Black-and-white engraving depicting blowing the shofar on Rosh Hashanah at the Portuguese Synagogue in Amsterdam. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
Black-and-white engraving depicting a marriage ceremony of Portuguese Jews in Amsterdam. Engraving after Bernard Picart. From A new and univeral history of the religious rites and ceremonies of all nations in the world by William Hurd, published London: A. Hogg.
Satirical scene etched in red depicting four members of the committee around a treasure chest, which is empty of coins and occupied by a grinning demon. The Secretary holds upside down an empty bag inscribed "ils ont emigrè" ("they have emigrated"). One of the committee members takes from a Jew (at left) a dish on which a little demon is excreting coins. On the right, a large cupboard with packages labeled Recepissen (receipts) and Assignats (paper money issued during the French Revolution) falls forward on to the backs of two committee members, including the president of the Committee of Accounts. The Jew sells a figure which he assures the purchaser will, if nourished with the tears of the Orangists, give fifty ducats daily. This is better than the piles of assignats which threaten ruin. Territories conquered by France during the Revolution were forced to take assignats from French soldiers and to change them for receipts. Etching by William Humphrey after a caricature by David Hess. From Hollandia regenerata by David Hess.
Satirical scene etched in red depicting the patriots, who had emigrated in 1787 after their defeat by the Anglo-Prussian alliance, approaching the committee, apparently two French Représentants en Mission, with requests for money and clothes. Four men stand on the right, two with papers inscribed "Request." From the pocket of one (right), dressed as a soldier, projects a carriage-lamp, which he is alleged to have stolen. One Frenchman, wearing a scarf inscribed "Representant," and holding a pair of breeches, puts money into an outstretched palm. On the left, an old Jew measures a patriot wearing sabots (clogs) for a suit of clothes. Behind him is a wall from which projects a sign: "Nathan Levi Uitdraager en Kleermaaker" ("broker and tailor"). Etching by William Humphrey after a caricature by David Hess. From Hollandia regenerata by David Hess.
Black-and-white engraving depicting scenes from the six days of creation. From The whole genuine and complete works of Flavius Josephus : the celebrated warlike, learned and authentic Jewish historian… by by George Henry Maynard, with illustrated with marginal references... by Edward Kimpton, published London: Printed for J. Cooke.
Hand-colored engraving of the contest between boxer Daniel Mendoza and his former mentor Richard Humphries. The text reads : "This Boxing Match took place at Doncaster, Sept. 29th, 1790, on a Twenty four foot Stage and was the third Public Contest between those two pugilists. It lasted for about an Hour & five Minutes & was decisive in favour of Mendoza." Engraving by Joseph Grozer after a drawing by Charles Reuben Ryley. Published London: W. Richardson.
Schedule of the sales of David Owen's estate. Includes a list of various transactions concerning goods and the monetary amount accompanying each sale. 6 Pages.
Black-and-white engraved portrait of Hebraist and author David Levi. Engraving by William Bromley after Samuel Drummond. Published in the European Magazine.
