Black-and-white offset print reproduction of the interior of the Synagogue de Nazareth, located on the Rue Notre-Dame-de-Nazareth, in Paris during the funeral service of Commandant Léon Franchetti, killed in the battle of Champigny. Published in the December 16, 1871 edition of L'Univers illustré.
Black-and-white wood engraving of the Tomb of Benei Hezir and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. From Palästina in bild und wort : Nebst der Sinaihalbinsel und dem lande Gosen by Georg Ebers, published Stuttgart: Deutsche Verlags-Anstalt.
Black-and-white offset print reproduction of the Tomb of Zechariah in Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Black-and-white offset print reproduction of the Tomb of Absalom in Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Black-and-white offset print reproduction depicting the procession of the Torah scrolls during the dedication of the synagogue in Versailles. Published in the October 23, 1886, edition of Frank Leslie's Illustrated Newspaper.
Black-and-white offset reproduction depicting the use of tefillin during prayer. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Black-and-white offset print reproduction of the interior of the Nineteenth Street Synagogue, former location of Congregation Shearith Israel at the corner of 19th Street and 5th Avenue in New York, on the occasion of its consecration. Published in the September 29, 1860, edition of Frank Leslie's Illustrated Newspaper.
Black-and-white offset print reproduction of a Jewish man from Poland, described of a "Polish Jew of rank." From the article "Poland over-ground and under-ground" by John Ross Browne, published in the November 1862 edition of Harper's New Monthly Magazine.
Black-and-white offset print reproduction of Jewish men from Poland. From the article "Poland over-ground and under-ground" by John Ross Browne, published in the November 1862 edition of Harper's New Monthly Magazine.
Hand-colored engraved map of Palestine, with an inset map of Jerusalem. From Johnson's new illustrated (steel plate) family atlas : with descriptions, geographical, statistical and historical published / compiled, drawn and engraved under the supervision of J. H. Colton and A. J. Johnson, published New York: Johnson and Browning.
Caricature by Leon Barritt published in the March 1881 edition of the New England Pictorial. The associated article reads : "From an American point of view the opposition to the Jews, which has lately been revived in Germany, seems to be due partly to a survival of the unchristian spirit of medieval Christianity, but more immediately to the hatred which thrift always inspires in the unthrifty. The military ardor which has converted Germany into a great camp has drafted the flower of German youth into army barracks, and diverted the best energy of the people from productive pursuits. At the same time it has impoverished the masses by indirect heavy taxes to support the military establishment, and still heavier indirect taxes in cutting off the supply of productive labor. Though many Jewish youth in Germany have proved the native courage of the race on recent battlefields, the more peaceful instincts of the race have led them to seek in commerce and in the professions the distinction which the Christian youths have looked for in military and official positions. And now the cry is that the Jews monopolize the sources of wealth, and that they crowd the professions and other pursuits of peace and profit. The charge is doubtless largely true, but that fact is as much to the honor of the Jews as it is to the dishonor of those whose lower civilization has allowed them to be distanced in the competitions of peaceful industry, intelligence, persistence and thrift. If the physically and numerically weaker race can distance their stronger and more numerous competitors in the arts of peace, the fact must be taken as evidence that mind counts for more than stature, and thrift and labor for more than military ardor, in the free conflicts of modern civilization."
Caricature by Frederick Burr Opper published in Puck. The text reads : --Mrs. Blazenheimer: "Vot vas der drubble ofer dere?" --Mr. Flamberg: "It's dot fool feller, Smokenstein;--he vas bound to come here dressed as a fireman--und dey vas pudding him oud!"
Caricature by Eugene Zimmerman published in Judge. The text reads : 1 --Abraham: "Ha! Vats dot?" --Levy: "I tink I make dot a berminent sign. He can't get around dot." 2 --Abraham: "Let me tink." --Levy: "Dot sign is berminent, you bet." 3 --Abraham: "I gits square on dot Levy." --Levy: "Dot's nice, don't it?" 4 --Abraham: "!!!" --Levy: "---"
Caricature published in Judge depicting the merchandise of a store for four weather conditions : very dry and sultry; clear and warmer; cloudy and occasional showers; and cold wave with indications of snow.
Hand-colored engraved map of Palestine. From Colton’s General atlas : containing one hundred and eighty steel plate maps and plans, on one hundred and nineteen imperial folio sheets / drawn by G. Woolworth Colton ; letter-press descriptions, geographical, statistical, and historical, by Richard Swainson Fisher, published New York: G.W. & C.B. Colton.
Hand-colored engraved map of Palestine. From Colton's atlas of the world : illustrating physical and political geography, Volume 2, by George Woolworth Colton, published New York: J.H. Colton and Company.
Caricature by Joseph Ferdinand Keppler published in the December 25, 1878, edition of Puck. The associated article reads : "It is to be regretted that Mr. Hilton is as unsuccessful as a dry-goods man and a hotel keeper as he notoriously was as a jurist. But the fact remains. He took it upon himself to insult a portion of our people, whose noses had more of the curvilinear from of beauty than his own pug, and he rode his high hobby-horse of purse-proud self-sufficiency until he woke up one day to find that the dry-goods business was waning—growing small by degrees and beautifully less. Then Mr. Hilton arouses himself. He turns his great mind from thoughts of the wandering bones of Stewart; he brings the power of his gigantic brain to bear upon the great question. ‘How shall I revive trade?’ He remembers that he had insulted the Jews. Aha! we’ll conciliate them. So out of the coffers that A. T. Stewart filled he gropes among the millions, and orders the trustees of a few Hebrew charities to bend the pregnant hinges of their knees at his door, and receive a few hundred dollars. But in this country the Jew is not ostracized. He stands equal before the law and before society with all his fellow-citizens, of whatever creed or nationality. And the Jew has stood up like a Man and refused to condone the gross and uncalled-for insults of this hap-hazard millionaire, merely because he flings the offer of a thousand dollars in their faces. All honor to the Jews for their manly stand in this instance. Trampled upon, scourged, banished as they have been for centuries under the ban of religious persecution, at last they find a land in which they have rights equal with all their fellow-countrymen. They have in this instance asserted their rights, and have dared to maintain their self-respect. It is the verdict of all thinking men that in everything he has done, from the Grand Union Hotel, and the Women’s Home, down to Stewart’s grave, Hilton has been a magnificent failure—and the Jews have won a grand success."
Caricature by Eugene Zimmerman published in the October 1897 edition of Funny Pictures, published by the Judge Publishing Company. The text reads : --Mrs. Cohen (sternly): "Shakop und Ikey, ged your heads under cover! Here gomes dot gonductdor to dake ub mein ticket alretty."
Caricature by Frederick Burr Opper published in the May 11, 1881, edition of Puck. The caption reads : "How they may make themselves independent of the watering place hotels."
Caricature by Charles Jay Taylor published in the August 8, 1888, edition of Puck. The text reads : --Ben and Levi: "You can haf dose clodings sheap, und we treat you mit a drink und a cigar! --Workingman: "Bah! You've been using those old togs for a sign for over twenty-five years. I'm going down to Cleveland's Free-Wool Emporium!"
Caricature by Eugene Zimmerman published in Judge. The text reads : 1 "Coom in, mein frendt, und dry on dis eleven-dollar suit. Id vill cost you noddings to do so." 2 "Dot suit vos made for you, mein frendt. Take id for nine dollars." 3 "Dere you are, my dear sir. Der Prindts of Wales couldn't be better suited." 4 "Donner and blitzen! Dot man's got a fit, und dot elegand suit vill be ruined." 5 "That was a happy thought. He won't bother me no more with his old clothes."
Caricature by Frederick Burr Opper published in the August 12, 1884, edition of Puck. The caption reads : "When 'honest men' fall out, thieves have to suffer."
Caricature by Franklin Morris Howarth published in Puck. The text reads : 1 --Mr. Dawson: "Ah! I like these blustery, windy mornings." 2 --Mr. Dawson: "Phew! That was a gust." 3 --Itinerant hat collector: "Dings vas gomin' my vay. Dot vas a good ringer." 4 --Itinerant hat collector: "I vill schoost gover it mit dis odder von." --Mr. Dawson: "I don't wear cape coats after this. Where's my hat?" 5 --Mr. Dawson: "Well, I'll be hanged! My hat nowhere in sight. It must have blown over that wall. Well, I'm in a pretty fix! I'll catch my death of cold, bareheaded in this wind." 6 --Mr. Dawson: "Ah! Perhaps this Jew will sell me one of those hats. Have you a hat there to fit me, my friend? " 7 --The itinerant collector: "Dot vas too pad your hat plows over der vall. Yes, I haf a hat vat I schoost pought from Mr. Vanderbildt. Ach! So hellup me gracious! It vas schoost your size, undt I sell him for t'ree tollar." 8 --Mr. Dawson: "Mary, I had a very funny experience. My hat blew off and went over a garden wall. A hat peddler came along just in the nick of time and sold me this one for three dollars. It is just as good as new." 9 --Mrs. Dawson (in disgust): "James Dawson, there are no fools like an old fool! You had better wear a bonnet tied on with strings the next time you go out in the wind. This is your own hat, and has your name inside."
Hand-colored wood engraving of a hunchbacked Jewish man, Jaapje Blok, who hires himself out as a lectern at the Amsterdam Stock Exchange. Wood engraving by Henricus Adrianus (Henri) Bogaerts. Published in De katholieke illustratie : zondags-lektuur voor het katholieke Nederlandsche volk.
Black-and-white engraved portrait of Clarissa Bischoffsheim, wife of financier Henri Louis Bischoffsheim. Engraving by Goupil & Cie after a painted portrait by John Everett Millais. From The Chefs-D'Oeuvre d'Art of the International Exhibition, 1878, published by Gebbie & Barrie.
Black-and-white etched portrait of Clarissa Bischoffsheim, wife of financier Henri Louis Bischoffsheim. Etching by Charles Albert Waltner after a painted portrait by John Everett Millais. Published in L'Art.
Black-and-white offset print reproduction with a portrait of financier and philanthropist Sir Moses Montefiore. Published in the October 27, 1883, edition of The Graphic.
Black-and-white offset print reproduction of the original building of the B'nai El Congregation at Sixth and Cerre Streets in St. Louis. Published in the November 1863 edition of Ballou's Dollar Monthly Magazine.
Black-and-white offset print reproduction of the exterior of the former location of Congregation Beth Israel on Crown Street in Philadelphia. From The stranger's guide in Philadelphia, published Philadelphia: Lindsay & Blakiston.
Black-and-white offset print reproduction depicting a Jewish musician in Mogadore (Essaouira). Published in the April 1863 edition of Ballou's Dollar Monthly Magazine.
Sheet music for "Valse chantée au 2me acte du drame : le juif polonais," words by Emile Erckmann and Alexandre Chatrian; music by Etienne Singla, published Paris: E. Gérard.
Black-and-white offset print reproduction depicting a fantasy inspired by violinist Henri Wieniawski's performance of Paganini's Carnival of Venice. Published in the April 17, 1858, edition of L'Illustration, journal universel.
Black-and-white offset print reproduction with a portrait of actress Rachel Félix, known as Mademoiselle Rachel, as well as a compilation of scenes from her performances in Andromaque, Horace, and Adrienne Lecouvreur. The print accompanies an obituary published after her death on January 3, 1858. Published in the January 16, 1858, edition of L'Illustration, journal universel.
Black-and-white offset print reproduction of actress Rachel Félix, known as Mademoiselle Rachel, in costume as the title character in Jean Racine's tragedy Phèdre. Published in the September 22, 1855, edition of Ballou's Pictorial Drawing-Room Companion.
Black-and-white lithographed portrait of cantor and composer Salomon Sulzer. Drawn and lithographed by David Moses (1879-1902), called Mosé. Printed by Joh. Haupt, Vienna.
Black-and-white offset print reproduction with a portrait of author Israel Zangwill. From a painted portrait by Solomon J. Solomon. Published in the January 19, 1895, edition of The Graphic.
Black-and-white offset print reproduction of Jewish merchants from Poland. From a drawing by Eugène Joseph Viollat. From Ridpath's universal history, Volume 5, by John Clark Ridpath.
Black-and-white offset print reproduction of Jews from Russia at a peasant market. Illustration by Frederic Remington. From the article "The Russian and his Jew" by Poultney Bigelow, published in the March 1894 edition of Harper's New Monthly Magazine.
Black-and-white offset print reproduction of Jews from Poland. From a drawing by Francis David Millet. From the article "Through the Caucasus" by Ralph Meeker, published in the April 1887 edition of Harper's New Monthly Magazine.
Black-and-white offset print reproduction of the interior of the New Synagogue in Berlin. Published in the September 22, 1866, edition of The Illustrated London News.
Black-and-white offset print reproduction of the interior of the New Synagogue in Berlin. From an original drawing by Gottlob Theuerkauf. Published in the January 5, 1867, issue of the Illustrirte Zeitung.
Black-and-white offset print reproduction of the interior of the old Main Synagogue in Munich. From a photograph. Published in the October 8, 1887, edition of the Illustrirte Zeitung.
Black-and-white offset print reproduction with a portrait of cantor and composer Salomon Sulzer. Published in the March 15, 1884, edition of the Illustrirte Zeitung.
Black-and-white etched portrait of artist Jozef Israëls. Etching by Charles L. Courtry after a drawing by Israëls. Published London July 18, 1883, by The British & Foreign Artists' Association.
Black-and-white offset print reproduction with a portrait of jurist Sir George Jessel. Published in the March 31, 1883, edition of The Illustrated London News.
Black-and-white lithographed portrait of Rabbi Samuel Holdheim, rabbi in Frankfurt an der Oder. Lithograph by Dümmler after a drawing by Wollenberg. Published by Gebrüder Rocca in Berlin and Göttingen.
Black-and-white offset print reproduction of individuals at the Leipzig Trade Fair, including a Jew from Poland. From the article "Leipsic and its Fair" by Thomas Emmette, published in Scribner's Monthly, Volume 2, Issue 2 (June 1871).
Black-and-white offset print reproduction of Tisha B'Av in the synagogue. From The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies, published London: Religious Tract Society.
Black-and-white offset print reproduction of Shavuot in the synagogue. From The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies, published London: Religious Tract Society.
Black-and-white wood engraving depicting the tomb of Rabbi Simeon bar Yochai in Meron, site of celebrations for Lag BaOmer. Engraving after a drawing by Henry Fenn. From Picturesque Palestine, Sinai, and Egypt, Volume 1, edited by Charles William Wilson, published New York : D. Appleton and Co., 1881-1884.
Black-and-white offset print reproduction depicting Rosh Hashanah in the synagogue. From The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies, published London: Religious Tract Society.
Caricature published in the Düsseldorfer Monathefte, Band 9, No. 15. In German, the text reads : --Ascher: "Gott verhüt's Isaac - treff ich dich - in solcher Gesellschaft - so ist's wahr - bist geworden ein Goy - wenn dies dei Äti wüßt - würd er sich umdrehen im Grab." --Isaac: "Gott - Nu Ascher - was soll's - in 3 Wochen wird mein Bruder ach Christ - da dreht sich der Äti noch enmal um - so kummt er wieder in seine vorige Lage." In English, the text reads: --Ascher: "God forbid Isaac - I come upon you - in such company - so it's true - you have beomce a goy - if Äti knew that - he would roll over in his grave." --Isaac: "God - Nu Ascher - so what - in three weeks my brother will be a Christian as well - then Äti will roll over one more time - this way he will return to his original position."
Caricature published in the Düsseldorfer Monathefte, Band 8, No. 12. In German, the text reads : --Levi: "Wai - ich sterbe - ich hab jedem von Euch vermacht, 8000 Thaler, mein Sohn soll sie Euch auszahlen nach Jahresfrist." --Erben: "Warum erst nach Jahresfrist, Herr Levi?" --Levi: "Nu - bezahlt mir den Diskonto, so will ich's so ins Testament setzen, dass Ihr sie gleich kriegen könnt." In English, the text reads: --Levi: "Oh - I'm dying - I have bequeathed each of you 8000 Thaler, my son will disburse them to you after a year." --Heirs: "Why only after a year?" --Levi: "Nu - Pay off my discount for me, then I will put it in the will, that you all can receive it right away." Discounting is a financial mechanism in which a debtor obtains the right to delay payments to a creditor in exchange for a charge or fee.
Caricature published in the Düsseldorfer Monathefte, Band 8, No. 25. In German, the text reads : --"Ach so Männecken! Gut dass ick Ihnen treffe! Sie sind ja der famose Kleider-händler aus die Bolkerstrasse! Ick wollte grade zu Ihnen mir uff den Sommer ee-nen neuen Pariser Paletôt koofen! Da ick Ihnen nu treffe können Sie mich gleich den Ihrigten überlassen!!" In English, the text reads : --"Oh, mate! Good that I'm running into you! You're the famous clothing merchant from Bolker Street! I was just on my way to you, to buy myself a new Parisian overcoat for the summer! Now that I've run into, you can give me your own!!"
Caricature published in the Düsseldorfer Monathefte, Band 6, No. 42. In German, the text reads : --"Härsch, wo iss dein Bruder?" --"Gott soll hüte, er iß uff'm Rathhaus, dort wird er abgewandelt mit Fünfe-zwanzig, weil er hat getriebe en Hausierhandel im Ruckfall." --"No siehst de." Handel bringt Wandel. In English, the text reads : "Härsch, where is your brother?" --"May God protect us, he is at city hall, that's where he's going to be in the reformatory for 25 years, because of a subsequent offense for peddling." --"You see?" "Trade brings change!"
Hand-colored steel engraving depicting the Roman Ghetto. Engraving by Samuel Valentine Hunt after a painting by Louis Haghe. From Picturesque Europe, published London: Cassell, Petter, Galpin & Co.
Caricature by Bernhard Gillam published in Puck. The caricature depicts William Walter Phelps, Murat Halstead, and Joseph Medill standing at the "Solomon's Wall" of Blainiac Republicans (referring to James Gillespie Blaine), which is labeled with the words "party patronage." William M. Evarts is shown approaching the wall. In German, the text reads : "Die Juden von Jerusalem versammeln sich noch heutzutage an der sog. 'Salomon’s Mauer' der Tempel-Ruinen und wehklagen über die verschwundene Herrlichkeit Israel’s." In English, the text reads : "The Jews of Jerusalem gather even today in front of what is called "Salomon's Wall" (Western Wall) of the Temple ruins and lament the vanished glory of Israel."
Black-and-white lithograph of the Western Wall in Jerusalem. Lithograph by Thomas Picken after Ermete Pierotti. Printed by Day & Son. From Jerusalem explored, being a description of the ancient and modern city, Volume 2, by Ermete Pierotti, published Cambridge: Deighton, Bell, and Co.; London: Bell and Daldy.
Black-and-white wood engraving of the Western Wall in Jerusalem. From an illustration by Isaac Snowman. Published in the June 4, 1898, edition of The Illustrated London News.
Black-and-white offset print reproduction depicting Hanukkah in the synagogue. The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies, published London: Religious Tract Society.
Black-and-white offset print reproduction of Hermann Junker's painting Das Neumondgebet. Published in Über Land und Meer, Jahrgang 28, Band 56, Heft 32.
Black-and-white offset print reproduction of the Western Wall in Jerusalem. From Jerusalem, Bethany and Bethlehem by J. L. Porter, published London: T. Nelson.
Caricature of a Jewish man asking another man for advice. In German, the text reads : --Jude: "Herr Major - as Sie mir sind genannt worden als ein Mann von Ehr - wollt ich mich bei Ihnen informiere - ich hab gekriegt ne Ohrfeige vom Herr Lieutenant Sibitz, was hab ich zu thun in der difficile Sach?" --Major: "Da müssen Sie sich mit ihm schiessen." --Jude: "Gott, er kann todt bleiben und ich kann todt bleiben - und ich bin verheirathet." --Major: "Da muss einer von Ihnen wenigstens Homburg verlassen." --Jude: "Gott er ist zu seinem Vergnügen heir und ich für meine Gesundheit, wer soll weichen?" --Major: "Nun ich würde mir aus eine Ohrfeige so sehr viel nicht machen." --Jude: "Gott Herr Major, wenn Sie sich nir d'raus machen als en Mann von Ehr, ich mach mir gewis nichts d'raus!" In English, the text reads : --Jew: "Mr. Major - as you have been referred to me as a man of honor - I want you to advise me - I received a slap in the face from Mr. Lieutenant Sibitz, what do I have to do in this difficult situation?" --Major: "You must have a shoot out with him." --Jew: "Oh God, he could be left dead and I could be left dead - and I am married." --Major: "Then at least one of you must leave Hamburg." --Jew: "Dear God, he's here for pleasure, and I'm here for my health, who should budge?" --Major: Well, I wouldn't make so much over a slap in the face." --Jew: Oh God, Mr. Major - if you wouldn't make anything of this as a man of honor, then I certainly won't make anything of it!"
Caricature published in the Düsseldorfer Monathefte, Band 9, No. 46. In German, the text reads : --"Ach, mein Sohn, der Abraham, s'is ein Jung, hab ich doch nicht an ihn gewandt umsonst all das scheine Geld und de Kosten! - hab ich ihn gefragt; Abraham hab ich gesagt, was willst de dann werden? - 'Nun da werd ich Vitriol, hat er gesagt,' Ach wie heisst Vitriol? - 'Gott, Vater, da kann ich mer fressen überall dorch!'" In English, the text reads : --"Oh, my son, Abraham, he's a young boy, I have not appealed to him yet, all that beautiful money and the costs! -- So I asked him; Abraham, I said, what do you want to be? -- "Now, I'm going to become a Vitriol, he said" Oh, and what does vitriol mean?-- "God, Father, it's where I can eat more than everywhere else!"--
Caricature published in the Düsseldorfer Monathefte, Band 9, No. 45. In German, the text reads : --"Na, schaun's was laufen Se immer an mei Haus vorbei, und kuke, und wolle doch nicks mache?" --"Jott, komm ich vorbei an's Haus, denk ich immer, hab' ich z' Haus nur e' ganze kleine Boutique, un bin schuldig sau viel, wenn Se aber haben saune irausse, Gott müssen Sie erst viel, sähre viel sein schuldig!" In English, the text reads : --"Now, I see that you always walk past my house, and watch, and you don't want to do anything?" --"When I come past the house, I always think, at home I've got a very small boutique, and owe so much, but you've got a ton of space, God must owe you a lot!
Caricature published in the Düsseldorfer Monathefte, Band 9, No. 17. In German, the text reads : --Meyer: "Nun wie geht's?" --Moses: "Ach ich bin nur gesund." --Meyer: "Was willst du sagen mit deinem nur?" --Moses: "Was ich will sagen? Als ich hob nischt verdient, was thu ich mit der Gesundheit? Wär ich krank, hätt ich doch weniger Appetit." In English, the text reads : --Meyer: "Well how's it going?" --Moses: "Oh, I'm just healthy." --Meyer: "What are you trying to say with your 'just'? --Moses: "What am I trying to say? If I did not deserve it, what am I going to do with good health? If I were sick, I'd have less of an appetite."
Color lithographic maps showing the dispersal of the descendants of Noah after the flood, and the twelve tribes of Israel, with additional biblical maps. From Cram's universal atlas : geographical, astronomical and historical by George F. Cram, published Chicago: George F. Cram.
Color maps of ancient and modern Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature by William Smith, published Philadelphia: John C. Winston Company.
Color lithographic map of Jerusalem. From Cram's universal atlas : geographical, astronomical and historical by George F. Cram, published Chicago: George F. Cram.
Black-and-white lithographed portrait of Chief Rabbi Maier Zipser (1815-1869). Published in Beth-el : Ehrentempel verdienter ungarischer Israeliten by Ignaz Reich.
Black-and-white etching of the Old Jewish Cemetery in Frankfurt am Main. Etching by Bertha Bagge. From Aus dem alten Frankfurt by Bertha Bagge, published Frankfurt am Main: Reitz & Köhler, 1891-1896.
Black-and-white wood engraving depicting the vestments of a Jewish high priest. From Aunt Charlotte's stories of Bible history for young disciples : designed for the 52 Sundays in the year containing, over 100 stories from the Holy Book, embracing instructive historical events from the Old and New Testaments by Charlotte M. Yonge.
Facsimile reproduction of a black-and-white etched portrait of physician Ephraim Bonus (also called Ephraim Bueno). Original etching by Rembrandt. Reproduction printed by the Reichsdruckerei Berlin.
Sheet music for "Oh fatherland dearest! : the song of a Jewish maiden," words by Charles Jefferys; music by Stephen Glover, published London: C. Jefferys.
Black-and-white offset print reproduction depicting the priestly blessing. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
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William A. Rosenthall Judaica Collection - Prints and Photographs✖[remove]541
![[Jozef Israëls]](https://iiif.library.cofc.edu/iiif/2/52690/full/200,/0/default.jpg)
![[Ungarischen Israeliten]](https://iiif.library.cofc.edu/iiif/2/52686/full/200,/0/default.jpg)
![[Paque]](https://iiif.library.cofc.edu/iiif/2/48937/full/200,/0/default.jpg)
![[Gott verhüt's Isaac - treff ich dich…]](https://iiif.library.cofc.edu/iiif/2/40177/full/200,/0/default.jpg)
![[Wai - ich sterbe - ich hab jedem von Euch vermacht…]](https://iiif.library.cofc.edu/iiif/2/40178/full/200,/0/default.jpg)
![[Härsch, wo iss dein Bruder?...]](https://iiif.library.cofc.edu/iiif/2/40180/full/200,/0/default.jpg)
![[Wailing-place of the Jews. A portion of the ancient wall of the temple enclosure.]](https://iiif.library.cofc.edu/iiif/2/40023/full/200,/0/default.jpg)
![[Herr Major - as Sie mid sind genannt worden als ein Man von Ehr…]](https://iiif.library.cofc.edu/iiif/2/39977/full/200,/0/default.jpg)
![[Ach, mein Sohn, der Abraham…]](https://iiif.library.cofc.edu/iiif/2/39978/full/200,/0/default.jpg)
![[Na, schaun's was laufen Se immer an mei Haus vorbei…]](https://iiif.library.cofc.edu/iiif/2/39979/full/200,/0/default.jpg)
![[Nun wie geht's?...]](https://iiif.library.cofc.edu/iiif/2/39980/full/200,/0/default.jpg)
![[Ephraim Bonus]](https://iiif.library.cofc.edu/iiif/2/39793/full/200,/0/default.jpg)
