguese Synagogue in Amsterdam, above, and the New Synagogue and Great Synagogue in Amsterdam, below. From Geschiedkundige beschrijving der stad Amsterdam, Volume 1, by Cornelis van der Vijver.
Hand-colored lithograph of the interior of the Hamburg Temple (Israelitischer Tempel) in the Poolstraße, which was inaugurated on September 5, 1844. Lithograph by Heinrich Jessen. Published Hamburg: B. S. Berendsohn.
Black-and-white steel engraving depicting the Jewish high priest at the Golden Altar of Incense. Engraving by Jacques Louis Constant Le Cerf after Lanvin. From Histoire de la Terre-Sainte depuis les temps les plus reculés jusqu'à nos jours by abbé Martin, published Paris: Duménil.
Hand-colored lithograph of the interior of the Hamburg Temple (Israelitischer Tempel) in the Poolstraße, which was inaugurated on September 5, 1844. Lithograph by Peter Suhr after a drawing by Carl Alexander Lill.
Black-and-white lithographed caricature depicting the publication of the "Juif errant" in the Constitutionnel trying to pull the fat and immobile newspaper. Eugène Sue's Le Juif errant was published serially in the the newspaper Le Constitutionnel from June 25, 1844, to August 26, 1845. Caricature by Honoré Daumier. In French, the text reads : "Allons! en route, mon vieux, en route........ si moi je ne parviens pas à vous faire marcher c'est que décidément votre infirmité sera par trop constitutionnelle!..." In English, the text reads : "Come on, old man, let's go, come on! If I can't even make you walk, then your infirmity is really a constitutional problem..." Plate 103 of the series Actualités, published in the March 31, 1844, edition of Le Charivari. Printed by Aubert & Cie., published by Chez Aubert, Pl. de la Bourse.
Hand-colored engraving of a Jewish woman from Algiers. Engraving after Théophile Emmanuel Duverger. From Moeurs, usages et costumes de tous les peuples du monde, d'après des documents authentiques et les voyages les plus récents by Auguste Wahlen, published Bruxelles: Librairie historique-artistique.
Black-and-white engraving of the Tomb of Absalom in Jerusalem. Engraving by Edward Radclyffe after a drawing by Thomas Allom. From Syria, the Holy Land, & Asia Minor, Volume 3, by John Carne, published London: Fischer, Son & Co.
Hand-colored lithograph of the exteriors of the New Synagogue and Great Synagogue in Amsterdam. From Geschiedkundige beschrijving der stad Amsterdam, Volume 1, by Cornelis van der Vijver.
Black-and-white engraving of the interior of the Semper-Synagoge (Semper Synagogue), also known as the Dresdner Synagoge (Dresden Synagogue) or Alte Synagoge (Old Synagogue). Engraving by A. Langhans. From Erinnerungen an merkwürdige Gegenstände und Begebenheiten, Volume 23. Published Prague: C.W. Medau und Comp.
Black-and-white offset print reproduction of the interior of the Istanbuli Synagogue in Jerusalem. Published in the October 1843 edition of Le Magasin pittoresque.
Black-and-white lithograph depicting Jewish graves in Bab el Oued. Lithograph by Adolphe Jean Baptiste Bayot. From Algérie historique, pittoresque et monumentale by Adrien Berbrugger, published Paris: Chez J. Delahaye.
Hand-colored lithograph depicting Jewish graves in Bab el Oued. Lithograph by Adolphe Jean Baptiste Bayot. From Algérie historique, pittoresque et monumentale by Adrien Berbrugger, published Paris: Chez J. Delahaye.
Sheet music cover for "Le juif errant : mélodie pour voix de basse," words by Ch. Durand du Fossat; music by H. de St. Paul, published Paris: S. Richault.
Black-and-white lithographed portrait of Mademoiselle Esther in costume for her role in Le tambour-major : vaudeville en un acte, which premiered at the Théâtre des Variétés in 1842. Lithograph printed by Rigo frères et Cie. Published in Le Charivari.
Black-and-white wood engraving of a Jewish man from Algiers. Wood engraving by Joseph Bara after Adrien Dauzats. Published in Les Français peints par eux-mêmes, Volume 3.
Hand-colored wood engraving of a Jewish man from Algiers. Wood engraving by Joseph Bara after Adrien Dauzats. Published in Les Français peints par eux-mêmes, Volume 3.
Black-and-white wood engraving of a Jewish woman from Algiers. Wood engraving by Pierre Verdeil after Hippolyte Louis Emile Pauquet. Published in Les Français peints par eux-mêmes, Volume 3.
Hand-colored wood engraving of a Jewish woman from Algiers. Wood engraving by Pierre Verdeil after Hippolyte Louis Emile Pauquet. Published in Les Français peints par eux-mêmes, Volume 3.
Hand-colored steel engraving of the interior of the New Synagogue at Great St. Helen's in London during Sukkot. Engraved by Henry Melville (1792-1870) from an original study by Thomas Hosmer Shepherd. Originally produced for the part-work "London Interiors: A Grand National Exhibition" (London : 1841-1844).
Color lithograph of three peasants from Podlasie, of Rusyn origin, seated at a table. Three Polish Jews can be seen in the background. Lithograph by Frédéric-Emile Simon after Jan Nepomucen Lewicki. From Les costumes du peuple polonais : suivis d'une description exacte de ses moeurs, de ses usages et de ses habitudes by Leon Józef Zienkowicz.
Black-and-white line engraved portrait of philosopher Baruch Spinoza. Engraving by Wenzel Pobuda. Frontispiece to Sämmtliche Werke : aus dem lateinischen mit dem Leben Spinoza's, Volume 1, by Berthold Auerbach, published Stuttgart: J. Scheible.
Sheet music for "The sorrowing Jew : a hymn written by a friend of Israel, in London," music composed by George J. Webb, and respectfully dedicated to the Ladies Jew Society of Newburyport, by their obliged servant Matthew A. Berk. Published Boston: B. W. Thayer's Lithography.
Black-and-white steel engraving of the interior of the New Synagogue at Great St. Helen's in London during Sukkot. Engraving by Henry Melville (1792-1870) from an original study by Thomas Hosmer Shepherd. Originally produced for the part-work "London Interiors: A Grand National Exhibition" (London : 1841-1844).
Black-and-white steel engraving depicting a bazaar in Cairo, including a Jewish money changer. From The Nile boat : or, Glimpses of the land of Egypt by William Henry Bartlett.
Hand-colored steel engraving of the interior of the New Synagogue at Great St. Helen's in London during Sukkot. Engraved by Henry Melville (1792-1870) from an original study by Thomas Hosmer Shepherd. Originally produced for the part-work "London Interiors: A Grand National Exhibition" (London : 1841-1844).
Black-and-white steel engraving of the interior of the New Synagogue at Great St. Helen's in London during Sukkot. Engraving by Henry Melville (1792-1870) from an original study by Thomas Hosmer Shepherd. Originally produced for the part-work "London Interiors: A Grand National Exhibition" (London : 1841-1844).
Hand-colored engraving of the exterior of the Israelitisches Krankenhaus Hamburg. Drawn and engraved by James Grey. Published Hamburg: B. S. Berendsohn.
Black-and-white engraving of a Jewish man and woman from Algiers. From Histoires de la Chine, du Japon, de la Perse, de l'Inde, de l'Arabie, de la Turquie, de l'Égypte, de l'Algérie, etc. depuis les temps les plus reculés jusqu'en 1840 by de Saurigny, published Paris: Duménil.
Hand-colored engraving of a Jewish man and woman from Algiers. From Histoires de la Chine, du Japon, de la Perse, de l'Inde, de l'Arabie, de la Turquie, de l'Égypte, de l'Algérie, etc. depuis les temps les plus reculés jusqu'en 1840 by de Saurigny, published Paris: Duménil.
Hand-colored lithograph depicting a Jew with stolen goods in his pockets. Lithograph by Victor Ratier after a caricature by Charles-Joseph Traviès de Villers.
Black-and-white lithograph depicting five Jewish men and women driving a gaggle of geese. At the bottom, excerpts from three verses. Proverbs 12:10 : A righteous man regardeth the life of his beast. Isaiah 9:12: The Arameans on the east, and the Philistines on the west; and they devour Israel with open mouth. Sirach 5:2-3 : Don’t follow your inclination nor your strength, in order to walk in the desires of your heart. And don’t think, “Who’ll have power over me?” Then the Lord, the highest punisher, will punish. Lithograph printed Strasbourg: Oberthür et emrich.
Text of a song entitled "Victory Hymn of a Straussian," written in reaction to the appointment of theologian David Friedrich Strauss to the University of Zurich in 1839. The text, in Swiss German, reads : "Äh e chli heidnisch / Möchtid mer werde / Chönntid dänn türggisch / Läben uf Erde! / Ach e chli jüdisch / Möchtid mer sÿ / Swärid dänn gwüß / Käni Zinsli meh chlÿ!" In English, the text reads : "Oh, a bit heathen / We want to become / We could then like the Turkish (Muslims) / Live on Earth! / Oh, a bit Jewish / We want to be / Then certainly / No more would any interest (from lending money) be small!"
Hand-colored lithograph of a merchant from Kaluga with his wife shown in both summer and winter clothes. From Vollständige Völkergallerie in getreuen Abbildungen aller Nationen by Friedrich Wilhelm Goedsche.
Black-and-white engraved portrait of historian Josephus (born Joseph ben Matityahu). Frontispiece to The works of Flavius Josephus, the learned and authentic Jewish historian and celebrated warrior… translated by William Whiston, published Baltimore: Armstrong & Berry.
Black-and-white offset print reproduction of the exterior of the New Synagogue at Great St. Helen's in London. Published in the January 12, 1839, edition of The Mirror of Literature, Amusement, and Instruction.
Hand-colored lithograph of the interior of the 1822 building of Synagogue de Nazareth, located on the Rue Notre-Dame-de-Nazareth, in Paris. Lithograph by Jules-Robert-Pierre-Joseph Challamel after an original drawing by the Marquis de Villeneuve. Published in L'Artiste.
Black-and-white wood engraving of Jewish high priests in their vestments. From The works of Flavius Josephus, the learned and authentic Jewish historian and celebrated warrior, translated by William Whiston, published Baltimore: Armstrong & Berry.
Black-and-white offset print reproduction of the interior of the New Synagogue at Great St. Helen's in London. Published in the January 5, 1839, edition of The Mirror of Literature, Amusement, and Instruction.
Black-and-white engraving of the exterior of the Main Synagogue of Fürth, known as the Altschul, which was built in 1616-1617. Engraving by Gerson Löwensohn.
Black-and-white steel engraving of the Tomb of Absalom in Jerusalem. From Meyer's Universum, oder Abbildung und Beschreibung des Sehenswerthesten und Merkwürdigsten der Natur und Kunst auf der ganzen Erde, published Hildburghausen: Bibliogr. Instit.
Black-and-white lithograph of Jews from Algiers. Lithograph after a drawing by R. Jungmann. From Costumes, moeurs et usages des Algériens by R. Jungmann, published Strasbourg: J. Bernard.
Hand-colored lithograph of the exterior of the Óbuda Synagogue in Budapest. Lithograph by Carl Graf Vasquez. From Topographie der königl. ungarischen freyen Städte Ofen und Pesth von Carl Graf Vasquez.
Contract for the purchase of a seat in the women's gallery of the Synagogue de Nazareth, located on the Rue Notre-Dame-de-Nazareth, in Paris. Seat paid for by Anselme Halphen.
Black-and-white steel engraving of the interior of the Istanbuli Synagogue in Jerusalem. Engraving by James C. Redaway after a drawing by J. Salmon. From Syria, the Holy Land, Asia Minor, &c. Illustrated, Volume 3, by John Carne. Published London & Paris : Fisher, Son & Co.
Black-and-white engraving of Rachel's Tomb in Bethlehem. Engraving by William Finden after a drawing by J. M. W. Turner from a sketch by Archibald Edmonstone. From Landscape illustrations of the Bible, consisting of views of the most remarkable places mentioned in the Old and New Testaments, published London: John Murray.
Hand-colored steel engraving of the interior of the Istanbuli Synagogue in Jerusalem. Engraving by James C. Redaway after a drawing by J. Salmon. From Syria, the Holy Land, Asia Minor, &c. Illustrated, Volume 3, by John Carne. Published London & Paris : Fisher, Son & Co.
Black-and-white engraving of Jews from Poland. From France militaire. Histoire des armées françaises de terre et de mer de 1792 à 1833., Volume 3, by Abel Hugo.
Sheet music for "La juive : romance dramatique," words by H. T. Poisson (pseud. Charles de Warwille); music by Auguste-Mathieu Panseron, published Paris: Maurice Schlesinger.
Black-and-white lithograph of a Jewish celebration in Algeria. From Voyage pittoresque dans la Régence d’Alger by Émile-Aubert Lessore and William Wyld. Printed and published Paris: Charles Motte.
Black-and-white lithographed portrait of Lelio Cantoni, Chief Rabbi of the Jewish universities of Piedmont. Lithograph by D. Festa after a drawing by Petronilla.
Black-and-white steel engraved portrait of rabbi and scholar Moses Edrehi. Engraving by J. C. Hunter. From The book of miracles by Moses Edrehi, published London: Printed for the author.
Black-and-white steel engraved portrait of historian Josephus (born Joseph ben Matityahu). Engraving by Robert Lunn. Frontispiece to The works of Flavius Josephus, the learned and authentic Jewish historian, and celebrated warrior… translated by William Whiston, published Edinburgh: Printed at the University Press for Thomas Nelson and Peter Brown.
Hand-colored engraving of the Tomb of Absalom in Jerusalem. Engraving by Giuseppe Carocci. From Aggiunte all'opera Il costume antico e moderno di tutti i popoli, cogli analoghi disegni, Volume 1, by Giulio Ferrario, published Firenze: V. Batelli.
Hand-colored lithograph depicting a Jewish man and two Jewish women from Algiers. From Voyage dans la régence d'Alger; ou, Description du pays occupé par l'armée française en Afrique by Claude Antoine Rozet, published Paris: Arthus Bertrand.
Black-and-white mezzotint depicting the crossing of the Red Sea. Mezzotint by James G. Seymour Lucas after a painting by John Martin. Published Paris: Rittner & Goupil.
Black-and-white mezzotint depicting the plague of darkness, the ninth of the ten plagues of Egypt. Mezzotint by James G. Seymour Lucas. Published Paris: Rittner & Goupil.
Black-and-white mezzotint depicting Joshua commanding the sun to stand still. Mezzotint by James G. Seymour Lucas after a painting by John Martin. Published Paris: Rittner & Goupil.
Black-and-white mezzotint depicting the Israelites leaving Egypt. Mezzotint by James G. Seymour Lucas after a painting by David Roberts. Published Paris: Leclere, Boulevard Poissonnière, 29.
Engraving after Rembrandt's painting A Seated Man with a Stick. Engraving by John Burnet. Published London: For the Associated Engravers, by Mr. John Pye.
Black-and-white engraved portrait of philosopher Moses Mendelssohn. Engraving by Friedrich Wilhelm Bollinger after a painting by Johann Christoph Frisch. From Bildnisse der berühmtesten Menschen aller Völker und Zeiten, published Zwickau: Gebr. Schumann.
Black-and-white engraving depicting people from Poland, including a Jewish man. Engraving by Giovanni Antonio Sasso. From Il costume antico e moderno, ovvero storia del governo, della milizia, della religione, delle arti, scienze ed usanze di tutti i popoli antichi e moderni, Europe, Volume 8, by Giulio Ferrario, published Torino: Alessandro Fontana, 1829-1833.
Hand-colored engraving of the Tombs of the Sanhedrin in Jerusalem. Engraving by Giuseppe Bramati. From Descrizione della Palestina, o, storia del vangelo by Giulio Ferrario, published Milan: Milano, Società tipog. de' classici italiani.
Hand-colored engraving of a Jewish man and woman from Poland. Engraving by Antonio Verico after a drawing by Francesco Pieraccini. From Storia della Polonia : fino agli ultimi tempi by Bernard Zaydler, published Firenze: V. Batelli.
Black-and-white engraving of the Tombs of the Sanhedrin in Jerusalem. After a drawing by Luigi Mayer. From A series of twenty-four views illustrative of the Holy Scriptures, published London: R. Bowyer & M. Parkes.
Color lithograph of "Death to the Jew" from La danse des morts à Bâle de Holbein / Basler Todtentanz von Hans Holbein by Hieronymus Hess, published Basel: Hasler & Cie. In German, the text reads : --Der Tod zum Juden: "Hujum, Jud! mach dich auf die Fahrt; / Dein's Messiä hast zu lang g'wart: / Christum, welchen ihr habt ermördt, / War der recht, ihr habt lang geirrt." --Antwort des Juden: "Ein Rabbi war ich der Geschrift, / Zog aus der Bibel nur das Gift: / Gar wenig nach Messiam tracht, / Hatt' mehr auf Schätz und Wucher Acht." In English, the text reads : --Death to the Jew: "Up, Jew, and take the common gate, / In vain you for Messiah wait; / Christ, whom, you slew, was He indeed, / You've follow'd long a hopeless creed." The Jew's reply: "As Rabbi long the law I knew, / But poison from its pages drew; / Messiah had few charms for me, / My faith was Gold and Usury."
Color offset print reproduction of the original location of Congregation B'nai Jeshurun on Elm Street. After a drawing by Alexander Jackson Davis. Text originally published in The New-York Mirror.
Black-and-white engraving of the Tomb of Absalom in Jerusalem. After a drawying by Luigi Mayer. From A series of twenty-four views illustrative of the Holy Scriptures, published London: R. Bowyer & M. Parkes.
Black-and-white lithograph of a Jewish women from Algiers. Lithograph printed Paris: E. Ardit. From Atlas de l’aperçu historique, statistique et topographique sur l’état d’Alger : a l’usage de l’ármée expéditionnaire d’Afrique, published Paris: Ch. Picquet.
Black-and-white wood engraving of six New York City landmarks, including the original location of Congregation B'nai Jeshurun on Elm Street. Engraving by William D. Smith after a drawing by Alexander Jackson Davis.
Hand-colored aquatint illustrating Lord Byron's poem "The Destruction of Sennacherib," first published in his Hebrew Melodies. Aquatint published London: Pyall & Stroud.
Black-and-white engraved portrait of historian Josephus (born Joseph ben Matityahu). Engraving by J. Rogers. Frontispiece to The works of Flavius Josephus, the learned and authentic Jewish historian and celebrated warrior… translated by William Whiston, published London: Henry Fisher, Son, and Co.
Hand-colored lithograph of a Jewish man from Russia. Lithograph by Godefroy Englemann after a drawing by Jean-Marie Chopin. From Costumes russes modernes.
Hand-colored engraving of a Jewish man and woman from Kraków. From Le monde en estampes ou Géographie des cinq parties du monde by Prudence-Guillaume de Roujoux.
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