Chintz applique quilt top, 105.5" square, made of 36 squares, each with a floral chintz applique. Fifteen squares have maker's signatures, dates and city. Floral chintz sashing. No batting or backing (unfinished). Signatures are: Adrianna L. Lartique, Blackville 1847 / Mary Elisa Gantt, April 1848 / Harriet Blackwood, Charleston 1848 / Elisabeth Cummins, Charleston 1848/ Harriet B. Chapman, February 1848 / Virginia Chapman, January 1848 / Rachel Chapman, Charleston 1848 / Mrs. C. T. Lartique, Blackville 1847 / T. B. Chapman, Charleston 1848 / Harriet B. Chapman, March 1848 / Catherine Chapman, Blackville 1847 / Mrs. R. Kirkland, Blackville 1848 / Ann E. Furman, Charleston 1847 / Claudia L. Chapman, Blackville 1847. Donated to the Charleston Museum by Lucia Fishburne Walker (Mrs. William Harvey Cogswell) in 1978. Second image displays detail of one square.
The whole cloth coverlet is printed with a large bamboo tree in the center, surrounded by vines, leaves, and flowers. Two urns with floral arrangements flank the base of the tree. A scrolling vine and flowers surround the Tree-of-Life motif.
Chintz applique quilt measuring 109.5" by 190.5" and consisting of 41-12" square blocks with muslin ground and chintz applique flowers, set on point. Triangles fill in around the edges on all sides. Brown, red and cream print sashing frame the squares and triangles. Floral chintz is used on outer border. It has a woven tape binding with muslin backing and a very thin batting. Two wreaths in the center are signed "Margaret Thompson Banks / 1844" and "James Monroe Eason / 1844." A maker's wreath below and between the center wreath is signed "Gracy Drummond / December 4th, 1845/ Aged 66 yrs." Each block on the frontof the quilt has the name and date of a family member as follows: (A-1) J Bennett Lanneau; (A-3) Elizabeth Drummond; (A-5) Mary E Dotterer; (A-7) Thomas D Eason; (A-9) Robert Pritchard Eason; (B-2) Thaddeus Street; (B-4) Henry Eason Dotterer; (B-6) Gracia Jane Lanneau; (B-8) Thomas Davis Dotterer; (C-1) Hugh Rose Banks, Jr.; (C-3) Sarah Ann Eason Street; (C-5) Isabella Jane Grassell Eason; (C-7) Thomas A Dotterer; (C-9) Margaret Thompson Murphy; (D-2) Fleetwood Lanneau; (D-4) T Ogier Smith; (D-6) Margaret Thompson Banks; (D-8) William A Dotterer; (E-1) Jane S Windsor; (E-3) Caroline Thompson Mann Banks; (E-5) Gracy Thompson Drummond; (E-7) Hugh Rose Banks, Sr.; (E-9) Caroline C Banks; (F-2) Gracey Jane Windsor Lanneau; (F-4) Elizabeth A Banks; (F-6) James Monroe Eason; (F-8) Fleetwood G Lanneau; (G-1) Charles Henry Banks; (G-3) Thomas T Windsor; (G-5) Elizabeth Thompson Mann-Windsor; (G-7) Mary Eason Dotterer; (G-9) Sarah Jane Jones; (H-2) Martha Elizabeth Jones Windsor; (H-4) James B Dotterer; (H-6) James Caldwell Lanneau; (H-8) Sarah Thompson Calder; (I-1) Mary Stevens Lanneau; (I-3) Caroline B Drummond; (I-5) Margaret Murphy; (I-7) Harriet [unknown] Burns; (I-9) William Grassell Eason. The quilt was made for the marriage of Margaret Thompson Banks (1826-1886) and James Monroe Eason (1819-1887). The two were married on March 23, 1847 in Charleston, South Carolina. The quilt was donated in 2011, by direct descendents of Margaret and James Eason, Virginia Eason Winn and Julie King Winn Sellers. Includes two detail Objects of quilt blocks F-2 and H-2, respectively.
Very large white cambric quilt with appliques. Central medallion is floral bouquet surrounded with butterfly motifs and circular floral vine. Surrounding vine are bird and butterfly motifs, with architectural ruins inside four oval landscape medallions. Floral vase in each corner. Inner border is floral chintz with urns, lion's head depicted on each. Middle border is white cambric and outer border is different chintz pattern with cherubs. Tape binding, backing is cambric, fine batting.
The quilt consists of thirty blocks with centered applique motifs, each signed. Motifs include birds, flowers, floral wreaths, urns, and baskets of flowers. The motifs are cut out and appliqued with a button hole stitch. The blocks are separated by white sashes. The quilt is framed with a floral border. Bound, backed, and quilted.
At the center of the quilt is a large square medallion of individual appliqued chintz motifs. The center consists of various chintz flowers and leaves. The area bordering the center medallion depicts various birds, peacocks, and floral motifs. The outside border is floral chintz. Quilted and backed.
White cotton coverlet, 78" x 97," embroidered with white cotton handwork. Central tree of life in a handled pot or basket surrounded by inner border of grape vine, leaves and grape clusters. Outer border of swags. Directly under the pot are embroidered initials and date: "P D C 1814." No backing or batting; narrow rolled hem top and bottom, sides selvage. Made by Martha (Patsy) Dabney Chisholm of Charleston in 1814. Purchased by the Charleston Museum in 1999.
White on white corded quilt, basket of flowers central design, set in lozenge surrounded by flowers, border of scrolls and leaves. Wide outer border has arched motifs each with one of several flowers. Tape and fringe on three sides of quilt. Said to have been made by Mrs. Sarah Hyrne and her friends in South Carolina in the 18th century. Donated to the Charleston Museum by Margaret Livingston Charles Aldrich (Mrs. Richard Aldrich) in 1952.
White cotton bedspread with white cotton thread embroidery, 79" x 85." The central design is a tall flower in a vase surrounded by a scalloped diamond, with floral motifs around it. A vine with flowers forms final border. Said to have been made by Ann Hamilton (cousin of Alexander Hamilton) while visiting relatives in Charleston in 1812. Donated to the Charleston Museum by Florence Margaret Underwood Adams (Mrs. Gordon Adams) in 1977.