Contract for the purchase of a seat in the women's gallery of the Synagogue de Nazareth, located on the Rue Notre-Dame-de-Nazareth, in Paris. Seat paid for by Anselme Halphen.
Black-and-white offset print reproduction of the interior of the Synagogue de Nazareth, located on the Rue Notre-Dame-de-Nazareth, in Paris during the funeral service of Commandant Léon Franchetti, killed in the battle of Champigny. Published in the December 16, 1871 edition of L'Univers illustré.
Black-and-white engravings depicting blowing the shofar on Rosh Hashanah at the Portuguese Synagogue in Amsterdam, above, and Yom Kippur at the Ashkenazi Obbene Shul in Amsterdam, below. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white engraving depicting Yom Kippur at the Ashkenazi Obbene Shul in Amsterdam. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Black-and-white engraving depicting blowing the shofar on Rosh Hashanah at the Portuguese Synagogue in Amsterdam. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Black-and-white engraving depicting blowing the shofar on Rosh Hashanah at the Portuguese Synagogue in Amsterdam. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
Black-and-white engraving depicting Yom Kippur at the Ashkenazi Obbene Shul in Amsterdam. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
Black-and-white woodcut depicting the ceremony of tashlikh. From Libellus de Judaica confessione by Johannes Pfefferkorn, published Cologne: Johannes Landen.
Black-and-white steel engraving of the Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. Engraving after a drawing by Louis François Cassas. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white wood engraving of the Tomb of Benei Hezir and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. From Palästina in bild und wort : Nebst der Sinaihalbinsel und dem lande Gosen by Georg Ebers, published Stuttgart: Deutsche Verlags-Anstalt.
Black-and-white offset print reproduction of the Tomb of Zechariah in Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Black-and-white steel engraving of the Tomb of Absalom, Tomb of Benei Hezir, and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white steel engraving of a sepulchral monument carved into the rock, near Jerusalem. Engraving after a drawing by Léon Gaucherel. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white offset print reproduction of the Tomb of Absalom in Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Black-and-white steel engraving of the Tomb of Absalom, Tomb of Benei Hezir, and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. Engraving by Thomas Heawood after a drawing by Alexius Geyer. Printed and published Leipzig: A. H. Payne.
Black-and-white steel engraving of the Tomb of Absalom and Tomb of Zechariah in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. Engraving after a drawing by Louis François Cassas. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes) in the Great Synagogue of Amsterdam. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes). From Het algemeen groot historisch, oordeelkundig, chronologisch, geografisch, en letterlyk naam- en woord-boek, van den gantschen H. Bybel by Augustin Calmet.
Black-and-white etching of a Jewish divorce. Etching by Jan Luyken. From Kerk-zeeden ende gewoonten die huiden in gebruik zijn onder de jooden by Leon Modena, published Amsterdam: Timotheus ten Hoorn.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes). From An historical, critical, geographical, chronological, and etymological dictionary of the Holy Bible, Volume 1, by Augustin Calmet, published London: Printed for J. J. and P. Knapton, etc.
Black-and-white engravings depicting a Jewish funeral, above, and a Jewish burial, below. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes) in the Great Synagogue of Amsterdam. Engraving by Pieter Tanjé after Louis Fabricius Dubourg. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 5, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white engraving depicting a Jewish burial. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Black-and-white engraving depicting the mikveh of the Great Synagogue in Amsterdam. Engraving by Caspar Jacobsz Philips after a drawing by Pieter Wagenaar, Jr. From Oude en tegenwoordige staat en geschiedenis van alle godsdiensten by William Hurd, Volume 1, published Amsterdam: M. de Bruyn, 1781-1791.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes) in the Great Synagogue of Amsterdam. Engraving after Bernard Picart. From A new univeral history of the religious rites, ceremonies and customs of the whole world by William Hurd, published Manchester: J. Gleave.
Black-and-white offset print reproduction depicting the procession of the Torah scrolls during the dedication of the synagogue in Versailles. Published in the October 23, 1886, edition of Frank Leslie's Illustrated Newspaper.
Black-and-white engraving depicting a Jewish circumcision. From Dictionnaire historique, critique, chronologique, geographique et litteral de la Bible, Volume 1, by Augustin Calmet, published Paris: Emery, Saugrain, & Pierre Martin.
Black-and-white offset reproduction depicting the use of tefillin during prayer. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Black-and-white engraving of tefillin (phylacteries), left and center, and a mezuzah, right. From Calmet's great dictionary of the Holy Bible : historical, critical, geographical, and etymological… by Augustin Calmet, published London: Printed for Charles Taylor.
Black-and-white engraving depicting tefillin (phylacteries). From Dictionnaire historique, critique, chronologique, geographique et litteral de la Bible, Volume 3, by Augustin Calmet, published Paris: Emery, Saugrain, & Pierre Martin.
Black-and-white engraving depicting Jewish ritual objects, including tefillin (phylacteries), mezuzah, shofar, kiddush cup, tefillin, and Torah scroll. From Philologus hebræo-mixtus by Johannes Leusden, published Basileæ, apud E. & J.R. Thurnisios, fratres.
Black-and-white offset print reproduction of the interior of the Nineteenth Street Synagogue, former location of Congregation Shearith Israel at the corner of 19th Street and 5th Avenue in New York, on the occasion of its consecration. Published in the September 29, 1860, edition of Frank Leslie's Illustrated Newspaper.
Black-and-white offset print reproduction of a Jewish man from Poland, described of a "Polish Jew of rank." From the article "Poland over-ground and under-ground" by John Ross Browne, published in the November 1862 edition of Harper's New Monthly Magazine.
Black-and-white offset print reproduction of Jewish men from Poland. From the article "Poland over-ground and under-ground" by John Ross Browne, published in the November 1862 edition of Harper's New Monthly Magazine.
Hand-colored engraved map of Palestine, with an inset map of Jerusalem. From Johnson's new illustrated (steel plate) family atlas : with descriptions, geographical, statistical and historical published / compiled, drawn and engraved under the supervision of J. H. Colton and A. J. Johnson, published New York: Johnson and Browning.
Caricature by Leon Barritt published in the March 1881 edition of the New England Pictorial. The associated article reads : "From an American point of view the opposition to the Jews, which has lately been revived in Germany, seems to be due partly to a survival of the unchristian spirit of medieval Christianity, but more immediately to the hatred which thrift always inspires in the unthrifty. The military ardor which has converted Germany into a great camp has drafted the flower of German youth into army barracks, and diverted the best energy of the people from productive pursuits. At the same time it has impoverished the masses by indirect heavy taxes to support the military establishment, and still heavier indirect taxes in cutting off the supply of productive labor. Though many Jewish youth in Germany have proved the native courage of the race on recent battlefields, the more peaceful instincts of the race have led them to seek in commerce and in the professions the distinction which the Christian youths have looked for in military and official positions. And now the cry is that the Jews monopolize the sources of wealth, and that they crowd the professions and other pursuits of peace and profit. The charge is doubtless largely true, but that fact is as much to the honor of the Jews as it is to the dishonor of those whose lower civilization has allowed them to be distanced in the competitions of peaceful industry, intelligence, persistence and thrift. If the physically and numerically weaker race can distance their stronger and more numerous competitors in the arts of peace, the fact must be taken as evidence that mind counts for more than stature, and thrift and labor for more than military ardor, in the free conflicts of modern civilization."
Caricature by Frederick Burr Opper published in Puck. The text reads : --Mrs. Blazenheimer: "Vot vas der drubble ofer dere?" --Mr. Flamberg: "It's dot fool feller, Smokenstein;--he vas bound to come here dressed as a fireman--und dey vas pudding him oud!"
Caricature by Eugene Zimmerman published in Judge. The text reads : 1 --Abraham: "Ha! Vats dot?" --Levy: "I tink I make dot a berminent sign. He can't get around dot." 2 --Abraham: "Let me tink." --Levy: "Dot sign is berminent, you bet." 3 --Abraham: "I gits square on dot Levy." --Levy: "Dot's nice, don't it?" 4 --Abraham: "!!!" --Levy: "---"
Caricature published in Judge depicting the merchandise of a store for four weather conditions : very dry and sultry; clear and warmer; cloudy and occasional showers; and cold wave with indications of snow.
Hand-colored engraved map of Palestine. From Colton’s General atlas : containing one hundred and eighty steel plate maps and plans, on one hundred and nineteen imperial folio sheets / drawn by G. Woolworth Colton ; letter-press descriptions, geographical, statistical, and historical, by Richard Swainson Fisher, published New York: G.W. & C.B. Colton.
Hand-colored engraved map of Palestine. From Colton's atlas of the world : illustrating physical and political geography, Volume 2, by George Woolworth Colton, published New York: J.H. Colton and Company.
Caricature by Joseph Ferdinand Keppler published in the December 25, 1878, edition of Puck. The associated article reads : "It is to be regretted that Mr. Hilton is as unsuccessful as a dry-goods man and a hotel keeper as he notoriously was as a jurist. But the fact remains. He took it upon himself to insult a portion of our people, whose noses had more of the curvilinear from of beauty than his own pug, and he rode his high hobby-horse of purse-proud self-sufficiency until he woke up one day to find that the dry-goods business was waning—growing small by degrees and beautifully less. Then Mr. Hilton arouses himself. He turns his great mind from thoughts of the wandering bones of Stewart; he brings the power of his gigantic brain to bear upon the great question. ‘How shall I revive trade?’ He remembers that he had insulted the Jews. Aha! we’ll conciliate them. So out of the coffers that A. T. Stewart filled he gropes among the millions, and orders the trustees of a few Hebrew charities to bend the pregnant hinges of their knees at his door, and receive a few hundred dollars. But in this country the Jew is not ostracized. He stands equal before the law and before society with all his fellow-citizens, of whatever creed or nationality. And the Jew has stood up like a Man and refused to condone the gross and uncalled-for insults of this hap-hazard millionaire, merely because he flings the offer of a thousand dollars in their faces. All honor to the Jews for their manly stand in this instance. Trampled upon, scourged, banished as they have been for centuries under the ban of religious persecution, at last they find a land in which they have rights equal with all their fellow-countrymen. They have in this instance asserted their rights, and have dared to maintain their self-respect. It is the verdict of all thinking men that in everything he has done, from the Grand Union Hotel, and the Women’s Home, down to Stewart’s grave, Hilton has been a magnificent failure—and the Jews have won a grand success."
Caricature published in Judge. The text reads : --Hockstein: "Iss it a diamond? Ach! Der cutting is imberfect, der stone is off color, t'ere iss tree flaws in it--Vatt! I wouldn't loan--" --Customer (angrily): "But I don't wish a loan! I want you to value it, and I'll pay you for your trouble!" --Hockstein: "Ach! Vhy didn't you say so--it's a peaudiful stone. A pure white, flawless gem ohf der feerst vawter; feefty cents, blease!"
Black-and-white engraved map of Amsterdam, with a key including the Portuguese Synagogue and Great Synagogue. From Le guide d'Amsterdam, ou Description de ce qu'il y a de plus intéressant, published Amsterdam: C. Covens.
Black-and-white engraved map of Paramaribo, with a key including the city's two synagogues. Engraving by Jean Baptiste Pierre Tardieu. From Voyage à Surinam et dans l'intérieur de la Guiane by John Gabriel Stedman, published Paris: chez F. Buisson.
Caricature by Eugene Zimmerman published in the October 1897 edition of Funny Pictures, published by the Judge Publishing Company. The text reads : --Mrs. Cohen (sternly): "Shakop und Ikey, ged your heads under cover! Here gomes dot gonductdor to dake ub mein ticket alretty."
Caricature by Frederick Burr Opper published in the May 11, 1881, edition of Puck. The caption reads : "How they may make themselves independent of the watering place hotels."
Caricature by Charles Jay Taylor published in the August 8, 1888, edition of Puck. The text reads : --Ben and Levi: "You can haf dose clodings sheap, und we treat you mit a drink und a cigar! --Workingman: "Bah! You've been using those old togs for a sign for over twenty-five years. I'm going down to Cleveland's Free-Wool Emporium!"
Caricature by Eugene Zimmerman published in Judge. The text reads : 1 "Coom in, mein frendt, und dry on dis eleven-dollar suit. Id vill cost you noddings to do so." 2 "Dot suit vos made for you, mein frendt. Take id for nine dollars." 3 "Dere you are, my dear sir. Der Prindts of Wales couldn't be better suited." 4 "Donner and blitzen! Dot man's got a fit, und dot elegand suit vill be ruined." 5 "That was a happy thought. He won't bother me no more with his old clothes."
Caricature by Frederick Burr Opper published in the August 12, 1884, edition of Puck. The caption reads : "When 'honest men' fall out, thieves have to suffer."
Caricature by Eugene Zimmerman published in Judge. The text reads : --Goldheim: "Didt you hear der news? Blazupski is goin' to retire from bizness for sure." --Ickleheimer: "Yes, I know aboudt it. He toldt me since der fire-insurance company refused to carry his risk dere is no money in der clothing bizness."
Caricature by Eugene Zimmerman published in Judge. The text reads : --Mrs. Gilhooly: "Oi should t'ink it wud be awful onhandy to go t'roo loife wid sich a lar-rge nose as you hov, Missus Goldberg." --Mrs. Goldberg: " Och, I don't know, Missus Gilhooly. I vouldn't sell dot nose fer all der money in der vorldt."
Caricature by Rose Cecil O'Neill published in the October 16, 1901, edition of Puck. The text reads : --Mrs. Bernstein (getting ready for the theater): "I see dere vas a real fire-engine in dis blay." --Bernstein (sulkily): "Den I von't go." --Mrs. Bernstein: "But it eggsblodes on der vay to der fire." --Bernstein (merrily): Hurry up, dear! Ve may be too late!"
Caricature by Eugene Zimmerman published in Judge. The text reads : --Mr. Cohen: "Remember, Shakey, you must be alvays ready if you aim to get rich in New York." --Jakey: "Yes, fadder. My motto in life shall be 'Ready, aim, fire!'"
Caricature by Eugene Zimmerman published in Judge. The text reads : -- Reuben (angrily): "I'll trouble you to let me by!" --Cohn brothers: "Let you buy? Certainly! Come right in! No trouble to show goots."
Caricature by Franklin Morris Howarth published in Puck. The text reads : 1 --Mr. Dawson: "Ah! I like these blustery, windy mornings." 2 --Mr. Dawson: "Phew! That was a gust." 3 --Itinerant hat collector: "Dings vas gomin' my vay. Dot vas a good ringer." 4 --Itinerant hat collector: "I vill schoost gover it mit dis odder von." --Mr. Dawson: "I don't wear cape coats after this. Where's my hat?" 5 --Mr. Dawson: "Well, I'll be hanged! My hat nowhere in sight. It must have blown over that wall. Well, I'm in a pretty fix! I'll catch my death of cold, bareheaded in this wind." 6 --Mr. Dawson: "Ah! Perhaps this Jew will sell me one of those hats. Have you a hat there to fit me, my friend? " 7 --The itinerant collector: "Dot vas too pad your hat plows over der vall. Yes, I haf a hat vat I schoost pought from Mr. Vanderbildt. Ach! So hellup me gracious! It vas schoost your size, undt I sell him for t'ree tollar." 8 --Mr. Dawson: "Mary, I had a very funny experience. My hat blew off and went over a garden wall. A hat peddler came along just in the nick of time and sold me this one for three dollars. It is just as good as new." 9 --Mrs. Dawson (in disgust): "James Dawson, there are no fools like an old fool! You had better wear a bonnet tied on with strings the next time you go out in the wind. This is your own hat, and has your name inside."
Hand-colored engraving of Jewish clothes merchants. Engraving after a drawing by Gustave de Galard. From Recueil des divers costumes des habitans de Bordeaux et des environs by Edmond Géraud, published Bordeaux: Lavigne jeune.
Sheet music for "Der Yidisher Trauer-March," by Arnold Perlmutter and Herman Wohl, published New York: Hebrew Publishing Company. On cover: Inspired by and written for the demonstration of December 5th, 1905, participated by 250,000 citizens of greater New York in tribute to the memory of the victims of Russian brutal massacres.
Sheet music cover for "Le juif-errant : quadrille pour piano," composed by Philippe Musard, published Paris: E. Troupenas & Cie, London: R. Cocks, and Mainz: B. Schott.
Hand-colored wood engraving of a hunchbacked Jewish man, Jaapje Blok, who hires himself out as a lectern at the Amsterdam Stock Exchange. Wood engraving by Henricus Adrianus (Henri) Bogaerts. Published in De katholieke illustratie : zondags-lektuur voor het katholieke Nederlandsche volk.
Black-and-white engraved map depicting the dispersal of the descendents of Noah after the Tower of Babel. From Samuelis Bocharti Geographia sacra, : cujus pars prior Phaleg de dispersione gentium & terrarum divisione facta in ædificatione turris Babel; pars posterior Chanaan de coloniis & sermone Phœnicum agit... by Samuel Bochart, published: Francofvrti ad Moenvm, impensis Johannis Davidis Zunneri; typis Balthasaris Christophori Wustii.
Caricature by Gustave Frison depicting a Jewish stockbroker haggling over the terms of a trade outside the Paris Stock Exchange. He is portrayed as speaking French with a Yiddish accent.
Hand-colored lithographed caricature depicting a Jewish peddler with his wares. The caption, which translates to "All is not gold that glitters," implies that his wares might not be as valuable as they seem. Lithograph by Pierre Langlumé. Published Paris: Noël et Dauty.
Black-and-white engraved portrait of Clarissa Bischoffsheim, wife of financier Henri Louis Bischoffsheim. Engraving by Goupil & Cie after a painted portrait by John Everett Millais. From The Chefs-D'Oeuvre d'Art of the International Exhibition, 1878, published by Gebbie & Barrie.
Black-and-white etched portrait of Clarissa Bischoffsheim, wife of financier Henri Louis Bischoffsheim. Etching by Charles Albert Waltner after a painted portrait by John Everett Millais. Published in L'Art.
Black-and-white offset print reproduction with a portrait of financier and philanthropist Sir Moses Montefiore. Published in the October 27, 1883, edition of The Graphic.
Black-and-white lithographed portrait of Rabbi Marchand Ennery, Chief Rabbi of France. Lithograph by Hermann Raunheim. With Hebrew text of Psalm 119:15 : I will meditate in Thy precepts, and have respect unto Thy ways.
Black-and-white offset print reproduction of the original building of the B'nai El Congregation at Sixth and Cerre Streets in St. Louis. Published in the November 1863 edition of Ballou's Dollar Monthly Magazine.
Black-and-white offset print reproduction of the exterior of the former location of Congregation Beth Israel on Crown Street in Philadelphia. From The stranger's guide in Philadelphia, published Philadelphia: Lindsay & Blakiston.
Black-and-white offset print reproduction depicting a Jewish musician in Mogadore (Essaouira). Published in the April 1863 edition of Ballou's Dollar Monthly Magazine.
Satirical scene etched in red depicting four members of the committee around a treasure chest, which is empty of coins and occupied by a grinning demon. The Secretary holds upside down an empty bag inscribed "ils ont emigrè" ("they have emigrated"). One of the committee members takes from a Jew (at left) a dish on which a little demon is excreting coins. On the right, a large cupboard with packages labeled Recepissen (receipts) and Assignats (paper money issued during the French Revolution) falls forward on to the backs of two committee members, including the president of the Committee of Accounts. The Jew sells a figure which he assures the purchaser will, if nourished with the tears of the Orangists, give fifty ducats daily. This is better than the piles of assignats which threaten ruin. Territories conquered by France during the Revolution were forced to take assignats from French soldiers and to change them for receipts. Etching by William Humphrey after a caricature by David Hess. From Hollandia regenerata by David Hess.
Satirical scene etched in red depicting the patriots, who had emigrated in 1787 after their defeat by the Anglo-Prussian alliance, approaching the committee, apparently two French Représentants en Mission, with requests for money and clothes. Four men stand on the right, two with papers inscribed "Request." From the pocket of one (right), dressed as a soldier, projects a carriage-lamp, which he is alleged to have stolen. One Frenchman, wearing a scarf inscribed "Representant," and holding a pair of breeches, puts money into an outstretched palm. On the left, an old Jew measures a patriot wearing sabots (clogs) for a suit of clothes. Behind him is a wall from which projects a sign: "Nathan Levi Uitdraager en Kleermaaker" ("broker and tailor"). Etching by William Humphrey after a caricature by David Hess. From Hollandia regenerata by David Hess.
Black-and-white engraved map of Sicily. From Samuelis Bocharti Geographia sacra, : cujus pars prior Phaleg de dispersione gentium & terrarum divisione facta in ædificatione turris Babel; pars posterior Chanaan de coloniis & sermone Phœnicum agit... by Samuel Bochart, published: Francofvrti ad Moenvm, impensis Johannis Davidis Zunneri; typis Balthasaris Christophori Wustii.
Sheet music for "Valse chantée au 2me acte du drame : le juif polonais," words by Emile Erckmann and Alexandre Chatrian; music by Etienne Singla, published Paris: E. Gérard.
Color map of Franzensbad (Františkovy Lázně), with a key to important public buildings, including the synagogue. Published Zurich: Orell Füssli & Co.
Black-and-white engraving of a Jewish man from Poland. Engraving by Teodor Viero. From Raccolta di ... stampe che rappresentano figure ed abiti die varie nazioni, secondo gli originali, e le descrizioni dei più celebri recenti viaggiatori, e degli scopritori di paesi nuovi, published Venice: Teodoro Viero, 1783-1791.
Black-and-white offset print reproduction depicting a fantasy inspired by violinist Henri Wieniawski's performance of Paganini's Carnival of Venice. Published in the April 17, 1858, edition of L'Illustration, journal universel.
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William A. Rosenthall Judaica Collection - Prints and Photographs✖[remove]1,588
![[Tashlikh]](https://rspace.library.cofc.edu/iiif/image/48931/full/200,/0/default.jpg)
![[Joodsche Echtscheiding]](https://rspace.library.cofc.edu/iiif/image/48913/full/200,/0/default.jpg)
![[Phylacteria, Liber Estheræ Mesusa, Inflatio tubæ, Consecratio vini, In dutus Phylacterya, Pentateuchus Mosis]](https://rspace.library.cofc.edu/iiif/image/48899/full/200,/0/default.jpg)
![[L'affre ti la Compagnie ti Gaz…]](https://rspace.library.cofc.edu/iiif/image/60977/full/200,/0/default.jpg)
![[Great Synagogue, Copenhagen]](https://rspace.library.cofc.edu/iiif/image/52691/full/200,/0/default.jpg)
![[Jozef Israëls]](https://rspace.library.cofc.edu/iiif/image/52690/full/200,/0/default.jpg)
![[Departure of the Polish Jews through the Gate]](https://rspace.library.cofc.edu/iiif/image/52664/full/200,/0/default.jpg)
