Caricature by Eugene Zimmerman published in Judge. The text reads : --Papa Goldberg: "You haff bin by der synagogue, yes? Vell, I asks you a kervestion. Vat are der t'ree graces?" --Ikey (confidently): "Gold, silver und diamonds! Popper, ask me a hard one."
Black-and-white steel engraving of the exterior of the Salvatorkirche in Passau. Engraving by Johann Gabriel Friedrich Poppel after a drawing by Conrad Wießner. Following the expulsion of the Jews from Passau in 1478, one or more buildings in the Jewish area of the Ilzstadt, including one housing a Schul, were demolished to make way for the church. Engraving from Das Königreich Bayern in seinen altertümlichen geschichtlichen, artistischen und malerischen Schönheiten by Maximilian Benno Peter von Chlingensperg.
Black-and-white engraving entitled depicting "express travel" to the Sabbath. One man whips a horse, urging it to go faster, while another holds up a timepiece.
Caricature by Joseph Ferdinand Keppler published in Puck. In German, the caption reads : "Ein Mittel weiß ich, wunderbar, das führt zum ew'gen Frieden, - Ein Austausch ist's: Victoria, sie nimmt die armen Jüden, - Und über Irland's Söhne darf der Russen Czar gebieten, - Als Straßenkehrer nehmen wir den Mann vom sonn'gen Süden. - Auf diese Weise wird der Welt die Ruhe bald beschieden." The text proposes an exchange of emigrants. Under Quotations: "England - Jews in demand." The caricature depicts Queen Victoria taking two Jews under her arms.
Black-and-white engraving of the original location of Congregation B'nai Jeshurun on Elm Street in New York. After a drawing by Alexander Jackson Davis.
Black-and-white engraving of the original location of Congregation B'nai Jeshurun on Elm Street in New York. After a drawing by Alexander Jackson Davis.
Caricature on the subject of Jewish emanicipation. In German, the text reads : "Du machst mit deinen Geld hienieden. / Ganz nach Gefallen Krieg und Frieden. / Zum Dank sind diese grosse Orden. / Dir allgemach zutheil geworden. / Zwar darf ich das Kreuz nicht leiden. / Doch golden nehm' ich's an mit Freuden. / Wie Meyer, Hirsch und Löwe schon. / Gold bringt zum Ruhm und hohe Ehre. / Hoch stehe ich auf goldne Heere. / Und hoff' Emancipation." In English, the text reads : "You put your money beneath you. / All of it after the beneficial war and peace. / Thank God these are the largest orders. / The majority became a part of it. / Even though I am not allowed to suffer the cross. / Still, golden I'll take it on with friends. / Like Meyer, Hirsch, and Löwe already. / Gold brings glory and high honors. / I stand up high on golden armies. / And hope for emancipation." Published Leipzig: Luis Rocca.
Black-and-white lithograph depicting Moses presented to Pharaoh. Lithograph by Louis Stanislas Faivre-Duffer after a painting by Victor Orsel. The original painting is held by the Musée des beaux-arts de Lyon. Printed Paris: Imprimerie Lemercier.
Sheet music cover for "Le juif-errant : quadrille pour piano," composed by Philippe Musard, published Paris: E. Troupenas & Cie, London: R. Cocks, and Mainz: B. Schott.
Lithograph for the sheet music cover for "Le juif errant : quadrille brillant," by Victor Lazard, published Paris: L. d'Arnaud. Lithograph by Frédéric Bouchot.
Caricature by Louis M. Glackens published in Puck. The text reads : 1 --Mr. Isaacs: "Dere, now, I vill not vaste time mit dose things no more. Health or no health, time ish moneysh, and moneysh is vot I vos after." 2. --Mrs. Isaacs: "Oh, vot shall I do! Der doctor says as he vill die of der fatness if he don't take der dump-pell exercise." 3. --Mrs. Isaacs: "I haf it! I vill draw some plans und dake dem to dot iron foundries. He shall dake dot exercises." 4. --Mrs. Isaacs: " Come up in dot exercise room, Morris." --Mr. Isaacs: "I vill go, but no exercise for me on your life not." 5 --Mr. Isaacs: "Oh, Repecca! You vos one of dose ingeniuses. I could keep dis up all tay."
Metal engraving of Jewish priest sacrificing a burnt offering during the celebration of the Feast of Tabernacles, as described in Ezra 3:4. Text beneath the image reads: "Repentant Israel keeps the Feast of Tabernacles to obey the law of God; and to the priest the people offerings bring each day."
Black-and-white engraved portrait of historian Josephus (born Joseph ben Matityahu). Frontispiece to The complete works of the learned and authentic Jewish historian, Flavius Josephus : comprising comprising the Antiquities of the Jews, a History of the Jewish wars, three dissertations concerning Jesus Christ, John the Baptist, &c. &c. and the life of Josephus, written by himself translated by William Whiston, published London & Glasgow: J. F. Tallis.
Hand-colored lithograph of the exterior of the Hauptsynagogue (Main Synagogue) in the Börnestrasse in Frankfurt am Main. Published Frankfurt am Main: Lith. Inst. v. Ph. Frey & Co.
Color map of Franzensbad (Františkovy Lázně), with a key to important public buildings, including the synagogue. Published Zurich: Orell Füssli & Co.
Black-and-white lithographed satirical portrait of financier Nathan Mayer Rothschild. Printed and published Prague: Haase u. Hennig. From an original by Richard Dighton.
Print reproduction of a portion of John Singer Sargent's mural Triumph of Religion. Includes Biblical prophets Moses, Zephaniah, Joel, Obadiah, Hosea, Amos, Nahum, Ezekiel, Daniel, Elijah, Joshua, Jeremiah, Jonah, Isaiah, Habakkuk, Micah, Haggai, Malacchi, and Zechariah. The original mural is at the Boston Public Library.
Black-and-white wood engraving depicting reading from the Torah at the Eldridge Street Synagogue in New York. Original illustration by Irving R. Wiles. From the article "The Jews in New York" by Richard Wheatley, published in the January 1892 edition of The Century Magazine.
Caricature by Grant E. Hamilton published in Judge. The text reads : --Ikey Ikestein loves to skate and do that backward roll, it makes such a pretty figure on ice. --We have at last found out why Silverstein is so fond of the violin. --Those long German pipes seem to be the favorite with Mr. Levy; he dotes on the one with a very crooked stem, the design is so good. --What Mr. Cohen saw when his clothing-shop burnt out. --Mr. Moses bought this piano because the foot-pedal caught his eye. --Mr. McFudd adapted the shape of his pretzels to it. --Goldberg had a bicycle built to suit his own ideas of beauty. --Mrs. Levi compliments herself on the way she trained the vines on the porch of her house.
Color lithograph of a Jewish high priest in the Tabernacle, dressed in holy vestments and surrounded by the furnishings and implements of the Tabernacle.
Sheet music for "Nach Grosswardein : Jux-Marsch nach orientalischen Motiven für Pianoforte," words by Anton Groiss; music by Hermann Rosenzweig, published Budapest: Zipser & König.
Black-and-white wood engraving depicting the ceremony of Havdalah. Original illustration from the article "The Jews in New York--II" by Richard Wheatley, published in the February 1892 edition of The Century Magazine.
Black-and-white engravings depicting the priestly blessing, above, and lifting the Torah, below, at the Portuguese Synagogue in the Hague. Engraving after Bernard Picart.
Hand-colored engraved caricature of a Jewish peddler. Engraving by Franz Barth. In German, the text reads : "Gar veile nennen Juden mich / Und machen drüber lustig sich - / Ich bitt Euch, mit dem Witze spart / Es giebt auch Juden ohne Bart, / Und veile, die sich Christen nennen / Und doch betrügen, wo sie können." In English, the text reads : "Many call me a Jew / And mock me for it - / I beg you, spare me the mockery / There are also Jews without a beard, / And many who call themselves Christians / And yet deceive, wherever they can."
Black-and-white lithograph of the exterior of the Neue Synagoge (New Synagogue) in Hannover. Drawing and lithograph by Robert Geissler. Published Hannover: Helwing'sche Hofbuchhandlung (T. Mierzinsky).
Caricature by Eugene Zimmerman published in Judge. The text reads : --Simon, Sr.: "Benny Goldberg's uncle left him all his money mit der sole request dot he vould put up a tablet on his grave after he vuz dead." --Simon, Jr.: "Did he do it?" --Simon, Sr.: "Shure! He put up a 'lithia' tablet!"
Print reproduction of Leopold Pilichowski's painting The Opening of the Hebrew University in Jerusalem, depicting the ceremonies held on April 1, 1925. Notables, including Herbert Samuel, Chaim Weizmann, Nahum Sokolow, Hayim Nahman Bialik, and Chief Rabbi Abraham Isaac Kook, are grouped about Arthur Balfour, who is seen delivering the inaugural address.
Sheet music cover for "Song of the Hebrew maiden : in answer to the song of the crusader," written by Mrs. Crawford; music by Mrs. Miller, published London: Jefferys & Nelson.
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William A. Rosenthall Judaica Collection - Prints and Photographs✖[remove]385
![[Rabbi Samuel Edels]](https://rspace.library.cofc.edu/iiif/image/52581/full/200,/0/default.jpg)
![[Juif errant]](https://rspace.library.cofc.edu/iiif/image/39942/full/200,/0/default.jpg)
![[Habn' mer gemacht Kei geschäft!]](https://rspace.library.cofc.edu/iiif/image/40664/full/200,/0/default.jpg)
![[Great Synagogue, Warsaw]](https://rspace.library.cofc.edu/iiif/image/25551/full/200,/0/default.jpg)
![[Great Synagogue, Warsaw]](https://rspace.library.cofc.edu/iiif/image/25550/full/200,/0/default.jpg)
![[Portuguese Synagogue in the Hague]](https://rspace.library.cofc.edu/iiif/image/49000/full/200,/0/default.jpg)
![[Hÿ zal hebben…]](https://rspace.library.cofc.edu/iiif/image/40340/full/200,/0/default.jpg)
![[The Opening of the Hebrew University in Jerusalem]](https://rspace.library.cofc.edu/iiif/image/35689/full/200,/0/default.jpg)
