Black-and-white etching depicting a Jewish priest and high priest preparing to offer a sacrifice. Etching by Michel-François Dandré-Bardon. From Costume des anciens peuples, à l'usage des artistes, Volume 3, by Michel-François Dandré-Bardon, published Paris: chez Alex-Jombert jeune.
Black-and-white engraving entitled "horse shares." The scene below is observed above by three men holding the Ten Commandments. In German, the text reads : "Abraham: Sie sind maschuker, alles reit, Jetzt reit'n gar auch unsere Leut! Isaack: Der Jzig zieht die Knie ans Maul. Gebt Acht! Der fällt meih Seel von Gaul. Jakob: Der hat doch sonst'n guten Schlufs, Räb Jzig! -- was machst du für Stufs? Jzig: Herunter bringt'r mich doch nit. Er geht am End schon wieder Schritt. Heruntergeworfener. Das Pferd hat wie mein böles Weib, 5000 Teufel in den Leib! Streicher: Wir streichen euch Drei oder Vier, Dann wird es ruhig euer Thier. Madame Pfau: Das Zettelchen ist wirklich gut. Es langt zum Mantel und zum Hut. Magd: Mein braver Herr, der an mich denkt Hat mir die Aktie geschenkt. Schnipp: Komt! schnaufen wir ein wenig aus, Und reiten hin vor's Kaffehaus. Schnapp: Wird's mit der Eisenbahn gut gehn. Dann war's man wie die Gäule stehn. Schnur: Ich zieh den meinen in den Stall. Und deke mich für jeden Fall. Schnepeper: Der reit' Galopp der Trab der Schritt. Ich denk, ich bleib' so in der Mitt. Stallmeister Meseritzer: Macht was ihr wollt, dös wahls ich doch. Mer wherreitn euch alle noch." In English, the text reads : "Abraham: You are crazy, everything is ready. Even our people are now riding! Isaack: Jzig is pulling his knees into his mouth. Be cautious! He's missing the soul of Gaul . Jakob: He typically has a good ending anyways, Rabbi Jzig! -- what nonsense are you doing. Jzig: He'll not bring me down yet. He goes to the end and takes another step again. He is the thrown down one. That horse has 5000 devils in his body, just like my evil woman. Streicher: We are going to mark out three or four for you all, then it will become quiet for you animals. Madame Pfau: The little note is very good. It is enough for the coat to the hat. Magd: My well behaved Sir, who thinks of me, gave me the shares of stock as a gift. Schnipp: Come on! Let us take a breath for a bit, and let's ride ahead to the Coffee House. Schnapp: Will it go well with the train. Then it would stand like the nags. Schnur: I'm going to guide mine into the stables. And will cover them for any situation. Schnepeper: The rider gallops, the trot, the step. I think, I'm going to stay in the middle like this. Stallmeister Meseritzer: You all can do what you want, that's what I vote for. We will outride all of you eventually."
Hand-colored lithograph with two scenes dated 1848 and 1898. 1848: "Emancipation of the Jews" depicts a Jewish man on his knees before an officer, offering a bag of money; in his other hand is a document labeled "Jewish emancipation." 1898: "The Christians as slaves of the Jews" depicts three Christians kneeling before a Jewish man in an officer's coat, as a Jewish man drives a Christian man with a whip in the background.
Hand-colored lithograph depicting a crowd outside of the Stock Exchange. The caption reads : "The warning sign is no better here than in the vineyard." The sign reads "Verbotener Weg" (entry forbidden).
Caricature of a Jewish man asking another man for advice. In German, the text reads : --Jude: "Herr Major - as Sie mir sind genannt worden als ein Mann von Ehr - wollt ich mich bei Ihnen informiere - ich hab gekriegt ne Ohrfeige vom Herr Lieutenant Sibitz, was hab ich zu thun in der difficile Sach?" --Major: "Da müssen Sie sich mit ihm schiessen." --Jude: "Gott, er kann todt bleiben und ich kann todt bleiben - und ich bin verheirathet." --Major: "Da muss einer von Ihnen wenigstens Homburg verlassen." --Jude: "Gott er ist zu seinem Vergnügen heir und ich für meine Gesundheit, wer soll weichen?" --Major: "Nun ich würde mir aus eine Ohrfeige so sehr viel nicht machen." --Jude: "Gott Herr Major, wenn Sie sich nir d'raus machen als en Mann von Ehr, ich mach mir gewis nichts d'raus!" In English, the text reads : --Jew: "Mr. Major - as you have been referred to me as a man of honor - I want you to advise me - I received a slap in the face from Mr. Lieutenant Sibitz, what do I have to do in this difficult situation?" --Major: "You must have a shoot out with him." --Jew: "Oh God, he could be left dead and I could be left dead - and I am married." --Major: "Then at least one of you must leave Hamburg." --Jew: "Dear God, he's here for pleasure, and I'm here for my health, who should budge?" --Major: Well, I wouldn't make so much over a slap in the face." --Jew: Oh God, Mr. Major - if you wouldn't make anything of this as a man of honor, then I certainly won't make anything of it!"
Black-and-white offset print reproduction depicting a fantasy inspired by violinist Henri Wieniawski's performance of Paganini's Carnival of Venice. Published in the April 17, 1858, edition of L'Illustration, journal universel.
Black-and-white offset print reproduction of the interior of the Western Synagogue in St. Alban's Place in London, on the occasion of its consecration. Published in the April 19, 1851, edition of The Illustrated London News.
Color offset print reproduction depicting a Jewish marriage ceremony at the Great Synagogue in London at Duke's Place, officiated by Rabbi Nathan Marcus Adler. Published in the April 15, 1876, edition of The Illustrated London News.
Black-and-white offset print reproduction of the interior of the Great Synagogue in London at Duke's Place during a service in memory of Rabbi Nathan Marcus Adler. Published in the February 1, 1890, edition of The Illustrated London News.
Black-and-white offset print reproduction of the interior of the Great Synagogue in London at Duke's Place. From A sketch of the history of Judaism and Christianity in the light of modern research and criticism by George Thomas Bettany.
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William A. Rosenthall Judaica Collection - Prints and Photographs✖[remove]1,588
![[Nous exposons dans ce grouppe retracé à la porte du Tabernacle, le contraste du Grand-Prêtre, orné de ses ajustements pontificaux, avec un Prêtre ordinaire, vêtu de sa tunique de fin lin, & paré de l'éphod sacerdotal…]](https://iiif.library.cofc.edu/iiif/2/35943/full/200,/0/default.jpg)
![[Emancipation der Juden / Die Christen als Sclaven der Juden]](https://iiif.library.cofc.edu/iiif/2/39639/full/200,/0/default.jpg)
![[Herr Major - as Sie mid sind genannt worden als ein Man von Ehr…]](https://iiif.library.cofc.edu/iiif/2/39977/full/200,/0/default.jpg)
