Main caption: 'The President at the Charleston Exposition. Photographs by Frederick Moore.' Caption top left: 'The President speaking in the auditorium.' Caption top right: 'Negro tea-pickers singing pickaninny songs to the President.' Caption bottom center: 'The presidential party reviewing the parade.' Further captioning identifies: 'The President, Sec. Wilson, Mayor Smythe, Mrs. Roosevelt.'
Caption: 'Charleston--Celebration of her recovery from the effects of the Earthquake.--from a photograph by Cook.--[see page 818.]' [full date November 12, 1887.]
Main caption: 'Incidents of the Earthquake at Charleston.--drawn by Schell and Hogan.--[see page 590.]' Caption top left: 'In front of the Charleston Hotel.' Caption top right: 'looking over the roofs.' Caption middle: 'A camp on the East Battery.' Caption bottom left: 'The front wall gone.' Caption bottom center: 'In a rich man's garden.' Caption bottom right: ' On the track.' [full date September 11, 1886.]
Main caption: 'Leading lawn-tennis players.--photographed by E.M. Bidwell.--[see page 583.]' Caption top left: 'Richard Dudley Sears.' Caption top right: 'Dr. James Dwight.' Caption bottom left: 'R. Livingston Beeckman.' Caption bottom right: 'Howard A. Taylor.' [full date September 11, 1886.]
Caption: 'After The Earthquake At Charleston.--drawn by W.A. Rogers and W.P. Snyder from sketches by Frederic Remington and A.J. Gustin.--[see page 610.]' Individual captions: (top left): 'Open air preaching.' (top right): Subsistence committee.' (bottom left): 'Negro prayer-meeting.' (bottom right): 'Relief committee.' [full date September 18, 1886.]
[Color image.] Main caption: 'After the Earthquake at Charleston.--drawn by W.A. Rogers and W.P. Snyder from sketches by Frederic Remington and A.J. Gustin.--[see page 610.]' Caption upper left: 'Open air preaching.' Caption upper right: 'Subsistence Committee.' Caption lower left: 'Negro prayer-meeting.' Caption lower right: 'Relief committee.' [full date September 18, 1886.]
Caption: 'The Ruins Of Charleston.--photographed by W.E. Wilson, Savannah, Georgia. 1. The Guard House. 2. St. Michael's Church. 3. News and Courier Office. 4. St. Philip's Church. 5. No.27 Broad Street. 6. Hibernian Hall. 7. The Medical College.'
Caption: 'South Carolina.--The recent earthquakes at Charleston--typical scenes of the calamity. From sketches by C. Upham--see page 71. 1. Scene on the stairway of the Charleston Hotel during a shock. 2. Taking down St. Philip's Steeple. 3. Scene on Marion Square, opposite the Citadel--a city of tents.' [full date September 18, 1886.]
Main caption: 'South Carolina.--scenes in the track of the cyclone which devastated Charleston, August 25th. See page 43. 1. St. Michael's Church [upper left]. 2. Scene on the water front after the storm [top right]. 3. Destruction on South Battery [bottom].' [full date September 5, 1885.]
[Color image.] Caption: 'The Avery Institute, Charleston, South Carolina.--[see page 867.]' Also identified in image: Rev. Charles Avery and Teachers' Home.
Main caption: 'American industries.--Silk culture in Alabama--an enterprise founded and carried on by Colored people at Huntsville.--from a sketch by A. Berghaus.' Caption left: 'Method of feeding the silkworms with mulberry leaves.' Caption right: 'Colored children carding the raw material.' [full date August 17, 1878.]
Caption: 'Main room of the Industrial Academy, in which the various processes for the production of raw silk are conducted.' [full date August 17, 1878.]
Caption: '1. Assembling on the Citadel Parade. 2. Watching the Procession. 3. The Boy Drum Corps. 4. The Thirteen States. 5. The Union League. 6. Reading the Emancipation Proclamation on the Battery. South Carolina--the celebration of Emancipation Day, January 8th. in Charleston--scenes and incidents of the parade--see page 375.' [full date February 10,1877]
Caption: 'Sketches in Charleston, South Carolina. 1.Cotton Day. 2. A Limb of the Law. 3. Gossips. 4.Light-wood cart. 5. "A Relic". 6. Milk Girl.7. In the Market-Poultry Dealer. 8."Horse" Car.' [full date July 17, 1875.]
Caption: 'The Hon. Robert Brown Elliott, of South Carolina. From a photograph by Gardner, Washington, D.C.--see page 150.' [full date February 14,1874.]
Caption: 'Concert for the inmates of the Charity Hospital, Blackwell's Island.--drawn by C.E.H. Bonwill.--(see page 150.).' [full date February 14, 1874.]
Political cartoon, caption: 'The Commandments in South Carolina. "We've pretty well smashed that; but I suppose, Massa Moses, you can get another one."' [full date September 26, 1874]
Caption: 'West Point, N.Y.--examination of Cadet Grant--he displays his knowledge of his father's battles.--from a sketch by A. Berghaus.--see page 241.' [full date June 24, 1871.]
Caption: 'Southern scenes.--fight for garbage in the streets of Charleston between the scavengers (turkey-buzzards) and the Negroes.' [full date December 11, 1869.]
Caption: 'Military Prisons at Charleston, South Carolina.--Sketched by Lieutenant F. Milward--[See Page 110]' The Jail and Work-House are both identified.
Caption: 'Remains of the new bridge over Ashley River, Charleston, S.C., partially destroyed by the Rebels on the evacuation of the city, Feb 18, 1865.--from a sketch by our Special Artist, W.T. Crane.' [full date June 10, 1865.]
Main caption: 'The present appearance of Charleston, S.C., showing the effects of the Federal bombardment.--from recent sketches by our special artist.' Caption top left: 'Nos.165, 167 and 169 Meeting Street, Charleston, S.C.' Caption top right: 'East Bay Street, looking south.' Caption middle left: 'Kitchen attached to 53 Wentworth Street--effect of two shells.' Caption middle right: 'Gentleman's ordinary, Charleston Hotel.' Caption bottom: 'Vendue Range.' [full date March 25, 1865.]
Caption: 'Military Prisons at Charleston, South Carolina.--Sketched by Lieutenant F. Milward--[See Page 110]' the Jail and Work-House are both identified. [full date February 18, 1865.]
[Color image.] Caption: 'Feeding 8,000 people with rations of rice and salt at West Point Mills, on the Ashley River, Charleston S.C.-- From a sketch by our Special Artist, W.T. Crane.' [full date April 15, 1865.]
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