Black and white photograph of No. 20 Colonial Street. The photograph is stapled to a beige sheet of paper with two holes punched through the top. The paper is labeled "20 Colonial Street BAR #835-11-21." There is a white border surrounding the photograph. The photograph shows a gravel path in between No. 20 Colonial Street and the neighboring structure to the right. The corner of the front facade/east elevation of No. 20 Colonial Street is visible as well as the corner of the front facade/east elevation and south elevation of the neighboring structure. There is foliage obstructing the view of the exterior of the first floor of No. 20 Colonial Street.
Two black and white photographs of the main building and outbuilding of No. 18 Bull Street: Top (front façade); Bottom (detached outbuilding to the right of the front façade). The two photographs are taped to a white sheet of paper labeled on the bottom left corner as "18 Bull St. #813-11-6." The top photograph shows the three-story front facade of the Adamesque style main structure. The main structure has a pitched roof with an elevated Palladian entryway and centered front door. The bottom photograph shows the two-story outbuilding with a pitched roof and a Palladian entryway matching the one found on the facade of the main house. Both structures are of brick construction. The bottom photograph also has a hand drawn red “X” over the entire structure. The top photograph shows cars, electric poles, and trees in front of the building's three-story facade with its neighboring building, No. 20 Bull Street, to the back right.
Pencil sketches and occassional watercolors by Charleston-born architect William Martin Aiken. The sketches are primarily buildings and architectural elements from Charleston, Boston, Rhode Island, France, England, Switzerland.
Pencil sketches by Charleston-born architect William Martin Aiken. Primarily images of buildings and architectural elements in Boston, Charleston, Atlanta, Virginia, North Carolina, New Hampshire, Montreal, and Quebec City.
Color photograph of Septima P. Clark and her son, Nerie David Clark, Jr. standing in front of Septima P. Clark painted portrait at Septima P. Clark Day Care Center inaugural ceremony.
