Wooden chief's stool decorated with four broad supports, each with two female figures, hands clasped over the stomach. The wood surface is treated with a white coloring agent. Origin Dogon people of Mali.
Heavy dark wooden chief's stool supported by a carving of a female figure. Origin Kuba people of the Democratic Republic of the Congo (formerly Zaire).
Wooden stool supported by four nearly identical carved figures with red mouths; three figures hold the seat of the stool with extended arms; geometric design at base and top; origin Ituri rainforest.
Wooden stool with a base and top joined by four carved vertical supports. Seat contains a circular band of cowrie shells and inlaid ivory. Origin West Africa.
Wooden stool with three uneven legs a sloping seat; appears to have been made from one trunk and branches; roughly made, several cracks, seat has small V-shaped section missing; origin Dodoth people of Uganda.
Orange and natural colored woven round, flat straw object resembling a trivet; no decoration on bottom; possible origin Uganda (weaving pattern resembles objects from Uganda).
One page poster that reads "WHOSE TOMORROW IS TOMORROW? AND WHOSE WORLD IS THE WORLD? WORKERS AND OPRESSED PEOPLE OF THE WORLD UNITE!" Illustration inludes various images of working class people engaged in work and struggle
Anti-war comic entitled, "Vietnam," providing arguments against the Vietnam War with an emphasis on the injustices with regard to African American enlisted soldiers.
One page poster that reads "WORKSHOPS Making the Connections: RACISM South Africa U.S.A. Dr. Beryl Banfield room 421, Teaching about Apartheid through Drama Paula Bower room 423, Historical Development of the Souther African Struggle Elmore Barthe room 411, Divestment Barbara Omalade room 427, Education in South Africa James Campbell room 418, Women Sandra Rivers room 240, Exploration of "Strangers in their Own Country" (High School curriculum on South Africa) Clarence Taylor room Assembly"
