Black-and-white offset print reproduction of the exterior of the former location of Temple Emanu-El at 5th Avenue and 43rd Street in New York. From a photograph by George Gardner Rockwood. Published in the November 14, 1868, edition of Harper's Weekly.
Black-and-white offset print reproduction of the exterior of the Karaite kenesas in Eupatoria. Published in the November 25, 1854, edition of The Illustrated London News.
Black-and-white engraving depicting King David kneeling next to the Jewish high priest, consulting the urim and thummim. Engraving by François van Bleyswyck. From An historical, critical, geographical, chronological, and etymological dictionary of the Holy Bible, Volume 1, by Augustin Calmet, published London: Printed for J. J. and P. Knapton, etc.
Black-and-white engraving depicting Moses and the Ten Commandments. From The Holy Bible : with the commentaries of Scott and Henry; and containing also many thousand critical and explanatory notes, selected from the great standard authors of Europe and America; the commentaries condensed, and the whole edited, by John Eadie, published Manchester: F. Warren & Co.
Black-and-white engraving depicting scenes from the Book of Samuel. Engraving by Johann Jacob von Sandrart. From Biblia, das ist : die gantze Schrifft, Altes und Neues Testaments, translated by Martin Luther; printed and published Nuremberg: Johann Andreas Endter.
Hand-colored aquatint illustrating Lord Byron's poem "The Destruction of Sennacherib," first published in his Hebrew Melodies. Aquatint published London: Pyall & Stroud.
Black-and-white offset print reproduction of a illustration from "To Gipsyland," by Elizabeth Robins Pennell, with illustrations by Joseph Pennell. Published in the December 1892 edition of The Century Illustrated Monthly Magazine.
Two black-and-white illustrations of the Semper-Synagoge (Semper Synagogue), also known as the Dresdner Synagoge (Dresden Synagogue) or Alte Synagoge (Old Synagogue), showing a view of the synagogue and a scaled drawing of the building's façade. Published in the Allgemeine Bauzeitung in 1847.
Black-and-white lithograph of the interior of the Hauptsynagoge (Main Synagogue) in Mannheim. Lithograph by Adam Gatternicht. Published Mannheim: C.F. Heckel.
Black-and-white engraving of the exterior of the Semper-Synagoge (Semper Synagogue), also known as the Dresdner Synagoge (Dresden Synagogue) or Alte Synagoge (Old Synagogue). Engraving by P. Röhrich. From Erinnerungen an merkwürdige Gegenstände und Begebenheiten, Volume 23. Published Prague: C.W. Medau und Comp.
Black-and-white lithograph of the exterior of the synagogue in Kippenheim printed on a contract for purchasing synagogue seats, dating from the first decade of the synagogue in the 1850s. Lithograph by E. Kaufman.
Black-and-white engraving depicting the Yom Kippur ritual of malkot (lashes) in the Great Synagogue of Amsterdam. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
Black-and-white lithograph of the interior of Santa María la Blanca in Toledo. Lithograph by José Vallejo y Galeazo. From Album artístico de Toledo by Manuel de Assas, published by Doroteo Bachiller.
Caricature by Walter H. Gallaway published in Puck. The text reads : 1 "Dey cosd only ninedy cends und sell for fife tollars." 2 "Max, I tells you ve can'd lose." 3 "Und I asks Cohenstein, 'Do ve ged a discound?'" 4 "It vas all in Rachel's name, efery cend." 5 "Now ve vill talk ofer dot brobosition you haf." 6 "Dere's noting in it at der brice."
Black-and-white steel engraving of the Cave of Jehoshaphat in Jerusalem. Engraving after a drawing by Léon Gaucherel. From Palestine : description géographique, historique, et archéologique by Salomon Munk, published Paris: Firmin Didot frères.
Black-and-white etching depicting the vestments of Jewish priests and high priests. Etching by Michel-François Dandré-Bardon. From Costume des anciens peuples, à l'usage des artistes, Volume 3, by Michel-François Dandré-Bardon, published Paris: chez Alex-Jombert jeune.
Caricature by Joseph Ferdinand Keppler published in the December 25, 1878, edition of Puck. The associated article reads : "It is to be regretted that Mr. Hilton is as unsuccessful as a dry-goods man and a hotel keeper as he notoriously was as a jurist. But the fact remains. He took it upon himself to insult a portion of our people, whose noses had more of the curvilinear from of beauty than his own pug, and he rode his high hobby-horse of purse-proud self-sufficiency until he woke up one day to find that the dry-goods business was waning—growing small by degrees and beautifully less. Then Mr. Hilton arouses himself. He turns his great mind from thoughts of the wandering bones of Stewart; he brings the power of his gigantic brain to bear upon the great question. ‘How shall I revive trade?’ He remembers that he had insulted the Jews. Aha! we’ll conciliate them. So out of the coffers that A. T. Stewart filled he gropes among the millions, and orders the trustees of a few Hebrew charities to bend the pregnant hinges of their knees at his door, and receive a few hundred dollars. But in this country the Jew is not ostracized. He stands equal before the law and before society with all his fellow-citizens, of whatever creed or nationality. And the Jew has stood up like a Man and refused to condone the gross and uncalled-for insults of this hap-hazard millionaire, merely because he flings the offer of a thousand dollars in their faces. All honor to the Jews for their manly stand in this instance. Trampled upon, scourged, banished as they have been for centuries under the ban of religious persecution, at last they find a land in which they have rights equal with all their fellow-countrymen. They have in this instance asserted their rights, and have dared to maintain their self-respect. It is the verdict of all thinking men that in everything he has done, from the Grand Union Hotel, and the Women’s Home, down to Stewart’s grave, Hilton has been a magnificent failure—and the Jews have won a grand success."
Color lithograph including depictions of Jewish men, women, and children from Algiers. Lithograph by Friedrich Hottenroth. Printed Stuttgart: M. Seeger. From Trachten, Haus-, Feld- und Kriegsgeräthschaften der Völker alter und neuer Zeit, Volume 1, by Friedrich Hottenroth, published Stuttgart: Gustav Weise.
Black-and-white engraving depicting Jewish ritual objects. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Print reproduction of a drawing depicting a courtyard in the Jewish quarter of Vilnius. Original drawing by Mečislovas Bulaka. From Vilnius senamiestis : 24 sangvino piešiniai by Mečislovas Bulaka, published Vilnius: alstybinē Politinēs ir Mokslinēs Literatūros leidykla.
Caricature published in the Düsseldorfer Monathefte, Band 9, No. 1. In German, the text reads : --"Sarchen, wie hat dir gefallen de Ariadne auf Naxos?" --"Nu? Ariadne könnt mer schon gefalle, aber das Naxos nicht." In English, the text reads : "Dear Sarah, how did you like Ariadne on Naxos?" --"Nu? I could like Ariadne, but not Naxos." Ariadne auf Naxos is an opera by Richard Strauss.
Black-and-white offset print reproduction depicting the removal of the Torah scrolls from the ark at the West London Synagogue on Upper Berkeley Street. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Black-and-white etching of the interior of the former 783 High Street location of Congregation B'nai Jeshurun in Newark. Etching signed by artist Harry S. Moskovitz.
Black-and-white offset print reproduction of the interior of the Ahrida Synagogue in Istanbul, during prayers offered for the victory of Turkish armies in the Russo-Turkish War of 1877-1878 in the presence of Ibrahim Edhem Pasha. Published in the June 9, 1877, edition of The Illustrated London News.
Black-and-white offset print reproduction of the interior of the Ahrida Synagogue in Istanbul, during prayers offered for the victory of Turkish armies in the Russo-Turkish War of 1877-1878 in the presence of Ibrahim Edhem Pasha. Published in the July 7, 1877, edition of Frank Leslie's Illustrated Newspaper.
Black-and-white offset print reproduction of the interior of the Zülfaris Synagogue in Istanbul, during a ceremony commemorating Jewish soldiers in the French Army who fought and fell alongside the Ottomans during the Crimean War. Published in Cassell's Illustrated Family Paper.
Black-and-white mezzotint depicting Joshua commanding the sun to stand still. Mezzotint by James G. Seymour Lucas after a painting by John Martin. Published Paris: Rittner & Goupil.
Black-and-white steel engraving depicting Rebekah's arrival to Isaac, as described in Genesis 24:64. From The devotional family Bible : containing the Old and New Testaments, with explanatory notes, practical observations, copious marginal references, &c. by Alexander Fletcher, published New York: R. Martin & Co.
Black-and-white offset print reproduction of actress Rachel Félix, known as Mademoiselle Rachel, in costume as the title character in Jean Racine's tragedy Phèdre. Published in the September 22, 1855, edition of Ballou's Pictorial Drawing-Room Companion.
Black-and-white offset reproduction depicting the use of tefillin during prayer. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
Print reproduction of Jack Levine's painting portraying King Asa (1953). From Teachers and kings : six paintings by Jack Levine, published Greenwich, Conn.: New York Graphic Society.
Black-and-white offset print reproduction of the exterior of the Hurva Synagogue in Jerusalem. From Jerusalem : nach eigener Anschauung und den neuesten Forschungen geschildert by Philipp Wolff, published Leipzig: J.J. Weber.
Hand-colored engraved map identifying the distribution of languages of the world, particularly Asia. It includes charts of Hebrew, Syriac, Perso-Arabic, Armenian and Palmyrene scripts. Engraving by Sebastian Dorn after Gottfried Hensel. From Synopsis universae philologiae by Gottfried Hensel, published Norimbergae : in commissis apvd heredes Homannianos.
Black-and-white lithographed portrait of Rabbi Michael Sachs, rabbi and preacher in Berlin. Lithograph printed by A. M. Bleichrode's Lithogr. Institut, published by M. Poppelauer's Buchhandlung in Berlin.
Black-and-white engraving depicting a Jewish burial. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Caricature by Frederick Burr Opper published in Puck. The text reads : --Mrs. Blazenheimer: "Vot vas der drubble ofer dere?" --Mr. Flamberg: "It's dot fool feller, Smokenstein;--he vas bound to come here dressed as a fireman--und dey vas pudding him oud!"
Black-and-white offset print reproduction of individuals at the Leipzig Trade Fair, including a Jew from Poland. From the article "Leipsic and its Fair" by Thomas Emmette, published in Scribner's Monthly, Volume 2, Issue 2 (June 1871).
Black-and-white wood engraving of the Western Wall in Jerusalem. From an illustration by Isaac Snowman. Published in the June 4, 1898, edition of The Illustrated London News.
Black-and-white offset print reproduction depicting the procession of the Torah scrolls during the dedication of the synagogue in Versailles. Published in the October 23, 1886, edition of Frank Leslie's Illustrated Newspaper.
Black-and-white wood engraving depicting the tomb of Rabbi Simeon bar Yochai in Meron, site of celebrations for Lag BaOmer. Engraving after a drawing by Henry Fenn. From Picturesque Palestine, Sinai, and Egypt, Volume 1, edited by Charles William Wilson, published New York : D. Appleton and Co., 1881-1884.
Print reproduction of a color lithograph depicting the exterior of a planned Jewish hospital to be built in Jersualem with funds bequeathed by Judah Touro, as well as a lithograp of plans for the hospital. Original lithographs by Vincent Brooks. Plans to build the proposed hospital were abandoned when the Rothschild family established a hospital in the city. Reproduction printed on the occasion of the 28th year of Israeli Independence and on the 200th year of American Independence, published Philadelphia: The Winchell Co.
Black-and-white wood engraving of the interior of the former location of Temple Beth-El in New York, on the occasion of its consecration. Original engraving by John W. Evans after a drawing by Gilbert Gaul. From the article "The Jews in New York--II" by Richard Wheatley, published in the February 1892 edition of The Century Magazine.
Black-and-white offset print reproduction of the interior of the New Synagogue at Great St. Helen's in London during the election of Rabbi Nathan Marcus Adler as Chief Rabbi. Published in the December 21, 1844, edition of The Illustrated London News.
Black-and-white engraving depicting lifting the Torah in the synagogue. The synagogue is identified by the title as Great Synagogue in London at Duke's Place. The engraving, however, is a copy of an engraving by Bernard Picart depicting the Protuguese Synagogue in the Hague. From Thornton's History of London, published London: A. Hogg.
Black-and-white illustration of the exterior of the original location of Congregation Beth Israel at 34 South Pennsylvania Avenue in Atlantic City. Heliotype Printing Co., Boston. Published in no. 361 of the American Architect and Building News on June 25, 1892.
Black-and-white photograph of the interior of the chapel at Hebrew Union College in Cincinnati. The chapel was renovated prior to the college's centennial in 1975.
Black-and-white offset print reproduction of a Jewish man from Poland at prayer. From An illustrated description of the Russian empire by Robert Sears.
Black-and-white offset print reproduction of Jews in Odessa. The associated article reads : "Odessa can only boast of one public walk, and this is situated in the best part of the town and near the harbor. Every Saturday this walk is crowded by the Israelitisch inhabitants, who constitute a large proportion of the entire population, and who with their families, pass the greater portion of the day under the cool shade of the chestnut and lime trees, with which the walk is freely planted." Published in the April 19, 1856, edition of the Illustrated Times.
Black-and-white engraving depicting a Jewish circumcision. From An historical, critical, geographical, chronological, and etymological dictionary of the Holy Bible, Volume 1, by Augustin Calmet, published London: Printed for J. J. and P. Knapton, etc.
Black-and-white etched satirical portrait of Levi Whitehead, head waiter of the Bacchus (Backhouse Wines) Inn, Tadcaster, Yorkshire. Etching by traveller and amateur etcher Frederick Atkinson, a silk-mercer and draper in York. Published June 1, 1797, by W. Richardson, 31 Strand.
Black-and-white offset print reproduction of the entrance to the Tombs of the Kings in Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Black-and-white offset print reproduction of the interior of the Synagogue de Nazareth, located on the Rue Notre-Dame-de-Nazareth, in Paris during the installation of Lazare Isidor as Chief Rabbi.
Black-and-white offset print reproduction of the exterior of the synagogue in Versailles. Published in the October 23, 1886, edition of Frank Leslie's Illustrated Newspaper.
Black-and-white offset print reproduction of the interior of the former location of Temple Beth-El in New York, on the occasion of its consecration. Original engraving by John W. Evans after a drawing by Gilbert Gaul. From the article "The Jews in New York--II" by Richard Wheatley, published in the February 1892 edition of The Century Magazine.
Black-and-white of the character Joad, the Jewish high priest, from Jean Racine's tragedy Athalie. Joad is shown wearing the vestments of the Jewish high priest. Engraving by Alexandre Chaponnier. From the series Galerie théâtrale.
Hand-colored engraving of the character Joad, the Jewish high priest, from Jean Racine's tragedy Athalie. Joad is shown wearing the vestments of the Jewish high priest. Engraving by Ludwig Wolff after Edmond Geffroy.
Black-and-white offset print reproduction depicting the ceremony of kapparot. From The home and synagogue of the modern Jew : sketches of modern Jewish life and ceremonies, published London: Religious Tract Society.
Caricature of Jewish participation in the National Guard during the Revolutions of 1848. In German, the text reads : --"Wai! -- A Wai der Feind kümmt! -- A Wai! Se thün auch scheißsen!" In English, the text reads : --"Vey! -- Oy vey the enemy is coming! -- Oy, vey! They are shooting too!"
Black-and-white engraving depicting blowing the shofar on Rosh Hashanah at the Portuguese Synagogue in Amsterdam. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Black-and-white offset print reproduction of the interior of the Synagogue de Nazareth, located on the Rue Notre-Dame-de-Nazareth, in Paris during the funeral service of Commandant Léon Franchetti, killed in the battle of Champigny. Published in the December 16, 1871 edition of L'Univers illustré.
Black-and-white offset print reproduction depicting the marriage ceremony of Albert Salomon von Rothschild and Bettina Caroline de Rothschild in the Grand Synagogue of Paris. From a drawing by Henri Meyer. Published in the April 2, 1876, edition of Le Journal illustré.
Hand-colored engraving of a Jewish man from Mungatsch (Mukacheve). From Kleidertrachten der kaiserl. königl. Staaten / Habillemens des états de S.M. l'empereur roi by Vinzenz Georg Kininger, published Vienna: Tranquillo Mollo. The publication depicts the dress of people throughout areas ruled by the House of Austria (House of Habsburg).
Black-and-white offset print reproductions of the exterior and interior of the Synagogue de Nazareth, located on the Rue Notre-Dame-de-Nazareth, in Paris. Published in Tableau de Paris : ouvrage illustré de quinze gents gravures by Edmond Texier.
Hand-colored wood engraving of a Jewish woman from Morocco. Wood engraving by Richard Henkel after Wilhelm Gentz. From Blätter für Kostümkunde, published Berlin: Franz Lipperheide.
Black-and-white engraving depicting the Jews of Rome presenting the Pentateuch to a new pope after his election. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Color lithograph depicting a courtyard in Gorlice. Lithograph by Luigi Kasimir. From Galizien 1915 : ein Künstlertagebuch by Luigi Kasimir, published Vienna: Kunstverlag Hugo Heller & Cie.
Black-and-white offset print reproduction with a compilation of images from the Jewish quarter in Prague, including the Old New Synagogue, Jewish Town Hall, and graves from the Old Jewish Cemetery.
Sheet with hand-colored etchings of Jewish characters from Karl Borromäus Alexander Sessa's satirical play "Unser Verkehr" (The Company We Keep). Engraving by Johann Michael Voltz.
Black-and-white steel engraving depicting the Jewish high priest at the Golden Altar of Incense. Engraving by Jacques Louis Constant Le Cerf after Lanvin. From Histoire de la Terre-Sainte depuis les temps les plus reculés jusqu'à nos jours by abbé Martin, published Paris: Duménil.
Black-and-white engraving depicting the tallit (prayer shawl) and tefillin (phylacteries) used during prayer. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Reproduction of a black-and-white photograph (1890) of the interior of Congregation Shaar Hashomayim in Montreal. Each person in this image was individually photographed in a studio. The individual photographs were placed on an artistic rendition of the synagogue interior to create the impression of a group photograph. Reproduction from Be-Reshit : excerpts from the beginning of Canadian Jewry, Canadian Centennial Year, Pavilion of Judaism at Expo 67, Montreal, April 28 to October 27, 1967, published Montreal: Wolfe Press.
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