- Abel Banov draws on memories of his childhood in Charleston, South Carolina, to describe his familys customs, the synagogues, his fathers business ventures, the local merchants, and the differences between the citys uptown and downtown Jews. In 1939, he was hired by the North American Newspaper Alliance to cover stories in Spain just after the Spanish Civil War ended and, in the 1940s, he was founding editor of El Mundos English newspaper in Puerto Rico. He married Joan Heinemann, who fled Nazi Germany in the late 1930s.
- Sisters Dorothea Dumas, Renée Frisch, and Jennie Ackerman recall their familys immigrant background and share memories of growing up in Charleston, South Carolina, in the 1920s and 30s. Their father, New Yorker Louis Shimel, an attorney who married Lillian Fechter of Charleston, served as the assistant district attorney for the Southeast and was the first president of the Jewish Community Center. The sisters also discuss the founding of Emanu-El, Charlestons Conservative synagogue.
- Fannie Appel Rones shares her memories of growing up on St. Philip Street in Charleston, South Carolina, between the world wars. The neighborhood was diverse—home to blacks, whites, Catholics, Jews, Greeks, and Italians. Fannie talks about her parents, Abraham and Ida Goldberg Appel (Ubfal), emigrants from Kaluszyn, Poland, and recalls stories her mother told her about the Old Country. She discusses the differences between Charleston’s “uptown” and “downtown” Jews and the Orthodox synagogues, Brith Sholom and Beth Israel. Fannie also relates her experiences as a member of Charleston’s Conservative synagogue, Emanu-El, and Reform temple, Kahal Kadosh Beth Elohim.
- Lillie Goldstein Lubin grew up in Charleston, South Carolina, in the 1920s and ’30s. Her parents, Abraham and Bessie Lazerovsky Goldstein, emigrants from Russia and Lithuania, ran a shoe shop in Charleston that evolved into a men’s clothing store. As a youngster, Lillie’s singing talent was recognized by her mother and teachers. She began taking voice lessons when she was nine and performed at a number of local venues as a child and teenager, notably, singing with the Charleston Oratorio Society in a performance of Haydn’s Creation. Lillie, whose stage name as a professional opera singer in New York was Lisa Lubin, discusses her early training and the artists who influenced her most. During her singing career, she performed in several languages, including Yiddish and German. She describes Charleston’s Jewish community in the years before World War II as “unique” because of the “camaraderie” and the “kinship” that she felt. Lillie recalls her mother’s visits to the mikveh, attending Rabbi Axelman’s Hebrew school, going to Folly Beach to listen to bands, and the black Charlestonians who worked for the family, both in their home and at their store. She married Herman Lubin of New York, whom she met in Charleston while he was working at the navy yard as an engineer. During the course of the interview, Lillie sings a few lines from some of her favorite songs.