In this one-page typed letter, Edmunds expresses regret that the O'Hears plan to leave Ansonborough, and expresses her hope that they find a suitable buyer. Edmunds also explains that per the restrictive covenants, O'Hear must contact Historic Charleston Foundation when a sale is imminent.
In this one-page typed letter, Edmunds permits Boyd to sell his home at 59 Society Street to R. Scott Hood. She expresses regret that Boyd is leaving Ansonborough, but thanks him for finding a nice family to live in his home.
In this one-page typed letter, Edmunds expresses regret that Lindsay and his wife will be leaving Ansonborough, but says she is glad to hear that their home will soon be owned by Dr. and Mrs. Keeley.
In this one-page typed letter, Edmunds expresses regret that Leland will be leaving Ansonborough, but says she is glad to hear that her home at 40 Society Street will soon be owned by Miss Muller.
In this one-page typed letter, Edmunds acknowledges Newton Morris's sale of his home on Wentworth Street and states that she will send a notarized quit-claim deed to Bates.
Letter from Edmunds to Wragg encouraging Wragg and other Ansonborough residents to contact Father Friend, the Mayor, and the City Engineer's office about the ruins of the Catholic Church on Wentworth Street.
In this letter, Ehni announces the formation of the Historic Ansonborough Neighborhood Association to Stevenson, president of the Historic Charleston Foundation.
Oil painting by Lt. William Elliott depicts the abortive attack on Fort Moultrie during the American Revolution. Plate on painting reads: "Charlestowne South Carolina. The abortive attack of Fort Moultrie 26th June, 1776, by a British naval force under Commodore Sir Peter Parker consisting of HMS's Bristol, Active, Experiment, Solebay, Actaeon, Syren, Sphinx, and bomb vessel Thunder. Lt. Wm. Elliott RN, Fl 1784-1792, Hon. Exhibitor at the Royal Academy."
A fragmented crystal discovered during 2019 investigations of the Russell House Kitchen House. The crystal was wedged tightly between the end of an original floorboard and the first period masonry wall in the east enslaved quarter of the Russell House Kitchen House. One end identifies it as a chandelier or girandole crystal. The other end, however, shows evidence of a percussive strike, evidence it was intentionally struck one or more times to shape it into a crude point.
A small pillow, hand sewn with faded mattress ticking and stuffed with lambswool, uncovered during 2020 investigations of the Nathaniel Russell Kitchen House. Pillow was discovered under the floorboards in the front of the fireplace in the west enslaved quarter. Pillow measures 4"x5".
Handwritten invitation on folded, embossed paper dated August 16, 1849. Discovered under floorboards in front of the fireplace in the east enslaved quarter during 2020 investigations of the Nathaniel Russell House kitchen house. The letter transcription reads, "Miss Mary Lopez respectfully/soliceits the honor of Mr. & Mrs./Allescader Compaony on/Wednesday Evening next/inst. at her residence/Prices Alley at 1/2 past 7/O'Clock August 16th, '49
A page ripped from a Quaker periodical entitled "Friends Intelligencer," published in Philadelphia in 1868. Discovered above the kitchen firebox on the first floor during 2018 investigations of the Nathaniel Russell House kitchen house.
Full-length portrait painted by portraitist Edward Savage depicting Alicia Russell Middleton (1789-1840), daughter of Nathaniel Russell, at six years old, depicted picking roses in the garden at the Russell's house on East Bay Street.
A ripped page of an early 20th century hymnal uncovered during 2020 investigations of the Nathaniel Russell House Kitchen House. Page discovered under floorboards in the front of the fireplace in the 2nd floor west quarter.
A small wooden brush with fine hairs uncovered during 2020 investigations of Nathaniel Russell House Kitchen House. Brush discovered under the floorboards in the front of the fireplace in the east enslaved quarter. Dates to period of enslavement.
Four B&W photographs of buildings on the east side of King Street, including some that were demolished for the construction of Charleston Place: Top left (244-246): 244 Coastal Finance Loans and 246 King Street (The Linen Shop) demolished; Top right: 238-242 King Street (J.C. Penney Company) ? demolished; Bottom left (226-230): 226 King Street (Ritz [Hotel]), 228 King Street (Little Town), and 230 King Street demolished; Bottom right: 316 King Street (Rosalie Meyers) [labeled 318 on album page].
Photograph of the destruction of a house done by the tornadoes of September, 29, 1938. Based on newspaper accounts, the home was probably located in the Fiddlers' Green neighborhood near the Ashley River. Two men lean against the ruins while another man climbs a nearby telephone pole.
Photograph of St. Michael's Church after the first tornado of September 29, 1938, showing the damage done to the roof. Handwritten on back of photo: "Old historic St. Michael's Church, corner Broad Street and Meeting Street. Done by first tornado, Sept. 29, '38."
Black-and-white photograph of the west side of King Street below Market Street, starting from the southwest corner of King Street and Market Street. South Carolina Federal Savings & Loan (221 King Street) in foreground. Also shown are 219 King Street, 217 King Street, 215 King Street, and 213 King Street. (Currently the site of Majestic Square.)