1. Marchands d'habits
1 - 26 of 26
Number of results to display per page
Search Results
2. [Jüdische Männer und Frauen treiben Gänse vor sich her]
![[Jüdische Männer und Frauen treiben Gänse vor sich her]](https://iiif.library.cofc.edu/iiif/2/40138/full/200,/0/default.jpg)
- Date:
- 1840
- Description:
- Black-and-white lithograph depicting five Jewish men and women driving a gaggle of geese. At the bottom, excerpts from three verses. Proverbs 12:10 : A righteous man regardeth the life of his beast. Isaiah 9:12: The Arameans on the east, and the Philistines on the west; and they devour Israel with open mouth. Sirach 5:2-3 : Don’t follow your inclination nor your strength, in order to walk in the desires of your heart. And don’t think, “Who’ll have power over me?” Then the Lord, the highest punisher, will punish. Lithograph printed Strasbourg: Oberthür et emrich.
3. Le Juif, ou Isaac le Brocanteur
- Date:
- 1835
- Description:
- Sheet music cover for "Le Juif, ou Isaac le Brocanteur : chansonnette comique," words by J. Blum; music by Adolphe Vogel, published Paris: Colombier.
4. Empfindsame Betrachtung des Mondes
- Date:
- 1820
- Description:
- Hand-colored etching depicting a sentimental contemplation of the moon. In German, the text reads : "Nicht weiss gesotten, nicht plettirt, / Und doch solch magnifiquer Schein! / Ach, mein Gemüth ist ganz gerührt / Er muss messiv von Silber seyn!" In English, the text reads : "Not blanched, not plated, / And yet such a magnifiscent gleam! Oh, my soul is deeply moved / It must be made of silver!"
5. Schwärmerischer Blick in die Sonne
- Date:
- 1820
- Description:
- Hand-colored etched caricature depicting a fantastical view of the sun. In German, the text reads : "Gotts Wunder, welcher Glanz und Schein / Das muss ep's rores von Vergilding seyn!" In English, the text reads : "God's wonders, which glimmer and shine / That must be something rare and gilt!"
6. Attakke : auf dem ersten Streifzuge!
- Date:
- 1820-1849, 1848, and 1849
- Description:
- Caricature of Jewish participation in the National Guard during the Revolutions of 1848. In German, the text reads : --"Wai! -- A Wai der Feind kümmt! -- A Wai! Se thün auch scheißsen!" In English, the text reads : --"Vey! -- Oy vey the enemy is coming! -- Oy, vey! They are shooting too!"
7. Jacobs Kriegsthaten
- Date:
- 1819
- Description:
- Hand-colored etching of a scene from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Etching after Johann Michael Voltz. In German, the text reads : "Harr Kerperol, Harr Affezier, Harr Generol! Hebbe Se de Gnod, hebbe Se dä grausse Gnod und lasse Se mich nit schiessen. Ich halt es nit aus, ich künns nit vertragen, ich künn nit riechen dä Pulver, ich fall in dä Ohnmacht!" In English, the text reads : "Sir Corporal, Sir Officer, Sir General! Have mercy, have great mercy and don't leave me under fire. I can't stand it any more, I can't endure it, I can't smell the gun powder any longer, I am going to faint!"
8. Hepp! Hepp!
- Date:
- 1819
- Description:
- Hand-colored etching depicting the Hep-Hep riots against Jews in Frankfurt. Participants in these riots rallied to the cry, "Hep! Hep!" The image contains Christians of different social classes beating and targeting Jews, as well as looting their homes. Two peasant women are assaulting a Jew with a pitchfork and a broom. A man wearing a waistcoat and cravat, of a higher social class, has a Jew by his throat and is aiming to beat him with a stick. Etching by Johann Michael Voltz.
9. Juifs de Pologne
- Date:
- 1812
- Description:
- Black-and-white lithograph depicting a group of Jewish peddlers from Poland showing their wares to two approaching Cossacks. Lithograph by Godefroy Engelmann after Louis-Albert-Ghislain Bacler d'Albe.
10. Die Reichsperücke
- Date:
- 1848 and 1849
- Description:
- Black-and-white lithograph depicting a Jewish peddler and Gabriel Riesser, member of the Frankfurt Parliament, discussing the "imperial wig." In German, the text reads: --Jude: "Dau sehe Se ä Mohl! Herr Docter, ebbes Rores a blonde Perück die ganz allan steht." --Dr: "Nun was nützt die alte Scharteke?" --Jude: "Verzeihe Se Herr Dr. Sie is noch kan 40 Johr alt und hot uns sehr genützt." In English, the text reads : --Jew: "Now, look at Mohl! Doctor, it's a rare thing to see a blond wig standing on its own." --Dr.: "Now, of what use is old thing?"-- Jew: "Forgive me, Doctor. It's not even 40 years old and has been very useful for us." The text references Moriz Mohl who, at the Frankfurt Parliament, argued against legal equality for Jews. Printed Frankfurt am Main: Lith. Anst. V. Ed. Gust. May.
11. Der Tod zum Juden
- Date:
- 1830-1850
- Description:
- Color lithograph of "Death to the Jew" from La danse des morts à Bâle de Holbein / Basler Todtentanz von Hans Holbein by Hieronymus Hess, published Basel: Hasler & Cie. In German, the text reads : --Der Tod zum Juden: "Hujum, Jud! mach dich auf die Fahrt; / Dein's Messiä hast zu lang g'wart: / Christum, welchen ihr habt ermördt, / War der recht, ihr habt lang geirrt." --Antwort des Juden: "Ein Rabbi war ich der Geschrift, / Zog aus der Bibel nur das Gift: / Gar wenig nach Messiam tracht, / Hatt' mehr auf Schätz und Wucher Acht." In English, the text reads : --Death to the Jew: "Up, Jew, and take the common gate, / In vain you for Messiah wait; / Christ, whom, you slew, was He indeed, / You've follow'd long a hopeless creed." The Jew's reply: "As Rabbi long the law I knew, / But poison from its pages drew; / Messiah had few charms for me, / My faith was Gold and Usury."
12. Le Juif, ou Isaac le Brocanteur
- Date:
- 1835
- Description:
- Sheet music for "Le Juif, ou Isaac le Brocanteur : chansonnette comique," words by J. Blum; music by Adolphe Vogel, published Paris: Colombier.
13. Un Enfant d'Israel. Sur ma conscience: je n'en puis pas donner davantage
- Date:
- 1840
- Description:
- Hand-colored lithograph depicting a Jew with stolen goods in his pockets. Lithograph by Victor Ratier after a caricature by Charles-Joseph Traviès de Villers.
14. Le Constitutionnel et le Juif errant
- Date:
- 1844
- Description:
- Black-and-white lithographed caricature depicting the publication of the "Juif errant" in the Constitutionnel trying to pull the fat and immobile newspaper. Eugène Sue's Le Juif errant was published serially in the the newspaper Le Constitutionnel from June 25, 1844, to August 26, 1845. Caricature by Honoré Daumier. In French, the text reads : "Allons! en route, mon vieux, en route........ si moi je ne parviens pas à vous faire marcher c'est que décidément votre infirmité sera par trop constitutionnelle!..." In English, the text reads : "Come on, old man, let's go, come on! If I can't even make you walk, then your infirmity is really a constitutional problem..." Plate 103 of the series Actualités, published in the March 31, 1844, edition of Le Charivari. Printed by Aubert & Cie., published by Chez Aubert, Pl. de la Bourse.
15. Hascheln! Habts Acht!
- Date:
- 1848-1849
- Description:
- Caricature of Jewish participation in the National Guard during the Revolutions of 1848. In German, the text reads : "Hascheln! Habts Acht! Mer sein jetzt gekümmen vor unsern Kümmandanten sein Haus. Regimentstrommler! Schlog ein Werbel, trrrrrrrr - soll ach Hoch leben." (On the banner) : "Profit. Gleiche Rechte mit den Christen!" In English, the text reads : "Attention! Pull yourselves together, troops! We are marching to our commander's house. Regiments, beat your drums!" (On the banner): "Profit. Equal rights with Christians!" Lithograph printed and published Vienna: F. Werner, Mariahilf.
16. Hascheln! Habts Acht!
- Date:
- 1848-1849
- Description:
- Caricature of Jewish participation in the National Guard during the Revolutions of 1848. In German, the text reads : "Hascheln! Habts Acht! Mer sein jetzt gekümmen vor unsern Kümmandanten sein Haus. Regimentstrommler! Schlog ein Werbel, trrrrrrrr - soll ach Hoch leben." (On the banner) : "Profit. Gleiche Rechte mit den Christen!" In English, the text reads : "Attention! Pull yourselves together, troops! We are marching to our commander's house. Regiments, beat your drums!" (On the banner): "Profit. Equal rights with Christians!" Lithograph printed Leipzig: J. G. Fritzsche.
17. Israelchen hat einen Ducaten verschluckt.
- Date:
- 1820
- Description:
- Black-and-white engraved caricature depicting little Israel having swallowed a ducat. In German, the text reads : "Das kleine Israelchen bemerkt, wie sein Tate Baruch eine so große Liebe für das Gold hat. Der Knabe denkt: 'Es muß doch seyn ebbes delicates um einen Ducaten!' Er kommt über des Etten Casse, sieht Ducaten, nimmt, leckt und -- verschluckt einen! - 'O wai geschrien!' - Es wird Lärm in Hause; der Kremnitzer muss wider ins Tageslicht. Israelchen wird auf den Tisch gesetzt. Tate Baruch attaquirt in Front mit Rhabarber, während Memme Rachel mit Lavements in den Rücken fällt. Pefselche, Schmul und Löbche - der seinen neuen Rock aus alten Beinkleidern an hat - harren ängstlich der Wiedergeburt ihres R 5,30,, mehr werthen Bruders; und siehe, das Goldsöhnchen lässt sie nicht länger warten! In English, the text reads : "Little Israel notices what a great love father Baruch has for money. The boy thinks: 'There must be something delicious about a ducat!' He comes to the case, sees the ducats, takes one, licks and - swallows one! 'Oy vey!' he yells. Noise takes over the house; the coin must be brought to daylight again. Little Israel is placed onto the table. Father Baruch attacks him from the front with rhubarb, while Mother Rachel gives him an enema in the back. Pefselche, Schmul, and Löbche - who is wearing a new skirt made out of old trousers - anxiously await the rebirth of their R 5,30,, worth from their brother; and look, the little gold son won't wait any longer!"
18. Israel in Wuth
- Date:
- 1848
- Description:
- Caricature of Moritz Mohl at a lectern during the 1848 Frankfurt Parliament, as other members of parliament approach him in anger. At the Frankfurt Parliament, Mohl argued against legal equality for Jews; he was constantly interrupted by other members of the assembly. Caricature by Alfons von Boddien. Lithograph printed Frankfurt am Main: Eduard Gustav May.
19. [Nu! Wie tragt der Mann sou schwär?...]
![[Nu! Wie tragt der Mann sou schwär?...]](https://iiif.library.cofc.edu/iiif/2/40658/full/200,/0/default.jpg)
- Date:
- 1848-1849
- Description:
- Black-and-white lithograph depicting a Jewish peddler and Gabriel Riesser, member of the Frankfurt Parliament, mocking Heinrich von Gagern, who is walking past carrying bags of money on both shoulders. In German, the text reads : --1ster Jud: "Nu! Wie tragt der Mann sou schwär?" --2ter Jud: "S'nit sou arig worum er tragt jou uf bade Achsle! Bey mei lang Lebe ich hab ka Kinesinne druf!" In English, the text reads : --First Jew: "Nu! How is that man carrying something so heavy?" --Second Jew: "It's not that hard, that's why he's carrying them on both shoulders! In my whole life, I've never thought of that! Printed Frankfurt am Main: C. Knatz.
20. Satyrisches Bild: Minister
- Date:
- 1848
- Description:
- Hand-colored engraivng with two scenes: now and then. In German, the text reads : Von jetzt: --"Herr Minister ich wünsche eine Anstellung im Ministerium!" --"Ist mir unendlich leid, aber sie sind bereits alle vergeben."--" So überlassen Sie mir die Ihrige!" --"Ach wollen sie gefälligst bedenken, dass die selber erst eine von Gestern ist!" Und damahls: --"Eure Excelenz dürfte ich in aller Unterthänigkeit zu hoffen wagen?!" --"Mir leid--gute Conduit--wie gesagt--noch zu jung--Adieu!" --"Dürfte ich vielleicht bei der nächsten--Vorrükung?!" --"Adieu!" In English, the text reads : From now: --"Mr. Minister, I wish to have a position in the Ministry!" --"I am terribly sorry, but all of the position have already been awarded."--" So leave me your own!" --"Oh, do you really think, that even that one is one of the past!" And back then: --"Your excellency, may I, with great obedience, dare to hope?!" --"My apologies--good conduit--as I said---still too young--Goodbye!" --"May I, perhaps by the next--Displacement?!" --"Goodbye!" Engraving by Andreas Geiger.
21. [Unser Verkehr]
![[Unser Verkehr]](https://iiif.library.cofc.edu/iiif/2/36480/full/200,/0/default.jpg)
- Date:
- 1822
- Description:
- Hand-colored etching of a scene from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). In German, the text reads : "Gaih! Gaih! - Los dich treten von de Leut, los dich werfen aus de Stuben, los dich verklagen bei de Gerichte, los dich hetzen ins Hundeloch, los dich binden mit Stricke und Ketten, los dich martern halb taudt! Aber du must doch werden reich!" In English, the text reads : "Go! Go! Let yourself be stepped on by people, let yourself be thrown out of rooms, let yourself be denounced to the courts, let yourself be pushed into kennels, let yourself be bound with cords and chains, let yourself be martyred half to death! But you must become rich!"
22. Unser Verkehr: Eine kleine erbauliche Bildergallerie, aufgenommen nach dem Leben
- Date:
- 1819
- Description:
- Sheet with hand-colored etchings of Jewish characters from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Engraving by Johann Michael Voltz.
23. Unser Verkehr nach der neuesten Darstellung
- Date:
- 1819
- Description:
- Sheet with hand-colored etchings of Jewish characters from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Engraving by Johann Michael Voltz.
24. Unser Verkehr nach der neuesten Darstellung
- Date:
- 1819
- Description:
- Sheet with hand-colored etchings of Jewish characters from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Engraving by Johann Michael Voltz.
25. [Unser Verkehr]
![[Unser Verkehr]](https://iiif.library.cofc.edu/iiif/2/36477/full/200,/0/default.jpg)
- Date:
- 1822
- Description:
- Hand-colored etching of a scene from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). In German, the text reads : --Polckwitzer: "Lydie - meine Tochter - mein Haupt-Capital - mein Alles! Da staiht ä Mann, ä talentvoller Mann, ä geschickter Mann, ä reicher Mann, ä theurer Freund! Er will haben deine kunstreiche Hand, deine schaine Stimme, deinen witzigen Kopf, deine angenehme Manieren, deine vortreffliche Person - er will dich heirothen, - Wirst de sogen Nein?" In English, the text reads : -- Polckwitzer: "Lydia - my daughter - my capital asset - my everything! There stands a man, a talented man, a clever man, a rich man, a loyal friend! He would like to have your artful hand, your beautiful voice, your witty mind, your pleasant manner, your excellent character - he wants to marry you, - Will you say no?"
26. Unser Verkehr
- Date:
- 1819
- Description:
- Hand-colored etching of a scene from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Etching by Johann Michael Voltz. In German, the text reads : "Gaih! Gaih! - Loss dich tretten von de Leit, loss dich warfen aus de Stuben, loss dich verklagen bey de Gerichte, loss dich setzen ins Hundeloch, loss dich binden mit Strick und Ketten, loss dich martern halb taud! Aber du musst doch werden raich!" In English, the text reads : "Go! Go! Let yourself be stepped on by people, let yourself be thrown out of rooms, let yourself be denounced to the courts, let yourself be pushed into kennels, let yourself be bound with cords and chains, let yourself be martyred half to death! But you must become rich!"