Caricature by Franklin Morris Howarth published in Puck. The text reads : 1 --Mr. Hockheimer: "Ach! Mein Gott, Shakop, vy you vaste your dime ofer dot foolish pook--over dot crazy fool pusiness about dot palmistry. Dot vill nefer do you no goot votefer." --Hockheimer, Jr.: "Oh! Don't vorry, Fader--it maype gomes in handy some day." 2 --Mr. Hockheimer (after trying in vain for over an hour to fit customer with hat): "Vait, don't go, mein frendt; I see vot I gan do." 3 --Mr. Hockheimer (in anguish): "Oh! Shakop, mein sohn! Dish vas awful. I loose me a gustomer. Efery hat in der store ish too pig for his head. Vot vill I do me?" --Hockheimer, Jr.: "Calm yourself, Fader. I tries vot I gan do." 4 --"Goot morning, Mister. Oh! yes; dot hat vas entirely too pig. Say! Mister, did you effer hear apout dot science of palmistry, vot dells your fortune py der lines on your handt? Gif me your handt, I tells you." 5 --"You vas porn under a lucky planet. Your line of life vas goodt undt long, you vill live to old age." 6 --"Your power for knowledge is enormously developed. You vill become a prilliant man--a scholar, a statesman, perhaps der President. You vas a porn leader of men--like Napoleon." 7 --"You have great powers of concentration and determination--you vill succeed in votefer you underdakes." 8 --"Fader, you must have made some mistakes. Any of dese hats vill fit der great schentlemans. Give me a larger size. Goot." 9 --Mr. Hockheimer (falling on his son's neck): "Oh! mein sohn, der pride of mein life. I dakes you in bartnership tomorrow."
Caricature of Jewish participation in the National Guard during the Revolutions of 1848. In German, the text reads : "Hascheln! Habts Acht! Mer sein jetzt gekümmen vor unsern Kümmandanten sein Haus. Regimentstrommler! Schlog ein Werbel, trrrrrrrr - soll ach Hoch leben." (On the banner) : "Profit. Gleiche Rechte mit den Christen!" In English, the text reads : "Attention! Pull yourselves together, troops! We are marching to our commander's house. Regiments, beat your drums!" (On the banner): "Profit. Equal rights with Christians!" Lithograph printed and published Vienna: F. Werner, Mariahilf.
Caricature of Jewish participation in the National Guard during the Revolutions of 1848. In German, the text reads : "Hascheln! Habts Acht! Mer sein jetzt gekümmen vor unsern Kümmandanten sein Haus. Regimentstrommler! Schlog ein Werbel, trrrrrrrr - soll ach Hoch leben." (On the banner) : "Profit. Gleiche Rechte mit den Christen!" In English, the text reads : "Attention! Pull yourselves together, troops! We are marching to our commander's house. Regiments, beat your drums!" (On the banner): "Profit. Equal rights with Christians!" Lithograph printed Leipzig: J. G. Fritzsche.
Black-and-white engraving depicting Jewish holiday rituals, including eating in a sukkah during Sukkot, a haircut during Lag BaOmer, providing treats to children for Simchat Torah, and kiddush levana on Rosh Chodesh. From Philologus hebræo-mixtus by Johannes Leusden, published Basileæ, apud E. & J.R. Thurnisios, fratres.
Black-and-white etching of the interior of the former location of Congregation Adath Jeshurun at North Broad and Diamond Streets in Philadelphia. Engraving signed by artist Henry Cooper.
Black-and-white offset print reproduction depicting the funeral of Rabbi Nathan Marcus Adler at the Willesden United Synagogue Cemetery. Published in the February 1, 1890, edition of The Illustrated London News.
Mezzotint of Rabbi Nathan Marcus Adler, Chief Rabbi of the United Hebrew Congregations of the British Empire. Engraving by George Zobel after a painting by Kempf. London: Published February 4, 1852, by Messrs. Jones & Co., 1 Blomfield Rd. Maida Hill.
Hand-colored engraving of the 1790 contest between boxer Daniel Mendoza and his former mentor Richard Humphries. Originally published in London on October 9, 1790, by S. W. Fores. From the 1904 edition of The reminiscences of Henry Angelo, Volume 2.
Black-and-white engraved map of the Aegean Sea, with portions of Greece and Turkey. From Samuelis Bocharti Geographia sacra, : cujus pars prior Phaleg de dispersione gentium & terrarum divisione facta in ædificatione turris Babel; pars posterior Chanaan de coloniis & sermone Phœnicum agit... by Samuel Bochart, published: Francofvrti ad Moenvm, impensis Johannis Davidis Zunneri; typis Balthasaris Christophori Wustii.
Black-and-white offset print reproduction of the exterior and interior of the Hamburg Temple (Israelitischer Tempel) in the Poolstraße, on the occasion of the inauguration on September 5, 1844. Published in the Illustrirte Zeitung.
Black-and-white offset print reproduction of the interior of the Great Synagogue of Stockholm. Published in the October 2, 1870, edition of llustreret Tidende.
Black-and-white offset print reproduction of Alphonse Mucha's poster for Victorien Sardou's play Gismonda, which premiered in 1894 at the Théâtre de la Renaissance. The poster shows actress Sarah Bernhardt in costume as the play's title character. Published in a supplement to Le Courrier français, January 6, 1895.
Black-and-white engraved map of Spain, Italy, and North Africa. From Samuelis Bocharti Geographia sacra, : cujus pars prior Phaleg de dispersione gentium & terrarum divisione facta in ædificatione turris Babel; pars posterior Chanaan de coloniis & sermone Phœnicum agit... by Samuel Bochart, published: Francofvrti ad Moenvm, impensis Johannis Davidis Zunneri; typis Balthasaris Christophori Wustii.
Black-and-white offset print reproduction depicting Jewish refugees from Morocco during the Spanish-Moroccan War. Published in the January 21, 1860, edition of Frank Leslie's Illustrated Newspaper.
Color lithograph including depictions of Jewish women from Algiers. Lithograph by Daniel Urrabieta Vierge. Printed Paris: Imp. Firmin Didot et Cie. From Le costume historique, Volume 3, by Auguste Racinet, published Paris: Firmin-Didot et Cie.
Color lithograph depicting people of Algeria, including a Jewish man. Lithograph by Jean-Adolphe Bocquin after Felix Fossey. From Le monde en estampes : types et costumes des principaux peuples de l'univers by Élizabeth Müller, published Paris: Amédée Bédelet.
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