Caricature by Eugene Zimmerman published in Judge. The text reads : -- Reuben (angrily): "I'll trouble you to let me by!" --Cohn brothers: "Let you buy? Certainly! Come right in! No trouble to show goots."
Caricature by Franklin Morris Howarth published in Puck. The text reads : 1 --Mr. Dawson: "Ah! I like these blustery, windy mornings." 2 --Mr. Dawson: "Phew! That was a gust." 3 --Itinerant hat collector: "Dings vas gomin' my vay. Dot vas a good ringer." 4 --Itinerant hat collector: "I vill schoost gover it mit dis odder von." --Mr. Dawson: "I don't wear cape coats after this. Where's my hat?" 5 --Mr. Dawson: "Well, I'll be hanged! My hat nowhere in sight. It must have blown over that wall. Well, I'm in a pretty fix! I'll catch my death of cold, bareheaded in this wind." 6 --Mr. Dawson: "Ah! Perhaps this Jew will sell me one of those hats. Have you a hat there to fit me, my friend? " 7 --The itinerant collector: "Dot vas too pad your hat plows over der vall. Yes, I haf a hat vat I schoost pought from Mr. Vanderbildt. Ach! So hellup me gracious! It vas schoost your size, undt I sell him for t'ree tollar." 8 --Mr. Dawson: "Mary, I had a very funny experience. My hat blew off and went over a garden wall. A hat peddler came along just in the nick of time and sold me this one for three dollars. It is just as good as new." 9 --Mrs. Dawson (in disgust): "James Dawson, there are no fools like an old fool! You had better wear a bonnet tied on with strings the next time you go out in the wind. This is your own hat, and has your name inside."
Hand-colored engraving of Jewish clothes merchants. Engraving after a drawing by Gustave de Galard. From Recueil des divers costumes des habitans de Bordeaux et des environs by Edmond Géraud, published Bordeaux: Lavigne jeune.
Sheet music for "Der Yidisher Trauer-March," by Arnold Perlmutter and Herman Wohl, published New York: Hebrew Publishing Company. On cover: Inspired by and written for the demonstration of December 5th, 1905, participated by 250,000 citizens of greater New York in tribute to the memory of the victims of Russian brutal massacres.
Sheet music cover for "Le juif-errant : quadrille pour piano," composed by Philippe Musard, published Paris: E. Troupenas & Cie, London: R. Cocks, and Mainz: B. Schott.
Hand-colored wood engraving of a hunchbacked Jewish man, Jaapje Blok, who hires himself out as a lectern at the Amsterdam Stock Exchange. Wood engraving by Henricus Adrianus (Henri) Bogaerts. Published in De katholieke illustratie : zondags-lektuur voor het katholieke Nederlandsche volk.
Black-and-white engraved map depicting the dispersal of the descendents of Noah after the Tower of Babel. From Samuelis Bocharti Geographia sacra, : cujus pars prior Phaleg de dispersione gentium & terrarum divisione facta in ædificatione turris Babel; pars posterior Chanaan de coloniis & sermone Phœnicum agit... by Samuel Bochart, published: Francofvrti ad Moenvm, impensis Johannis Davidis Zunneri; typis Balthasaris Christophori Wustii.
Caricature by Gustave Frison depicting a Jewish stockbroker haggling over the terms of a trade outside the Paris Stock Exchange. He is portrayed as speaking French with a Yiddish accent.
Hand-colored lithographed caricature depicting a Jewish peddler with his wares. The caption, which translates to "All is not gold that glitters," implies that his wares might not be as valuable as they seem. Lithograph by Pierre Langlumé. Published Paris: Noël et Dauty.
Black-and-white engraved portrait of Clarissa Bischoffsheim, wife of financier Henri Louis Bischoffsheim. Engraving by Goupil & Cie after a painted portrait by John Everett Millais. From The Chefs-D'Oeuvre d'Art of the International Exhibition, 1878, published by Gebbie & Barrie.
Black-and-white etched portrait of Clarissa Bischoffsheim, wife of financier Henri Louis Bischoffsheim. Etching by Charles Albert Waltner after a painted portrait by John Everett Millais. Published in L'Art.
Black-and-white offset print reproduction with a portrait of financier and philanthropist Sir Moses Montefiore. Published in the October 27, 1883, edition of The Graphic.
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