Black-and-white engravings depicting the priestly blessing, above, and lifting the Torah, below, at the Portuguese Synagogue in the Hague. Engraving after Bernard Picart.
Headpiece to the second Book of Chronicles. Engraving by William Bromley after a painting by Philip James de Loutherbourg. From the Macklin Bible, published London: Printed for Thomas Macklin by Thomas Bensley, 1800.
Black-and-white engraved portrait of Jewish high priest John (Johanan) Hyrcanus, with a biographical note. From Epitome historico-chronologica gestorum omnium patriarcharum, ducum, judicum, regum et pontificum populi hebraici by Bartholomaeus Gajo, published Rome: Fausto Amidei.
Black-and-white wood engraving accompanying the article The Festival of the Jewish Sabbath by Charles Hole, published in the April 1, 1870, edition of The Sunday Magazine.
Black-and-white engraved portrait of Jewish priest Judas Maccabeus, with a biographical note. From Epitome historico-chronologica gestorum omnium patriarcharum, ducum, judicum, regum et pontificum populi hebraici by Bartholomaeus Gajo, published Rome: Fausto Amidei.
Black-and-white engraving depicting a Jewish man holding a mezuzah. From Dictionnaire historique, critique, chronologique, geographique et litteral de la Bible, Volume 4, by Augustin Calmet, published Paris: Emery, Saugrain, & Pierre Martin.
Black-and-white offset print reproduction depicting the Pharisees meeting with the Herodians, as described in Mark 3:6. From The life of Christ by Frederic W. Farrar.
Caricature of Jewish participation in the National Guard during the Revolutions of 1848. In German, the text reads : "Hascheln! Habts Acht! Mer sein jetzt gekümmen vor unsern Kümmandanten sein Haus. Regimentstrommler! Schlog ein Werbel, trrrrrrrr - soll ach Hoch leben." (On the banner) : "Profit. Gleiche Rechte mit den Christen!" In English, the text reads : "Attention! Pull yourselves together, troops! We are marching to our commander's house. Regiments, beat your drums!" (On the banner): "Profit. Equal rights with Christians!" Lithograph printed and published Vienna: F. Werner, Mariahilf.
Caricature of Jewish participation in the National Guard during the Revolutions of 1848. In German, the text reads : "Hascheln! Habts Acht! Mer sein jetzt gekümmen vor unsern Kümmandanten sein Haus. Regimentstrommler! Schlog ein Werbel, trrrrrrrr - soll ach Hoch leben." (On the banner) : "Profit. Gleiche Rechte mit den Christen!" In English, the text reads : "Attention! Pull yourselves together, troops! We are marching to our commander's house. Regiments, beat your drums!" (On the banner): "Profit. Equal rights with Christians!" Lithograph printed Leipzig: J. G. Fritzsche.
Black-and-white collotype print of the stockyard in Frankfurter Judengasse, the Jewish ghetto in Frankfurt am Main. Collotype by Nöhring & Frisch in Lübeck. After a drawing by Peter Becker. From Bilder aus dem alten Frankfurt by Peter Becker, published Frankfurt am Main: Verlag von A. C. Prestel.
Color lithograph of the house in Frankfurter Judengasse, the Jewish ghetto in Frankfurt am Main, where wedding and other celebrations were held. From Frankfurt am Main, die freie Stadt, in Bauwerken und Straßenbildern by Carl Theodor Reiffenstein, published Frankfurt am Main: Carl Jügels Verlag, 1894-1898.
Black-and-white wood engraving depicting the Judengasse, the Jewish ghetto of Frankfurt am Main. Wood engraving by E. Graeff u. Engel after a painting by Anton Burger. Published in Die Gartenlaube, Heft 36, 1865.
Black-and-white wood engraving depicting the Jewish Quarter in Safed. Engraving after a drawing by Henry Fenn. From Palästina in bild und wort : Nebst der Sinaihalbinsel und dem lande Gosen by Georg Ebers, published Stuttgart: Deutsche Verlags-Anstalt.
Black-and-white wood engraving depicting the Jewish Quarter in Safed. Engraving after a drawing by Henry Fenn. From La Terre Sainte : son histoire, ses souvenirs, ses sites, ses monuments by Victor Guérin, published Paris: E. Plon.
Black-and-white wood engraving depicting the Jewish quarter in Leipzig. Engraving after a drawing by Richard Püttner. Published in Die Gartenlaube, Heft 32, 1871.
Black-and-white engraved portrait of philosopher Moses Mendelssohn. Engraving by Friedrich Wilhelm Bollinger after a painting by Johann Christoph Frisch. From Bildnisse der berühmtesten Menschen aller Völker und Zeiten, published Zwickau: Gebr. Schumann.
Map of the city of New York as it was in the years 1742-1744, including the first Mill Street Synagogue of Congregation Shearith Israel. Lithograph by George Hayward after an original drawing by David Grim. Published in D. T. Valentine's Manual of the corporation of the city of New York for 1854.
Black-and-white engraved portrait of historian Josephus (born Joseph ben Matityahu). Engraving by J. Rogers. Frontispiece to The works of Flavius Josephus, the learned and authentic Jewish historian and celebrated warrior… translated by William Whiston, published London: Henry Fisher, Son, and Co.
Sheet music for "A brivele dem Taten" = "A letter to father," words and music by Solomon Small; arranged by Joseph Rumshinsky, published New York: Hebrew Publishing Company.
Black-and-white offset print reproduction depicting Jewish refugees from Morocco during the Spanish-Moroccan War. Published in the January 21, 1860, edition of Frank Leslie's Illustrated Newspaper.
Sheet music for "A brivele von chosen" = "A letter from sweetheart," words and music by David Meyerowitz; arranged by Joseph Rumshinsky, published New York: Hebrew Publishing Company.
Black-and-white steel engraving depicting the vestments of the Jewish high priest. Engraving by Bosserodon after François Hippolyte Lalaisse. From Histoire de la Terre-Sainte depuis les temps les plus reculés jusqu'à nos jours by abbé Martin, published Paris: Duménil.
Black-and-white steel engraved portrait of rabbi and scholar Moses Edrehi. Engraving by Robert Whitechurch. From History of the capital of Asia and the Turks : together with an account of the domestic manners of the Turks in Turkey, published Boston: Boston, Reprinted for I. Edrehi, 5618 (1858).
Black-and-white steel engraved portrait of rabbi and scholar Moses Edrehi. Engraving by J. C. Hunter. From The book of miracles by Moses Edrehi, published London: Printed for the author.
Black-and-white offset print reproduction of a Jewish money changer from Cairo. From a drawing by C. Rudolf Huber. From Ridpath's universal history, Volume 5, by John Clark Ridpath.
Black-and-white steel engraved portrait of merchant and banker Salomon Heine. From Neues Conversations-Lexikon für alle Stände, Volume 8, by Hermann Julius Meyer.
Sheet music for "Churbon Titanik, oder Der naser keiver" = "The Titanic's disaster," words by Solomon Small; arranged for piano by Henry A. Russotto. Published New York: Hebrew Publishing Company.
Black-and-white lithograph depicting the interior of the original building of Kahal Kadosh Beth Elohim in Charleston. From a painting by Solomon Nunes Carvalho. Lithograph printed Philadelphia: J. T. Bowen.
Black-and-white lithograph depicting the interior of the original building of Kahal Kadosh Beth Elohim in Charleston. From a painting by Solomon Nunes Carvalho. Lithograph printed Philadelphia: J. T. Bowen.
Black-and-white stipple engraved portrait of philosopher Moses Mendelssohn. Engraving by Jean-Joseph-François Tassaert after a sculpture by Jean-Pierre-Antoine Tassaert.
Black-and-white photograph of the exterior of the Beth Yaakov Synagogue (Synagogue Beth-Yaacov de Genève), also known as the Grande Synagogue, in Geneva.
Black-and-white engravings depicting Sukkot at the Portuguese Synagogue in Amsterdam, above, and Portuguese Jews in a sukkah during Sukkot, below. Engraving by Claude Du Bosc after Bernard Picart. From The Ceremonies and Religious Customs of the Various Nations of the Known World : together with historical annotations and several curious discourses... Written originally in French, and illustrated with a large number of folio copper plates designed by Mr. Bernard Picart, and curiously engraved by most of the best hands in Europe..., Volume 1, published London: William Jackson and Claude Dubosc, 1733-1739.
Black-and-white engravings depicting Sukkot at the Portuguese Synagogue in Amsterdam, above, and Portuguese Jews in a sukkah during Sukkot, below. Engraving by James Mynde after Bernard Picart.
Black-and-white steel engraving of the interior of the Istanbuli Synagogue in Jerusalem. Engraving by James C. Redaway after a drawing by J. Salmon. From Syria, the Holy Land, Asia Minor, &c. Illustrated, Volume 3, by John Carne. Published London & Paris : Fisher, Son & Co.
Black-and-white etching depicting reading from the Torah. Signed by the artist Hermann Struck. The text reads : "Blessed be He, who in His holiness gave the Torah to his people Israel."
Black-and-white engraving depicting a Jewish burial. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Black-and-white engraving depicting the mikveh of the Great Synagogue in Amsterdam. Engraving by Caspar Jacobsz Philips after a drawing by Pieter Wagenaar, Jr. From Oude en tegenwoordige staat en geschiedenis van alle godsdiensten by William Hurd, Volume 1, published Amsterdam: M. de Bruyn, 1781-1791.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes) in the Great Synagogue of Amsterdam. Engraving after Bernard Picart. From A new univeral history of the religious rites, ceremonies and customs of the whole world by William Hurd, published Manchester: J. Gleave.
Black-and-white offset print reproduction depicting the procession of the Torah scrolls during the dedication of the synagogue in Versailles. Published in the October 23, 1886, edition of Frank Leslie's Illustrated Newspaper.
Black-and-white offset reproduction depicting the use of tefillin during prayer. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Black-and-white engraving depicting a Jewish circumcision. From Dictionnaire historique, critique, chronologique, geographique et litteral de la Bible, Volume 1, by Augustin Calmet, published Paris: Emery, Saugrain, & Pierre Martin.
Black-and-white engraving of tefillin (phylacteries), left and center, and a mezuzah, right. From Calmet's great dictionary of the Holy Bible : historical, critical, geographical, and etymological… by Augustin Calmet, published London: Printed for Charles Taylor.
Black-and-white engraving depicting tefillin (phylacteries). From Dictionnaire historique, critique, chronologique, geographique et litteral de la Bible, Volume 3, by Augustin Calmet, published Paris: Emery, Saugrain, & Pierre Martin.
Hand-colored wood engraving of a hunchbacked Jewish man, Jaapje Blok, who hires himself out as a lectern at the Amsterdam Stock Exchange. Wood engraving by Henricus Adrianus (Henri) Bogaerts. Published in De katholieke illustratie : zondags-lektuur voor het katholieke Nederlandsche volk.
Black-and-white engraved map depicting the dispersal of the descendents of Noah after the Tower of Babel. From Samuelis Bocharti Geographia sacra, : cujus pars prior Phaleg de dispersione gentium & terrarum divisione facta in ædificatione turris Babel; pars posterior Chanaan de coloniis & sermone Phœnicum agit... by Samuel Bochart, published: Francofvrti ad Moenvm, impensis Johannis Davidis Zunneri; typis Balthasaris Christophori Wustii.
Caricature by Gustave Frison depicting a Jewish stockbroker haggling over the terms of a trade outside the Paris Stock Exchange. He is portrayed as speaking French with a Yiddish accent.
Hand-colored lithographed caricature depicting a Jewish peddler with his wares. The caption, which translates to "All is not gold that glitters," implies that his wares might not be as valuable as they seem. Lithograph by Pierre Langlumé. Published Paris: Noël et Dauty.
Sheet music cover for "Le juif-errant : quadrille pour piano," composed by Philippe Musard, published Paris: E. Troupenas & Cie, London: R. Cocks, and Mainz: B. Schott.
Black-and-white offset print reproduction of the interior of the New Synagogue in Berlin. From an original drawing by Gottlob Theuerkauf. Published in the January 5, 1867, issue of the Illustrirte Zeitung.
Black-and-white offset print reproduction of the interior of the old Main Synagogue in Munich. From a photograph. Published in the October 8, 1887, edition of the Illustrirte Zeitung.
Black-and-white offset print reproduction with a portrait of cantor and composer Salomon Sulzer. Published in the March 15, 1884, edition of the Illustrirte Zeitung.
Black-and-white etched portrait of artist Jozef Israëls. Etching by Charles L. Courtry after a drawing by Israëls. Published London July 18, 1883, by The British & Foreign Artists' Association.
Sheet of black-and-white engravings used as an advertisement for Neu-eröffnete Welt-Galleria by Abraham a Sancta Clara, published Nuremberg: Christoph Weigel, 1703. The center and right plates on the bottom row depict Jews from Frankfurt and Poland.
Black-and-white offset print reproduction with a portrait of jurist Sir George Jessel. Published in the March 31, 1883, edition of The Illustrated London News.
Caricature by Bernhard Gillam published in Puck. The caricature depicts William Walter Phelps, Murat Halstead, and Joseph Medill standing at the "Solomon's Wall" of Blainiac Republicans (referring to James Gillespie Blaine), which is labeled with the words "party patronage." William M. Evarts is shown approaching the wall. In German, the text reads : "Die Juden von Jerusalem versammeln sich noch heutzutage an der sog. 'Salomon’s Mauer' der Tempel-Ruinen und wehklagen über die verschwundene Herrlichkeit Israel’s." In English, the text reads : "The Jews of Jerusalem gather even today in front of what is called "Salomon's Wall" (Western Wall) of the Temple ruins and lament the vanished glory of Israel."
Black-and-white lithograph of the Western Wall in Jerusalem. Lithograph by Thomas Picken after Ermete Pierotti. Printed by Day & Son. From Jerusalem explored, being a description of the ancient and modern city, Volume 2, by Ermete Pierotti, published Cambridge: Deighton, Bell, and Co.; London: Bell and Daldy.
Black-and-white engraving depicting the piazza outside of the Roman Ghetto. The gate of the ghetto can be seen at right. Engraving by Giuseppe Vasi. From Delle Magnificenze di Roma antica e moderna, Volume 2, by Giuseppe Vasi, published Rome, 1747-1761.
Hand-colored steel engraving depicting the Roman Ghetto. Engraving by Samuel Valentine Hunt after a painting by Louis Haghe. From Picturesque Europe, published London: Cassell, Petter, Galpin & Co.
Black-and-white engraved portrait of philosopher Baruch Spinoza. Engraving by Michel Odieuvre. From L'Europe illustre, contenant l'histoire abrégée des souverains, des princes, des prélats, des ministres, des grands capitaines, des magistrats, des savans, des artistes, & des dames célèbres en Europe, Volume 5, by Jean-François Dreux du Radier.
Black-and-white engraved portrait of René of Anjou, mistakenly identified as a portrait of philosopher Baruch Spinoza. Engraving by Etienne Jehandier Desrochers.
Black-and-white line engraved portrait of philosopher Baruch Spinoza. Engraving by Wenzel Pobuda. Frontispiece to Sämmtliche Werke : aus dem lateinischen mit dem Leben Spinoza's, Volume 1, by Berthold Auerbach, published Stuttgart: J. Scheible.
Black-and-white engravings depicting the Passover custom of the mother placing bits of unleavened bread for the father and children to discover and dispose of, above, and a Passover seder of Portuguese Jews in Amsterdam, below. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white etching depicting a Jewish man wearing a tallis (prayer shawl) and tefillin (phylacteries). He stands in front of the Portuguese Synagogue in Amsterdam. Text excerpted from Deuteronomy 6:8-9: "And thou shalt bind them for a sign upon thy hand, and they shall be for frontlets between thine eyes. And thou shalt write them upon the door-posts of thy house, and upon thy gates." Etching by Jan Luyken. From Mosaize historie der Hebreeuwse kerke, Volume 3, by Willem Goeree, published Amsterdam: Willem and David Goeree.
Black-and-white engraving depicting the Passover custom of the mother placing bits of unleavened bread for the father and children to discover and dispose of. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
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