Color lithograph of three peasants from Podlasie, of Rusyn origin, seated at a table. Three Polish Jews can be seen in the background. Lithograph by Frédéric-Emile Simon after Jan Nepomucen Lewicki. From Les costumes du peuple polonais : suivis d'une description exacte de ses moeurs, de ses usages et de ses habitudes by Leon Józef Zienkowicz.
Black-and-white offset print reproduction depicting Yom Kippur at the Park East Synagogue in New York. Original illustration by Irving R. Wiles. From the article "The Jews in New York" by Richard Wheatley, published in the January 1892 edition of The Century Magazine.
Caricature published in the Düsseldorfer Monathefte, Band 9, No. 46. In German, the text reads : --"Ach, mein Sohn, der Abraham, s'is ein Jung, hab ich doch nicht an ihn gewandt umsonst all das scheine Geld und de Kosten! - hab ich ihn gefragt; Abraham hab ich gesagt, was willst de dann werden? - 'Nun da werd ich Vitriol, hat er gesagt,' Ach wie heisst Vitriol? - 'Gott, Vater, da kann ich mer fressen überall dorch!'" In English, the text reads : --"Oh, my son, Abraham, he's a young boy, I have not appealed to him yet, all that beautiful money and the costs! -- So I asked him; Abraham, I said, what do you want to be? -- "Now, I'm going to become a Vitriol, he said" Oh, and what does vitriol mean?-- "God, Father, it's where I can eat more than everywhere else!"--
Black-and-white engraved portrait of financier and philanthropist Abraham Goldsmid. Engraving by William Ridley after Samuel Medley. Published in the European Magazine.
Color lithograph depicting the Binding of Isaac, as described in Genesis 22:1-19. Lithograph by James Richard Barfoot. Published London: Darton & Co., Holborn Hill.
Black-and-white lithographed portrait of Rabbi Abraham Geiger, Chief Rabbi of Breslau. Lithograph by Fedor Beer after a photograph by Robert Weigelt. Printed Dresden: Hanfstaengl. Published Breslau: Verlag von Julius Hainauer.
Black-and-white lithographed portrait of Rabbi Abraham Geiger, who served as a rabbi in Wiesbaden, Breslau, Frankfurt am Main, and Berlin. Published Berlin: F. Sala & Co.
Hand-colored etched satirical portrait of financier and philanthropist Abraham Goldsmid. Etching by Richard Dighton. Published by Dighton, 21 New Bond Street, August 1806.
Black-and-white offset print reproduction of the Tomb of Absalom in Jerusalem. From A dictionary of the Bible : comprising its antiquities, biography, geography, natural history and literature... by William Smith, published Philadelphia: Porter and Coates.
Black-and-white engraving of the Tomb of Absalom in Jerusalem. Engraving by Edward Radclyffe after a drawing by Thomas Allom. From Syria, the Holy Land, & Asia Minor, Volume 3, by John Carne, published London: Fischer, Son & Co.
Black-and-white wood engraving of the Tomb of Absalom in the Valley of Jehoshaphat (Kidron Valley) in Jerusalem. From Palästina in bild und wort : Nebst der Sinaihalbinsel und dem lande Gosen by Georg Ebers, published Stuttgart: Deutsche Verlags-Anstalt.
Black-and-white steel engraving of the Tomb of Absalom in Jerusalem. From Meyer's Universum, oder Abbildung und Beschreibung des Sehenswerthesten und Merkwürdigsten der Natur und Kunst auf der ganzen Erde, published Hildburghausen: Bibliogr. Instit.
Hand-colored engraving with a view from the Muidergracht, including the Portuguese Synagogue and Great Synagogue in Amsterdam. From 100 afbeeldinge der voornaamste gebouwen van Amsterdam by Peter Schenk.
Black-and-white engraving with a view from the Muidergracht, including the Portuguese Synagogue and Great Synagogue in Amsterdam. From 100 afbeeldinge der voornaamste gebouwen van Amsterdam by Peter Schenk.
Black-and-white offset print reproduction depicting one of several tableaux presented by the Young Men's Hebrew Association at the Academy of Music in New York on the occasion of Hanukkah. Published in the January 1882 edition of Frank Leslie's Sunday Magazine.
Black-and-white engravings depicting a Jewish funeral, above, and a Jewish burial, below. Engraving by Bernard Picart. From Cérémonies et coutumes religieuses de tous les peuples du monde representées par des figures dessinées de la main de Bernard Picard: avec une explication historique, & quelques dissertations curieuses, Volume 1, published Amsterdam: J.F. Bernard, 1723-1737.
Black-and-white engraving depicting a Jewish funeral. Engraving after Bernard Picart. From Histoire des religions et des moeurs de tous les peuples du monde / avec 600 gravures, représentant toutes les cérémonies et coutumes religieuses, dessinées et gravées par le célèbre B. Picart ; publiées en Hollande, par J.-Fr. Bernard, Volume 5, published Paris: A. Belin, 1816-1819.
Black-and-white engravings depicting a Jewish funeral, above, and a Jewish burial, below. Engraving by Claude Du Bosc after Bernard Picart. From The Ceremonies and Religious Customs of the Various Nations of the Known World : together with historical annotations and several curious discourses... Written originally in French, and illustrated with a large number of folio copper plates designed by Mr. Bernard Picart, and curiously engraved by most of the best hands in Europe..., Volume 1, published London: William Jackson and Claude Dubosc, 1733-1739.
Caricature by Franklin Morris Howarth published in Puck. The text reads : 1 --Mr. Hockheimer: "Ach! Mein Gott, Shakop, vy you vaste your dime ofer dot foolish pook--over dot crazy fool pusiness about dot palmistry. Dot vill nefer do you no goot votefer." --Hockheimer, Jr.: "Oh! Don't vorry, Fader--it maype gomes in handy some day." 2 --Mr. Hockheimer (after trying in vain for over an hour to fit customer with hat): "Vait, don't go, mein frendt; I see vot I gan do." 3 --Mr. Hockheimer (in anguish): "Oh! Shakop, mein sohn! Dish vas awful. I loose me a gustomer. Efery hat in der store ish too pig for his head. Vot vill I do me?" --Hockheimer, Jr.: "Calm yourself, Fader. I tries vot I gan do." 4 --"Goot morning, Mister. Oh! yes; dot hat vas entirely too pig. Say! Mister, did you effer hear apout dot science of palmistry, vot dells your fortune py der lines on your handt? Gif me your handt, I tells you." 5 --"You vas porn under a lucky planet. Your line of life vas goodt undt long, you vill live to old age." 6 --"Your power for knowledge is enormously developed. You vill become a prilliant man--a scholar, a statesman, perhaps der President. You vas a porn leader of men--like Napoleon." 7 --"You have great powers of concentration and determination--you vill succeed in votefer you underdakes." 8 --"Fader, you must have made some mistakes. Any of dese hats vill fit der great schentlemans. Give me a larger size. Goot." 9 --Mr. Hockheimer (falling on his son's neck): "Oh! mein sohn, der pride of mein life. I dakes you in bartnership tomorrow."
Caricature of Jewish participation in the National Guard during the Revolutions of 1848. In German, the text reads : "Hascheln! Habts Acht! Mer sein jetzt gekümmen vor unsern Kümmandanten sein Haus. Regimentstrommler! Schlog ein Werbel, trrrrrrrr - soll ach Hoch leben." (On the banner) : "Profit. Gleiche Rechte mit den Christen!" In English, the text reads : "Attention! Pull yourselves together, troops! We are marching to our commander's house. Regiments, beat your drums!" (On the banner): "Profit. Equal rights with Christians!" Lithograph printed and published Vienna: F. Werner, Mariahilf.
Caricature of Jewish participation in the National Guard during the Revolutions of 1848. In German, the text reads : "Hascheln! Habts Acht! Mer sein jetzt gekümmen vor unsern Kümmandanten sein Haus. Regimentstrommler! Schlog ein Werbel, trrrrrrrr - soll ach Hoch leben." (On the banner) : "Profit. Gleiche Rechte mit den Christen!" In English, the text reads : "Attention! Pull yourselves together, troops! We are marching to our commander's house. Regiments, beat your drums!" (On the banner): "Profit. Equal rights with Christians!" Lithograph printed Leipzig: J. G. Fritzsche.
Black-and-white engraving depicting Jewish holiday rituals, including eating in a sukkah during Sukkot, a haircut during Lag BaOmer, providing treats to children for Simchat Torah, and kiddush levana on Rosh Chodesh. From Philologus hebræo-mixtus by Johannes Leusden, published Basileæ, apud E. & J.R. Thurnisios, fratres.
Black-and-white etching of the interior of the former location of Congregation Adath Jeshurun at North Broad and Diamond Streets in Philadelphia. Engraving signed by artist Henry Cooper.
Black-and-white offset print reproduction depicting the funeral of Rabbi Nathan Marcus Adler at the Willesden United Synagogue Cemetery. Published in the February 1, 1890, edition of The Illustrated London News.
Mezzotint of Rabbi Nathan Marcus Adler, Chief Rabbi of the United Hebrew Congregations of the British Empire. Engraving by George Zobel after a painting by Kempf. London: Published February 4, 1852, by Messrs. Jones & Co., 1 Blomfield Rd. Maida Hill.
Hand-colored engraving of the 1790 contest between boxer Daniel Mendoza and his former mentor Richard Humphries. Originally published in London on October 9, 1790, by S. W. Fores. From the 1904 edition of The reminiscences of Henry Angelo, Volume 2.
Black-and-white engraved map of the Aegean Sea, with portions of Greece and Turkey. From Samuelis Bocharti Geographia sacra, : cujus pars prior Phaleg de dispersione gentium & terrarum divisione facta in ædificatione turris Babel; pars posterior Chanaan de coloniis & sermone Phœnicum agit... by Samuel Bochart, published: Francofvrti ad Moenvm, impensis Johannis Davidis Zunneri; typis Balthasaris Christophori Wustii.
Black-and-white offset print reproduction of the exterior and interior of the Hamburg Temple (Israelitischer Tempel) in the Poolstraße, on the occasion of the inauguration on September 5, 1844. Published in the Illustrirte Zeitung.
Black-and-white offset print reproduction of the interior of the Great Synagogue of Stockholm. Published in the October 2, 1870, edition of llustreret Tidende.
Black-and-white offset print reproduction of Alphonse Mucha's poster for Victorien Sardou's play Gismonda, which premiered in 1894 at the Théâtre de la Renaissance. The poster shows actress Sarah Bernhardt in costume as the play's title character. Published in a supplement to Le Courrier français, January 6, 1895.
Black-and-white engraved map of Spain, Italy, and North Africa. From Samuelis Bocharti Geographia sacra, : cujus pars prior Phaleg de dispersione gentium & terrarum divisione facta in ædificatione turris Babel; pars posterior Chanaan de coloniis & sermone Phœnicum agit... by Samuel Bochart, published: Francofvrti ad Moenvm, impensis Johannis Davidis Zunneri; typis Balthasaris Christophori Wustii.
Black-and-white offset print reproduction depicting Jewish refugees from Morocco during the Spanish-Moroccan War. Published in the January 21, 1860, edition of Frank Leslie's Illustrated Newspaper.
Color lithograph including depictions of Jewish women from Algiers. Lithograph by Daniel Urrabieta Vierge. Printed Paris: Imp. Firmin Didot et Cie. From Le costume historique, Volume 3, by Auguste Racinet, published Paris: Firmin-Didot et Cie.
Color lithograph depicting people of Algeria, including a Jewish man. Lithograph by Jean-Adolphe Bocquin after Felix Fossey. From Le monde en estampes : types et costumes des principaux peuples de l'univers by Élizabeth Müller, published Paris: Amédée Bédelet.
Hand-colored engraving depicting peoples of Africa, including a Jewish girl from Algiers and a Jewish woman from Morocco. Engraving by Pierre after a drawing by Henri Félix Emmanuel Philippoteaux. Printed Paris: Laurent imp. Published Paris: Dufour, Mulat et Boulanger.
Color lithographic maps showing the dispersal of the descendants of Noah after the flood, and the twelve tribes of Israel, with additional biblical maps. From Cram's universal atlas : geographical, astronomical and historical by George F. Cram, published Chicago: George F. Cram.
Black-and-white offset print reproduction depicting a boy after his confirmation ceremony. From Living London : its work and its play, its humour and its pathos, its sights and its scenes, Vol. 2, by George R. Sims.
Black-and-white etched satirical portrait of Ismael Aga, a noted peddler and beggar in the area of the Royal Exchange in London. London: Published 4 July, 1812, by Robert Wilkinson.
Caricature by Franklin Morris Howarth published in Puck. The text reads : 1 --Mr. Isaacs: "Ikey, look, look! See vat your fader learns out mit dis pook! I can do it! I'm a hypnotister!" 2 "Now watch! Here gomes a jay gustomer. Go out mit der store. Leaf me alone. I will hypnotister him. I vill get me double brices! 3 --"Vat, you only vant a pair of pants? Look me in der eye!" --Mr. Hardacre (aside): "That feller is tryin' ter hypnertize me. I used ter be purty good at that game, myself. I'll try my hand at it." 4 --Mr. Isaacs (aside): "Oh! If I had only known dese dricks pefore. (To Hardacre.) Look in der glass. Isn't dot fine, undt only feefty tollars." --Mr. Hardacre: "I'll let him think he has me!" 5 --Mr. Isaacs: "And you vant a fine silk hat. Ah! you look schoost like dot Brince of Vales (Aside.) Oh! dis vas too easy!" --Mr. Hardacre (aside): "Now I'm ready to begin on him." 6 (Making the hypnotic passes : immediately transfixing Isaacs and handing him a piece of paper). "Now you want your money, I suppose? Here is a hundred-dollar-bill. Give me the change." 7 --"Yes, that is right! Ten, twenty, thirty, forty. Now, you sit down on that chair and don't move until that clock strikes five. Good-by!" 8 --Young Isaacs: "Fader, vat's der matter? You see nodding mit your eyes open. Vhere's der gustomer you hypnertisted? Vake up! Vake up!" 9 --Mr. Isaacs (as he awakes): "Vhat! Dere vas no hundret-tollar-bill in der drawer? Four ten-tollar-bills missin'? Oh, mein sufferin' peoble! Dot feller was a hypnotister himself! Ikey, Ikey! purn dot pook!"
Caricature depicting a Jewish family on the water in Manhattan Beach. The text reads : "Ah Rachel I wud'nt sthay in dot vouter - I dink I go out and look on de vouter." Caricature printed by Tobin N.Y.
Hand-colored lithographed portrait of singer Rosine Bloch in costume as Amnéris in Verdi's Aida, performed at the Opéra de Paris (Théâtre de l'Opéra) in 1880. Costume designed by Eugène Lacoste.
Black-and-white engraved portrait of Moses and the Ten Commandments. Engraving by Robert Nanteuil and Gérard Edelinck after a painting by Philippe de Champaigne.
Black-and-white lithograph depicting two men outside of a notary. In German, the text reads : --J: "No ne Dublone, oder s'wird Se reie." --N: "Es thut's nit--!" In English, the text reads : --J: Another coin, or else it's going to be free. --N: It's not working--!"
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William A. Rosenthall Judaica Collection - Prints and Photographs✖[remove]1,584
![[Ach, mein Sohn, der Abraham…]](https://rspace.library.cofc.edu/iiif/image/39978/full/200,/0/default.jpg)
![[Tuguriola, Tonsio Judaica, Festum lætitiæ Legis, Viri exeuutes ad radios lunares]](https://rspace.library.cofc.edu/iiif/image/39679/full/200,/0/default.jpg)
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