Black-and-white offset print reproduction with scenes from the inauguration of the synagogue in Lechenich on September 10, 1886. From an original drawing by Jean Bungartz. Published in Die Illustrirte Welt.
Black-and-white offset print reproduction of the exterior of the synagogue in Versailles, with scenes from its inauguration. Published in the October 2, 1886, edition of Le Monde illustré.
Photograph of front of Randolph Hall after the Charleston Earthquake of 1886. Damage to east wing visible on right. Both wings were eventually removed. Construction of Randolph Hall, the most recognizable building at the College, began in 1828 under the direction of architect William Strickland. Flanking wings and portico for the main building were designed by Edward Brickell White and erected circa 1850. In 1886 the wings were destroyed by the Charleston earthquake and rebuilt between 1888 to 1894 under the direction of Gabriel Manigault.
Photograph of front of Randolph Hall after the Charleston Earthquake of 1886. Both of the damaged wings have been removed. On bottom of photograph: " Charleston Earthquake views - Charleston College. Both Wings gone." Construction of Randolph Hall, the most recognizable building at the College, began in 1828 under the direction of architect William Strickland. Flanking wings and portico for the main building were designed by Edward Brickell White and erected circa 1850. In 1886 the wings were destroyed by the Charleston earthquake and rebuilt between 1888 to 1894 under the direction of Gabriel Manigault.
Photograph of front of Randolph Hall after the Charleston Earthquake of 1886. Rubble can be seen at base of east wing on right. Construction of Randolph Hall, the most recognizable building at the College, began in 1828 under the direction of architect William Strickland. Flanking wings and portico for the main building were designed by Edward Brickell White and erected circa 1850. In 1886 the wings were destroyed by the Charleston earthquake and rebuilt between 1888 to 1894 under the direction of Gabriel Manigault.
Black-and-white lithograph depicting vestments of the Jewish priests and high priests. From Le costume historique by Auguste Racinet, published Paris: Firmin-Didot et cie.